Late August will be a great time for country music fans, as Willie, Merle and Ray pay a visit. You can read all about it in this story by "Dandy" Dave Lavender. (Or should it be "Dapper" Dave? "Daring" Dave? I'll work on it.)
And if you don't know the last names of the trio listed above, shame be thy name! It's Nelson, Haggard and Price.
Thursday, May 31, 2007
Wednesday, May 30, 2007
Performances at the Tony Awards
Since the Tony Awards offer a look at the best shows on Broadway, there's always a lot of interest in the musical numbers that are included. The producers made an announcement about it today.
Hey, did I mention that I'll be live-blogging the Tonys? Just checking.
Here's the info:
Hey, did I mention that I'll be live-blogging the Tonys? Just checking.
Here's the info:
Telecast live from Radio City Music Hall on Sunday, June 10, the Tony Awards will feature musical numbers from each of the Tony Nominees for Best Musical - Curtains, Grey Gardens, Mary Poppins and Spring Awakening as well as performances by the casts of Best Musical Revival nominees - A Chorus Line, Company and 110 in the Shade.
The show will also feature a special performance by Fantasia, who's now appearing on Broadway in The Color Purple.
Presenters at the 2007 Tony Awards will include: Harry Connick, Jr., Claire Danes, Jeff Daniels, Brian Dennehy, Carla Gugino, Neil Patrick Harris, Anne Heche, Marg Helgenberger, Judd Hirsch, Felicity Huffman, Melina Kanakaredes, Eddie Izzard, The Jersey Boys - Christian Hoff, Daniel Reichard, J. Robert Spencer and John Lloyd Young, Jane Krakowski, Angela Lansbury, Robert Sean Leonard, John Mahoney, Audra McDonald, Cynthia Nixon, Bernadette Peters, David Hyde Pierce, Christopher Plummer, Liev Schreiber, Kevin Spacey, John Turturro, Usher, Sam Waterston, Vanessa Williams, Rainn Wilson, among others…
Tuesday, May 29, 2007
Live-blogging the Tony Awards
In a couple of weeks (on June 10, to be precise) the Tony Awards will air live on TV, and just for fun, I hope to live-blog the event.
For those who haven't run into it before, live-blogging is sort of a running commentary on the program as it airs - posting live comments, in other words. "American Idol" fans have enjoyed Angela's live comments at her "Idol Chit-Chat" blog, and it looks like fun, so I thought I'd give it a shot.
And since you can't exactly live-blog a theatre show (the audience gets annoyed by the tapping of the keys, not to mention the glare of the computer screen), this is about the only chance I get - so tune in and join the fun!
For those who haven't run into it before, live-blogging is sort of a running commentary on the program as it airs - posting live comments, in other words. "American Idol" fans have enjoyed Angela's live comments at her "Idol Chit-Chat" blog, and it looks like fun, so I thought I'd give it a shot.
And since you can't exactly live-blog a theatre show (the audience gets annoyed by the tapping of the keys, not to mention the glare of the computer screen), this is about the only chance I get - so tune in and join the fun!
Monday, May 28, 2007
In Memoriam - Charles Nelson Reilly
Sad to hear of the passing of actor Charles Nelson Reilly. He was a Tony Award winning actor who was most famous for his TV roles, including lots of appearances on game shows like "The Match Game," which I spent entirely too much of my youth watching.
You can read more about him here.
I never met him, but according to those that did, he was a heck of a nice guy.
You can read more about him here.
I never met him, but according to those that did, he was a heck of a nice guy.
Remembering Memorial Day
I apparently had the same childhood as our pal Jim Ross, because his "Hot Topics" blog entry about Memorial Day could have been written by me (well, most of it, but only if I was a better writer).
When I was young, Memorial Day was a big holiday. A huge gathering of my grandparents, aunts, uncles and cousins would form a caravan of vehicles, visiting rural graveyards and putting flowers on the graves of relatives who died long ago. My Uncle Claude would place a small American flag on the graves of the veterans.
We'd have a picnic lunch at a roadside site (back when such things existed) and eventually make our way home. It really wasn't a somber event - it was more a celebration of those who had passed on.
I'm afraid I haven't managed to continue the tradition, although, since moving out on my own, I have spent a few Memorial Days visiting the graves of family members. I like to think that you can observe the day by taking a few moments and remembering your loved ones - even the ancestors who you never met. We wouldn't be here without them! Then again, maybe it's time to revive the family tradition. I wonder where Uncle Claude bought those flags?
Happy Memorial Day, everyone!
When I was young, Memorial Day was a big holiday. A huge gathering of my grandparents, aunts, uncles and cousins would form a caravan of vehicles, visiting rural graveyards and putting flowers on the graves of relatives who died long ago. My Uncle Claude would place a small American flag on the graves of the veterans.
We'd have a picnic lunch at a roadside site (back when such things existed) and eventually make our way home. It really wasn't a somber event - it was more a celebration of those who had passed on.
I'm afraid I haven't managed to continue the tradition, although, since moving out on my own, I have spent a few Memorial Days visiting the graves of family members. I like to think that you can observe the day by taking a few moments and remembering your loved ones - even the ancestors who you never met. We wouldn't be here without them! Then again, maybe it's time to revive the family tradition. I wonder where Uncle Claude bought those flags?
Happy Memorial Day, everyone!
The 2007 - 2008 Schedule for ARTS
The group known as Art Resource for the Tri-State (ARTS) is way ahead of the game - they've already announced their schedule for the upcoming year! The shows will all be presented at the Renaissance Center (the old Huntington High School). Here's what they have planned:
"Hello Dolly!" - The famous musical will star Beth McVey in the title role, and will be presented Oct. 12 - 14 and 19 - 20, 2007.
"The Odd Couple" (Female Version) - Lots of people may not realize that the original show was adapted for female leads. It'll be presented March 6-9, 2008.
"A Funny Thing Happened On The Way To The Forum" - The hilarious musical (it's one of my favorites) will be presented June 13 - 15 and 20 - 21, 2008.
For a local theatre group to know what they're doing a year from now is pretty impressive. It's an ambitious lineup - so buy a ticket and show your support!
"Hello Dolly!" - The famous musical will star Beth McVey in the title role, and will be presented Oct. 12 - 14 and 19 - 20, 2007.
"The Odd Couple" (Female Version) - Lots of people may not realize that the original show was adapted for female leads. It'll be presented March 6-9, 2008.
"A Funny Thing Happened On The Way To The Forum" - The hilarious musical (it's one of my favorites) will be presented June 13 - 15 and 20 - 21, 2008.
For a local theatre group to know what they're doing a year from now is pretty impressive. It's an ambitious lineup - so buy a ticket and show your support!
Sunday, May 27, 2007
Star Wars Hits 30
Not to step on the toes of my pal Maureen, who does a fine job hosting the "Movie Maven" blog, but I can't let the weekend pass without noting the 30th Anniversary of the first showing of the movie "Star Wars" (back before it was known as "Episode IV" or "A New Hope").
The movie was first released May 25, 1977, to only 32 theaters around the country - none of them in West Virginia, unfortunately. But within a few weeks the studio executives realized they had a blockbuster on their hands and the film landed in local theaters.
I remember standing in line on that opening night at the Capital Theater in Charleston, W.Va. - and the line was so long, I actually had to wait for the next showing. It was (and still is) an amazing movie-going experience, and I must have seen the movie a half-dozen times over the weeks ahead, dragging all my friends along for the experience.
Now, "Star Wars" is a world-wide phenomenon, and there's a new animated TV show in the works to carry on the legacy. Don't be surprised if, several years down the road, we see more movies created by a new generation of filmmakers.
It was great fun, years ago, to take my kids to see the re-release of the "Star Wars" movies. Perhaps someday I'll be dragging my grandkids along to see the next generation of "Star Wars" films. Hey, I can dream, can't I?
The movie was first released May 25, 1977, to only 32 theaters around the country - none of them in West Virginia, unfortunately. But within a few weeks the studio executives realized they had a blockbuster on their hands and the film landed in local theaters.
I remember standing in line on that opening night at the Capital Theater in Charleston, W.Va. - and the line was so long, I actually had to wait for the next showing. It was (and still is) an amazing movie-going experience, and I must have seen the movie a half-dozen times over the weeks ahead, dragging all my friends along for the experience.
Now, "Star Wars" is a world-wide phenomenon, and there's a new animated TV show in the works to carry on the legacy. Don't be surprised if, several years down the road, we see more movies created by a new generation of filmmakers.
It was great fun, years ago, to take my kids to see the re-release of the "Star Wars" movies. Perhaps someday I'll be dragging my grandkids along to see the next generation of "Star Wars" films. Hey, I can dream, can't I?
Friday, May 25, 2007
Audition Tips
I received some good questions via email recently about auditions, so I wanted to share the information here for anyone thinking about trying out for a show.
At an audition for a musical, you're required to demonstrate your singing skills.
One question was whether it was required or recommended that you do a song from the show you're auditioning for.
Every group has its own rules and requirements spelled out in the audition notice, but as a general rule you're expected to sing about 30 seconds of any song you like - it can be from the show you're trying out for or from any other show. It's always a good idea to bring along sheet music from the song, if you have it. Auditions almost always have someone available to play the piano, or you can bring recorded music (on a CD or a cassette tape) to sing along with. You can actually sing without any music at all - it's up to you. The directors just want to hear your singing voice. But if you're hoping for a leading role, you'd better be prepared - know your song and do your best.
If you're aiming for a specific part, I think it's a good idea to sing a song by that character - it shows your dedication. However, it's not required, and it's much more important to sing a song that you can do well - even if it's from another show. That's the key - pick a song that shows off your range and practice, practice, practice!
Another question was, if the audition are held on more than one day, do you have to be present for each audition day?
Auditions are like signups - you show up, sign in and you're put on the list. When your turn arrives, you do your audition, and then you're done. Because lots of people (hopefully) want to audition, the theatre group has to allow enough time for each one to audition. Some prefer to arrive early to auditions, some wait for the end - it's up to you. Another reason for different days is in case someone has a conflict on one of the days.
As always, if you have questions, leave a comment here or send me an email at TheMinskers@aol.com. Oh, and good luck!
At an audition for a musical, you're required to demonstrate your singing skills.
One question was whether it was required or recommended that you do a song from the show you're auditioning for.
Every group has its own rules and requirements spelled out in the audition notice, but as a general rule you're expected to sing about 30 seconds of any song you like - it can be from the show you're trying out for or from any other show. It's always a good idea to bring along sheet music from the song, if you have it. Auditions almost always have someone available to play the piano, or you can bring recorded music (on a CD or a cassette tape) to sing along with. You can actually sing without any music at all - it's up to you. The directors just want to hear your singing voice. But if you're hoping for a leading role, you'd better be prepared - know your song and do your best.
If you're aiming for a specific part, I think it's a good idea to sing a song by that character - it shows your dedication. However, it's not required, and it's much more important to sing a song that you can do well - even if it's from another show. That's the key - pick a song that shows off your range and practice, practice, practice!
Another question was, if the audition are held on more than one day, do you have to be present for each audition day?
Auditions are like signups - you show up, sign in and you're put on the list. When your turn arrives, you do your audition, and then you're done. Because lots of people (hopefully) want to audition, the theatre group has to allow enough time for each one to audition. Some prefer to arrive early to auditions, some wait for the end - it's up to you. Another reason for different days is in case someone has a conflict on one of the days.
As always, if you have questions, leave a comment here or send me an email at TheMinskers@aol.com. Oh, and good luck!
Thursday, May 24, 2007
Trouble in Tony Town
With the Tony Awards just a couple of weeks away, the behind-the-scenes battle continues over what to include in the broadcast on CBS. The show, despite top talent and some great performances, traditionally does poorly in the ratings, so the TV network is pushing for more lighthearted musical numbers that will appeal to the average viewer.
The problem is, there's a long-standing tradition that only numbers from shows that are nominated for Best Musical are included - and most of those shows are on the serious side. They include "Curtains," "Grey Gardens," "Spring Awakening" and the not-so-serious "Mary Poppins." (You can see the complete list of nominations here.)
According to this article from Variety, the producers hoped to include songs from "Legally Blonde" and "LoveMusick" (which stars Micheal Cerveris), but the idea was shot down, and the show will stick to tradition.
It's a shame, because both those shows have a local connection. Cerveris is from Huntington, and the star of "Blonde" - Laura Bell Bundy - hails from Kentucky. That's show biz!
The problem is, there's a long-standing tradition that only numbers from shows that are nominated for Best Musical are included - and most of those shows are on the serious side. They include "Curtains," "Grey Gardens," "Spring Awakening" and the not-so-serious "Mary Poppins." (You can see the complete list of nominations here.)
According to this article from Variety, the producers hoped to include songs from "Legally Blonde" and "LoveMusick" (which stars Micheal Cerveris), but the idea was shot down, and the show will stick to tradition.
It's a shame, because both those shows have a local connection. Cerveris is from Huntington, and the star of "Blonde" - Laura Bell Bundy - hails from Kentucky. That's show biz!
Wednesday, May 23, 2007
"Carmen" Wows 'Em!
According to my sources, last weekend's performance of "Carmen" in Charleston was a huge success - in fact, it was the first show for the West Virginia Symphony to manage a complete sell-out at the Clay Center - all 1,716 seats!
I'm not surprised - it was a terrific performance, featuring some amazing talent, and the Clay Center is the perfect venue for the show. At the end of the performance, the applause was loud, boisterous and well deserved!
A correction to my review, by the way. I wrote:
It's wonderful to hear the show was such a success - hopefully that means we'll be seeing more operatic productions in the future.
But they'll have a tough time topping this one!
I'm not surprised - it was a terrific performance, featuring some amazing talent, and the Clay Center is the perfect venue for the show. At the end of the performance, the applause was loud, boisterous and well deserved!
A correction to my review, by the way. I wrote:
"I'm not sure the leads even needed microphones, as their powerful, pure voices rang out through the theater."Turns out the joke was on me - they weren't wearing mics at all, which makes the power of their voices and the theater's wonderful acoustics that much more impressive - especially considering they were singing over the orchestra! Now that's talent!
It's wonderful to hear the show was such a success - hopefully that means we'll be seeing more operatic productions in the future.
But they'll have a tough time topping this one!
Tuesday, May 22, 2007
"Oklahoma" Cast List
The Huntington Outdoor Theatre has posted its tentative cast list for this summer's production of "Oklahoma," and you'll find some of the area's top talent on display in there. You can see the complete list right here. (I should stress that this is a tentative list and may change a bit between now and the first show.)
They've also posted the cast list for the Pre-Show, which you can see right here.
They've also posted the cast list for the Pre-Show, which you can see right here.
Get Recognition for Your High School Musical
Here's a note directed at area high schools - this website has information about competition to recognize high school theatre productions. There have been some great shows staged locally, and I'd recommend the teachers or parents involved checking into this.
A tip o' the hat to my pal Len, who pointed this out to me. And hey, it is connected to "High School Musical" - have I mentioned that First Stage will be presenting it in the fall? (He asked, innocently.)
A tip o' the hat to my pal Len, who pointed this out to me. And hey, it is connected to "High School Musical" - have I mentioned that First Stage will be presenting it in the fall? (He asked, innocently.)
