On Stage This Weekend: "Much Ado" and "Emote"

   There's no excuse for not seeing everything on stage this weekend - there are only two shows on tap!

   Here's the rundown, courtesy of my pal Ryan Hardiman:

 - Much Ado about Nothing (Play)
by William Shakespeare
Arts Resources for the Tri State
Fri. and Sat., Aug. 29 and 30 at 8 p.m.
ARTS Mainstage, 900 8th Street, Huntington
Tickets are $15
304-733-2787

- Emote: The Rock Opera (Musical)
by Harry Beall
Alban Arts Center
Fri. and Sat., Aug 29 and 30 at 8 p.m.
Alban Arts Center, 65 Olde Main, St. Albans, W.Va.
Tickets are $10 all ages
304-721-8896

   So get out there and support your community theatre!

 

"Much Ado About Nothing" - A Review

  Let's face it, watching a play by Shakespeare can be a challenge - who talks like that anymore?

   But if you're looking for one of his plays that offers easy access to the audience, that brings big laughs and an easy-to-follow story, then you should go see the excellent production of Much Ado About Nothing, which ARTS is presenting this weekend at the Renaissance Theatre (the old Huntington High School) at 900 8th Street.

   It's easily one of the (if not THE) funniest shows crafted by Shakespeare. It follows the tangled story of love for two different couples - the boisterious Benedick, an avowed bachelor and Beatrice, the contrary and sharp-tongued bachelorette who has no use for men; and Claudio, the love-struck young man who has fallen for the beautiful Hero - and she's crazy about him, too.

   Of course, the path of true love doesn't always run smooth, so the couple in love find their wedding disrupted by an enemy's evil scheme, while the couple not in love are drawn together by a kind-hearted scheme by true friends.

   What follows is a comedy of... well, not errors, but wrongs to right and lovers to be set right. (Or words to that effect.)

   The play has been cleverly moved to a more modern setting by director Mike Murdock. It's set in Las Vegas in the 1960s in Leonato's Casino. The costumes and sets are a wonderful change-up for the classic story, all brought to life with great skill and craft, and the characters translate perfectly to the new setting, which includs piano performances and several wonderful dance numbers with Vegas showgirls, courtesy of choreographer Coni Anthony

   But the real stars of the show, of course, are the actors:

- Len Trent (Benedick) has shown great skill at playing intense characters in past shows, but here he shows his range and absolutely kills with laughs. His comic eavesdropping scene alone is worth the price of admission.

- Joanna Berner (Beatrice) also gets to steal some very funny scenes in her own attempts to uncover a "secret" love interest. A gifted actress, she gets to show her comic chops throughout (not to mention some dance moves), and the results are delightful.

- Eric Wilson (Claudio) is the love-smitten young man who has to play it straight, but shows his emotional range in his outrage over charges against his beloved, and his shock at a surprising twist. He's always spot-on and charming.

- Emma Imes (Hero) doesn't get to do much more than be very sweet and also outraged, but she does it so well. And she does get a death scene - well, sort of...

- Stephen Vance (Don Pedro) and Bill Stambaugh (Leonato) get to ooze charm and gravitas as the top dogs in Vegas, and they're obviously having a lot of fun doing it.

- Dylan Clark (Dogberry), Luke Matlock (Verges), Jonathan Armstrong (Hugh Oatcake) and Andrew Surber (George Seacoat) are a scream as security agents who - quite inadvertantly, and despite their best efforts - play a key role in revealing the evil plot against the lovers. They're a pure delight.

- Andrew Potter (Friar) also gets some big laughs with a different twist on the role - he plays it as an Elvis impersonator! What more do you need to know?

- Simon Woods (Don John) revels in his part as the wicked brother of Don Juan, and it's his machinations that move things along. Can we just agree that any show is better for the inclusion of Simon? He's wonderful in every part he plays, and this is no exception.

   The entire cast does excellent work here, bringing life to a classic that - like all great works - is just as timeless and entertaining as ever.

    You only have two chances left (Friday and Saturday at 8 p.m.) to catch this excellent production, the third Shakespeare play in three years from ARTS - and so far, they're batting a thousand.

   Face it, if you're a theatre fan at all, you owe it to yourself to see Much Ado About Nothing.  

