I always enjoy talking about the members of the High School Musical directing team, because they're a great bunch of people - it's an honor and a pleasure to work with them!
In an earlier post I talked about the wonderful Amy Browning, who's the Choreographer and Assistant Director for the show (and those titles are woefully inadequate to describe the innumerable ways she makes the show better). Now let me take a moment to brag on another member of the team - our Music Director and Orchestra Leader, Mark Smith.
I've been lucky enough to work with Mark on four different shows, and if I have my way we'll team up on any other show I tackle. He's an amazingly talented keyboard player, an outstanding singer and a heck of a nice guy. He's also a fantastic teacher, and it's a joy to watch him guide the young performers through the process of learning each show's music. It's a task he manages with great skill and patience. He also has a fantastic sense of humor - the vocal warm-up exercises before each practice are always a hoot.
Because of his talent, he's in huge demand locally - he's the music director for Trinity Episcopal Church, and he travels around the area playing for professional bands and orchestras. He's also kept busy working with the music and drama departments at Marshall University - and that's just the stuff I know about! I'm so happy and blessed to have him on our directing team - when audiences hear how terrific the cast sounds while singing the songs from High School Musical, they can thanks Mark for showing them the way!
Saturday, November 10, 2007
Friday, November 09, 2007
Roller Coaster Ride
Working on a show for the community theatre is sort of like being on a roller coaster. One night everything goes great and you feel like you're on top of the world. Other nights, not so much.
For example, last Monday the cast of High School Musical struggled through a rehearsal where we were trying to fix some assorted scenes and dance moves. It was a long, slow process and by the end of the night just about everyone was worn out and a bit aggravated.
The next night, we ran the show all the way through - and it went great! Oh, it wasn't perfect, but everyone could see that the show was almost ready to hit the stage (there's still some minor tweaking to be done). So we're riding high again!
But the next difficult hurdle is coming up - moving into the theater. More on that later!
For example, last Monday the cast of High School Musical struggled through a rehearsal where we were trying to fix some assorted scenes and dance moves. It was a long, slow process and by the end of the night just about everyone was worn out and a bit aggravated.
The next night, we ran the show all the way through - and it went great! Oh, it wasn't perfect, but everyone could see that the show was almost ready to hit the stage (there's still some minor tweaking to be done). So we're riding high again!
But the next difficult hurdle is coming up - moving into the theater. More on that later!
Wednesday, November 07, 2007
Taking the Lead
Rehearsals continue for the First Stage production of Disney's High School Musical, and I have to say I'm just so darn proud of the work being done by these young performers.
The show features a good mix of experienced performers and young people who have never done theatre work before. Both groups (and the ones in between) have really worked hard to make this show something special.
I really enjoy seeing the veterans of the group demonstrating leadership skills. It's not something that can be taught, but in every show I've been involved with, at one point or another, one or more young performers take the lead. In some cases they lead by example; in others they actively work with the other actors, teaching dance steps, stage movements or just how to properly deliver a line.
At one rehearsal recently, I watched experienced young actors pull members of the cast aside and announce they were going to fix the problems in one scene (those problems were mostly a result of some performers missing an earlier rehearsal). It was a delight to see them take that kind of initiative, and when you've got that kind of help, it makes the job of the directors much easier.
Of course, sometimes they get a little too bossy - but that's when you step in as the director and reign them in. But that hasn't been a problem with this show - it's been a real team effort and I couldn't be more proud of the work being done by these performers. It's been a blast to work with them!
The show features a good mix of experienced performers and young people who have never done theatre work before. Both groups (and the ones in between) have really worked hard to make this show something special.
I really enjoy seeing the veterans of the group demonstrating leadership skills. It's not something that can be taught, but in every show I've been involved with, at one point or another, one or more young performers take the lead. In some cases they lead by example; in others they actively work with the other actors, teaching dance steps, stage movements or just how to properly deliver a line.
At one rehearsal recently, I watched experienced young actors pull members of the cast aside and announce they were going to fix the problems in one scene (those problems were mostly a result of some performers missing an earlier rehearsal). It was a delight to see them take that kind of initiative, and when you've got that kind of help, it makes the job of the directors much easier.
Of course, sometimes they get a little too bossy - but that's when you step in as the director and reign them in. But that hasn't been a problem with this show - it's been a real team effort and I couldn't be more proud of the work being done by these performers. It's been a blast to work with them!
Tuesday, November 06, 2007
On Stage Tonight - "Peter Pan"
On stage tonight at the Keith-Albee Performing Arts Center is Peter Pan, the story of the boy who doesn't want to grow up and (literally) flies into all kinds of adventure as he battles the wicked Captain Hook.
It's a terrific show with great songs and lots of impressive effects - it's well worth seeing. But I hear tickets are scarce, so I hope you have yours already!
Get Ready
I've tried to show some restraint up to this point when it comes to talking about the First Stage Theatre Company production of High School Musical (since I'm directing it and all) - I don't want to abuse your interest or take unfair advantage of our blog here.
But I just wanted to give you fair warning - tomorrow, that's all going to change. For the next week-and-a-half, I'll be talking about it pretty much non-stop. It's been an amazing production to be part of, and there are lots of stories to tell - so be ready for it.
But I just wanted to give you fair warning - tomorrow, that's all going to change. For the next week-and-a-half, I'll be talking about it pretty much non-stop. It's been an amazing production to be part of, and there are lots of stories to tell - so be ready for it.
Monday, November 05, 2007
Auditions at King's Island
Lots of local young people have found summer jobs working for King's Island near Cincinnati. In fact, a few friends of mine have been performers there.
Anyway, there's an article in today's edition of the Herald-Dispatch that tells you what you need to know to audition for the 2008 entertainment season at the park.
Auditions will be held on Nov. 8, 9, 10, and 11.
You can read more about it right here.
Anyway, there's an article in today's edition of the Herald-Dispatch that tells you what you need to know to audition for the 2008 entertainment season at the park.
Auditions will be held on Nov. 8, 9, 10, and 11.
You can read more about it right here.
Sunday, November 04, 2007
Talking to Peter Pan
That's what my pal Dave Lavender did for a story in today's edition of the Herald-Dispatch. He interviewed the actress who plays the title role in the musical that will be staged in the Keith-Albee Performing Arts Center on Tuesday, and you'll find lots of interesting info about this terrific show.
Where can you read this fine article? Right here, of course.
Where can you read this fine article? Right here, of course.
Saturday, November 03, 2007
I Won't Grow Up
One of my all-time favorite Broadway shows is flying into the Keith-Albee Performing Arts Center on Tuesday night - literally!
It's Peter Pan, the story of the boy who refuses to grow up and fights pirates in Never-Never Land. With its flying effects, great songs and a delightful story, it's a classic the whole family will enjoy.
I'll have more about it in the days ahead, but for now you can learn the basics right here.