Sunday, May 20, 2007
Can You Tell Me How To Get To...?
Yep, "Sesame Street Live" is making a return visit to Huntington next weekend. You can read all about it in this article by Beth Hendricks.
My kids long ago outgrew these shows, sadly enough - but they're great fun for young people, who never seem to mind the fact that the characters on stage (with the exception of Big Bird and Snuffy) are much bigger than they are on TV - but then, kids have a great ability to suspend disbelief, something grownups struggle with.
The kids will love the adventures of "Super Grover," and the grownups will love seeing the look of joy on the faces of the children. It's a "win-win" situation!
My kids long ago outgrew these shows, sadly enough - but they're great fun for young people, who never seem to mind the fact that the characters on stage (with the exception of Big Bird and Snuffy) are much bigger than they are on TV - but then, kids have a great ability to suspend disbelief, something grownups struggle with.
The kids will love the adventures of "Super Grover," and the grownups will love seeing the look of joy on the faces of the children. It's a "win-win" situation!
Saturday, May 19, 2007
What's Derek Up To?
If you've wondered about Derek Keeling, the Scott Depot native who was part of the "Grease: You're The One That I Want" TV reality show, a recent interview shows that he's keeping busy in the Big Apple.
The story also has some interesting insights on his experience during the show. You can read about it right here.
The story also has some interesting insights on his experience during the show. You can read about it right here.
Friday, May 18, 2007
"Carmen" - The Review
Here's a review that doesn't do you much good (hey, it's the speciality of the house). That's because the opera "Carmen," which runs one show Saturday night at Charleston's Clay Center, is virtually sold out (the last I heard, there were 17 seats left).
Still, my pal Mark Hayes managed to score a press pass for me, and I caught last night's dress rehearsal. (You can read more about the show in this previous post.)
Now, for those who don't know it, "Carmen" is an honest-to-goodness opera. I worried that, being a heathen who hadn't seen a "real" opera performance in decades, I'd sit there thinking about which Bugs Bunny cartoon each song originally appeared in. Happily, that wasn't the case - the show is so amazing, so riveting, that you spend most of it in awe of the talent on display.
When you think of community theatre, you picture modest sets and amateur performers - but there was none of that in evidence. The performers were amazing. I'm not sure the leads even needed microphones, as their powerful, pure voices rang out through the theater. Playing the title role is nationally-known soprano Christina Nassif, and she has an incredible voice.
The West Virginia Symphony Orchestra provided the music, and they were incredible! A top-notch, thoroughly professional production - their performance alone was worth the cost of admission.
Add to it amazing sets and costumes, and you have a performance that managed something I would have thought impossible - it made me enjoy opera!
Now, for you non-opera fans, yes, the show is long - it runs about three hours, with two intermissions thrown in - and yes, they're not singing in English, but the production has thoughtfully provided translations, courtesy of a projection at the top of the stage. Still, I guarantee you'll have a great time.
So if you get the opportunity, go and get some culture! You don't often get a chance like this, and trust me - it doesn't hurt a bit. "Carmen" gets my highest recommendation!
Still, my pal Mark Hayes managed to score a press pass for me, and I caught last night's dress rehearsal. (You can read more about the show in this previous post.)
Now, for those who don't know it, "Carmen" is an honest-to-goodness opera. I worried that, being a heathen who hadn't seen a "real" opera performance in decades, I'd sit there thinking about which Bugs Bunny cartoon each song originally appeared in. Happily, that wasn't the case - the show is so amazing, so riveting, that you spend most of it in awe of the talent on display.
When you think of community theatre, you picture modest sets and amateur performers - but there was none of that in evidence. The performers were amazing. I'm not sure the leads even needed microphones, as their powerful, pure voices rang out through the theater. Playing the title role is nationally-known soprano Christina Nassif, and she has an incredible voice.
The West Virginia Symphony Orchestra provided the music, and they were incredible! A top-notch, thoroughly professional production - their performance alone was worth the cost of admission.
Add to it amazing sets and costumes, and you have a performance that managed something I would have thought impossible - it made me enjoy opera!
Now, for you non-opera fans, yes, the show is long - it runs about three hours, with two intermissions thrown in - and yes, they're not singing in English, but the production has thoughtfully provided translations, courtesy of a projection at the top of the stage. Still, I guarantee you'll have a great time.
So if you get the opportunity, go and get some culture! You don't often get a chance like this, and trust me - it doesn't hurt a bit. "Carmen" gets my highest recommendation!
Thursday, May 17, 2007
An Artistic Review on Sunday
More than just a dance recital, the Elite Performance Academy will put on an Artistic Review this weekend in Huntington, and it includes some talented folks. My pal Michelle Shaver Heiner sent along this information:
Elite Performance Academy presents their Artistic Review 2007, Sunday, May 20, 2007, with shows at 2:00pm and 6:00pm at Marshall University's Joan C. Edwards Performing Arts Center.
This family oriented show will be presented in two acts: "Performers In Motion" and "Disney Magic."
The Review will showcase the current Elite students. Guest Artists, both local and travelling from Pittsburgh, Penn., and Washington, DC, will perform in the Review as well.
Guest Artist vocalists include favorites Chris Sizemore and Ryan Hardiman. Sizemore recently toured with Roald Dahl's "Willy Wonka" (National Tour) Kennedy Center production and Hardiman dazzled tri-state audiences in his roles as the Beast in the Huntington Outdoor Theatre production of "Disney's Beauty And The Beast" and Berger in Marshall University Theatre's production of "HAIR." Guest Artist dance performers include Danielle Scanlon, Travis Layman and Laura Ptakowski all from Point Park University in Pittsburgh, Penn., and former students of Elite Owner/Instructor, Marlo Shaver Wentz. Desiree Hall is a current triple threat student of Marlo Shaver Wentz and is from Washington, DC. Desiree has performed with Debbie Allen at the Kennedy Center and with the Kirov Ballet Company and currently travels from the DC area to Huntington on a regular basis to train with Marlo Shaver Wentz.
Ticket cost is $12.00 and are now on sale at the Marshall University box office. You can order tickets weekdays from 1:00 p.m. - 4:30 p.m. and on Sunday beginning at 12:30 p.m.
For more information call Michelle Shaver Heiner at 69-STAGE (697-8243).
Wednesday, May 16, 2007
Tango the Night Away
Hope you got to see the "Forever Tango" show last night - unfortunately, I missed it. As I've said before, you can't see everything.You can see a photo gallery of some lucky residents getting lessons from
Jorge Torres, the "Forever Tango" dance captain, right here. (That's him in the photo.)
He demonstrated dance steps during the Tango Master Class offered in conjunction with the Marshall Artists Series performance - but not during the production, I assume.
The photo at right is by the Herald-Dispatch's Lori Wolfe.
Tuesday, May 15, 2007
On Stage Tonight - Forever Tango
The Marshall Artist Series wraps up its season tonight with Forever Tango.
Luis Bravo, the famous Argentinean director and creator of Forever Tango, brings the Marshall Artists Series’ 70th season to an end at 8:00 p.m. at the Keith-Albee.
The show features a cast of 26 performers including 14 exceptional dancers who tango the night away on a stage pulsating with drama, history and live music.
Tickets are $48.50, $43.50, and $35. They can be purchased at the Box Office or through Ticketmaster.
For more information, call (304) 696-6656.
Luis Bravo, the famous Argentinean director and creator of Forever Tango, brings the Marshall Artists Series’ 70th season to an end at 8:00 p.m. at the Keith-Albee.
The show features a cast of 26 performers including 14 exceptional dancers who tango the night away on a stage pulsating with drama, history and live music.
Tickets are $48.50, $43.50, and $35. They can be purchased at the Box Office or through Ticketmaster.
For more information, call (304) 696-6656.
Tony Award Nominees for 2007
It's the day true theatre fans have been looking forward to - the Tony Award nominees were announced today! Those awards honor the best shows and performances on Broadway in the past year. The winners will be announced at the televised awards ceremony June 10, and with any luck at all, just for fun, I'll be live-blogging the show.
Leading this year's pack was Spring Awakening, which received 11 Tony nominations. The Coast of Utopia and Grey Gardens earned 10 nominations each. Curtains picked up eight nominations, and Mary Poppins and Legally Blonde got seven each. LoveMusik star Michael Cerveris (a former Huntingon resident) was nominated for Best Performance by a Leading Actor in a Musical.
Here is a complete list of this year's nominees:
Best Play
The Coast of Utopia by Tom Stoppard
Frost/Nixon by Peter Morgan
The Little Dog Laughed by Douglas Carter Beane
Radio Golf by August Wilson
Best Musical
Curtains
Grey Gardens
Mary Poppins
Spring Awakening
Best Revival of a Play
Inherit the Wind
Journey's End
Talk Radio
Translations
Best Revival of a Musical
110 in the Shade
The Apple Tree
A Chorus Line
Company
Best Special Theatrical Event
Jay Johnson: The Two and Only
Kiki & Herb Alive on Broadway
Best Performance by a Leading Actor in a Play
Boyd Gaines, Journey's End
Frank Langella, Frost/Nixon
Brian F. O'Byrne, The Coast of Utopia
Christopher Plummer, Inherit the Wind
Liev Schreiber, Talk Radio
Best Performance by a Leading Actress in a Play
Eve Best, A Moon for the Misbegotten
Angela Lansbury, Deuce
Swoosie Kurtz, Heartbreak House
Vanessa Redgrave, The Year of Magical Thinking
Julie White, Talk Little Dog Laughed
Best Performance by a Leading Actor in a Musical
Michael Cerveris, LoveMusik
Raul Esparza, Company
Jonathan Groff, Spring Awakening
Gavin Lee, Mary Poppins
David Hyde Pierce, Curtains
Best Performance by a Leading Actress in a Musical
Laura Bell Bundy, Legally Blonde
Christine Ebersole, Grey Gardens
Audra McDonald, 110 in the Shade
Donna Murphy, LoveMusik
Debra Monk, Curtains
Best Performance by a Featured Actor in a Play
Anthony Chisholm, Radio Golf
Billy Crudup, The Coast of Utopia
Ethan Hawke, The Coast of Utopia
John Earl Jelks, Radio Golf
Stark Sands, Journey's End
Best Performance by a Featured Actress in a Play
Jennifer Ehle, The Coast of Utopia
Xanthe Elbrick, Coram Boy
Dana Ivey, Butley
Jan Maxwell, Coram Boy
Martha Plimpton, The Coast of Utopia
Best Performance by a Featured Actor in a Musical
Brooks Ashmanskas, Martin Short: Fame Becomes Me
Christian Borle, Legally Blonde
John Cullum, 110 in the Shade
John Gallagher, Jr., Spring Awakening
David Pittu, LoveMusik
Best Performance by a Featured Actress in a Musical
Charlotte d'Amboise, A Chorus Line
Rebecca Luker, Mary Poppins
Orfeh, Legally Blonde
Mary Louise Wilson, Grey Gardens
Karen Ziemba, Curtains
Best Direction of a Play
Michael Grandage, Frost/Nixon
David Grindley, Journey's End
Jack O'Brien, The Coast of Utopia
Melly Still, Coram Boy
Best Direction of a Musical
John Doyle, Company
Scott Ellis, Curtains
Michael Greif, Grey Gardens
Michael Mayer, Spring Awakening
Best Choreography
Rob Ashford, Curtains
Matthew Bourne and Stephen Mear, Mary Poppins
Bill T. Jones, Spring Awakening
Jerry Mitchell, Legally Blonde
Best Book of a Musical
Rupert Holmes and Peter Stone, Curtains
Doug Wright, Grey Gardens
Heather Hach, Legally Blonde
Steven Sater, Spring Awakening
Best Original Score (Music and/or Lyrics) Written for the Theatre
Music: John Kander; Lyrics: Fred Ebb, John Kander & Ruper Holmes, Curtains
Music: Scott Frankel; Lyrics: Michael Korie, Grey Gardens
Music & Lyrics: Laurence O'Keefe and Nell Benjamin, Legally Blonde
Music: Duncan Sheik; Lyrics: Steven Sater, Spring Awakening
Best Orchestrations
Bruce Coughlin, Grey Gardens
Duncan Sheik, Spring Awakening
Jonathan Tunick, LoveMusik
Jonathan Tunick, 110 in the Shade
Best Scenic Design of a Play
Bob Crowley and Scott Pask, The Coast of Utopia
Jonathan Fensom, Journey's End
David Gallo, Radio Golf
Ti Green and Melly Still, Coram Boy
Best Scenic Design of a Musical
Bob Crowley, Mary Poppins
Christine Jones, Spring Awakening
Anna Louizos, High Fidelity
Allen Moyer, Grey Gardens
Best Costume Design of a Play
Ti Green and Melly Still, Coram Boy
Jane Greenwood, Heartbreak House
Santo Loquasto, Inherit the Wind
Catherine Zuber, The Coast of Utopia
Best Costume Design of a Musical
Gregg Barnes, Legally Blonde
Bob Crowley, Mary Poppins
Susan Hilferty, Spring Awakening
William Ivey Long, Grey Gardens
Best Lighting Design of a Play
Paule Constable, Coram Boy
Brian MacDevitt, Inherit the Wind
Brian MacDevitt, Kenneth Posner and Natasha Katz, The Coast of Utopia
Jason Taylor, Journey's End
Best Lighting Design of a Musical
Kevin Adams, Spring Awakening
Christopher Akerlind, 110 in the Shade
Howard Harrison, Mary Poppins
Peter Kaczorowski, Grey Gardens
Regional Theatre Tony Award
Alliance Theatre, Atlanta, GA
Leading this year's pack was Spring Awakening, which received 11 Tony nominations. The Coast of Utopia and Grey Gardens earned 10 nominations each. Curtains picked up eight nominations, and Mary Poppins and Legally Blonde got seven each. LoveMusik star Michael Cerveris (a former Huntingon resident) was nominated for Best Performance by a Leading Actor in a Musical.