Interview #5 with the Cast of "Much Ado About Nothing"

You just have two chances left to catch the ARTS production of Much Ado About Nothing - it runs Friday and Saturday at 8 p.m. at the Renaissance Theatre at 900 8th Street in Huntington.

For our latest interview with the cast, let's hear from the guy who plays the lead in the comedy - the talented and incredibly funny Len Trent:

Q: What is Much Ado About Nothing about?

Len: I have no clue. You have one pair that wants nothing to do with love and another pair that can only think of love. A bunch of conniving people trying to either set one pair up or tear the other pair apart. I still can't figure it out.

Q: Why did you want to be part of this show?

Len: I ask myself the same question everyday. I guess it's ARTS and (director) Mike Murdock. Also, the William guy that penned this piece ain't bad.

Q: Tell us about your part in the play.

Len: I play Benedick. He is one half of the pair that wants nothing to do with love. He is tricked into believing he is in love. And, well it makes for one of Shakespeare's better bloody tragedies.

Q: What's your background in theatre?

Len: Acting and stage combat in one way or another for 20 years or so. Thanks for ripping open that wound, Chuck.

Q: I'm here to help. Tell us about the cast and/or directors you're working with.

Len: It's unbelievable. Totally miscast. These people are out there getting laugh after laugh. This is serious theater yet there is no blood and no gore. People are leaving with big smiles on their faces every night. I don't get it.

Q: Why would you urge our readers to see this play?

Len: I have no Idea why. I mean if you want to see Shakespeare done in a '70s casino with attractive Showgirls and possibly have some laughs then I guess this is your show.

Thanks, Len!

A Free Concert with Chris Sizemore

 

   He grew up singing and performing on local stages, and these days, Huntington's own Chris Sizemore makes his living acting and singing professionally in Washington, DC - in fact, he's just been cast in the classic musical Fiddler on the Roof, which will be presented this fall at Arena Stage in Washington, DC.

 

   He's also getting ready to release an album - and you can get a sneak preview when he offers a free concert in Huntington at Fifth Avenue Baptist Church on August 31 at 7 p.m.

 

   He'll be singing his favorite songs, your favorites, some old, and some new. Some of the songs he's singing will be on his upcoming album.

   You can check in at his event page on Facebook (and you don't have to be a Facebook member to see the page):

https://www.facebook.com/#!/events/1484917061754816/?ref_dashboard_filter=upcoming

   It's great to see our local talent making their mark in major markets around the country - and even better when they return home to share their gifts with us!

   Don't miss it!

Interview #4 with the Cast of "Much Ado About Nothing"

   Here’s the fourth in our series of interviews with the cast of William Shakespeare’s Much Ado About Nothing, which is being presented by ARTS at the Renaissance Theatre at 900 8th Street in Huntington.

   You have three more chances to catch the show - there’s a show tonight at 8 p.m. and two more next weekend!

   

   This time around, let’s hear from the talented and funny Andrew Potter:

Q: What is "Much Ado" all about?

Andrew: Love, deceit, and beautiful girls dancing.

Q: Why did you want to be part of this show?

Andrew: It’s one of Shakespeare’s greatest plays, and it [hopefully] won’t require washing off gallons of blood before leaving the theater each night.

Q: Tell us about the part you play.

Andrew: I play Friar Francis, the rockin’est papa this side of Salerno, who humbly strives to someday become the Bishop of Rome. I also perform quickie wedding services at Leonato’s casino.

Q: What’s your background in theatre?

Andrew: I watched it from afar for years, mostly from near the back of the house. Eventually, I auditioned, and someone took pity and cast me. I’ve been conning my way from theatre to theatre for several years and managed to somehow convince ARTS that I was talented enough to put me in the Resident Company for an entire year. Suckers.

Q: Tell us about the cast and/or directors you’re working with.

Andrew: I think Mike Murdock’s reputation for the treatment of Shakespeare is well enough known through his Macbeth and Julius Caesar that I couldn’t possibly add any more laurels to his crown, but I do have to say that this cast is incredibly funny. I got to sit in the auditorium and just laugh at what they would do for weeks of rehearsal. Also, the girls dance and are beautiful.

Q: Why would you urge our readers to see this play?

Andrew: It’s really a good play. Seriously, it’s entertaining. Also, did I mention beautiful dancing girls?