It's Peter Pan, the story of the boy who refuses to grow up and fights pirates in Never-Never Land. With its flying effects, great songs and a delightful story, it's a classic the whole family will enjoy.
I'll have more about it in the days ahead, but for now you can learn the basics right here.
Where Are They Now?
My pal Stephen Vance sent in this comment the other day, and I enjoyed it so much I wanted to print it on the "main page" of the blog in case you missed it:
There are quite a few other graduates studying theatre in college (and doing quite well, thank you), including Emily Asbury, Laura LaCara, Michael Moore, Evan Price, Chuck Herndon and many others.
Updates are welcome and encouraged!
A quick note about some local guys who have gone off to bigger and better things:Thanks, Stephen! It's great to hear the progress of the young performers who got their start on a local stage.
Owen Reynolds, who played Will Parker in this summer's Oklahoma, and skimbleshanks in Cats, is just finishing his first college production. He is at Wooster, where they are doing Cabaret. Owen was cast as Fritz in the very small but talented cast, and was also the understudy for the Emcee, which is unheard of for an incoming freshmen. I'm hearing great things from some friends who went to see him tonight in the understudy show.
Nick Husted, who has appeared locally in the Good Doctor, Oklahoma, and 1776, has recently been cast as Gonzalo in The Tempest at the University of Kentucky. Also, a huge accomplishment for a first year student in their program.
Thought you may be interested in the progress of a couple of our own.
There are quite a few other graduates studying theatre in college (and doing quite well, thank you), including Emily Asbury, Laura LaCara, Michael Moore, Evan Price, Chuck Herndon and many others.
Updates are welcome and encouraged!
What Happened?
Sorry for the extended absence, loyal readers! My real-life job sent me out of town this week to a remote part of Ohio, and I thought I'd have Internet access there - but was I ever wrong!
But I'm back and planning some catch-up blogs over the weekend. There's no place like home!
But I'm back and planning some catch-up blogs over the weekend. There's no place like home!
Sunday, October 28, 2007
Down in Jungleland
There's a great write-up in today's edition of the Herald-Dispatch about "Jungle" Jack Hanna and the show he'll be presenting tomorrow at the Keith-Albee Performing Arts Center.
It's just the latest show in this season's Marshall Artists Series - next up is Peter Pan!
Of course, I've seen Jack a few dozen times on the late night talk shows, and he always puts on a fun show - it should be a good one!
It's just the latest show in this season's Marshall Artists Series - next up is Peter Pan!
Of course, I've seen Jack a few dozen times on the late night talk shows, and he always puts on a fun show - it should be a good one!
Auditions for "Christmas Carol" in Ashland
As part of our continuing service to theatre fans out there (especially the ones who like to appear in the plays), I wanted to mention that Ashland Community and Technical College is holding auditions for A Christmas Carol tomorrow and Tuesday. You can read all about it right here.
Lots of Shows to See
Sorry for the light and variable posting lately - afraid I've been swamped with assorted work, family and play-related activities.
Unfortunately, that means I've fallen down on the job of pointing out the shows that are on stage this weekend. But the weekend's not over yet! On Sunday you can still catch:
- Jesus Christ Superstar in Ashland at 2:30 p.m. at the J.B. Sowards Theatre at Ashland Community and Technical College.
- Rodgers and Hammerstein's Cinderella at 2:00 p.m. (and all next weekend) at the Clay Center in Charleston.
Then Monday you can catch "Jungle" Jack Hanna at 7:00 p.m. at the Keith Albee Theater as part of the Marshall Artists Series... and Tuesday the Celtic Woman show will visit the Big Sandy Superstore Arena at 7:30 p.m.
Unfortunately, that means I've fallen down on the job of pointing out the shows that are on stage this weekend. But the weekend's not over yet! On Sunday you can still catch:
- Jesus Christ Superstar in Ashland at 2:30 p.m. at the J.B. Sowards Theatre at Ashland Community and Technical College.
- Rodgers and Hammerstein's Cinderella at 2:00 p.m. (and all next weekend) at the Clay Center in Charleston.
Then Monday you can catch "Jungle" Jack Hanna at 7:00 p.m. at the Keith Albee Theater as part of the Marshall Artists Series... and Tuesday the Celtic Woman show will visit the Big Sandy Superstore Arena at 7:30 p.m.
Thursday, October 25, 2007
"HSM" in today's H-D
There's a nice feature in today's Herald-Dispatch talking about the upcoming production of High School Musical - you can read about it right here and see the photo gallery here. This photo shows Sharpay (Jordan Sager) taking part in a drama class exercise.
But (as much as I hate to point it out), a boo-boo slipped into today's article - they printed the cast list, but it's the original list that was announced right after auditions. There have been several changes since then - here's the latest list:
Troy Bolton: Elliott Imlay
Gabriella Montez: Angela Pino
Sharpay Evans: Jordan Sager
Ryan Evans: Josh Meredith
The Jocks
Chad Danforth: Drew Sowards
Zeke Baylor: Eric Newfeld
Jason: Garrett Gaunch
Other Jocks: Avery Kitchen, Ryan Riegel, T.J. Thompson, Caleb Donahoe
The Thespians
Kelsi Neilson: Alissa Fetherolf
James: Morgan Jacobson
Susan: Sydney Pay
Cathy: Sarah Wolfe
Alan: Clark Lewis
Cyndra: Mary Kate Young
Other Thespians: Courtney Cremeans, Emily Davis, Amy Klim
The Brainiacs
Taylor McKessie: Hannah Boyles
Martha Cox: Maggie Saunders
Jack Scott: Jacob Smith
Kratnoff: Todd Childers
Other Braniacs: Sophia Berhie, Rachel Enders, Ashley Johnson, Alisa McGrony, Christa Navy, Ashlee Simpkins
The Skater Dudes
Ripper: Caleb Donahoe
Mongo: Troy Nicely
Other Skater Dudes: Sarah Clark, Marissa Clayton, Chloe Donahoe, Brooke Estep, Chloe Herrold, Ashlee Matthews
Cheerleaders: Allison Bartram, Hailey Bellamy, Grayson Collins, Allison Harker, Angel Harrison, Morgan Raines, Meg Riley
The Teachers
Ms. Darbus: Deborah Wolfe
Coach Bolton: Bill Bartlett
So now you're up to date!
Wednesday, October 24, 2007
"Pushing Daisies"
I try to stay away from talking too much about TV (since that topic belongs to my pal Angela Henderson and her Stay Tuned blog (which, needless to say, you should be visiting every day - I do!). However, there's a Broadway connection to one new show this season. The beautiful and talented Kristin Chenoweth (that's her in the photo, courtesy ABC) plays a key role in the show Pushing Daisies, a quirky show I enjoy - although Angela's not as crazy about it (you can read her comments about the show right here).