Here is a complete list of this year's nominees:
Best Play
The Coast of Utopia by Tom Stoppard
Frost/Nixon by Peter Morgan
The Little Dog Laughed by Douglas Carter Beane
Radio Golf by August Wilson
Best Musical
Curtains
Grey Gardens
Mary Poppins
Spring Awakening
Best Revival of a Play
Inherit the Wind
Journey's End
Talk Radio
Translations
Best Revival of a Musical
110 in the Shade
The Apple Tree
A Chorus Line
Company
Best Special Theatrical Event
Jay Johnson: The Two and Only
Kiki & Herb Alive on Broadway
Best Performance by a Leading Actor in a Play
Boyd Gaines, Journey's End
Frank Langella, Frost/Nixon
Brian F. O'Byrne, The Coast of Utopia
Christopher Plummer, Inherit the Wind
Liev Schreiber, Talk Radio
Best Performance by a Leading Actress in a Play
Eve Best, A Moon for the Misbegotten
Angela Lansbury, Deuce
Swoosie Kurtz, Heartbreak House
Vanessa Redgrave, The Year of Magical Thinking
Julie White, Talk Little Dog Laughed
Best Performance by a Leading Actor in a Musical
Michael Cerveris, LoveMusik
Raul Esparza, Company
Jonathan Groff, Spring Awakening
Gavin Lee, Mary Poppins
David Hyde Pierce, Curtains
Best Performance by a Leading Actress in a Musical
Laura Bell Bundy, Legally Blonde
Christine Ebersole, Grey Gardens
Audra McDonald, 110 in the Shade
Donna Murphy, LoveMusik
Debra Monk, Curtains
Best Performance by a Featured Actor in a Play
Anthony Chisholm, Radio Golf
Billy Crudup, The Coast of Utopia
Ethan Hawke, The Coast of Utopia
John Earl Jelks, Radio Golf
Stark Sands, Journey's End
Best Performance by a Featured Actress in a Play
Jennifer Ehle, The Coast of Utopia
Xanthe Elbrick, Coram Boy
Dana Ivey, Butley
Jan Maxwell, Coram Boy
Martha Plimpton, The Coast of Utopia
Best Performance by a Featured Actor in a Musical
Brooks Ashmanskas, Martin Short: Fame Becomes Me
Christian Borle, Legally Blonde
John Cullum, 110 in the Shade
John Gallagher, Jr., Spring Awakening
David Pittu, LoveMusik
Best Performance by a Featured Actress in a Musical
Charlotte d'Amboise, A Chorus Line
Rebecca Luker, Mary Poppins
Orfeh, Legally Blonde
Mary Louise Wilson, Grey Gardens
Karen Ziemba, Curtains
Best Direction of a Play
Michael Grandage, Frost/Nixon
David Grindley, Journey's End
Jack O'Brien, The Coast of Utopia
Melly Still, Coram Boy
Best Direction of a Musical
John Doyle, Company
Scott Ellis, Curtains
Michael Greif, Grey Gardens
Michael Mayer, Spring Awakening
Best Choreography
Rob Ashford, Curtains
Matthew Bourne and Stephen Mear, Mary Poppins
Bill T. Jones, Spring Awakening
Jerry Mitchell, Legally Blonde
Best Book of a Musical
Rupert Holmes and Peter Stone, Curtains
Doug Wright, Grey Gardens
Heather Hach, Legally Blonde
Steven Sater, Spring Awakening
Best Original Score (Music and/or Lyrics) Written for the Theatre
Music: John Kander; Lyrics: Fred Ebb, John Kander & Ruper Holmes, Curtains
Music: Scott Frankel; Lyrics: Michael Korie, Grey Gardens
Music & Lyrics: Laurence O'Keefe and Nell Benjamin, Legally Blonde
Music: Duncan Sheik; Lyrics: Steven Sater, Spring Awakening
Best Orchestrations
Bruce Coughlin, Grey Gardens
Duncan Sheik, Spring Awakening
Jonathan Tunick, LoveMusik
Jonathan Tunick, 110 in the Shade
Best Scenic Design of a Play
Bob Crowley and Scott Pask, The Coast of Utopia
Jonathan Fensom, Journey's End
David Gallo, Radio Golf
Ti Green and Melly Still, Coram Boy
Best Scenic Design of a Musical
Bob Crowley, Mary Poppins
Christine Jones, Spring Awakening
Anna Louizos, High Fidelity
Allen Moyer, Grey Gardens
Best Costume Design of a Play
Ti Green and Melly Still, Coram Boy
Jane Greenwood, Heartbreak House
Santo Loquasto, Inherit the Wind
Catherine Zuber, The Coast of Utopia
Best Costume Design of a Musical
Gregg Barnes, Legally Blonde
Bob Crowley, Mary Poppins
Susan Hilferty, Spring Awakening
William Ivey Long, Grey Gardens
Best Lighting Design of a Play
Paule Constable, Coram Boy
Brian MacDevitt, Inherit the Wind
Brian MacDevitt, Kenneth Posner and Natasha Katz, The Coast of Utopia
Jason Taylor, Journey's End
Best Lighting Design of a Musical
Kevin Adams, Spring Awakening
Christopher Akerlind, 110 in the Shade
Howard Harrison, Mary Poppins
Peter Kaczorowski, Grey Gardens
Regional Theatre Tony Award
Alliance Theatre, Atlanta, GA
Monday, May 14, 2007
Last Tango and Assorted Links
A reminder that tomorrow night's performance of "Forever Tango" at the Keith-Albee Theatre wraps up this season's Marshall Artists Series shows (the photo at left is from the production). You can read more about it here. They should be announcing the upcoming season for the Marshall Artists Series in a few months - I can't wait to see what they have lined up!
In other news, you can read about the local celebration of the 40th anniversary of a local Jazz Festival coming up on May 18-19.
Also, art lovers will want to check out the visit by a Nebraska printmaker to the Museum of Art on Thursday - you can read more about it here.
Sunday, May 13, 2007
Happy Mother's Day!
Lots of love goes out to all the Moms out there - without them, where would we all be?
So a Happy Mother's Day to:
My Mom, Lucille, who is, without a doubt, the most wonderful, thoughtful, caring, patient and loving Mom that any kid could ever ask for!
My Mother-in-Law, Linda, who has always been wonderful, loving and supportive ever since I slipped into her family via marriage. (She was nice before that, too.)
And my wife, Jeanette, who has been a terrific Mom to our two sons and a wonderful wife, all at the same time!
I love you all!
So a Happy Mother's Day to:
My Mom, Lucille, who is, without a doubt, the most wonderful, thoughtful, caring, patient and loving Mom that any kid could ever ask for!
My Mother-in-Law, Linda, who has always been wonderful, loving and supportive ever since I slipped into her family via marriage. (She was nice before that, too.)
And my wife, Jeanette, who has been a terrific Mom to our two sons and a wonderful wife, all at the same time!
I love you all!
A Scholarship for Theatre Majors
Here's a note aimed at graduating seniors - it's time to get those applications ready for the Jim Stone Scholarship.
Here's the press release that went out this week:
Here's the press release that went out this week:
The First Stage Theatre Company is now accepting applications for its annual Jim Stone Scholarship.Good luck!
First Stage sponsors the scholarship to honor the memory of Jim Stone, a longtime supporter of and mentor to local children in the performing arts. Three $250 scholarships are available to entering freshmen or current full-time students who are studying dramatic or performing arts at a college, university or certified school of the performing arts.
The deadline for entries is Monday, August 6, 2007.
Applicants must have been involved with at least one First Stage Theatre Company (or Musical Arts Guild - Children's Theatre) show, either on-stage (as a performer) or off-stage (as a member of the tech crew). Applicants must send a transcript of their last year’s schooling, a list of the shows they’ve been in and a short essay (no more than 300 words) on why the applicant is planning to study dramatic or performing arts.
Applications should be sent to First Stage Scholarships, c/o Jim Lamp, P.O. Box 2488, Huntington, WV 25725.
Friday, May 11, 2007
Feel The Spirit
The Musical Arts Guild may not do stage shows these days, but they do present some outstanding concerts. You can catch two over the upcoming weekend, as the group presents "Feel the Spirit," a concert of spiritual music.
The performances are Saturday, May 12 at 8:00 p.m. at the Johnson Memorial United Methodist Church at 10th Street and Fifth Avenue in Huntington; and Sunday, May 13 at 3:00 p.m. at the Second Presbyterian Church at 1015 Jefferson Avenue.
Highly recommended!
The performances are Saturday, May 12 at 8:00 p.m. at the Johnson Memorial United Methodist Church at 10th Street and Fifth Avenue in Huntington; and Sunday, May 13 at 3:00 p.m. at the Second Presbyterian Church at 1015 Jefferson Avenue.
Highly recommended!
Some Links for You
Two links noted here for your reading enjoyment:
- The Marshall Artists Series has one last show for the 2006-2007 season, and it hits the Keith-Albee stage in just a few days. You can learn more about the show "Forever Tango" in this story from today's Herald-Dispatch.
- First Stage Theatre offers a scholarship each year to high school seniors going into a performing arts program in college. For more information about the Jim Stone scholarship, go here (it's named after the local actor who was also a heck of a great guy).
- The Marshall Artists Series has one last show for the 2006-2007 season, and it hits the Keith-Albee stage in just a few days. You can learn more about the show "Forever Tango" in this story from today's Herald-Dispatch.
- First Stage Theatre offers a scholarship each year to high school seniors going into a performing arts program in college. For more information about the Jim Stone scholarship, go here (it's named after the local actor who was also a heck of a great guy).
Wednesday, May 09, 2007
First Stage Announces Lineup for Next Season
Some of this is old news to readers of this blog, but the bit about "Children of Eden" is new. Here's a press release that went out today:
Is that cool or what?
The First Stage Theatre Company has announced its lineup of performances for the Fall 2007 / Spring 2008 season, which marks the 18th season for the children’s theater. Two shows will be staged: “Disney’s High School Musical” in Fall 2007 and “Children of Eden” in Spring 2008.
“Disney’s High School Musical” will take the stage in November 2007. The musical is based on the popular Disney film. The directing team includes director Chuck Minsker, music director Mark Smith, assistant director / choreographer Amy Browning and producer Jeanette Rowsey.
“Children of Eden” will be presented in April 2008. The musical is based on The Bible’s book of Genesis and features music by Stephen Schwartz, who created “Wicked,” “Pippin” and “Godspell.” The directing team includes director Jack Cirillo, music director Mark Smith, choreographer Mary Smirl and producer Clint McElroy.
Auditions for “Disney’s High School Musical” will be held July 21 and 22 at Pea Ridge United Methodist Church at 5747 East Pea Ridge Road in Huntington, W.Va.
“Children of Eden” auditions will be held in early 2008.
The First Stage Theatre Company is a non-profit organization dedicated to providing an educational, developmental experience for young people through the performing arts. Based in Huntington, the organization draws on young performers from the tri-state area - West Virginia, Kentucky and Ohio.
Tuesday, May 08, 2007
"High School Musical" Auditions
Yep, here's the big announcement - auditions for the First Stage production of "Disney's High School Musical" will be held Saturday, July 21 from 10:00am to 3:00pm and Sunday, July 22 from 2:00pm to 5:00pm at the Pea Ridge United Methodist Church.
Two months ahead of time is a bit early for the announcement, but I've been inundated with people asking about the auditions - so this should give everyone plenty of time to make plans. Rehearsals will start when school starts in the fall, and the show is scheduled to take the stage in November 2007!
Oh, and I should say that the show is contingent on the final approval of our contract, which seems to be going along swimmingly. We'll have some more announcements about this soon - including one that's going to get a lot of attention. But we'll save that one for now.
If you're wondering what's required in an audition, go here for more information. And as always, if you have any questions, email me at TheMinskers@aol.com.
Two months ahead of time is a bit early for the announcement, but I've been inundated with people asking about the auditions - so this should give everyone plenty of time to make plans. Rehearsals will start when school starts in the fall, and the show is scheduled to take the stage in November 2007!
Oh, and I should say that the show is contingent on the final approval of our contract, which seems to be going along swimmingly. We'll have some more announcements about this soon - including one that's going to get a lot of attention. But we'll save that one for now.
If you're wondering what's required in an audition, go here for more information. And as always, if you have any questions, email me at TheMinskers@aol.com.
Monday, May 07, 2007
Big News - Tomorrow!
OK, there's a big announcement just around the corner about First Stage's production of "High School Musical!" (Loyal readers may remember that I'm directing the show this fall - assuming we get the final details worked out.)
Sometime in the next 24 hours I'll have at least one (and maybe more) big announcement(s) about that show - stay tuned!
Sometime in the next 24 hours I'll have at least one (and maybe more) big announcement(s) about that show - stay tuned!
Marshall's Next Season
Marshall University's Department of Theatre has announced its upcoming schedule for the 2007 - 2008 season, and it looks like a good one. Here are the four shows they're presenting:
"Little Shop of Horrors" - Oct. 3 - 6, 2007
It's great to see MU tackling musicals, and this one is a lot of fun - I can't wait!
"The Musical Comedy Murders of 1940" - Nov. 14 - 17, 2007
This one I've never heard of, so let's ask the Internet to tell us more:
"The Seagull" - Feb. 20 - 23, 2008
Ah, Chekov - some serious dramatic territory here. Once again, let's get some info from our friend the Internet:
By our pal William Shakespeare, of course.
An excellent lineup, and one that will entertain and enlighten theatre-goers. Order those season tickets now!
"Little Shop of Horrors" - Oct. 3 - 6, 2007
It's great to see MU tackling musicals, and this one is a lot of fun - I can't wait!
"The Musical Comedy Murders of 1940" - Nov. 14 - 17, 2007
This one I've never heard of, so let's ask the Internet to tell us more:
<< An ingenious and wildly comic romp which enjoyed a long and critically hailed run both on and Off-Broadway. Poking antic fun at the more ridiculous aspects of "show biz" and the corny thrillers of Hollywood's heyday, the play is a non-stop barrage of laughter as those assembled (or at least those who aren't killed off) untangle the mystery of the "Stage Door Slasher."Sounds good!
"...Bishop gives us a nakedly silly and relentlessly convoluted murder-mystery plot, with twist piled on twist till you have to give way and start laughing at the silliness...it's hugely enjoyable." --Village Voice.
Note: This is not a musical, but a comedic murder mystery. >>
"The Seagull" - Feb. 20 - 23, 2008
Ah, Chekov - some serious dramatic territory here. Once again, let's get some info from our friend the Internet:
<< "The Seagull" questions the sensibilities and examines the trivialities of art, family relations and even life itself - with surprising results. Contrary to popular belief, "The Seagull" is full of action. Not a moment passes without conflict in this masterpiece.>>"The Merry Wives of Windsor" - April 23 - 26, 2008
By our pal William Shakespeare, of course.
An excellent lineup, and one that will entertain and enlighten theatre-goers. Order those season tickets now!
Sunday, May 06, 2007
"The Diary of Anne Frank" - The Review
I was lucky enough to catch the final performance of “The Diary of Anne Frank” last Saturday, so this review is way overdue (and not much use to those who were trying to decide whether or not to see it) - but even though I’m late (what can I say, it’s been a crazy week), I have to take a moment and congratulate Marshall’s Department of Theatre on one of the most outstanding dramatic productions I’ve ever seen.
The play is based on the writing of the title character, a young woman whose family (and four friends) managed to hide from the Nazi invaders in Amsterdam for two years - from 1942 to 1944.
The play did an amazing job of capturing the claustrophobic difficulties of so many people living in such a small space. As always in Marshall Theatre productions, the set and costumes were amazing. The directing team did a fantastic job of bringing all the elements together - of course, Gene Anthony is one of our finest directors, and he flexes his creative muscles to great effect here.
But the actors have to bring these characters to life, and they did a terrific job. Playing the title character was Autumn Seavey in her last performance as a student at MU. I’m completely prejudiced where Autumn’s concerned - she started out acting with First Stage Theatre, and I’ve enjoyed her performances in shows like “Schoolhouse Rock Live” and “Bye Bye Birdie,” and numerous shows for Marshall, including “Hair.” I was lucky enough to be her director in “Jesus Christ, Superstar,” and as far as I’m concerned, when it comes to singing or acting, she ranks among the best performers from this area. As Anne Frank, she managed to play a young woman and be utterly convincing in the role. Anne is an intelligent, willful teen, but she’s also a playful child, and Autumn brought all those qualities (and more) to life. I hate to see Autumn leave, but at least she went out on a high note.