On Stage This Weekend

   Here's the list of shows running this weekend, courtesy of my pal Ryan Hardiman:

- Much Ado about Nothing (Play)
by William Shakespeare
Arts Resources for the Tri State
Fri-Sat Aug 22-23 / 29-30 at 8pm
ARTS Mainstage, 900 8th Street, Huntington, WV
$15 show only, $30 dinner and show by reservation only.
304-733-2787
DINNER MENU: Garden Salad w/ raspberry vinaigrette dressing/Chicken Breast/Scalloped Potatoes/Parmesan baked tomato/Summer Vegetables/Rolls/Berry Shortcake/Coffee or Iced Tea
DINNER WILL BE SERVED ONLY ON THE FOLLOWING DAYS:
Friday, August 22
Saturday, August 23

- The Legend of Sleeping Beauty (Musical)
Book and lyrics by Thomas W. Rieser. Music and lyrics by Alan W. Gill and Laura Derocher.
Alban Arts Center
Fri-Sat Aug 22-23 at 8pm
Matinees Sunday Aug 24 at 2pm
Alban Arts Center, 65 Olde Main, St. Albans WV

- Frankenstein: A New Musical (Musical)
Scene One Theatre
Fri-Sat Aug 22-23 at 8pm
Matinees Sun Aug 22 at 2pm
ARTS/West 152 West State Street, Athens, OH
$11 Adults / $8 Children
http://scene1frankenstein.bpt.me/

- Hansel + Gretel: The Musical (Musical)
JAX Theatre
Fri-Sat Aug 22-23 at 7pm
Matinees Sat Aug 23 at 2pm
JAX Theatre
8805 Ohio River Rd. Wheelersburg, OH
Tickets $12 plus $1.65 fee if you buy online
http://www.eventbrite.com/e/hansel-and-gretel-the-musical-tickets-12493844425?aff=eac2

- 9 to 5 (Musical)
Actors Guild of Parkersburg
Fri-Sat Aug 22-23 at 8pm
Actors Guild of Parkersburg
724 Market Street, Parkersburg, WV
(corner of 8th and Market)
$17 Adults / $14 Students and seniors
304-485-1300

- Another Fistful of Bullets! (Interactive Murder Dinner Party)
Murder and Merriment
Fri-Sat, Aug 22-23 at 7pm
South Charleston Holiday Inn, Charleston, WV
Tickets $45
Reservations Required: 304.744.5301

Interview #3 with the Cast of "Much Ado About Nothing"

  Here’s the third in our series of interviews with the cast of William Shakespeare’s Much Ado About Nothing, which is being presented over the next two weekends by ARTS at the Renaissance Theatre at 900 8th Street in Huntington.

   

   This time around, let’s hear from the multi-talented Stephen Vance:

Q: What is "Much Ado" all about?

Stephen: "Much Ado" is the story of love, misunderstanding, and the people who live it.

Q: Why did you want to be part of this show?

Stephen:This is my favorite Shakespeare show. I love the wit and the comedy. 

Q: Tell us about the part you play.

Stephen: I play Don Pedro, the prince. My character takes it upon himself to make sure his best friends get the girls of their dreams and makes sure everyone has some fun along the way.

Q: What’s your background in theatre?

Stephen: I started by working backstage with Helen Freeman at HOT. I ended up in the chorus of Thoroughly Modern Millie two years later. Over the last few years, I have the privilege to be a part of nearly every show at ARTS over the last 6 years either on or off stage. I'm now one of the resident directors at ARTS and couldn't be more honored to be working with such a talented and dedicated group of performers.

Q: Tell us about the cast and/or directors you’re working with.

Stephen: Murdock is something special. The Tri-State is really fortunate to have such a gifted and hard-working artist sharing his abilities with us. He makes you better and gives you the freedom to grow. This cast is unbelievably good. Who would've thought three years ago that a local group could pull off one Shakespeare show, let alone three? I started to list the people in this cast individually who I'm proud to share the stage with and realized I was typing everyone's name. They are so cool.

Q: Why would you urge our readers to see this play? 

Stephen: This is the coolest show you may see in a long time. In my opinion, "Much Ado" is also the most accessible of Shakespeare's show. It's easy to follow and so much fun. I'm so proud of this cast and crew and want everybody to have a chance to see it.

   Thanks, Stephen!

"Aladdin" Diary #4

   I love work parties!

   An important part of putting on a show is building the set that goes with it.