The Broadway link was pointed out to me by my pal Ryan Hardiman, who recently wrote:
Just wanted to let you know, in case you haven't caught Pushing Daisies yet... it's a great new show on ABC (WCHS) Wednesday nights at 8:00 p.m... The regular cast includes Broadway veterans Kristen Chenoweth (Wicked) and Ellen Greene (Little Shop of Horrors)... and (last week's) episode had Raul Esparza! (Company, Chitty Chitty Bang Bang, Rocky Horror Show, etc.) I'll bet we'll spot more Broadway stars as the show unfolds!It's an unusual show, told in a Tim Burton style, but's it's quirky and funny with a strong streak of black comedy, and I enjoy it. It was also nice to see Kristin performing a song during the second episode, and I don't know of any funnier physical actors on TV today - she's a riot! Recommended!
Monday, October 22, 2007
Tickets Now On Sale for "High School Musical"
It's another big day for the upcoming production of High School Musical as the tickets officially went on sale today for the First Stage production. Here's the press release:
Tickets are now on sale for the First Stage Theatre Company’s presentation of Disney’s High School Musical: On Stage in the historic Keith-Albee Performing Arts Center on Nov. 15 – 18, 2007.
Tickets are available through the Marshall Artists Series at (304) 696-6656, they can be purchased at the Box Office at the Joan C. Edwards Performing Arts Center on the Marshall University campus (it’s open from noon to 5:00 p.m. Monday through Friday), or they can be purchased through Ticketmaster.com.
Tickets are $15 for adults and $10 for students age 12 and under and senior citizens. Seating is reserved. A 10 percent discount is available for groups of 10 or more. Showtimes will be Thursday, Nov. 15 at 7:30 p.m., Friday, Nov. 16 at 7:30 p.m., Saturday, Nov. 17 at 2:30 p.m., Saturday, Nov. 17 at 7:30 p.m., and Sunday, Nov. 18 at 2:30 p.m.
Disney’s High School Musical: On Stage is based on the popular Disney film, which led to the top-selling music soundtrack, the top-selling DVD and the hit sequel on the Disney channel: High School Musical 2.
The directing team includes director Chuck Minsker, music director Mark Smith, assistant director / choreographer Amy Browning and producer Jeanette Rowsey.
The First Stage Theatre Company is a non-profit organization dedicated to providing an educational, developmental experience for young people through the performing arts. Based in Huntington, the organization draws on young performers from the tri-state area - West Virginia, Kentucky and Ohio.
For more information, visit www.firststagetheatre.org or call (304) 416-5437.
Sunday, October 21, 2007
"Legally Blonde: The Musical"
I finally got a chance to watch the MTV taping of the Broadway show Legally Blonde, and imagine my surprise - I really liked it!
Let's face it, this isn't a show that's aimed at my demographic - it's basically the stage version of a "chick flick" (if you'll pardon the term). However, it's also loaded with tons of energy, several terrific songs, some amazing feats of staging and a really talented cast.
I agree with my pal Len's take on it - I could have done without the inane hosts, who were badly reading their lines off cue cards, but the performance certainly made me want to see the show live - I would expect their ticket sales to soar.
I think what impressed me the most was how well the show translated to television. Most stage performances come off flat on the small screen, but they did a terrific job of capturing the energy of Legally Blonde. Recommended!
Let's face it, this isn't a show that's aimed at my demographic - it's basically the stage version of a "chick flick" (if you'll pardon the term). However, it's also loaded with tons of energy, several terrific songs, some amazing feats of staging and a really talented cast.
I agree with my pal Len's take on it - I could have done without the inane hosts, who were badly reading their lines off cue cards, but the performance certainly made me want to see the show live - I would expect their ticket sales to soar.
I think what impressed me the most was how well the show translated to television. Most stage performances come off flat on the small screen, but they did a terrific job of capturing the energy of Legally Blonde. Recommended!
"Hello Dolly!" - A Review
My lovely wife and I were lucky enough to be part of the large crowd that filled the auditorium at the Renaissance Theater this evening to see the final performance of the ARTS production Hello Dolly!
It was an excellent show, with a top-notch cast and numerous terrific performances! The first kudo has to go to the star of the show, Beth McVey. She was perfectly matched to the title role, with a wonderful singing voice, excellent comic timing and a true command of the stage. It was her show and she made it a great one.
Of course, she had lots of help, including veteran actor Bil Neal, who played the grouchy Horace Vandergelder with great delight. Also turning in great comic performances were the team of Stephen Vance (Cornelius) and Ryan Jackson (Barnaby) - they made a hilarious team and often had the crowd howling with delight. Shane Gue lit up the stage as Ambrose, and got several chances to show off his outstanding dancing skills.
But I don't want to leave out the leading ladies. Lara Donahoe was brilliant as Irene Malloy, as her powerful singing voice lifted the show to new heights. Brittany Hazeldine as Minnie and Sarah Hayes as Ermengarde were both wonderful as always - and both earned some great laughs in their roles. (Between you and me, I wouldn't be surprised to see both of them on Broadway someday.) And my pal Linda Reynolds was her usual incredible self - she's always fresh, funny and entertaining as all get out!
Everyone involved in the production deserves a bow, including the supporting cast, the tech crew and the directing team - they put together an outstanding show. The Music Direction by Bruce Rous was excellent, Kerri Easter's choreography was spot-on and great fun, and I am in awe of the direction by Danny Ray - he got the most laughs, the maximum emotional impact, and a terrific performace out of each actor. This show demonstrates why he's one of the best directors around.
What else can I say, except - bravo!
It was an excellent show, with a top-notch cast and numerous terrific performances! The first kudo has to go to the star of the show, Beth McVey. She was perfectly matched to the title role, with a wonderful singing voice, excellent comic timing and a true command of the stage. It was her show and she made it a great one.
Of course, she had lots of help, including veteran actor Bil Neal, who played the grouchy Horace Vandergelder with great delight. Also turning in great comic performances were the team of Stephen Vance (Cornelius) and Ryan Jackson (Barnaby) - they made a hilarious team and often had the crowd howling with delight. Shane Gue lit up the stage as Ambrose, and got several chances to show off his outstanding dancing skills.
But I don't want to leave out the leading ladies. Lara Donahoe was brilliant as Irene Malloy, as her powerful singing voice lifted the show to new heights. Brittany Hazeldine as Minnie and Sarah Hayes as Ermengarde were both wonderful as always - and both earned some great laughs in their roles. (Between you and me, I wouldn't be surprised to see both of them on Broadway someday.) And my pal Linda Reynolds was her usual incredible self - she's always fresh, funny and entertaining as all get out!
Everyone involved in the production deserves a bow, including the supporting cast, the tech crew and the directing team - they put together an outstanding show. The Music Direction by Bruce Rous was excellent, Kerri Easter's choreography was spot-on and great fun, and I am in awe of the direction by Danny Ray - he got the most laughs, the maximum emotional impact, and a terrific performace out of each actor. This show demonstrates why he's one of the best directors around.