I don’t want to slight any of the other performers in the show - they were all excellent! I was very impressed to see how well these students portrayed older adults - it’s not an easy thing for any young actor, and the performances here were absolutely convincing. Leah Turley, Courtney Susman, Jeremy Plyburn, Caitlin Haught, Adam Paul and the always-excellent Nick Reynolds played characters much older, much more tormented by the life they are forcved to lead, and all delivered great performances.
Also portraying young people in the show were Sean Watkins as the son of the Van Daan family, an awkward child who learns to cope, thanks to Anne Frank; and Shay Hannon as Anne’s older sister Margot, who bears every burden with quiet strength.
Special kudos to Adam Stephens, who was amazing as Mr. Frank. Through his experiences we feel the anguish of the ordeal the family went through. Much of the show hinged on his performance, and he was perfect - I truly believed he was that character.
We’re used to seeing great performances at Marshall, but few can match the emotional depths of this story. Outstanding work by all involved, and another jewel in the crown of Marshall’s Department of Theatre!
The play is based on the writing of the title character, a young woman whose family (and four friends) managed to hide from the Nazi invaders in Amsterdam for two years - from 1942 to 1944.
The play did an amazing job of capturing the claustrophobic difficulties of so many people living in such a small space. As always in Marshall Theatre productions, the set and costumes were amazing. The directing team did a fantastic job of bringing all the elements together - of course, Gene Anthony is one of our finest directors, and he flexes his creative muscles to great effect here.
But the actors have to bring these characters to life, and they did a terrific job. Playing the title character was Autumn Seavey in her last performance as a student at MU. I’m completely prejudiced where Autumn’s concerned - she started out acting with First Stage Theatre, and I’ve enjoyed her performances in shows like “Schoolhouse Rock Live” and “Bye Bye Birdie,” and numerous shows for Marshall, including “Hair.” I was lucky enough to be her director in “Jesus Christ, Superstar,” and as far as I’m concerned, when it comes to singing or acting, she ranks among the best performers from this area. As Anne Frank, she managed to play a young woman and be utterly convincing in the role. Anne is an intelligent, willful teen, but she’s also a playful child, and Autumn brought all those qualities (and more) to life. I hate to see Autumn leave, but at least she went out on a high note.
I don’t want to slight any of the other performers in the show - they were all excellent! I was very impressed to see how well these students portrayed older adults - it’s not an easy thing for any young actor, and the performances here were absolutely convincing. Leah Turley, Courtney Susman, Jeremy Plyburn, Caitlin Haught, Adam Paul and the always-excellent Nick Reynolds played characters much older, much more tormented by the life they are forcved to lead, and all delivered great performances.
Also portraying young people in the show were Sean Watkins as the son of the Van Daan family, an awkward child who learns to cope, thanks to Anne Frank; and Shay Hannon as Anne’s older sister Margot, who bears every burden with quiet strength.
Special kudos to Adam Stephens, who was amazing as Mr. Frank. Through his experiences we feel the anguish of the ordeal the family went through. Much of the show hinged on his performance, and he was perfect - I truly believed he was that character.
We’re used to seeing great performances at Marshall, but few can match the emotional depths of this story. Outstanding work by all involved, and another jewel in the crown of Marshall’s Department of Theatre!
Friday, May 04, 2007
What's Opera, Doc?
My pal Mark Hayes sends along this plug for the upcoming production of "Carmen" in Charleston (though he has an ulterior motive, which you'll discover in the last sentence). He writes:
Glad to see you mentioned the upcoming performance of "Carmen", brought to you one night only (May 19 at 8:00 pm) by the West Virginia Symphony Orchestra.
The classic opera will be performed at the Clay Center for the Performing Arts in Charleston, and tickets are available at www.theclaycenter.org, www.wvsymphony.org, or by calling (304) 561-3570.
This production includes dozens of the finest singers in the Charleston area, and stars nationally-known soprano Christina Nassif (website: www.cristinanassif.com) in the title role. Nassif has performed to stellar reviews with the Virginia Opera, Washington National Opera, Opera Theatre of Pittsburgh, among others, and has appeared several times in concert on the Carnegie Hall stage.
Her website's biography lists these accolades: The Washington Post's Mark Estren noted, "Nassif's voice has range and power, and the positions from which she can project it are amazing - stretching, sitting, even lying down." The Washington Times' T.L. Ponick remarked, "Add this impressive performance to her heartbreaking portrayal of Violetta in last season's Virginia Opera production of La Traviata, and one begins to wonder why the Met has not been knocking at her door."
Only one performance! For anyone that loves opera, or simply loves impressive performances and symphonic music, this should be a 'must see.' Besides, anyone who has listened to classical music (or watched cartoons) in their lives will recognize many of the songs featured in "Carmen." Here's a sample:
Maria Callas signs "L'amour est un oiseau rebelle" ("Habanera"): http://www.youtube.com/watch?v=BysvxpzzxtM
Franco Pomponi signs "Votre toast" ("Toreador Song"): http://www.youtube.com/watch?v=DATrSyQADG8
Agnes Baltsa and Jose Carreras sing "C'est toi! C'est moi!" ("Duet and Finale"): http://www.youtube.com/watch?v=_pZMQUf4TEY
And for the cartoon lovers, here's Tom & Jerry in "Carmen Get It!": http://www.youtube.com/watch?v=lSmAJk1UrO4
And, yes, I'm in it - however, I have a non-singing role (unidentified soldier) so unless I accidentally trip Carmen I don't think I'll affect the show one way or the other!
Auditions and an Interview with Michael Cerveris
I have a couple of notes for you, dear reader:
Huntington Outdoor Theatre will be holding its last round of auditions for its July production of "Oklahoma" Saturday from 5:30 p.m. to 9:00 p.m. The auditions are for adults (ages 15 and up) and will be held at the Trinity Episcopal Church - enter from the 11th Street side. Good luck!
Also, there's a great interview online at Broadway.com with Huntington's own Michael Cerveris - it talks about his latest production, "LoveMusik," and also looks back at some of his career highlights.
Huntington Outdoor Theatre will be holding its last round of auditions for its July production of "Oklahoma" Saturday from 5:30 p.m. to 9:00 p.m. The auditions are for adults (ages 15 and up) and will be held at the Trinity Episcopal Church - enter from the 11th Street side. Good luck!
Also, there's a great interview online at Broadway.com with Huntington's own Michael Cerveris - it talks about his latest production, "LoveMusik," and also looks back at some of his career highlights.
Thursday, May 03, 2007
A Long Dry Spell
That's what local theatre fans are in for, as the only local show until July is the Marshall Artists Series production of "Forever Tango" in 12 days. Oh, you could travel to Charleston to see "Ragtime" this weekend or "Crowns" the next weekend or "Carmen" May 19 - but in Huntington, you'll have to get your entertainment checking back here and seeing just how I manage to find things to talk about.
Which is probably a good time to tease the fact that we have some interesting announcements coming up soon. In the meantime, hang in there!
Which is probably a good time to tease the fact that we have some interesting announcements coming up soon. In the meantime, hang in there!
Wednesday, May 02, 2007
A Good Question
Commenting on a post from a month or so back, Gina writes to ask:
Keep watching this space, Gina - and thanks for asking!
"Any news on dates for auditions for High School Musical? Please let me know. Thanks."Great question! We have a few final details to work out, but we should be making that announcement very soon - within the week, with any luck at all.
Keep watching this space, Gina - and thanks for asking!
Last Chance To See "The Guys"
Like the headline says, tonight's the last performance of "The Guys." Unfortunately, family commitments have kept me from seeing it, so perhaps one of you can send along some comments - I've heard great things about the show.
Here's the basic info: "The Guys" is playwright Anne Nelson's true story of New York City and its people in the aftermath of 9/11. It stars Broadway veterans Jack Cirillo and Beth McVey. It's being staged at the Francis Booth Experimental Theatre in the Joan C. Edwards Performing Arts Center on the campus of Marshall University. The show begins at 8:00 p.m., and tickets are $25.
Here's the basic info: "The Guys" is playwright Anne Nelson's true story of New York City and its people in the aftermath of 9/11. It stars Broadway veterans Jack Cirillo and Beth McVey. It's being staged at the Francis Booth Experimental Theatre in the Joan C. Edwards Performing Arts Center on the campus of Marshall University. The show begins at 8:00 p.m., and tickets are $25.
Tuesday, May 01, 2007
On Stage Tonight - "The Guys"
The Marshall Artist Series production of "The Guys" continues tonight at 8:00 p.m. - you can read more about it and the reaction of local firefighters who saw last night's performance in this excellent story by Antwon Pinkston. The page also has a link to the photo galley, with photos (like the one at right) by Lori Wolfe.
Fair warning - tonight and tomorrow are your last chances to catch this show!
The "Symphony Idol" Lineup
My pal Mark Hayes sent along a complete list of the "Symphony Idol" competitors. They are (in alphabetical order):
Micah Atkinson, 17, junior at Capital High School and member of the show choir.
Ryan Hardiman, veteran of numerous music theater productions in Huntington and Charleston.
Cary Lantz, physician and veteran of productions in Charleston.
Jessica Liston, 24, two-time winner in the adult division of "Wal-Mart Idol" competition.
Liz McCormick, 15, freshman at Capital High School.
Sarah Pauley, 15, freshman at Capital High School and veteran of the Children's Theater of Charleston.
Tanner Sigman, 7th grade student at Poca Middle School and member of Appalachian Children's Chorus.
Angela Szbak, lyric soprano from New York.
Jonathan Tucker, violinist with Charleston Neophonic Orchestra and junior at West Virginia State University.
Should be lots of fun!
Micah Atkinson, 17, junior at Capital High School and member of the show choir.
Ryan Hardiman, veteran of numerous music theater productions in Huntington and Charleston.
Cary Lantz, physician and veteran of productions in Charleston.
Jessica Liston, 24, two-time winner in the adult division of "Wal-Mart Idol" competition.
Liz McCormick, 15, freshman at Capital High School.
Sarah Pauley, 15, freshman at Capital High School and veteran of the Children's Theater of Charleston.
Tanner Sigman, 7th grade student at Poca Middle School and member of Appalachian Children's Chorus.
Angela Szbak, lyric soprano from New York.
Jonathan Tucker, violinist with Charleston Neophonic Orchestra and junior at West Virginia State University.
Should be lots of fun!
Monday, April 30, 2007
Who Will Be the Symphony Idol?
Congratulations to local performer, terrific singer and heck of a nice guy Ryan Hardiman - he competed in a "Symphony Idol" competition two weekends ago at the Clay Center, and was one of nine finalists chosen to sing with the West Virginia Symphony Orchestra next season.
He'll perform at a February Pops concert, and audience members will select one finalist to be the Symphony Idol.
About 50 West Virginia residents (and some out of state singers) auditioned before three judges, including Larry Groce, the host of Mountain Stage, and opera singers Mariel van Dalsum-Boggs and Randall Reid-Smith, who is also commissioner of the state Division of Culture and History.
Local theatre fans remember Ryan from "Hair," "Beauty and the Beast" and "Into the Woods," among many other performances, including quite a few shows in Charleston.
If I was a betting man, I'd put my money on Ryan!
He'll perform at a February Pops concert, and audience members will select one finalist to be the Symphony Idol.
About 50 West Virginia residents (and some out of state singers) auditioned before three judges, including Larry Groce, the host of Mountain Stage, and opera singers Mariel van Dalsum-Boggs and Randall Reid-Smith, who is also commissioner of the state Division of Culture and History.
Local theatre fans remember Ryan from "Hair," "Beauty and the Beast" and "Into the Woods," among many other performances, including quite a few shows in Charleston.
If I was a betting man, I'd put my money on Ryan!
On Stage Tonight - "The Guys"
Well, since tonight's performance of "The Guys" stars two friends - Jack Cirillo and Beth McVey - I was going to do a write-up on it, but the Herald-Dispatch's Dave Lavender has already done a great job, and you can read it right here.
Here's the basic info about the show: "The Guys," is playwright Anne Nelson's true story of New York City and its people in the aftermath of 9/11. It's being staged at the Francis Booth Experimental Theatre in the Joan C. Edwards Performing Arts Center on the campus of Marshall University. Shows are at 8:00 p.m. today through Wednesday, May 2. Tickets are $25 (which isn't bad for the chance to see a performance by Broadway veterans).
Here's the basic info about the show: "The Guys," is playwright Anne Nelson's true story of New York City and its people in the aftermath of 9/11. It's being staged at the Francis Booth Experimental Theatre in the Joan C. Edwards Performing Arts Center on the campus of Marshall University. Shows are at 8:00 p.m. today through Wednesday, May 2. Tickets are $25 (which isn't bad for the chance to see a performance by Broadway veterans).
Sunday, April 29, 2007
A Busy Weekend
Well, I had several posts planned for this weekend, but events kept me on the move, so I'll try to catch up over the next couple of days. To recap:
- I saw "The Diary of Anne Frank" on Saturday, and what an amazing and moving production it was. I'll have a full review soon, but I'm so glad I got to see it - not just because it was an outstanding production filled with great performances, but also because it may have been my last chance to catch the wonderful and talented Autumn Seavey on a local stage - she's graduating!
- Don't forget that the Marshall Artists Series production of "The Guys" starts up tomorrow and runs through May 2 at 8:00 p.m. at the Francis Booth Experimental Theatre. It stars two local professional actors - Jack Cirillo and Beth McVey - and promises to be a powerful presentation.
- Marshall's Dept. of Theatre has also announced its lineup for the upcoming season, and it includes "Little Shop of Horrors" and "The Merry Wives of Windsor."
- I wanted to thank my pal Mark Hayes - he let me tag along as we made a trip to Columbus today to catch the touring show of "The 25th Annual Putnam County Spelling Bee," a terrific show I reviewed right here.
Hope you had a great weekend, too!
- I saw "The Diary of Anne Frank" on Saturday, and what an amazing and moving production it was. I'll have a full review soon, but I'm so glad I got to see it - not just because it was an outstanding production filled with great performances, but also because it may have been my last chance to catch the wonderful and talented Autumn Seavey on a local stage - she's graduating!
- Don't forget that the Marshall Artists Series production of "The Guys" starts up tomorrow and runs through May 2 at 8:00 p.m. at the Francis Booth Experimental Theatre. It stars two local professional actors - Jack Cirillo and Beth McVey - and promises to be a powerful presentation.
- Marshall's Dept. of Theatre has also announced its lineup for the upcoming season, and it includes "Little Shop of Horrors" and "The Merry Wives of Windsor."
- I wanted to thank my pal Mark Hayes - he let me tag along as we made a trip to Columbus today to catch the touring show of "The 25th Annual Putnam County Spelling Bee," a terrific show I reviewed right here.
Hope you had a great weekend, too!
Saturday, April 28, 2007
Good Friends and Fun Shows
So it's been about a year ago that my good friend Denise Duellman-LaCara wrapped up her final Huntington production. She was the vocal director and assistant director for "Les Miserables: The School Edition," put on by First Stage in March 2006. (The director was some guy with a white beard.)