   For First Stage Theatre, that means putting together work parties to assemble, paint and decorate the set for the musical Disney's Aladdin, Jr.

   One of the big advantages to a children's theatre is that you (hopefully) have a built-in work force to pitch in and tackle that construction effort. But I'm not just talking about the parents of our actors (though we certainly appreciate their help).

   On shows I direct, the cast is actually required to put in a couple of hours working on the set. It's a "win-win" situation - it's a great experience for the young actors, to learn some basic construction skills (everyone should know how to paint, for example). It's also a good lesson - that set doesn't just appear when the cast arrives at the stage. And it gives them the pride of ownership!

   And it's a boost for the show, as we get the work force we need to build the sets (as you see in the photo above of three of our intrepid painters).

   For this show, the effort is organized by three members of the First Stage board - Jack Welch, Hunt Bryan and Mike Barbour. They finalize the design, make sense of my scribbled notes and suggestions, and create the setting for our magical tale.

   They're heroes all!

Interview #2 with the Cast of "Much Ado About Nothing"

   For our second interview with the talented cast of Much Ado About Nothing, the Shakespeare play that's taking the stage over the next two weekends at the Renaissance Theatre in Huntington, let's hear from the lovely and talented Cyndi Fuller:

Q: What is Much Ado About Nothing about?

Cyndi: Ok so there's this girl and this guy and they're all like, "Oh no I'll never be in love it's so yucky." Then there this other girl and guy and they are totes 100% into each other. BUT there are villains and they are out to ruin the WHOLE thing. I really don't know why they are so mean. Maybe they had really awful kindergarten teachers. The showgirls who never wear pants. If that isn't reason enough to see it you need to get your priorities straight.

Q: Why did you want to be part of this show?

Cyndi: ARTs is a rad group of people. They welcome people with open arms (take a moment to sing the Journey song here). Mike (Murdock) is a fantastical director. I couldn't imagine a more wonderful group of people to work with. For reals.

Q: Tell us about your part in the play. 

Cyndi: I literally don't wear a shirt the entire show. I'm covered in rhinestones and adoration. I was cast for my legs and facial expressions. My role as cigarette girl steals the show (excited emoji).

Q: What's your background in theatre?

Cyndi: I'm a professional chorus member. Background emotions and dancing on tables are my forte. If you are ever looking for someone to shimmy and shake during a show, I'm your gal. My facial expressions are on POINT.

Q: Tell us about the cast and/or directors you're working with.

Cyndi: I've met some of the best people in the world doing this show. Mike is one of the most spectacular directors to grace the Tri-State and the cast has welcomed me with open arms. I can't imagine a more wonderful group of human beings to work with. 

Q: Why would you urge our readers to see this play?

Cyndi: The dancers are hot. The acting is on fire. The games and music are mesmerizing. You're missing out on the opportunity of a lifetime if you don't see Much Ado About Nothing. 

   Thanks, Cyndi!

Interview #1 with the Cast of "Much Ado About Nothing"

    They’ve just wrapped their first of three weekends, so before it’s too late, let’s hear from the cast of William Shakespeare’s Much Ado About Nothing, which is being presented over the next two weekends by ARTS at the Renaissance Theatre at 900 8th Street in Huntington.

   To kick things off, let’s hear from my pal, the amazingly talented Frederick Walker:

Q:  What is "Much Ado" all about? 

Frederick: Much Ado About Nothing is a comedy and a tragedy rolled into one.  A couple in love despite their pretense of  disdain for each other.  Another whose true love is thwarted (is it?) by a lie told by a villain!

Q: What part do you play, and why did you want to be part of this show?

Frederick: I play the part of the sexton, a small part befitting one who is in only his second play.  I wanted to be in this show to experience the other wonderful cast and learn from them.  It has been a wonderful ride.

Q: Tell us about the cast and/or directors you’re working with.

Frederick: The cast has been very supportive and as each brings different talents, each is willing to share and teach. The Director (Mike Murdock) is great to work with because, even though he knows his is the final word, he is always willing to listen to suggestions and create a fantastic show from the "pool" of talent.

Q: Why would you urge our readers to see this play? 

Frederick: I invite everyone who loves to laugh and/or cry to come to this show. I urge anyone not familiar with the play to read a two paragraph synopsis prior to the show, as the show jumps right into the action and foreknowledge of the main characters will prevent the many nuances of a William Shakespeare play from passing you by!