What else can I say, except - bravo!
Friday, October 19, 2007
On Stage Tonight - "Hello Dolly!"
You have two more chances to catch a great community theatre show, beginning tonight:
The ARTS production of Hello, Dolly! takes the stage at 8:00 p.m. at the Huntington High Renaissance Center at 900 Eighth Street in Huntington.
The production stars Broadway veteran Beth McVey and 40 local performers. Tickets are $15 for adults, $10 for students and $5 for children 12 and under.
Shows will also be presented on Saturday, Oct. 20 at 8:00 p.m. For more information, Call (304) 733-ARTS (2787).
The ARTS production of Hello, Dolly! takes the stage at 8:00 p.m. at the Huntington High Renaissance Center at 900 Eighth Street in Huntington.
The production stars Broadway veteran Beth McVey and 40 local performers. Tickets are $15 for adults, $10 for students and $5 for children 12 and under.
Shows will also be presented on Saturday, Oct. 20 at 8:00 p.m. For more information, Call (304) 733-ARTS (2787).
Thursday, October 18, 2007
Starting With A "Superstar"
The Ashland Community and Technical College Theatre is opening its 2007-08 season Friday night with Jesus Christ Superstar. Performances will be at 8:00 p.m. on Oct. 19 - 20, 26 - 27 and 2:30 p.m. Oct. 21 and 28.
All shows will be at the J.B. Sowards Theatre at the College Drive Campus. Tickets are $6 for adults and $4 for students, seniors or groups of 10 or more.
For a complete list of this season’s shows or to purchase tickets, call 606-326-2014.
All shows will be at the J.B. Sowards Theatre at the College Drive Campus. Tickets are $6 for adults and $4 for students, seniors or groups of 10 or more.
For a complete list of this season’s shows or to purchase tickets, call 606-326-2014.
More Photos from High School Musical
As promised, here are some more photos from a recent rehearsal for High School Musical. The first photo shows Troy (Elliott Imlay) and Gabriella (Angela Pino) meeting for the first time at a ski resort as they find themselves reluctantly singing a karaoke song.
The second photo shows Troy and Gabriella meeting in the hallway outside their homeroom class, but the reunion is interrupted by the ever-present Sharpay (Jordan Sager), who has her own sights set on Troy.
Finally, the last photo offers a look at the basketball team as they get instructions from Coach Bolton (Bill Bartlett, right). He urges the team to get their heads in the game. (That would be a catchy title for a song, right?)
Wednesday, October 17, 2007
A Peek at Practice for "HSM"
Sorry to have fallen silent again - my work took me out of town for a couple of days (business before pleasure, gentle readers).
Here's your reward for being so patient with me: you can get a peek inside a recent rehearsal of High School Musical at the Herald-Dispatch photo galleries, which you'll find right here. I'll even post a few more photos here at the blog tomorrow. How's that?
As actor Telly Sevalas used to say, "Who loves you, baby?"
Here's your reward for being so patient with me: you can get a peek inside a recent rehearsal of High School Musical at the Herald-Dispatch photo galleries, which you'll find right here. I'll even post a few more photos here at the blog tomorrow. How's that?
As actor Telly Sevalas used to say, "Who loves you, baby?"
Monday, October 15, 2007
Coming Up Next Weekend
- The ARTS production of Hello Dolly! starring Broadway veteran Beth McVey has two more shows scheduled for Friday and Saturday, Oct. 19 and 20 at 8:00 p.m. You can get a preview of the show by checking out the Herald-Dispatch Photo Galleries.
- Also, you can travel back to another (somewhat more recent) time period on Saturday as the Musical Arts Guild presents a dinner theater show called Doo Wop Saturday Night. Doors open at 5:00 p.m. at the Don Morris Room at the Marshall Memorial Student Center. You can read more about it here.
- Also, you can travel back to another (somewhat more recent) time period on Saturday as the Musical Arts Guild presents a dinner theater show called Doo Wop Saturday Night. Doors open at 5:00 p.m. at the Don Morris Room at the Marshall Memorial Student Center. You can read more about it here.
Sunday, October 14, 2007
Catching Up
Sorry for the lack of posts this weekend - things have been crazy, what with pancake breakfast fundraisers, a High School Musical cast appearance at Macy's as part of a charity event, taking part in work parties building the set for a certain show I could name, and attending my mother-in-law's birthday bash - needless to say, I'm draggin'!
However, I have a few reminders for you theatre fans out there:
- You can still catch the third of five performances of Hello Dolly! at the Renaissance Theatre in Huntington today at 2:30 p.m. I won't be able to see it until next weekend (see above), but those who saw it have been raving about it! Can't go wrong with a classic show, an incredibly talented cast and a Broadway star! If you can't see it today, you can still catch it next Friday and Saturday at 8:00 p.m.
- Also, my pal Len LaCara sent in this comment about yesterday's presentation of Legally Blonde (the Broadway show):
However, I have a few reminders for you theatre fans out there:
- You can still catch the third of five performances of Hello Dolly! at the Renaissance Theatre in Huntington today at 2:30 p.m. I won't be able to see it until next weekend (see above), but those who saw it have been raving about it! Can't go wrong with a classic show, an incredibly talented cast and a Broadway star! If you can't see it today, you can still catch it next Friday and Saturday at 8:00 p.m.
- Also, my pal Len LaCara sent in this comment about yesterday's presentation of Legally Blonde (the Broadway show):
I assume you'll have something to say about it, but we thought Legally Blonde was fabulous. (Except for those behind-the-scenes girls, who were -- Ohmigod! -- like, totally annoying.) I'm guessing the show will sell a bunch of tickets thanks to this broadcast.Great idea, Len - here's the trailer (and if it doesn't work for some reason, you can go here to see it, too):
There's a rebroadcast at 7:00 p.m. Sunday (Oct. 14) on MTV. There's a trailer you can embed, too.
Friday, October 12, 2007
On Stage Tonight: "Hello Dolly!"
If you're looking for a great community theatre show, here's one for you:
The ARTS production of Hello, Dolly! takes the stage tonight for its first performance at 8:00 p.m. at the Huntington High Renaissance Center at 900 Eighth Street in Huntington.
The production stars Broadway veteran Beth McVey and 40 local performers. Tickets are $15 for adults, $10 for students and $5 for children 12 and under.
Shows will also be presented on Oct. 13, 19 and 20 at 8:00 p.m., and a matinee will be offered Oct. 14 at 3:30 p.m. For more information, Call (304) 733-ARTS (2787).
The ARTS production of Hello, Dolly! takes the stage tonight for its first performance at 8:00 p.m. at the Huntington High Renaissance Center at 900 Eighth Street in Huntington.