By the end of the summer, she and her talented family had relocated to Zanesville, Ohio, as husband Len became the editor of the local newspaper. Great for them, though we were all sorry to see them go.
Denise is such a talented director, vocal coach, costume designer - the list goes on and on - and had done lots of great work with young people in our area. I'm glad to see she's not resting on her laurels - she's already directing shows in Ohio! You can read about her latest production - "Aladdin, Jr." - right here. There's also a photo link on the same page.
We miss the LaCaras, of course - and thankfully, they still visit Huntington every now and then (we saw them at one of the "Cats" shows) - but it's good to see that Denise is still guiding young people through the joys of being a part of live theatre.
By the end of the summer, she and her talented family had relocated to Zanesville, Ohio, as husband Len became the editor of the local newspaper. Great for them, though we were all sorry to see them go.
Denise is such a talented director, vocal coach, costume designer - the list goes on and on - and had done lots of great work with young people in our area. I'm glad to see she's not resting on her laurels - she's already directing shows in Ohio! You can read about her latest production - "Aladdin, Jr." - right here. There's also a photo link on the same page.
We miss the LaCaras, of course - and thankfully, they still visit Huntington every now and then (we saw them at one of the "Cats" shows) - but it's good to see that Denise is still guiding young people through the joys of being a part of live theatre.
Friday, April 27, 2007
And Then the Drought
Here we are at the end of April, and the chances to catch a community theatre show are going to be mighty slim very soon.
But you have lots to choose from this weekend (and early next week):
You can catch "The Music Man" at Huntington's City Hall Saturday at 8:00 p.m. and Sunday at 2:30 p.m.
You have one last chance to see "The Diary of Anne Frank" at Marshall University's Joan C. Edwards Performing Arts Center Saturday at 8:00 p.m.
Then you can see the Marshall Artists Series production of "The Guys," also at the Performing Arts Center Monday, April 30 through May 2 at 8:00 p.m. This show offers a rare chance to see a couple of local theatre pros at work - but I'll have more about that tomorrow.
Same blog time, same blog channel!
But you have lots to choose from this weekend (and early next week):
You can catch "The Music Man" at Huntington's City Hall Saturday at 8:00 p.m. and Sunday at 2:30 p.m.
You have one last chance to see "The Diary of Anne Frank" at Marshall University's Joan C. Edwards Performing Arts Center Saturday at 8:00 p.m.
Then you can see the Marshall Artists Series production of "The Guys," also at the Performing Arts Center Monday, April 30 through May 2 at 8:00 p.m. This show offers a rare chance to see a couple of local theatre pros at work - but I'll have more about that tomorrow.
Same blog time, same blog channel!
Thursday, April 26, 2007
On Stage Tonight - "The Diary of Anne Frank"
I haven't had a chance to catch it yet, but my pal Stephen has seen it and says:
Actually, Stephen, I'm not going to get to see the show until Friday or Saturday, so feel free to send along more comments. Sounds like a great show - I'm really looking forward to it!
I saw (The Diary of) Anne Frank last night in preview. It was remarkable and beautiful. I could go into great detail of how wonderful this show was, but I expect you to do that later this week. So, I will burden myself with the task of being a huge fan who tells everyone he meets to go see the show. The direction, production, and ensemble were terrific. Prepare to be taken to another place.
Actually, Stephen, I'm not going to get to see the show until Friday or Saturday, so feel free to send along more comments. Sounds like a great show - I'm really looking forward to it!
Wednesday, April 25, 2007
“The Music Man” - The Review
It’s a classic story - shady guy meets sweet girl, guy chases girl until she catches him, and then... but wait, I don’t want to give away the ending. Suffice to say that there’s a good reason why “The Music Man” is considered by many to be one of the all-time great musicals.
For proof, you just need to pay a visit to the City Hall auditorium this weekend to see 5th Avenue Theatre’s version. It stars local theatre veteran Bil Neal, who plays the part of Professor Harold Hill, the fast-talking traveling salesman who has hit on the perfect scam, as he sells musical instruments and band uniforms to small-town folks and then moves on before the people realize the kids haven’t learned how to play the instruments. Neal does a terrific job in a very challenging role - his character is in virtually every scene, usually singing, dancing, or fast-talking his way out of trouble - and Neal’s great at all three.
Playing the part of his love interest, Marion the Librarian, is Jennifer Scott, and she is terrific! She makes Marion sympathetic but tough, and what an incredible voice she has! Even more amazing is the fact that she joined the show late in the rehearsal process - but you’d never be able to tell. She’s a great performer - a natural on the stage, and a real talent.
There are far too many people in the cast for me to mention everyone, but I have to include C.E. Wilson, who provides the comedic heart of the show as Mayor Shinn. He steals darn near every scene he’s in and more than once had me howling - he has the art of the double-take down to a science. Also wonderfully funny is his wife Eulalie Shinn, played by community theatre pro Jane Morse. The two of them are hilarious, and worth the price of admission alone.
Special kudos also to: Kenny Harbolt, who plays Hill’s sidekick Marcellus and leads the show-stopping “Shapoopie” song; Kenny Duthie, Mark Near, Dave Richards and Adam Mottesheard, who make up the (Barbershop) Quartet and provide several great numbers and quite a few laughs; Dylan Clark, who plays a funny anvil salesman who has a grudge against Hill; and Lydia Waybright (Amaryllis) and Franklin Norton (Winthrop), two young actors to watch for in the future. Heck, all the actors in the show do a great job!
I also have to give credit to the terrific orchestra put together and led by Ron Short (who we usually see on stage) - the musicians are always the unsung heroes of a show like this, and they deserve a huge pat on the back for their fine work here.
And the other hidden heroes in this show is the Tech Crew. “The Music Man” is a challenging show because of the large number of scene changes - that means a lot of work for the backstage crew, and they did a great job of keeping things moving. Hats off to Stage Manager Brittany Hazeldine for her fine work backstage - especially considering she took this job in addition to starring in “Cats” and “Cinderella.” How does she do it?
There's a good reason why “The Music Man” has become a classic - it’s a funny story about love and business, and what happens when the two mix.
You have three more chances to see this show - don’t miss it!
For proof, you just need to pay a visit to the City Hall auditorium this weekend to see 5th Avenue Theatre’s version. It stars local theatre veteran Bil Neal, who plays the part of Professor Harold Hill, the fast-talking traveling salesman who has hit on the perfect scam, as he sells musical instruments and band uniforms to small-town folks and then moves on before the people realize the kids haven’t learned how to play the instruments. Neal does a terrific job in a very challenging role - his character is in virtually every scene, usually singing, dancing, or fast-talking his way out of trouble - and Neal’s great at all three.
Playing the part of his love interest, Marion the Librarian, is Jennifer Scott, and she is terrific! She makes Marion sympathetic but tough, and what an incredible voice she has! Even more amazing is the fact that she joined the show late in the rehearsal process - but you’d never be able to tell. She’s a great performer - a natural on the stage, and a real talent.
There are far too many people in the cast for me to mention everyone, but I have to include C.E. Wilson, who provides the comedic heart of the show as Mayor Shinn. He steals darn near every scene he’s in and more than once had me howling - he has the art of the double-take down to a science. Also wonderfully funny is his wife Eulalie Shinn, played by community theatre pro Jane Morse. The two of them are hilarious, and worth the price of admission alone.
Special kudos also to: Kenny Harbolt, who plays Hill’s sidekick Marcellus and leads the show-stopping “Shapoopie” song; Kenny Duthie, Mark Near, Dave Richards and Adam Mottesheard, who make up the (Barbershop) Quartet and provide several great numbers and quite a few laughs; Dylan Clark, who plays a funny anvil salesman who has a grudge against Hill; and Lydia Waybright (Amaryllis) and Franklin Norton (Winthrop), two young actors to watch for in the future. Heck, all the actors in the show do a great job!
I also have to give credit to the terrific orchestra put together and led by Ron Short (who we usually see on stage) - the musicians are always the unsung heroes of a show like this, and they deserve a huge pat on the back for their fine work here.
And the other hidden heroes in this show is the Tech Crew. “The Music Man” is a challenging show because of the large number of scene changes - that means a lot of work for the backstage crew, and they did a great job of keeping things moving. Hats off to Stage Manager Brittany Hazeldine for her fine work backstage - especially considering she took this job in addition to starring in “Cats” and “Cinderella.” How does she do it?
There's a good reason why “The Music Man” has become a classic - it’s a funny story about love and business, and what happens when the two mix.
You have three more chances to see this show - don’t miss it!
Tuesday, April 24, 2007
This Week's Activities - Shows, Auditions and Breakfast
Lots of theatre stuff going on in the week ahead, including:
Marshall's Department of Theatre presents "The Diary of Anne Frank," which starts tomorrow and runs through Saturday at 8:00 p.m. at the Joan C. Edwards Performing Arts Center. As you'd expect from MU, the advance word on this show is that it's terrific!
Starting Friday you can see 5th Avenue Theatre's "Music Man," which runs at the Huntington City Hall Auditorium on April 27 and 28 at 8:00 p.m. and April 29 at 2:30 p.m. (I caught Sunday's performance and hope to have a review posted by tomorrow - but here's the Reader's Digest version: it's lots of fun!)
This weekend Huntington Outdoor Theatre will begin holding auditions for the July production of "Oklahoma" and the Pre-Show. The auditions will be held at the Trinity Episcopal Church - enter from the 11th Street side. Saturday, April 28 will be auditions for the Pre-Show from 10:00 a.m. to 2:00 p.m.; Sunday, April 29 will be auditions for adults (ages 15 and up) from 1:30 p.m. to 5:30 p.m., with additional auditions for adults May 6 from 5:30 p.m. to 9:00 p.m. Good luck!
And, if you're looking for a fun activity to enjoy with your kids, try the Annual Character Breakfast at the Huntington Museum of Art. Presented by the Junior League of Huntington, there are two sessions starting promptly at 8:00 a.m. and 10:00 a.m. - tickets are $15.00, and proceeds will support the proposed new playground to be built in Ritter Park, as well as both organizations. The event includes breakfast while children are greeted by their favorite superheroes and cartoon characters. Children then enjoy jumping castles, arts and crafts, story time, photo opportunities, museum tours and other activities. You can learn more about the event by visiting www.characterbreakfast.org.
Marshall's Department of Theatre presents "The Diary of Anne Frank," which starts tomorrow and runs through Saturday at 8:00 p.m. at the Joan C. Edwards Performing Arts Center. As you'd expect from MU, the advance word on this show is that it's terrific!
Starting Friday you can see 5th Avenue Theatre's "Music Man," which runs at the Huntington City Hall Auditorium on April 27 and 28 at 8:00 p.m. and April 29 at 2:30 p.m. (I caught Sunday's performance and hope to have a review posted by tomorrow - but here's the Reader's Digest version: it's lots of fun!)
This weekend Huntington Outdoor Theatre will begin holding auditions for the July production of "Oklahoma" and the Pre-Show. The auditions will be held at the Trinity Episcopal Church - enter from the 11th Street side. Saturday, April 28 will be auditions for the Pre-Show from 10:00 a.m. to 2:00 p.m.; Sunday, April 29 will be auditions for adults (ages 15 and up) from 1:30 p.m. to 5:30 p.m., with additional auditions for adults May 6 from 5:30 p.m. to 9:00 p.m. Good luck!
And, if you're looking for a fun activity to enjoy with your kids, try the Annual Character Breakfast at the Huntington Museum of Art. Presented by the Junior League of Huntington, there are two sessions starting promptly at 8:00 a.m. and 10:00 a.m. - tickets are $15.00, and proceeds will support the proposed new playground to be built in Ritter Park, as well as both organizations. The event includes breakfast while children are greeted by their favorite superheroes and cartoon characters. Children then enjoy jumping castles, arts and crafts, story time, photo opportunities, museum tours and other activities. You can learn more about the event by visiting www.characterbreakfast.org.
Monday, April 23, 2007
The 2007 Outer Critics Circle Awards
The awards season for theatre is upon us (the Tony nominees will be announced in a few weeks).
The 2007 Outer Critics Circle Awards were announced today. Disney's newest Broadway musical, "Mary Poppins," earned 11 nominations, and Tom Stoppard's three-part epic, "The Coast of Utopia," earned nine nominations.
Of interest to local theatre fans is the nomination of Michael Cerveris as Outstanding Actor in a Musical for "LoveMusik."
The complete list of nominees follows:
Outstanding New Broadway Play
The Coast of Utopia
Coram Boy
Frost/Nixon
Radio Golf
Outstanding New Broadway Musical
Curtains
LoveMusik
Mary Poppins
Spring Awakening
Outstanding Off-Broadway Play
Exits and Entrances
Indian Blood
The Pain and the Itch
The Scene
Outstanding New Off-Broadway Musical
In the Heights
Evil Dead: The Musical
Floyd and Clea Under the Western Sky
Gutenberg! The Musical!
Outstanding New Score (Broadway or Off-Broadway)
Curtains
In the Heights
Mary Poppins
Spring Awakening
Outstanding Revival of a Play
Inherit the Wind
Journey's End
Talk Radio
The Voysey Inheritance
Outstanding Revival of Musical
The Apple Tree
A Chorus Line
Company
110 in the Shade
Outstanding Director of a Play (Lucille Lortel Award)
Michael Grandage, Frost/Nixon
David Grindley, Journey's End
Melly Still, Coram Boy
Jack O'Brien, The Coast of Utopia
Oustanding Director of a Musical
John Doyle, Company
Richard Eyre and Matthew Bourne, Mary Poppins
Thomas Kail, In the Heights
Michael Mayer, Spring Awakening
Outstanding Choreography
Rob Ashford, Curtains
Andy Blankenbuehler, In the Heights
Matthew Bourne and Stephen Mear, Mary Poppins
Carol Leavey Joyce and Graciela Daniele, The Pirate Queen
Outstanding Actor in a Play
Frank Langella, Frost/Nixon
BrÃan F. O'Byrne, The Coast of Utopia
Christopher Plummer, Inherit the Wind
Liev Schreiber, Talk Radio
Outstanding Actress in a Play
Eve Best, A Moon for the Misbegotten
Jennifer Ehle, The Coast of Utopia
Carla Gugino, Suddenly Last Summer
Alison Pill, Blackbird
Outstanding Actor in a Musical
Michael Cerveris, LoveMusik
Raúl Esparza, Company
Gavin Lee, Mary Poppins
David Hyde Pierce, Curtains
Outstanding Actress in a Musical
Ashley Brown, Mary Poppins
Kristin Chenoweth, The Apple Tree
Audra McDonald, 110 in the Shade
Donna Murphy, LoveMusik
Outstanding Featured Actor in a Play
Billy Crudup, The Coast of Utopia
Boyd Gaines, Journey's End
David Greenspan, Some Men
Stephen Kunken, Frost/Nixon
Outstanding Featured Actress in a Play
Robin Bartlett, Prelude to a Kiss
Jill Clayburgh, The Clean House
Martha Plimpton, The Coast of Utopia
Lily Rabe, Heartbreak House
Outstanding Featured Actor in a Musical
Jason Danieley, Curtains
Daniel Jenkins, Mary Poppins
David Pittu, LoveMusik
Bobby Steggert, 110 in the Shade
Oustanding Featured Actress in a Musical
Charlotte d'Amboise, A Chorus Line
Rebecca Luker, Mary Poppins
Orfeh, Legally Blonde
Karen Ziemba, Curtains
Outstanding Solo Performance
Daniel Beaty, Emergence-SEE
Ed Harris, Wrecks
Jay Johnson, The Two and Only
Nilaja Sun, No Child…
Outstanding Set Design
Bob Crowley and Scott Pask, The Coast of Utopia
Bob Crowley, Mary Poppins
Ti Green and Melly Still, Coram Boy
Derek McLane, The Voysey Inheritance
Outstanding Costume Design
Bob Crowley, Mary Poppins
Judith Dolan, LoveMusik
Martin Pakledinaz, The Pirate Queen
Catherine Zuber, The Coast of Utopia
Outstanding Lighting Design
Neil Austin, Frost/Nixon
Paule Constable, Coram Boy
Howard Harrison, Mary Poppins
Brian MacDevitt, Kenneth Posner & Natasha Katz, The Coast of Utopia
John Gassner Award
Daisy Foote, Bhutan
Bob Glaudini, Jack Goes Boating
Bruce Norris, The Pain and the Itch
Nilaja Sun, No Child…
The Outer Critics Circle is an organization of writers covering New York theater for out-of-town newspapers, national publications and other media beyond Broadway.