   Thanks, Frederick!

On Stage This Weekend

   Lots of great shows on tap this weekend - here's the rundown, courtesy of my pal Ryan Hardiman:

- Much Ado about Nothing (Play)

by William Shakespeare

Arts Resources for the Tri State

Fri. - Sat., Aug. 15-16 / 22-23 / 29-30 at 8 p.m.

Matinee Sun., Aug. 17 at 2 p.m.

ARTS Mainstage, 900 8th Street, Huntington

$15 show only, $30 dinner and show by reservation only.

304-733-2787

DINNER MENU: Garden Salad w/ raspberry vinaigrette dressing/Chicken Breast/Scalloped Potatoes/Parmesan baked tomato/Summer Vegetables/Rolls/Berry Shortcake/Coffee or Iced Tea

DINNER WILL BE SERVED ONLY ON THE FOLLOWING DAYS:

Opening Night - Friday, August 15th

Saturday, August 23

- The Legend of Sleeping Beauty (Musical)

Book and lyrics by Thomas W. Rieser. Music and lyrics by Alan W. Gill and Laura Derocher.

Alban Arts Center

Fri. - Sat., Aug. 15 - 16 and 22 - 23 at 8 p.m.

Matinees Sun., Aug. 17 and 24 at 2 p.m.

Alban Arts Center, 65 Olde Main, St. Albans WV

- Joseph, Mother of Jesus (Original Play)

by Dan Kehde

Contemporary Youth Arts Company (CYAC)

Thurs. - Sat., Aug. 14 - 16 at 8 p.m.

West Virginia State University Capitol Center Theatre

123 Summers Street, Charleston WV

$15 Adults / $8 Students / Seniors

Tickets are available at the door the evenings of the performances

304-342-6522 for reservations and group rates.

- Frankenstein: A New Musical (Musical)

Scene One Theatre

Fri. - Sat., Aug. 15 - 16 / 22 - 23 at 8 p.m.

Matinees Sun., Aug. 17 and 22 at 2 p.m.

ARTS/West 152 West State Street, Athens, OH

$11 Adults / $8 Children

http://scene1frankenstein.bpt.me/

- A Murderous Reunion! (Interactive Murder Dinner Party)

Murder and Merriment

Fri. - Sat., Aug. 15 - 16 at 7 p.m.

The Greenhouse of Teays Valley, Hurricane, WV

Tickets $40

Reservations Required: 304-397-6316

- Hansel + Gretel: The Musical (Musical)

JAX Theatre

Fri. - Sat., Aug 15 - 16 / 22 - 23 at 7 p.m.

Matinees Sat., Aug 16 and 23 at 2 p.m.

JAX Theatre

8805 Ohio River Rd. Wheelersburg, OH

Tickets $12 plus $1.65 fee if you buy online

http://www.eventbrite.com/e/hansel-and-gretel-the-musical-tickets-12493844425?aff=eac2

- 9 to 5 (Musical)

Actors Guild of Parkersburg 

Fri. - Sat., Aug. 15 - 16 / 22 - 23 at 8 p.m.

(*Sat., Aug. 16 show is at 7 p.m.- Fireworks afterward)

Matinees Sun., Aug. 10 and 17 at 2:30 p.m.

Actors Guild of Parkersburg

724 Market Street, Parkersburg, WV

(corner of 8th and Market)

$17 Adults / $14 Students and seniors

304-485-1300

   So get out there and support your local theatre!

"Much Ado About Nothing"

  Taking the stage this weekend is the ARTS presentation of William Shakespeare's Much Ado About Nothing - and as you'd expect, it's an original interpretation of the classic story.

   Here's their description of the show:

   "It tells the story of an upcoming wedding and a hilarious plan to make two wisecracking rivals fall in love. All is well until the prince’s brother decides to interfere with all of the joy of the occasion. Will love save the day? Director Mike Murdock has adapted Shakespeare’s whimsical tale of romance and wit, and has set the play in 1960s Vegas. After huge successes with updates of Macbeth and Julius Caesar, the bard’s comedy is sure to please."

   I'm hearing great things about the show! It runs for three weekends, starting Friday night. Don't miss it!

   Here's all the info you need:

WHEN: The show runs August 15, 16, 22, 23, 29, 30 at 8 p.m. and August 17 at 2 p.m.