The production stars Broadway veteran Beth McVey and 40 local performers. Tickets are $15 for adults, $10 for students and $5 for children 12 and under.
Shows will also be presented on Oct. 13, 19 and 20 at 8:00 p.m., and a matinee will be offered Oct. 14 at 3:30 p.m. For more information, Call (304) 733-ARTS (2787).
Wednesday, October 10, 2007
Fundraising Via Pancake
As I've said before, one of the dirty secrets of community theatre is that it takes a lot of money to put on a show. To help pay the bills for the show coming up in November, the cast of High School Musical are hosting a pancake breakfast next Saturday morning at the downtown Applebees. I was going to link to the press release on the Herald-Dispatch site, but what the heck, it's short and I'll save you a mouse click by printing the whole thing:
HUNTINGTON -- First Stage Theatre Company's cast of "Disney's High School Musical: On Stage" will serve up a pancake breakfast at Applebees in downtown Huntington, from 8-10 a.m., Saturday, Oct. 13.
Breakfast tickets are $5.00, with all proceeds going to offset the cost of staging the popular Disney musical at the Keith Albee Performing Arts Center in November.
Breakfast tickets can be purchased at the door, or may be reserved by calling (304) 416-KIDS (416-5437).
Tuesday, October 09, 2007
In The News
Lots of theatre news in today's Herald-Dispatch (which is always a good thing)!
For example:
There's a nice feature about Hello, Dolly star Beth McVey right here.
There's a story about Saturday's appearance by singer Al Jarreau right here. I didn't get to see the concert, but I heard it was incredible. Sorry to have missed it! Oh, and you can see some photos at the H-D photo galleries page.
For example:
There's a nice feature about Hello, Dolly star Beth McVey right here.
There's a story about Saturday's appearance by singer Al Jarreau right here. I didn't get to see the concert, but I heard it was incredible. Sorry to have missed it! Oh, and you can see some photos at the H-D photo galleries page.
Monday, October 08, 2007
On Stage This Week - "Hello Dolly!"
The next show to hit the local stage is a famous one - Hello Dolly!
Presented by ARTS at the Renaissance Theater (the old Huntington High School), Dolly starts on Friday, Oct. 12 at 8:00 p.m. They'll present five shows over the next two weekends. Playing the title role is Broadway performer Beth McVey.
You can read more about the show right here. For more information, call (304) 733-ARTS.
Presented by ARTS at the Renaissance Theater (the old Huntington High School), Dolly starts on Friday, Oct. 12 at 8:00 p.m. They'll present five shows over the next two weekends. Playing the title role is Broadway performer Beth McVey.
You can read more about the show right here. For more information, call (304) 733-ARTS.
Sunday, October 07, 2007
Little Shop of Horrors - A Review
The fall season of Huntington’s community theatre got its official kickoff this week as Marshall University’s Department of Theatre presented Little Shop of Horrors - and if you didn’t catch it, you missed a great show.
“Little Shop” is the musical horror story of a mild-manner florist named Seymour who gains fame when he discovers an unusual plant - one with a thirst for blood. But as the plant named “Audrey II” grows, so does Seymour’s good fortune - so he finds himself doing terrible things to keep his lucky streak going.
If it sounds grim - well, nothing could be further from the truth. It’s lighthearted, very funny and it features some wonderful songs. Oh, there are a few horrific images, but mostly it's played for fun.
Marshall’s production was also blessed with a great cast, including Nick Reynolds as Seymour. He’s an excellent singer with perfect comedic timing - an outstanding performer. Playing his love interest, the beautiful (if somewhat ditzy) Audrey, is Jennifer Edens. She also has a terrific voice and turned in a great, funny performance.
Jeremy Plyburn played the part of Mushnick, the crabby owner of the Flower Shop. He’s a top-notch character actor, and the scene where he offers to adopt Seymour (to keep him from leaving the business) was hilarious - probably the best number in the show. Sean Watkins also provided a great comedic turn as the sadistic dentist named Orin - he was delightfully over the top and perfect for the part.
Wearing several hats in the show (and playing several characters) was Chris Ferris, who got maximum laughs out of several small roles.
Holding the narrative together were the three Urchins, played by Sara Booth, Kristen McCabe and Shay Hannon. They kept the story moving and popped up in the most entertaining places. They also provided several outstanding songs and some terrific dancing, too.
They didn’t get much stage time, but kudos to Darin Ellis, who provided the voice of the giant plant, and to Donta Wade, who brought “Audrey II” to life.
As always with Marshall’s productions, the set and technical work was pitch perfect. Much of the credit belongs to the top-of-the-line directing team: music director Mark Smith, choreographer Donald Laney and, of course, to director Jack Cirillo. They’re all among Huntington’s best (if not the best) at their respective crafts, and they assembled an outstanding show here.
Little Shop of Horrors is a very funny show with lots of great songs, big laughs and a giant murderous plant. What more could you want? It's yet another in a long, entertaining line of great shows from MU.
“Little Shop” is the musical horror story of a mild-manner florist named Seymour who gains fame when he discovers an unusual plant - one with a thirst for blood. But as the plant named “Audrey II” grows, so does Seymour’s good fortune - so he finds himself doing terrible things to keep his lucky streak going.
If it sounds grim - well, nothing could be further from the truth. It’s lighthearted, very funny and it features some wonderful songs. Oh, there are a few horrific images, but mostly it's played for fun.
Marshall’s production was also blessed with a great cast, including Nick Reynolds as Seymour. He’s an excellent singer with perfect comedic timing - an outstanding performer. Playing his love interest, the beautiful (if somewhat ditzy) Audrey, is Jennifer Edens. She also has a terrific voice and turned in a great, funny performance.
Jeremy Plyburn played the part of Mushnick, the crabby owner of the Flower Shop. He’s a top-notch character actor, and the scene where he offers to adopt Seymour (to keep him from leaving the business) was hilarious - probably the best number in the show. Sean Watkins also provided a great comedic turn as the sadistic dentist named Orin - he was delightfully over the top and perfect for the part.
Wearing several hats in the show (and playing several characters) was Chris Ferris, who got maximum laughs out of several small roles.
Holding the narrative together were the three Urchins, played by Sara Booth, Kristen McCabe and Shay Hannon. They kept the story moving and popped up in the most entertaining places. They also provided several outstanding songs and some terrific dancing, too.
They didn’t get much stage time, but kudos to Darin Ellis, who provided the voice of the giant plant, and to Donta Wade, who brought “Audrey II” to life.
As always with Marshall’s productions, the set and technical work was pitch perfect. Much of the credit belongs to the top-of-the-line directing team: music director Mark Smith, choreographer Donald Laney and, of course, to director Jack Cirillo. They’re all among Huntington’s best (if not the best) at their respective crafts, and they assembled an outstanding show here.