The winners will be announced on May 14, and the awards ceremony will be held on May 24.
The 2007 Outer Critics Circle Awards were announced today. Disney's newest Broadway musical, "Mary Poppins," earned 11 nominations, and Tom Stoppard's three-part epic, "The Coast of Utopia," earned nine nominations.
Of interest to local theatre fans is the nomination of Michael Cerveris as Outstanding Actor in a Musical for "LoveMusik."
The complete list of nominees follows:
Outstanding New Broadway Play
The Coast of Utopia
Coram Boy
Frost/Nixon
Radio Golf
Outstanding New Broadway Musical
Curtains
LoveMusik
Mary Poppins
Spring Awakening
Outstanding Off-Broadway Play
Exits and Entrances
Indian Blood
The Pain and the Itch
The Scene
Outstanding New Off-Broadway Musical
In the Heights
Evil Dead: The Musical
Floyd and Clea Under the Western Sky
Gutenberg! The Musical!
Outstanding New Score (Broadway or Off-Broadway)
Curtains
In the Heights
Mary Poppins
Spring Awakening
Outstanding Revival of a Play
Inherit the Wind
Journey's End
Talk Radio
The Voysey Inheritance
Outstanding Revival of Musical
The Apple Tree
A Chorus Line
Company
110 in the Shade
Outstanding Director of a Play (Lucille Lortel Award)
Michael Grandage, Frost/Nixon
David Grindley, Journey's End
Melly Still, Coram Boy
Jack O'Brien, The Coast of Utopia
Oustanding Director of a Musical
John Doyle, Company
Richard Eyre and Matthew Bourne, Mary Poppins
Thomas Kail, In the Heights
Michael Mayer, Spring Awakening
Outstanding Choreography
Rob Ashford, Curtains
Andy Blankenbuehler, In the Heights
Matthew Bourne and Stephen Mear, Mary Poppins
Carol Leavey Joyce and Graciela Daniele, The Pirate Queen
Outstanding Actor in a Play
Frank Langella, Frost/Nixon
BrÃan F. O'Byrne, The Coast of Utopia
Christopher Plummer, Inherit the Wind
Liev Schreiber, Talk Radio
Outstanding Actress in a Play
Eve Best, A Moon for the Misbegotten
Jennifer Ehle, The Coast of Utopia
Carla Gugino, Suddenly Last Summer
Alison Pill, Blackbird
Outstanding Actor in a Musical
Michael Cerveris, LoveMusik
Raúl Esparza, Company
Gavin Lee, Mary Poppins
David Hyde Pierce, Curtains
Outstanding Actress in a Musical
Ashley Brown, Mary Poppins
Kristin Chenoweth, The Apple Tree
Audra McDonald, 110 in the Shade
Donna Murphy, LoveMusik
Outstanding Featured Actor in a Play
Billy Crudup, The Coast of Utopia
Boyd Gaines, Journey's End
David Greenspan, Some Men
Stephen Kunken, Frost/Nixon
Outstanding Featured Actress in a Play
Robin Bartlett, Prelude to a Kiss
Jill Clayburgh, The Clean House
Martha Plimpton, The Coast of Utopia
Lily Rabe, Heartbreak House
Outstanding Featured Actor in a Musical
Jason Danieley, Curtains
Daniel Jenkins, Mary Poppins
David Pittu, LoveMusik
Bobby Steggert, 110 in the Shade
Oustanding Featured Actress in a Musical
Charlotte d'Amboise, A Chorus Line
Rebecca Luker, Mary Poppins
Orfeh, Legally Blonde
Karen Ziemba, Curtains
Outstanding Solo Performance
Daniel Beaty, Emergence-SEE
Ed Harris, Wrecks
Jay Johnson, The Two and Only
Nilaja Sun, No Child…
Outstanding Set Design
Bob Crowley and Scott Pask, The Coast of Utopia
Bob Crowley, Mary Poppins
Ti Green and Melly Still, Coram Boy
Derek McLane, The Voysey Inheritance
Outstanding Costume Design
Bob Crowley, Mary Poppins
Judith Dolan, LoveMusik
Martin Pakledinaz, The Pirate Queen
Catherine Zuber, The Coast of Utopia
Outstanding Lighting Design
Neil Austin, Frost/Nixon
Paule Constable, Coram Boy
Howard Harrison, Mary Poppins
Brian MacDevitt, Kenneth Posner & Natasha Katz, The Coast of Utopia
John Gassner Award
Daisy Foote, Bhutan
Bob Glaudini, Jack Goes Boating
Bruce Norris, The Pain and the Itch
Nilaja Sun, No Child…
The Outer Critics Circle is an organization of writers covering New York theater for out-of-town newspapers, national publications and other media beyond Broadway.
The winners will be announced on May 14, and the awards ceremony will be held on May 24.
Sunday, April 22, 2007
On Stage Today - "Nunsense" and "Music Man"
A quick reminder that you can catch the last performance of "Nunsense" this afternoon at the Renaissance Center. If you've already seen it, you can also see "The Music Man" this afternoon at Huntington's City Hall - but it'll also be playing next weekend, if today doesn't work for you.
Like I always say - get out there and support your community theatre!
Like I always say - get out there and support your community theatre!
“Nunsense” - The Review
“Nunsense” is a show that’s ingenious in its simplicity - it tells the story of five nuns who are trying to raise money by putting on a show. It requires little in the way of sets or props, and the costuming is pretty basic - five habits is all it takes.
But don’t let that “simplicity” fool you - what it lacks in glitz it more than makes up with laughs and some great songs. I always suspect that, since I’m a Protestant (Methodist by way of the Presbyterian church), I may be missing a few of the jokes - but the ones I do get are hilarious.
The cast may be small, but (as Spencer Tracy once said), they’re choice. Mother Superior is played by Mary Olson, and her second-in-command, Sister Hubert, is played by Linda Reynolds - and around here, they’re both theatre royalty. They’re wonderful singers, terrific actors, and they’re two of the funniest ladies to take the local stage. I'd walk over hot coals to watch them in a show.
Playing the Bronx-born Sister Robert Anne is Leann Haines, and what a terrific talent she is - she shows off her wonderful voice in a couple of songs, and she gets plenty of chances to cut up, too.
The comedic heart of the show is Sister Amnesia, and it’s a part Terese Kirby was born to play. As the bumbling and forgetful Amnesia, she keeps the show rolling with jokes, songs and her sweet personality.
The youngest member of the Abbey is Sister Leo, played by the radiant Angela Hunt. As the nun who aspires to be a Ballerina, she has to learn to balance her ambitions with her vows. Luckily, the show gives her lots of chances to sing and dance, and she's terrific at both!
Kudos also to the unsung nun, Sister Helga, who doesn’t really get much stage time - but someone has to deal with the props!
Director and Musical Director Eddie Harbert did a great job bringing the show together - and he even plays accompaniment during the performance! I half expected to find him in the lobby selling concessions at intermission. Hats off as well to Choreographer and Assistant Director Connie Anthony for her usual outstanding work. Like the actors, the directing team may be few in number - but they're choice!
It’s sometimes irreverent, but never offensive. If you didn’t think nuns could be funny, this show will set you straight.
You have one more chance to catch this funny show - it runs Sunday at 3:00 pm. If you’re looking for a great show filled with good laughs, this is the one for you!
But don’t let that “simplicity” fool you - what it lacks in glitz it more than makes up with laughs and some great songs. I always suspect that, since I’m a Protestant (Methodist by way of the Presbyterian church), I may be missing a few of the jokes - but the ones I do get are hilarious.
The cast may be small, but (as Spencer Tracy once said), they’re choice. Mother Superior is played by Mary Olson, and her second-in-command, Sister Hubert, is played by Linda Reynolds - and around here, they’re both theatre royalty. They’re wonderful singers, terrific actors, and they’re two of the funniest ladies to take the local stage. I'd walk over hot coals to watch them in a show.
Playing the Bronx-born Sister Robert Anne is Leann Haines, and what a terrific talent she is - she shows off her wonderful voice in a couple of songs, and she gets plenty of chances to cut up, too.
The comedic heart of the show is Sister Amnesia, and it’s a part Terese Kirby was born to play. As the bumbling and forgetful Amnesia, she keeps the show rolling with jokes, songs and her sweet personality.
The youngest member of the Abbey is Sister Leo, played by the radiant Angela Hunt. As the nun who aspires to be a Ballerina, she has to learn to balance her ambitions with her vows. Luckily, the show gives her lots of chances to sing and dance, and she's terrific at both!
Kudos also to the unsung nun, Sister Helga, who doesn’t really get much stage time - but someone has to deal with the props!
Director and Musical Director Eddie Harbert did a great job bringing the show together - and he even plays accompaniment during the performance! I half expected to find him in the lobby selling concessions at intermission. Hats off as well to Choreographer and Assistant Director Connie Anthony for her usual outstanding work. Like the actors, the directing team may be few in number - but they're choice!
It’s sometimes irreverent, but never offensive. If you didn’t think nuns could be funny, this show will set you straight.
You have one more chance to catch this funny show - it runs Sunday at 3:00 pm. If you’re looking for a great show filled with good laughs, this is the one for you!
Friday, April 20, 2007
On Stage Tonight
As posted here, there are two great shows taking the stage tonight - "Nunsense" and "The Music Man."
Check 'em out and support your local theatre groups! (If you don't, who will?)
Check 'em out and support your local theatre groups! (If you don't, who will?)
200!
No one cares except me, but this is entry #200 on this blog, which averages out to a little more than a post a day - a bargain at twice the price!
It's always fun to talk about local theatre, and I appreciate the Herald-Dispatch giving us this forum. Remember to send any info about upcoming shows or auditions to me at TheMinskers@aol.com, and I'll post it here.
Thanks for reading!
It's always fun to talk about local theatre, and I appreciate the Herald-Dispatch giving us this forum. Remember to send any info about upcoming shows or auditions to me at TheMinskers@aol.com, and I'll post it here.
Thanks for reading!
Thursday, April 19, 2007
"Music Man" and "Nunsense"
The weekend is right around the corner, and if you're looking to get out and about, you can choose from two different community theatre shows, both taking the stage tomorrow night.
You can catch 5th Avenue Theatre's "Music Man," which runs at the Huntington City Hall Auditorium on April 20, 21, 27 and 28 at 8:00 pm, and April 22 and 29 at 2:30 pm. You can check out some photos from last night's dress rehearsal at the Herald-Dispatch Photo Galleries.
The other show this weekend - and only this weekend - is "Nunsense," a comedy presented by the Renaissance Players at the Renaissance Center. It runs Friday and Saturday at 8:00 pm and Sunday at 3:00 pm.
Oh, and in your spare time you can visit the Appalachian Film Festival. Lots to do in town, if you know where to look!
You can catch 5th Avenue Theatre's "Music Man," which runs at the Huntington City Hall Auditorium on April 20, 21, 27 and 28 at 8:00 pm, and April 22 and 29 at 2:30 pm. You can check out some photos from last night's dress rehearsal at the Herald-Dispatch Photo Galleries.
The other show this weekend - and only this weekend - is "Nunsense," a comedy presented by the Renaissance Players at the Renaissance Center. It runs Friday and Saturday at 8:00 pm and Sunday at 3:00 pm.
Oh, and in your spare time you can visit the Appalachian Film Festival. Lots to do in town, if you know where to look!
Wednesday, April 18, 2007
Coming up - "Nunsense"
Under the heading of "You Learn Something New Every Day," I submit this wonderful story by Devilish Dave Lavender in today's edition of the Herald-Dispatch. It's all about the upcoming production of "Nunsense" being presented this weekend at the Renaissance Center (say it with me, folks - it's the old Huntington High School). In the story I learned the surprising news that this may be the last show for the Renaissance Players! But take heart - there are more shows planned for the Renaissance Theater (which is managed by ARTS). (And, incidentally, call me Doubting Thomas, but I suspect we'll see more shows from the Renaissance Players in the future. You can't keep a good theatre group down!)
By the way, if you're planning to take part in the dinner offered with Saturday's performance of "Nunsense," you have to get those reservations in today. Call (304) 733-2787 for more info.
Oh, and if you've never seen "Nunsense," you should know that it's a scream - a really funny show, with an awesome cast - highly recommended!
By the way, if you're planning to take part in the dinner offered with Saturday's performance of "Nunsense," you have to get those reservations in today. Call (304) 733-2787 for more info.
Oh, and if you've never seen "Nunsense," you should know that it's a scream - a really funny show, with an awesome cast - highly recommended!
Tuesday, April 17, 2007
"Joseph" - The Review
Another post from my pal Mark Hayes, who offers his review of the touring show that visited Charleston:
My lovely wife and I attended "Joseph and the Amazing Technicolor Dreamcoat" last night at the Clay Center in Charleston. We also took two of our favorite performers, Sarah and Maggie. Somehow, the girls got to sit in the first balcony, while Loretta and I were relegated to the second one - but there really aren't any bad seats in the Clay Center, so we all had good views.
I thought the performance was interesting - it wasn't a "wow" performance,
but it was very entertaining and well worth seeing. The company was the same
one that performed recently in Ashland at the Paramount, so I had seen some
of the pictures that are on the Herald-Dispatch's website. The costumes were
terrific, and the final scene Joseph's coat (of many colors fame) was awesome.
It almost looked like a colorful disco ball and sparkled throughout the
building.
The Director took the show in a different direction than the
others I've seen - in this production the sets and costumes, other than
the ones that look like they were from the real Joseph's time, were more
modern looking. The Broadway show had a distinct '70s look
to a lot of the costumes, particularly the terrific dance number during "Go
Go Joseph." In this current production, the dancers during that number were
dressed as modern cheerleaders, complete with pom-poms. It wasn't better or
worse, just different and not what I expected. Perhaps that's what the
Director was seeking.