WHERE: Renaissance Theatre (Old Huntington High School) at 900 8th Street in Huntington.

HOW MUCH: General Admission tickets are available at the door for $15. Dinner and show $30 with reservation.

Dinner seating for this show is extremely limited and will sell out (the first Friday is already sold out) - call today to make your reservation: 304-733-2787.

DINNER MENU:
Garden Salad w/ raspberry vinaigrette dressing
Chicken Breast
Scalloped Potatoes
Parmesan baked tomato
Summer Vegetables
Rolls
Berry Shortcake
Coffee or Iced Tea

DINNER WILL BE SERVED ONLY ON THE FOLLOWING DAYS:

Opening Night - Friday, August 15
Friday, August 22
Saturday, August 23

----------------

 Cast:

Len Trent - Benedick
Joanna Berner - Beatrice
Eric Wilson - Claudio
Emma Grace Imes - Hero
Stephen Vance - Don Pedro
Bill Stambaugh - Leonato
Simon Woods - Don John
Cameron Knight - Borachio
Jinnie Knight - Conrade
Sheila Meade - Margaret
Jamie Mathis - Ursula
Dylan M. Clark - Dogberry
Luke Matlock - Verges
Frederick W. Walker - Sexton
Jonathan Maynard - Staffer
Jonathan Blair Armstrong & Andrew Surber - Watchmen
Nic Skaggs - Balthasar
Andrew Potter - Friar
Cyndi Mac Fuller & Jocelyn Clark Knapp - Cigarette Girls
Todd L Green & Karen Kelly Pruitt - Visitors

Director: Mike Murdock
Choreographer: Constance Anthony
Stage Manager: Michael Sullivan

Paying Tribute to Robin Williams

   The outpouring of grief over the death of Robin Williams has been touching - he's an amazing entertainer who touched countless lives with his humor and talent.

   Broadway expressed its feelings last night at the end of the performance of Disney's Aladdin, as the cast joined the audience in singing "Friend Like Me" in honor of the man who created the character of the Genie onscreen.

   You can catch the clip here:

"Aladdin" Diary #3

   The first meeting is always a bit overwhelming - for me.

   Tuesday night we had the first gathering of the entire cast of Disney's Aladdin, Jr., along with their parents - so about 100 people gathered in the hall to start the rehearsal process.

   We always start with introductions of the directing team, give the rules of the road (have fun, respect each other, be on time, that sort of thing), then split the group. The producers take the parents to another room to talk about the road ahead and the tasks involved (great shows require great parent volunteers, and we've got 'em).

   Meanwhile, back in the hall, the cast starts their practice.

   As a general rule, the process is as follows: learn the music, learn the dance, learn the words, learn the movements, put it all together, do the show. Simple, right?

   So music director Mark Smith got the process underway, working on the songs "Arabian Nights" (which is actually broken up into several parts) and "Friend Like Me," where the Genie (and a cast of thousands) give Aladdin a lesson in owning a magic lamp.

   And you know what? One rehearsal in, and they already sound great!

"Aladdin" Diary #2

   Continuing my diary of working on the First Stage production of Disney's Aladdin, Jr.

   For me, the toughest part about directing a show is the casting process. All these wonderful, talented young actors have put the time and energy into the stressful task of auditioning, and it's up to the directing team to decide which actor is included - and which are not.

   It would be fine if you had the exact number of actors auditioning as you had roles to fill. (That never happens.) But invariably, you have dozens more than you can use, so you can't cast everyone.

   It's sad, knowing that somewhere out there, you're delivering bad news when you post that cast list. I always hope those who miss out will come back and try again! One young actor I talked to told me she tried out for four shows before finally landing a part! 

   So right after the auditions ended, the directing team gathered around a table and started sifting through pages of notes, photos and cast lists, trying to match the right actor to the right part. After much debate and discussion, we had our cast. 