Little Shop of Horrors is a very funny show with lots of great songs, big laughs and a giant murderous plant. What more could you want? It's yet another in a long, entertaining line of great shows from MU.
Friday, October 05, 2007
Three More Chances for "Little Shop"
You have three more chances to catch Little Shop of Horrors at Marshall University - it runs tonight and Saturday at 8:00 p.m. and Sunday at 2:30 p.m.
You can see some photos from the show at the Herald-Dispatch's Photo Galleries.
And how are the reviews so far? I've heard nothing but raves. Here's what my pal Mark Hayes said:
You can see some photos from the show at the Herald-Dispatch's Photo Galleries.
And how are the reviews so far? I've heard nothing but raves. Here's what my pal Mark Hayes said:
"It was GREAT. It's the fourth production of the show I've seen, including the original run at the Orpheum in NYC, and I am telling you, Nick Reynolds was as good as anyone I've ever seen in the Seymour role. His comedic timing is superb. Jeremy Plyburn was hysterical as Mushnik. The dance scene between Mushnik and Seymour had the audience howling with laughter. It's one of the best Marshall has put on in years."Better order those tickets before they sell out!
Thursday, October 04, 2007
Game Over
It has nothing to do with theatre, but in the "personal milestone" category, today marks my final videogame review column for the Herald-Dispatch. I started writing them back in 1991, and for most of the time I worked side-by-side with my sons Justin and Evan. It was a lot of fun, and I hate to see it end, but the time seems right. On the bright side, it means I'll have more time to blather away on this site! (At least I think that's a good thing - your mileage may vary.)
You can read my farewell comments right here.
You can read my farewell comments right here.
On Stage Tonight - "LIttle Shop of Horrors"
And as long as I'm posting like crazy, don't forget tonight's performance of the musical Little Shop of Horrors at Marshall University.
I haven't seen it yet (and probably won't until the weekend), but I've heard nothing but raves. Don't miss it!
I haven't seen it yet (and probably won't until the weekend), but I've heard nothing but raves. Don't miss it!
On Stage Soon: Al Jarreau
There's an interview with the amazingly-talented singer Al Jarreau (that's him on the left) in today's Herald-Dispatch. You can also read it right here.
I recommend seeing the show this Saturday at the Keith Albee Performing Arts Center if you get the chance - he's terrific!
Where's Derek?
As this story tells us, Derek Keeling, Winfield, W.Va., native and star of the former NBC show Grease: You're The One That I Want, will next perform as Charles Darnay in A Tale of Two Cities at Sarasota, Florida's acclaimed Asolo Repertory Theatre.
Saturday, Oct. 13 will mark the world premiere of the sweeping musical epic. The show's run, which will be through Nov. 18, also will serve as a Broadway tryout.
You Say It's Your Birthday?
One year ago today we embarked on this humble effort known as the Tri-State Theatre blog, where we talk about community theatre and shows past, present and future.
I've really enjoyed it, and I hope you feel the same way, gentle readers. We must be doing something right - the community theatre has never been stronger and more vital than it is right now (in my humble opinion). Thanks for being here!
Now, let's get started on Year Two...
I've really enjoyed it, and I hope you feel the same way, gentle readers. We must be doing something right - the community theatre has never been stronger and more vital than it is right now (in my humble opinion). Thanks for being here!
Now, let's get started on Year Two...
Wednesday, October 03, 2007
Tuesday, October 02, 2007
The Cast of "Little Shop"
Here's the cast list for Little Shop of Horrors (and a terrific lineup it is). The show opens tomorrow night at Marshall's Joan C. Edwards Performing Arts Center!
Seymour - Nick Reynolds
Audrey - Jen Edens
Mushnik - Jeremy Plyburn
Orin - Sean Watkins
Wino, Customer, Bernstein, Mrs. Luce, Snip - Chris Ferris
Urchins - Sarah Booth, Kristen McCabe, Shay Hannon
Voice of Audrey II - Darin Ellis
Audrey II - Donta Wade
Seymour - Nick Reynolds
Audrey - Jen Edens
Mushnik - Jeremy Plyburn
Orin - Sean Watkins
Wino, Customer, Bernstein, Mrs. Luce, Snip - Chris Ferris
Urchins - Sarah Booth, Kristen McCabe, Shay Hannon
Voice of Audrey II - Darin Ellis
Audrey II - Donta Wade
Monday, October 01, 2007
Q & A - "Little Shop of Horrors"
Want to know more about Marshall's upcoming production of Little Shop of Horrors? Me too! I fired a few questions off to director Jack Cirillo. Here's what he had to say:
Q: Why did MU decide to tackle Little Shop of Horrors?
A: Little Shop is considered by most (foolishly) to be a manageable musical. Only eight in the cast including someone to work the "puppet." It is a single interior set and an orchestra of four (six if you want to go for a bigger sound). On paper, it's a breeze. In reality, it's a challenging piece of theatre. The puppet(s) pose a very challenging element of production that chews up (pun intended) a ton of rehearsal and production time. No need to go into the details, but suffice to say, that even renting a plant can be problematic. I felt and still feel that this is an excellent "small" musical. The score is terrific. I've enjoyed it for over 20 years and every song is a classic. Howard Ashman and Alan Menken created an amazing work out of, well... garbage. Have you seen the original Corman film? Dreadful but in the hands of these two guys the story is sweet, hysterical, silly and quite wonderful. I try to make sure in choosing any show that I direct that the casting "potential" is there. I am thrilled with our cast on this one. Certainly there will be some familiar
faces (Nick Reynolds, Jeremy Plyburn and Shay Hannon) but some new faces as well (Jennifer Edens, Kristen McCabe and Sara Booth). The show has also provided another opportunity to work with choreographer Donald Laney and Music Director Mark Smith who are absolute magic. I love working with both of them.
Q: The centerpiece of the show is a giant singing plant. What kinds of challenges does that present?
A: The big puppet is hot and heavy. A real workout for the operator. In the case of this particular puppet the challenge is making it "life-like." No real facial expressions, so you've got to work it with voice. Also, because we're not Henson on Spielberg, animatronics is out. Mike Murphy and his team - Jamez Morris-Smith, Deb Carder-Deem, Kevin Bannon and the Theatre 150 crew have created (once again, and always) a wonderful environment for the play. Lang Reynolds and his crew have lit the show magically and Joan St. Germain and the student elves in the costume shop have put the cast in some very retro-kitschy clothing that will make you long for 1958!
Q: Is this show OK for kids or is it just for adults?
A: The show is PG-13. There's a fair amount of adult language and the fact that one of the main characters is a self-proclaimed sadist, it could be a bit much for the younger kids. As far as the "Horrors" part, let's just say it's like a carnival haunted house ride.
Q: What's been the most challenging thing for you as director?