The Narrator was terrific, although the show was a bit lacking technically
because it seemed her microphone was not turned on several times until after
she had started a line of a song. The Pharaoh almost stole the show,
especially when he 'broke the fourth wall' to talk to the audience - yet
another turn I was not expecting. The remaining cast was better than
adequate, but not spectacular.
All in all, a pretty darn good show.
My lovely wife and I attended "Joseph and the Amazing Technicolor Dreamcoat" last night at the Clay Center in Charleston. We also took two of our favorite performers, Sarah and Maggie. Somehow, the girls got to sit in the first balcony, while Loretta and I were relegated to the second one - but there really aren't any bad seats in the Clay Center, so we all had good views.
I thought the performance was interesting - it wasn't a "wow" performance,
but it was very entertaining and well worth seeing. The company was the same
one that performed recently in Ashland at the Paramount, so I had seen some
of the pictures that are on the Herald-Dispatch's website. The costumes were
terrific, and the final scene Joseph's coat (of many colors fame) was awesome.
It almost looked like a colorful disco ball and sparkled throughout the
building.
The Director took the show in a different direction than the
others I've seen - in this production the sets and costumes, other than
the ones that look like they were from the real Joseph's time, were more
modern looking. The Broadway show had a distinct '70s look
to a lot of the costumes, particularly the terrific dance number during "Go
Go Joseph." In this current production, the dancers during that number were
dressed as modern cheerleaders, complete with pom-poms. It wasn't better or
worse, just different and not what I expected. Perhaps that's what the
Director was seeking.
The Narrator was terrific, although the show was a bit lacking technically
because it seemed her microphone was not turned on several times until after
she had started a line of a song. The Pharaoh almost stole the show,
especially when he 'broke the fourth wall' to talk to the audience - yet
another turn I was not expecting. The remaining cast was better than
adequate, but not spectacular.
All in all, a pretty darn good show.
Next Season at the Clay Center
My pal Mark Hayes sent along the following, which is good news for theatre fans in the area:
The Clay Center has announced its 2007-2008 Broadway Series. The upcoming season is excellent, and contains several good shows for anyone who loves musical theatre. Season tickets are on sale now through the Clay Center at www.theclaycenter.org.
Here's the schedule:
Sept. 26: “Annie”
Nov. 6: “Gypsy”
Nov. 27: “Hairspray”
Dec. 16: “Cirque Dreams Jungle Fantasy”
Jan. 22-23: “Stomp”
March 30: “Fresh Aire: The Music of Mannheim Steamroller”
April 24: “Jesus Christ Superstar”
VT
Words fail in the face of a tragedy like the one that happened Monday at Virginia Tech. Keep the victims, their families and friends in your prayers.
Monday, April 16, 2007
So You Want to Put on a Show... (Part 5) - Casting
After the auditions are over, the real battle begins, as the directing team tries to figure out which actor belongs to which role. The team can be made up of any number of people - as few as one, if you have a really small show, and as many as the show can stand - I think the most on a community theatre show I’ve worked on was six people (though others have had more than that).
Casting is, in my opinion, the most important part of putting on a show. If you get the right people in the right parts, you’re well on your way to putting on a successful show. If you get the wrong person in the wrong part, you’re going to struggle.
What makes it especially tricky is that each part is different. Some have specific requirements in terms of voice, age or appearance - and some are open to interpretation. For example, in casting the leads for “Joseph and the Amazing Technicolor Dreamcoat,” you’re dealing with two parts - Joseph and the Narrator.
Unless you’re taking the show in an unusual direction, Joseph needs to be a youngish male who has a strong tenor voice. He should have a sympathetic, innocent look about him - the audience needs to be rooting for him from the moment they see him.
The Narrator is another story - the part can be played by a male or a female, the body type isn’t specific - the only requirement is that the actor has a strong voice and a sense of fun about them.
So there you go - two parts, two completely different requirements. And there are dozens of other parts in that show, each calling for different talents.
The directing team has to sift through the crowd of actors who auditioned and match them up with the parts available - and different directors may have different ideas about which actor is right for which part. That’s where negotiation and discussion comes in, as the team weighs the pros and cons of each decision. Sometimes it’s an amiable discussion, and sometimes it gets heated.
The best advice I can give to anyone in that decision-making position is: trust your gut instinct. Your first impression is often the right one. And if it’s any consolation, it’s all guesswork anyway - all you can do in some cases is cross your fingers and home for the best.
It’s also a stressful process for the actors, who must wait for the cast list to be posted. A good friend who spent time as a professional actor once told me that his feelings would get hurt when he wasn’t chosen for a part he knew he was right for - and then one day he realized that there was nothing personal in the decision of the directors - they were just going with the actor that they saw fitting the part.
That’s a tough lesson to learn, because no one likes rejection - but virtually no actor always gets the part they want. Some actors will refuse a part if it’s not the one they want, and that’s certainly their right - but most actors realize that being part of a show is the goal, and every show is a learning experience. It’s also important to remember that you may not like the part you got, but there are dozens of other actors out there who would gladly take your place.
So once the debate ends and the final list is posted, it’s time to move to the next level - rehearsals.
Casting is, in my opinion, the most important part of putting on a show. If you get the right people in the right parts, you’re well on your way to putting on a successful show. If you get the wrong person in the wrong part, you’re going to struggle.
What makes it especially tricky is that each part is different. Some have specific requirements in terms of voice, age or appearance - and some are open to interpretation. For example, in casting the leads for “Joseph and the Amazing Technicolor Dreamcoat,” you’re dealing with two parts - Joseph and the Narrator.
Unless you’re taking the show in an unusual direction, Joseph needs to be a youngish male who has a strong tenor voice. He should have a sympathetic, innocent look about him - the audience needs to be rooting for him from the moment they see him.
The Narrator is another story - the part can be played by a male or a female, the body type isn’t specific - the only requirement is that the actor has a strong voice and a sense of fun about them.
So there you go - two parts, two completely different requirements. And there are dozens of other parts in that show, each calling for different talents.
The directing team has to sift through the crowd of actors who auditioned and match them up with the parts available - and different directors may have different ideas about which actor is right for which part. That’s where negotiation and discussion comes in, as the team weighs the pros and cons of each decision. Sometimes it’s an amiable discussion, and sometimes it gets heated.
The best advice I can give to anyone in that decision-making position is: trust your gut instinct. Your first impression is often the right one. And if it’s any consolation, it’s all guesswork anyway - all you can do in some cases is cross your fingers and home for the best.
It’s also a stressful process for the actors, who must wait for the cast list to be posted. A good friend who spent time as a professional actor once told me that his feelings would get hurt when he wasn’t chosen for a part he knew he was right for - and then one day he realized that there was nothing personal in the decision of the directors - they were just going with the actor that they saw fitting the part.
That’s a tough lesson to learn, because no one likes rejection - but virtually no actor always gets the part they want. Some actors will refuse a part if it’s not the one they want, and that’s certainly their right - but most actors realize that being part of a show is the goal, and every show is a learning experience. It’s also important to remember that you may not like the part you got, but there are dozens of other actors out there who would gladly take your place.
So once the debate ends and the final list is posted, it’s time to move to the next level - rehearsals.
George Carlin and Breaking a String
Blogger and my computer have been feuding, so my nearly two-month long string of posting an entry every day has been broken - let's see if I can break my record in the months ahead.
There are lots of shows coming up this week, including "Nunsense" and "The Music Man" - I'll have more about those in the days ahead.
But in catching up, I wanted to share my thoughts about George Carlin's appearance at the Paramount on Friday.
My lovely wife Jeanette and I had a great time at the concert - even at 69, Carlin has lost none of his edge. I consider him the greatest comedian of his generation.
He talked briefly about how he creates shows - he's on a two year cycle, where he works on a new show, takes it across the country, refining it - and then does another HBO special. Then he starts all over again. Since this show is in the early stages, he actually had a stack of notes with him, that he referred to now and then - a bit unusual for a comic, but we were seeing a master craftsman at work, constantly honing his work.
Of course, this isn't a show for the little ones (and thankfully I didn't see any in the audience) - he's often vulgar, profane and otherwise offensive - but always in service of his comedy or making a pointed commentary. I don't always agree with him (heck, I don't always agree with anyone), but I appreciate his passion and his candor.
Apparently his last tour leaned a little too much on the depressing side - he said he did a 30-minute routine on suicide! So this one he lightened up much more, although there's plenty of the angry ranting you'd expect.
I've always wanted to see him live in concert, and it was great to finally get the chance to catch his act - he's the best there is at what he does!
There are lots of shows coming up this week, including "Nunsense" and "The Music Man" - I'll have more about those in the days ahead.
But in catching up, I wanted to share my thoughts about George Carlin's appearance at the Paramount on Friday.
My lovely wife Jeanette and I had a great time at the concert - even at 69, Carlin has lost none of his edge. I consider him the greatest comedian of his generation.
He talked briefly about how he creates shows - he's on a two year cycle, where he works on a new show, takes it across the country, refining it - and then does another HBO special. Then he starts all over again. Since this show is in the early stages, he actually had a stack of notes with him, that he referred to now and then - a bit unusual for a comic, but we were seeing a master craftsman at work, constantly honing his work.
Of course, this isn't a show for the little ones (and thankfully I didn't see any in the audience) - he's often vulgar, profane and otherwise offensive - but always in service of his comedy or making a pointed commentary. I don't always agree with him (heck, I don't always agree with anyone), but I appreciate his passion and his candor.
Apparently his last tour leaned a little too much on the depressing side - he said he did a 30-minute routine on suicide! So this one he lightened up much more, although there's plenty of the angry ranting you'd expect.
I've always wanted to see him live in concert, and it was great to finally get the chance to catch his act - he's the best there is at what he does!
Friday, April 13, 2007
Lots of Links
Lots of theatre news to go around today on the Herald-Dispatch website.
For example, you can get a preview of tonight's performance by George Carlin (that's him dressed in black) right here.
Go here and you can learn more about the Paul Blazer High School play taking the stage this weekend - it's called "Have a Nice Day!"
And you can check out Joyce Spencer's Community News column to learn more about making dinner reservations for next week's production of "Nunsense."
So who says there's nothing to do on this cold, rainy weekend?
For example, you can get a preview of tonight's performance by George Carlin (that's him dressed in black) right here.Go here and you can learn more about the Paul Blazer High School play taking the stage this weekend - it's called "Have a Nice Day!"
And you can check out Joyce Spencer's Community News column to learn more about making dinner reservations for next week's production of "Nunsense."
So who says there's nothing to do on this cold, rainy weekend?
Thursday, April 12, 2007
Dinner and No Gossip
So I went to Chili Willi's the other night to have a dinner meeting with the directing team for "High School Musical," and we had a great time talking over plans and such - we're all ready to start rehearsals right now (but we'll have to wait until after auditions). What a fun show this is going to be!
Before I took my seat I ran into my pal Mark Near, who was grabbing a quick dinner before going to "Music Man" rehearsals. Mark has been in lots of shows over the years, and he's a terrific performer (in addition to being quite handsome).
(OK, Mark, you owe me five bucks.)
Seriously, I tried to get some information from him about "Music Man," but he kept quiet. He said, "If I tell you anything, you'll just put it in that blog!"
Where does he get these crazy ideas?
Before I took my seat I ran into my pal Mark Near, who was grabbing a quick dinner before going to "Music Man" rehearsals. Mark has been in lots of shows over the years, and he's a terrific performer (in addition to being quite handsome).
(OK, Mark, you owe me five bucks.)
Seriously, I tried to get some information from him about "Music Man," but he kept quiet. He said, "If I tell you anything, you'll just put it in that blog!"
Where does he get these crazy ideas?
Wednesday, April 11, 2007
Mannheim Steamroller
As always, the Herald Dispatch does a nice job of featuring photos from a stage performance - go here to check out photos by Mark Webb from last night's Mannheim Steamroller concert at the Keith Albee Theater.
They also took time at the show to recognize a recent donation to the Keith - you can read more about it right here.
By the way, there is one more show taking the stage this week - comedian and author George Carlin, quite possibly the most influential comic of his generation, will be performing Friday at the Paramount Arts Center. Not really a stage show (although he will be standing on a stage), but a rare opportunity to see one of the best in the business practicing his craft.
Tuesday, April 10, 2007
Joseph Last Night, Mannheim Tonight
If (like me) you didn't get to catch "Joseph and the Amazing Technicolor Dreamcoat" in Ashland last night, the Herald-Dispatch has some great photos from the show posted on their Photo Galleries page. Those photos, like the one posted here, were taken by Lori Wolfe.
And don't forget, Mannheim Steamroller takes the stage tonight at the Keith Albee Theater!
Monday, April 09, 2007
I Blame Jet Lag
When I wrote in the last post that Mannheim Steamroller was the only show going on this week, I was somehow overlooking the performance - going on right now as I type these words - of "Joseph and the Amazing Technicolor Dreamcoat" on the stage of the Paramount Arts Center in Ashland. (Like the title says, I blame jet lag.)
Shame on me, because it's a terrific show - heck, I liked it so much that I directed it when First Stage Theatre Company presented it in Spring 2004. By an amazing coincidence, I'm wearing the T-shirt from that show right now (which is what reminded me of the show in Ashland).
Since tonight's show is a touring version of the Broadway show, I'm sure it's going to be great - if you see it, send along a comment and let us know how it went.
Shame on me, because it's a terrific show - heck, I liked it so much that I directed it when First Stage Theatre Company presented it in Spring 2004. By an amazing coincidence, I'm wearing the T-shirt from that show right now (which is what reminded me of the show in Ashland).
Since tonight's show is a touring version of the Broadway show, I'm sure it's going to be great - if you see it, send along a comment and let us know how it went.
On Stage This Week - Breathe that "Fresh Aire"
There's only one show playing locally this week, as Mannehim Steamroller takes to the stage at the Keith Albee Theater Tuesday night. In case you're not familiar with the group, here's some information from their website (which you can check out here):
<< Fresh Aire: the Music of Mannheim Steamroller is the highly anticipated concert tour created, arranged and produced by Chip Davis. Fresh Aire is the Grammy award-winning series of albums from Mannheim Steamroller composer Chip Davis. In Fresh Aire, Davis created groundbreaking music that is an innovative blend of classical themes with pop elements that he calls, “18th Century Rock-n-Roll.”It promises to be a great show - but you'd better order your tickets soon. The Artist's Series had to move the shows from the Joan C. Edwards Performing Arts Center to the Keith because the demand for tickets was so strong. Recommended!
The first album Fresh Aire was released in 1974, and the series’ final component was released recently to great acclaim. Each of the eight Fresh Aire albums explore topics; the first four Fresh Aire albums were inspired by the magnificence and distinctiveness of the four seasons, while Fresh Aire 5 through Fresh Aire 8 deal with man’s curiosities about the world in which we live. This performance will feature the famous Mannheim Steamroller videos, multi-media images, synchronized lighting, special effects and, of course, the world-renowned music of Mannheim Steamroller.