   The next step is to post it - and here it is:

Aladdin - Teddy Haddox

Genie - Katie Fulks

Princess Jasmine - Maleea Roy

Jafar - Audrey Fosson

Iago - Lily Browning

Narrators - Olivia Fosson, Caroline Kinley, Holly Price, Elyse Samassekou, Hannah Spurlock

Sultan - Dean Neal

Razoul - Luke Lovejoy

The Guards - Rebecca Gaunch, Shannyn Kyle, Lauren Martinez, Carolyn Rhodes

The Princes (and Chorus) - Lucas Trent, Luke Adkins, Thomas Miller

Townspeople / Genie Chorus / Attendants - 

Ella Adkins

Sydney Barbour

Hannah Blake

Katie Blankenship

Hannah-Rose Broadbent

Juliana Broadbent

Mary Margaret Clouse

Patrick Clouse

Ellie Dean

Lean Dean

Sophie Eastone

Caroline Faucette

Maggie Kayt Franks

Sophia Herbert

Abigail Heuton

Emily Houchens

Owen Jennings

Bailey Lewis

Dylan Lovejoy

Melanie McDowell

Samantha Meek

Emily O’Neal

Abby Parks

Bailey Pope

Macy Prater

Shannon Rawlinson

Arianna Richards

Annie Thacker

Max Specht

Aaliyah Walls

Zadokite Wood

Kylie Wright

   It's a great lineup! Our next step is the first meeting of the cast, and kicking off the rehearsal process!

A Theatre Diary - Aladdin #1

   My apologies for the lack of posts lately - your pal Chuck has been a busy man!

   The main reason for that is because I've taken on a directing job - I'm tackling the next First Stage Theatre production: Disney's Aladdin, Jr.

   To make up for the shortage of posts, I'm going to try to do a running diary of our production - sort of an inside look at what goes into putting on a show like this.

   It all started earlier this year, when First Stage decided on its season of shows for 2014-2015. The first show was going to be Aladdin, and I volunteered to take on the job of directing it.

   The first thing you need to do when you tackle a show is to build your directing team - and I've been lucky enough to be able to work with some amazingly talented, big-hearted and downright wonderful director and producers.

   I don't remember who signed on first, but here's the team: our producers are Leslie Comer-Porter and Becky Craig. They're miracle workers, handling all the behind-the-scenes coordination with our army of parents, vendors and volunteers. They're also organizing an amazing fundraiser - more about that soon!

   For the music director, I was lucky enough to land my pal Mark Smith, who's finding time to guide our show in addition to his work touring with national singing sensation Landau Eugene Murphy, Jr.

   Our choreographer is the wonderful and talented Melissa Marcum, who is busy with her own dance school, but somehow finds time to craft amazing dance routines for our show! Assisting her is a recent First Stage graduate, the gifted-beyond-her-years Brynne Kyle.

   Brynne will also assist her mother, Trish Wood, who's our costume designer - and after her amazing work on Little Mermaid, we can't wait to see what wonders she dreams up for this show!

   For the job of set design and construction, we've recruited two veterans and our newest member of First Stage's board. Jack Welch is heading up the team, working with Hunt Bryan and the "new guy," Mike Barbour. They do amazing work and we can't wait to see what they come up with!

   The show marks the return (to my team) of my pal Amy Browning, who's a wonderful director in her own right (she's working in Once on This Island for later in First Stage's season) - we worked together on a number of shows in years past, and now she's my co-director on Aladdin - I'm thrilled to be teaming up with her again!

   Last (but certainly not least) is our Assistant Director Zach Davis. He's an inventive theatre veteran, he's a First Stage grad and he's directed several shows on his own, and I'm glad to have him back in the First Stage family.
 
   So with the team assembled, the planning began - and this weekend, we took the next big step: auditions!

   Over Saturday and Sunday, a small army of young actors took part in the audition process. They were required to learn and demonstrate a short dance routine, sing about 30 seconds of a song, and read some lines of dialogue - all in front of a panel of directors!

   And let me say, you would be impressed to see all the amazing talent this area features. Kudos to all those who had the courage to take part!

   So now it's down to the directing team to cast the show, and for me, it's the most difficult part of any show. You'd like to include everyone who auditioned - but it's just not possible to squeeze that many actors onto the stage. So the directors evaluate each performer, try to decide where they fit into the show, and how to include as many as possible.

   The sad thing is, some who don't make it may never try out for another show - and that's a pity, because each show is different and each one requires different performers, so while one show may not work, the next one might be a perfect fit.

   Also, the more you audition, the easier it gets - and the better you get at auditioning!

   That brings us to the next step - posting the cast list... which will happen tomorrow at 4pm at the First Stage website: www.Firststagetheatre.org, and on Facebook... and right here!

   More tomorrow!

 

Auditions for "Aladdin, Jr!"