A: I'd have to say the plant and its limitations. Let's face it, Jurassic Park ruined this kind of stuff for everyone. We all expect the real dinosaur, and when we see a theatrical representation it can be a letdown. We've tried to come up with a plant that serves the production but at the same time accepts technical and fiscal constraints. Certainly every company that has produced this show has had to wrestle with this.
Q: When are show dates and times?
A: We open Wednesday, Oct. 3 and play through Saturday, Oct. 6 - all shows at 8:00 p.m. - and then a matinee on Sunday, Oct. 7 at 2:00 p.m.
Q: Why did MU decide to tackle Little Shop of Horrors?
A: Little Shop is considered by most (foolishly) to be a manageable musical. Only eight in the cast including someone to work the "puppet." It is a single interior set and an orchestra of four (six if you want to go for a bigger sound). On paper, it's a breeze. In reality, it's a challenging piece of theatre. The puppet(s) pose a very challenging element of production that chews up (pun intended) a ton of rehearsal and production time. No need to go into the details, but suffice to say, that even renting a plant can be problematic. I felt and still feel that this is an excellent "small" musical. The score is terrific. I've enjoyed it for over 20 years and every song is a classic. Howard Ashman and Alan Menken created an amazing work out of, well... garbage. Have you seen the original Corman film? Dreadful but in the hands of these two guys the story is sweet, hysterical, silly and quite wonderful. I try to make sure in choosing any show that I direct that the casting "potential" is there. I am thrilled with our cast on this one. Certainly there will be some familiar
faces (Nick Reynolds, Jeremy Plyburn and Shay Hannon) but some new faces as well (Jennifer Edens, Kristen McCabe and Sara Booth). The show has also provided another opportunity to work with choreographer Donald Laney and Music Director Mark Smith who are absolute magic. I love working with both of them.
Q: The centerpiece of the show is a giant singing plant. What kinds of challenges does that present?
A: The big puppet is hot and heavy. A real workout for the operator. In the case of this particular puppet the challenge is making it "life-like." No real facial expressions, so you've got to work it with voice. Also, because we're not Henson on Spielberg, animatronics is out. Mike Murphy and his team - Jamez Morris-Smith, Deb Carder-Deem, Kevin Bannon and the Theatre 150 crew have created (once again, and always) a wonderful environment for the play. Lang Reynolds and his crew have lit the show magically and Joan St. Germain and the student elves in the costume shop have put the cast in some very retro-kitschy clothing that will make you long for 1958!
Q: Is this show OK for kids or is it just for adults?
A: The show is PG-13. There's a fair amount of adult language and the fact that one of the main characters is a self-proclaimed sadist, it could be a bit much for the younger kids. As far as the "Horrors" part, let's just say it's like a carnival haunted house ride.
Q: What's been the most challenging thing for you as director?
A: I'd have to say the plant and its limitations. Let's face it, Jurassic Park ruined this kind of stuff for everyone. We all expect the real dinosaur, and when we see a theatrical representation it can be a letdown. We've tried to come up with a plant that serves the production but at the same time accepts technical and fiscal constraints. Certainly every company that has produced this show has had to wrestle with this.
Q: When are show dates and times?
A: We open Wednesday, Oct. 3 and play through Saturday, Oct. 6 - all shows at 8:00 p.m. - and then a matinee on Sunday, Oct. 7 at 2:00 p.m.
Sunday, September 30, 2007
Did I Err?
Well, it wouldn't be the first time. Apparently Daily Variety and I both had it wrong (or MTV changed its mind), but Legally Blonde (the Broadway show) was not aired yesterday, as originally announced.
According to this story on Broadway.com, MTV has announced the premiere date for its filmed version of Legally Blonde will be Saturday, October 13, 2007, at 1:00 p.m.
Sorry about that, chief!
According to this story on Broadway.com, MTV has announced the premiere date for its filmed version of Legally Blonde will be Saturday, October 13, 2007, at 1:00 p.m.
Sorry about that, chief!
400!
Yet another milestone only I care about! This post is the 400th since the Tri-State Theatre blog started a year ago next Thursday!
As always, many thanks to all of you, the fans and followers of community theatre, for reading, commenting and contributing to our blog. Hey, we're just getting warmed up!
As always, many thanks to all of you, the fans and followers of community theatre, for reading, commenting and contributing to our blog. Hey, we're just getting warmed up!
Saturday, September 29, 2007
Coming Up: Little Shop of Horrors
Starting Wednesday at Marshall University is the first of several terrific shows taking the stage this fall in Huntington. It's the musical comedy Little Shop of Horrors, and it runs October 3 through 6, 2007 at 8:00 p.m. All shows are in the Joan C. Edwards Performing Arts Center.
One of the longest-running Off-Broadway shows of all time, this affectionate spoof of 1950s sci-fi movies has become a house-hold name, thanks to a highly successful film version and a score by the songwriting team of Howard Ashman and Alan Menken, who redefined the animated musical film with Disney’s The Little Mermaid, Beauty And The Beast and Aladdin. Charming, tuneful and hilarious, with tongue firmly planted in cheek, Little Shop Of Horrors never fails to entertain.
I've really been looking forward to this one - Marshall's production of Hair last year was terrific, and this one promises to be another tremendously entertaining show.
One of the longest-running Off-Broadway shows of all time, this affectionate spoof of 1950s sci-fi movies has become a house-hold name, thanks to a highly successful film version and a score by the songwriting team of Howard Ashman and Alan Menken, who redefined the animated musical film with Disney’s The Little Mermaid, Beauty And The Beast and Aladdin. Charming, tuneful and hilarious, with tongue firmly planted in cheek, Little Shop Of Horrors never fails to entertain.
I've really been looking forward to this one - Marshall's production of Hair last year was terrific, and this one promises to be another tremendously entertaining show.
Thursday, September 27, 2007
A Set for Dolly
This arrived in the comments a few days ago, but I wanted to post it out here in case you missed it.
Responding to the topic of building sets for shows, my pal Stephen Vance wrote:
Responding to the topic of building sets for shows, my pal Stephen Vance wrote:
In related news, we are finishing up the sets for Hello, Dolly! this week. It has been a huge undertaking with this being our eighth and final week of construction. I won't go into great detail but this set is huge and beautiful. Danny Ray has done a great job designing these sets.Danny's sets (and shows) are always terrific, so this is definitely one to watch for!
Also, the cast of Hello, Dolly! will be marching in the Pumpkin Festival parade this Sunday at 3:00 p.m.
Wednesday, September 26, 2007
2007 Fall International Film Festival
The Marshall Artists Series kicks off its new season this weekend with the 2007 Fall International Film Festival.
All the showings are at the historic Keith Albee Theater. There's a lot of variety to choose from in this year's offerings.
This year’s film festival showcases six critically acclaimed films from all over the world, including The Lives of Others, last year’s Academy Award winner for best foreign film.