Mannheim Steamroller is a group of the most talented and versatile musicians touring the world. The band is an ever-changing consortium of musicians, technicians and engineers using state-of-the-art equipment to create Mannheim Steamroller’s signature sound. The musical performers will be 15 in number including 10 local, professional musicians as orchestral accompaniment. Final casting for the core Mannheim Steamroller band has not yet been announced.
Fresh Aire has captured the hearts and imaginations of millions of fans around the world. Mannheim Steamroller has sold more than five million Fresh Aire records. Davis won a Grammy for Fresh Aire 7, and the entire series raised the bar for audio and video production standards.
In addition to Fresh Aire, Mannheim Steamroller has gained international acclaim with its seasonal music: from Valentine’s Day to Christmas and the Fourth of July to Halloween, people around the world celebrate holidays with music from Mannheim Steamroller. >>
Sunday, April 08, 2007
Happy Easter!
Happy Easter, everyone!
I'm still recovering from a cross-country trip (I had training all last week in Portland), so posting will be light today.
However, I wanted to point out the story in today's Herald-Dispatch about the upcoming Mannheim Steamroller concert right here.
I'm still recovering from a cross-country trip (I had training all last week in Portland), so posting will be light today.
However, I wanted to point out the story in today's Herald-Dispatch about the upcoming Mannheim Steamroller concert right here.
Saturday, April 07, 2007
So You Want to Put on a Show... (Part 4)
I started a series of entries over a month ago to give you a look behind the scenes at what goes into putting on a community theatre production, and then got bogged down with covering actual productions. Sorry about the extended pause.
In the first three parts we talked about the things you need before you start - namely: money; you need to decide which show you’re going to tackle (duh); and you need to assemble a team of directors. Next, it’s time for what may be the most stressful part of the process, next to the actual performance - auditions.
With few exceptions, the cast for a show is chosen through auditions. It’s stressful for the performers trying out for the show, but also for the directing team, who must decide which of the actors auditioning are right for each part, and which ones will receive the disappointing news that they didn’t get a part in the show. And that's the part that most directors hate - they want to include everyone who auditions, but each play can only use a certain number of performers - so some actors are left out. It's painful but virtually unavoidable.
The process is pretty much the same for any show. The auditions are announced for a certain date and time, and actors arrive and sign up. They're brought back to the audition room either one at a time or in groups.
If it’s a musical, the actor auditioning is expected to arrive ready to sing about 30 seconds of the song of their choice. A piano player is usually provided to accompany the singer (if needed). The directors use that short segment to get a sense of the actor’s vocal range and skills.
If the show includes spoken dialogue (and most shows do), a short selection from the script will be provided for the actor to read. The directors want to see if the actor can put some feeling into the part - in other words, can they “become” the character?
If the show includes choreography (a safe bet if there’s music involved), then the actors usually have to learn a short dance step when they arrive at the audition, or they may be tested to see if they can follow some basic moves.
An audition can take just a few minutes, but in that short time the directors have to evaluate the performers. It’s a common practice to do “callbacks” for the main roles. An actor chosen for a callback will be given a selection of music that’s key to the character he or she is being considered for. They’re given some time to learn the song and then return for a second audition.
As far as I’m concerned, the casting can be the most difficult and the most important part of any show. I’ll explain why... in the next part of this series (which I promise will arrive in a much shorter span of time).
In the first three parts we talked about the things you need before you start - namely: money; you need to decide which show you’re going to tackle (duh); and you need to assemble a team of directors. Next, it’s time for what may be the most stressful part of the process, next to the actual performance - auditions.
With few exceptions, the cast for a show is chosen through auditions. It’s stressful for the performers trying out for the show, but also for the directing team, who must decide which of the actors auditioning are right for each part, and which ones will receive the disappointing news that they didn’t get a part in the show. And that's the part that most directors hate - they want to include everyone who auditions, but each play can only use a certain number of performers - so some actors are left out. It's painful but virtually unavoidable.
The process is pretty much the same for any show. The auditions are announced for a certain date and time, and actors arrive and sign up. They're brought back to the audition room either one at a time or in groups.
If it’s a musical, the actor auditioning is expected to arrive ready to sing about 30 seconds of the song of their choice. A piano player is usually provided to accompany the singer (if needed). The directors use that short segment to get a sense of the actor’s vocal range and skills.
If the show includes spoken dialogue (and most shows do), a short selection from the script will be provided for the actor to read. The directors want to see if the actor can put some feeling into the part - in other words, can they “become” the character?
If the show includes choreography (a safe bet if there’s music involved), then the actors usually have to learn a short dance step when they arrive at the audition, or they may be tested to see if they can follow some basic moves.
An audition can take just a few minutes, but in that short time the directors have to evaluate the performers. It’s a common practice to do “callbacks” for the main roles. An actor chosen for a callback will be given a selection of music that’s key to the character he or she is being considered for. They’re given some time to learn the song and then return for a second audition.
As far as I’m concerned, the casting can be the most difficult and the most important part of any show. I’ll explain why... in the next part of this series (which I promise will arrive in a much shorter span of time).
Friday, April 06, 2007
The Keith-Albee Gets a Boost
A money boost, that is. Count me among those who have a lot of affection for the Keith (especially since I spent two years there working as a Doorman when I was in college), so I'm glad to see the community continuing to support the theatre with donations.
You can read about the latest gift right here in today's Herald-Dispatch.
You can read about the latest gift right here in today's Herald-Dispatch.
Slim and "Nunsense"
Whoops! I missed a show coming up this month. Stephen Vance sent a comment, but I wanted to post it here in case you're one of those people who doésn't read comments (hey, it's a free country). Stephen wrote:
ARTS is also doing "Nunsense" April 20-22.That show will be presented at the Renaissance Center theater (which, as everyone should know by now, is at the old Huntington High School). With a terrific cast and an equally-awesome directing team, this one will be a blast! Mark me down for a ticket (and I may see it more than once - the show is just that funny!) Don't miss it!
Directed by Eddie Harbert, Choreographed by Connie Anthony.
Featuring Mary Olson, Linda Reynolds, Therese Kirby, Leann Haines, and Angela Hunt.
Thursday, April 05, 2007
Clint Gets Clipped
Work's been crazy so I almost missed this story - it seems my pal (and "Cats" director) Clint McElroy went bald the other day - and all for a good cause!
He agreed to get clipped in return for donations to charity. You can read all about it right here.
Of course, Mother Nature gave me the same haircut years ago, but there was no apparent benefit to that (other than making my barber's job a lot easier). I'm proud of ya, Clint!
He agreed to get clipped in return for donations to charity. You can read all about it right here.
Of course, Mother Nature gave me the same haircut years ago, but there was no apparent benefit to that (other than making my barber's job a lot easier). I'm proud of ya, Clint!
Tuesday, April 03, 2007
Preview of April’s shows
April has some great shows to offer, so let’s get right to the list:
April 10 - The Marshall Artist’s Series presents Mannheim Steamroller at the Keith Albee Theater. They’re a great band and, although I’ve never seen them live, friends tell me they put on a fantastic show.
April 20-22 and 27-29 - "The Music Man," as presented by 5th Avenue Theater, takes the stage at the Huntington City Hall auditorium. They have a terrific cast lined up for this one!
April 21 - Marshall University’s Music Department will present a Choral and Orchestra performance - and if you’ve seen one before, you know these are always excellent.
April 25-28 - Marshall University’s Department of Theatre will present “The Diary of Anne Frank.” It’s a powerful show with an amazing cast - and Marshall’s productions are always top notch, so be sure to order your tickets early.
April 30 and May 1-2 - The Marshall Artist’s Series will present “The Guys.”
And after that show the local theatre scene will get very quiet, with just one more Marshall Artist’s Series show before the summer hits - “Forever Tango.” So you’d better catch those shows while you can!
April 10 - The Marshall Artist’s Series presents Mannheim Steamroller at the Keith Albee Theater. They’re a great band and, although I’ve never seen them live, friends tell me they put on a fantastic show.
April 20-22 and 27-29 - "The Music Man," as presented by 5th Avenue Theater, takes the stage at the Huntington City Hall auditorium. They have a terrific cast lined up for this one!
April 21 - Marshall University’s Music Department will present a Choral and Orchestra performance - and if you’ve seen one before, you know these are always excellent.
April 25-28 - Marshall University’s Department of Theatre will present “The Diary of Anne Frank.” It’s a powerful show with an amazing cast - and Marshall’s productions are always top notch, so be sure to order your tickets early.
April 30 and May 1-2 - The Marshall Artist’s Series will present “The Guys.”
And after that show the local theatre scene will get very quiet, with just one more Marshall Artist’s Series show before the summer hits - “Forever Tango.” So you’d better catch those shows while you can!
Monday, April 02, 2007
Local Boy Makes Good
A friend (who wants to remain anonymous, shy devil that he is) sent me a link to this story about Huntington native Michael Cervaris, who really deserves some major recognition from Huntington, since he grew up here and has become one of Broadway's biggest stars. You can read about his latest works (and his incredibly busy schedule) in the New York Times - here's the link: http://tinyurl.com/2l8ser.
Sunday, April 01, 2007
“Cinderella” - The Review
I finally made it to Huntington High School’s presentation of “Cinderella” today, and I have to say - if you missed this show, you missed a great one! Not only was it the best high school play I can remember seeing (and I’ve seen quite a few), it was among the better community theatre shows I’ve seen.
Of course, it helps to have a great cast - and “Cinderella” had an excellent one. Brittany Hazeldine is an incredibly talented singer and actor, with a wonderful voice and amazing stage presence. She was perfect for the title role, although how in the world she was able to prepare for this show and star in “Cats” at the same time is an incredible feat all by itself.
Playing the part of the Prince was Finley Hammond, and he was born to be on stage. A terrific singer and actor, he made the Prince instantly likable and made the perfect leading man. On a personal note, I’ve been lucky enough to have Finley star in two of the shows I’ve directed, and I can tell you that he’s a great guy onstage and off, and provides the kind of leadership you need from your veteran actors. I’ve never seen him be anything less than excellent and thoroughly professional - and he was all that and more in this show.
Playing “oldsters” like the King and Queen can be a challenge for a young actor, but give a lot of credit to Dylan Clark and Caitlin Irr - they did a great job playing the loving parents of the Prince. Dylan gets my favorite line in the show - “The wine of my country... is beer!” It always makes me laugh.
The villains of the show are the nasty stepmother, played with great energy by Sable Blevins, and the stepsisters - Joy, played by Jynnea Shropshire, and Portia, played by Laura Benson. They’re all three terrific - mean and funny (sometimes at the same time), over the top (in a good way) and in general a scream to watch. Excellent work by all three in difficult parts.
Owen Reynolds is another senior who has really grown up on stage and has become an excellent performer. He provides a lot of the comic relief in this show as the Herald, and steals a few scenes along the way. Owen also managed to do this show while doing a star turn in “Cats” - where do they find the time?
Another standout performance belongs to Josefine Landgrave as the Fairy Godmother - she’s sweet and funny and an excellent singer - her “Impossible” duet with Brittany was great!
I don’t want to slight the rest of the cast, who also did a terrific job, including: Ryan Jackson as the Chef; Elliott Imlay as the Steward, Darrell Johnson, Clark Lewis and Tyler Rice as the Footmen; Max Wilson as a Guard; and Robert Kirby as the Minister. As Townspeople and Guests, we have Megan Akers, April Bennett, Rebecca Chappell, Ginny Davis, Stephanie Fischer, Jessica Nelson, Jessica Parsley, Sarah Price, Katie Rife, Hilary Roush, Tessa Wooten, Sydney Fletcher, Zoe Kauffer, Andy Ryder, Jacob Ryder and Madison Sergent.
I also have to give lots of credit to the set designers for an outstanding job creating so many different settings - the backdrops and set pieces were excellent! Heck, they even created Cinderella’s carriage, which came equipped with running lights! The costumes were also outstanding - many of them were provided by a local historic recreation group - the SCA.
So kudos to the cast and crew, and a special tip o’ the hat to the directing team, especially Director Helen Freeman, Choral Director David Chenoweth, Music Director Melissa Ash, Choreographer Melissa McGuffin and Set Designer Gary Dick - outstanding work by one and all!
As always, it takes a team effort to put on a show like this - and the team behind “Cinderella” did a fantastic job.
Of course, it helps to have a great cast - and “Cinderella” had an excellent one. Brittany Hazeldine is an incredibly talented singer and actor, with a wonderful voice and amazing stage presence. She was perfect for the title role, although how in the world she was able to prepare for this show and star in “Cats” at the same time is an incredible feat all by itself.
Playing the part of the Prince was Finley Hammond, and he was born to be on stage. A terrific singer and actor, he made the Prince instantly likable and made the perfect leading man. On a personal note, I’ve been lucky enough to have Finley star in two of the shows I’ve directed, and I can tell you that he’s a great guy onstage and off, and provides the kind of leadership you need from your veteran actors. I’ve never seen him be anything less than excellent and thoroughly professional - and he was all that and more in this show.
Playing “oldsters” like the King and Queen can be a challenge for a young actor, but give a lot of credit to Dylan Clark and Caitlin Irr - they did a great job playing the loving parents of the Prince. Dylan gets my favorite line in the show - “The wine of my country... is beer!” It always makes me laugh.
The villains of the show are the nasty stepmother, played with great energy by Sable Blevins, and the stepsisters - Joy, played by Jynnea Shropshire, and Portia, played by Laura Benson. They’re all three terrific - mean and funny (sometimes at the same time), over the top (in a good way) and in general a scream to watch. Excellent work by all three in difficult parts.
Owen Reynolds is another senior who has really grown up on stage and has become an excellent performer. He provides a lot of the comic relief in this show as the Herald, and steals a few scenes along the way. Owen also managed to do this show while doing a star turn in “Cats” - where do they find the time?
Another standout performance belongs to Josefine Landgrave as the Fairy Godmother - she’s sweet and funny and an excellent singer - her “Impossible” duet with Brittany was great!
I don’t want to slight the rest of the cast, who also did a terrific job, including: Ryan Jackson as the Chef; Elliott Imlay as the Steward, Darrell Johnson, Clark Lewis and Tyler Rice as the Footmen; Max Wilson as a Guard; and Robert Kirby as the Minister. As Townspeople and Guests, we have Megan Akers, April Bennett, Rebecca Chappell, Ginny Davis, Stephanie Fischer, Jessica Nelson, Jessica Parsley, Sarah Price, Katie Rife, Hilary Roush, Tessa Wooten, Sydney Fletcher, Zoe Kauffer, Andy Ryder, Jacob Ryder and Madison Sergent.
I also have to give lots of credit to the set designers for an outstanding job creating so many different settings - the backdrops and set pieces were excellent! Heck, they even created Cinderella’s carriage, which came equipped with running lights! The costumes were also outstanding - many of them were provided by a local historic recreation group - the SCA.
So kudos to the cast and crew, and a special tip o’ the hat to the directing team, especially Director Helen Freeman, Choral Director David Chenoweth, Music Director Melissa Ash, Choreographer Melissa McGuffin and Set Designer Gary Dick - outstanding work by one and all!
As always, it takes a team effort to put on a show like this - and the team behind “Cinderella” did a fantastic job.
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