   Auditions are being held this weekend for the show that kicks off First Stage's 25th season! Here's the press release for Disney's Aladdin, Jr. :

   First Stage Theatre Company will hold auditions for the community theatre production of the musical on Saturday, Aug. 9, and Sunday, Aug, 10, 2014. The show is based on the beloved animated film.

   The auditions will be held at the Premiere Dance Studio at 716 6th Street in Huntington, W.Va. Auditions on Aug. 9 will be open from 9 a.m. to 2 p.m., and on Aug. 10 from 2 p.m. to 4 p.m. Auditions are open to students from High School Seniors to those entering the First Grade this fall.

   Participants can arrive and sign up at any time while auditions are open. There is no charge to audition or to take part in a First Stage production, and no theatre experience is required.

   Auditioners should arrive ready to sing a 30-second section of the song of their choice - an accompanist will be provided. They will also be given a few lines from a script to read, and they’ll be taught a short dance step to demonstrate during the audition (be sure to wear comfortable clothes and shoes).

   The show will be presented Sept. 26, 27 and 28, 2014, at the Renaissance Theatre (the old Huntington High School) at 900 8th Street.

   The directing team includes: Directors Chuck Minsker and Amy Browning, Music Director Mark Smith, Choreographer Melissa Marcum, Assistant Director Zach Davis, and Producers Leslie Comer-Porter and Becky Craig.

   Based in Huntington, W.Va., the First Stage Theatre Company is a non-profit organization dedicated to providing an educational, developmental experience for young people through the performing arts. 

   For more information, call 304-416-KIDS (304-416-5437).

On Stage in August

   Running a few days late, but here's the list for the month ahead:

- Much Ado about Nothing by William Shakespeare - Arts Resources for the Tri-State presents the classic play on Aug. 15 - 16, 22 - 23 and  29 - 30 at 8 p.m. at the Renaissance Theatre at 900 8th Street in Huntington. Tickets are $15 for the show only, $30 dinner and show by reservation only. Call 304-733-2787. 

- The Wedding Singer - the Charleston Light Opera Guild presents the musical based on the Adam Sandler comedy on Aug. 8 and 9 at 7:30 p.m., and Aug. 3 and 10 at 3 p.m. at the Charleston Civic Center Little Theatre at 200 Civic Center Drive. Tickets are $20. 

- Disney's The Little Mermaid, Jr. - the Arcoma Story presents the beloved Disney musical based on th animated film. Show wraps up on Aug 9 at 8:30 p.m. at Chief Logan State Park, Little Buffalo Creek Road in Logan, W.Va. 

- Joseph, Mother of Jesus - Contemporary Youth Arts Company (CYAC) presents this original play by Dan Kehde on Aug. 7 - 9 and 14 - 16 at 8 p.m. at the  W.Va. State University Capitol Center Theatre at 123 Summers Street in Charleston. Tickets ar $15 for  Adults and $8 for Students and Seniors.

- The Legend of Sleeping Beauty -  the Alban Arts Center presents the musical on Aug. 15 - 16 and 22 - 23 at 8 p.m. and Aug. 17 and 24 at 2 p.m. at the Alban Arts Center at 65 Olde Main in St. Albans, W.Va.

- 9 to 5 - Actors Guild of Parkersburg presents the musical based on the Dolly Parton film on Aug. 8 - 9, 15 - 16 and 22 - 23 at 8 p.m., and Aug. 10 and 17 at 2:30 p.m. at 724 Market Street in Parkersburg. Tickets are $17 for adults and $14 for students and seniors.

- Frankenstein: A New Musical - Scene One Theatre presents the musical based on the Mary Shelley novel on Aug 15 - 16 and 22 - 23 at 8 p.m., and Aug. 17 and 22 at 2 p.m. at ARTS / West 152 West State Street in Athens, Ohio. Tickets are $11 for adults and $8 for children.

- A Murderous Reunion! - Murder and Merriment present the interactive dinner party on Aug. 15 - 16 at 7 p.m. at The Greenhouse of Teays Valley in Hurricane, W.Va. Tickets are $40. Reservations Required: call 304-397-6316.

- Another Fistful of Bullets! - Murder and Merriment present the interactive dinner party on Aug 22 - 23 at 7 p.m. at the South Charleston Holiday Inn. Tickets are $45, reservations are required. Call 304-744-5301.

    Lots of great shows! Get out there and support your local theatre!