Tickets can be purchased at the door for $7. Season tickets may be purchased for $70 (12 films). Season ticket holders will be admitted 30 minutes prior to each film. Individual tickets may be purchased 15 minutes prior to the film.
For more information call 304-696-6656. Here's the rundown:
The Lives of Others - The Academy Award winner takes its audiences back to 1984, beginning in East Berlin, Germany. The film allows its audiences a look into Captain Gerd Wiesler’s life, an officer of Stasi, Germany’s secret police. Presented in German with English subtitles. Showtimes are 7:30 p.m. on Friday, Sept. 28; 9:45 p.m. on Sunday, Sept. 30; and 5:30 p.m. on Wednesday, Oct. 3.
Family Law - The heartfelt story of a father-son relationship unfolds when Ariel Perelman, a law professor, begins to look inside his relationship with his own father to become a better father and husband. Presented in Spanish with English subtitles. Showtimes are 5:30 p.m. on Friday, Sept. 28; 9:45 p.m. on Saturday, Sept. 29; and 7:30 p.m. on Monday, Oct. 1.
Days of Glory - Four Algerian men enlist in the French Army to help free the ‘fatherland’ from its Nazi enemy. The heroes are depicted with the discrimination that they face from French authorities. Presented in French and Arabic with English subtitles. Showtimes are 2:30 p.m. on Saturday, Sept. 29; 5:30 p.m. on Sunday, Sept. 30; and 7:30 p.m. on Wednesday, Oct. 3.
Riding Alone for Thousands of Miles - A Japanese father travels to a secluded region of China seeking resolution with his estranged son. Presented in Mandarin and Japanese with English subtitles. Showtimes are 5:30 p.m. on Saturday, Sept. 29; 7:30 p.m. on Sunday, Sept. 30; and 5:30 p.m. on Tuesday, Oct. 2.
After the Wedding - Jacob, the manager of an orphanage, returns to his homeland of Denmark from India, where he discovers a life-changing family secret. Presented in Danish with English subtitles. Showtimes are 7:30 p.m. on Saturday, Sept. 29; 5:30 p.m. on Monday, Oct. 1; and 7:30 p.m. on Thursday, Oct. 4.
Maxed Out – This documentary displays an inside look at Americans’ approach to debt and credit. It gives new meaning to the term, “preferred customer” and explains why the rich are getting richer while the poor are getting poorer. Showtimes are 9:45 p.m. on Friday, Sept. 28; 2:30 p.m. on Sunday, Sept. 30 (there will be a discussion after the film at this showing only); 7:30 p.m. on Tuesday, Oct. 2; and 5:30 p.m. on Thursday, Oct. 4.
The event is sponsored by the Cabell Huntington Convention & Visitors Bureau, the Pullman Plaza Hotel, Herald-Dispatch and Clear Channel Communications.
All the showings are at the historic Keith Albee Theater. There's a lot of variety to choose from in this year's offerings.
This year’s film festival showcases six critically acclaimed films from all over the world, including The Lives of Others, last year’s Academy Award winner for best foreign film.
Tickets can be purchased at the door for $7. Season tickets may be purchased for $70 (12 films). Season ticket holders will be admitted 30 minutes prior to each film. Individual tickets may be purchased 15 minutes prior to the film.
For more information call 304-696-6656. Here's the rundown:
The Lives of Others - The Academy Award winner takes its audiences back to 1984, beginning in East Berlin, Germany. The film allows its audiences a look into Captain Gerd Wiesler’s life, an officer of Stasi, Germany’s secret police. Presented in German with English subtitles. Showtimes are 7:30 p.m. on Friday, Sept. 28; 9:45 p.m. on Sunday, Sept. 30; and 5:30 p.m. on Wednesday, Oct. 3.
Family Law - The heartfelt story of a father-son relationship unfolds when Ariel Perelman, a law professor, begins to look inside his relationship with his own father to become a better father and husband. Presented in Spanish with English subtitles. Showtimes are 5:30 p.m. on Friday, Sept. 28; 9:45 p.m. on Saturday, Sept. 29; and 7:30 p.m. on Monday, Oct. 1.
Days of Glory - Four Algerian men enlist in the French Army to help free the ‘fatherland’ from its Nazi enemy. The heroes are depicted with the discrimination that they face from French authorities. Presented in French and Arabic with English subtitles. Showtimes are 2:30 p.m. on Saturday, Sept. 29; 5:30 p.m. on Sunday, Sept. 30; and 7:30 p.m. on Wednesday, Oct. 3.
Riding Alone for Thousands of Miles - A Japanese father travels to a secluded region of China seeking resolution with his estranged son. Presented in Mandarin and Japanese with English subtitles. Showtimes are 5:30 p.m. on Saturday, Sept. 29; 7:30 p.m. on Sunday, Sept. 30; and 5:30 p.m. on Tuesday, Oct. 2.
After the Wedding - Jacob, the manager of an orphanage, returns to his homeland of Denmark from India, where he discovers a life-changing family secret. Presented in Danish with English subtitles. Showtimes are 7:30 p.m. on Saturday, Sept. 29; 5:30 p.m. on Monday, Oct. 1; and 7:30 p.m. on Thursday, Oct. 4.
Maxed Out – This documentary displays an inside look at Americans’ approach to debt and credit. It gives new meaning to the term, “preferred customer” and explains why the rich are getting richer while the poor are getting poorer. Showtimes are 9:45 p.m. on Friday, Sept. 28; 2:30 p.m. on Sunday, Sept. 30 (there will be a discussion after the film at this showing only); 7:30 p.m. on Tuesday, Oct. 2; and 5:30 p.m. on Thursday, Oct. 4.
The event is sponsored by the Cabell Huntington Convention & Visitors Bureau, the Pullman Plaza Hotel, Herald-Dispatch and Clear Channel Communications.
Tuesday, September 25, 2007
Finally!
Sometimes, when working on a show, the funniest things can trip you up.
For example, when the directing team first starting brainstorming about First Stage Theatre's presentation of High School Musical, we decided early on that we'd cast adults in the roles of the two grownups in the cast - the drama teacher, Ms. Darbus, and the basketball coach (and Troy's dad), Coach Bolton.
Debbie Wolfe signed on quickly the play the part of Ms. Darbus, and several guys expressed interest in the part of the coach, but after some deliberation, each one realized that he had a scheduling conflict. One guy was really anxious to disqualify himself - he broke his jaw in a sports accident! (Hope you're feeling better, bro.)
Thankfully, we've finally found our man - so welcome aboard to Bill Bartlett, who's been in a number of local shows - for example, he was the Cowardly Lion when 5th Avenue Theatre presented The Wizard of Oz.
We're thrilled to have him, and that sets our cast - finally! Now, back to rehearsals...
For example, when the directing team first starting brainstorming about First Stage Theatre's presentation of High School Musical, we decided early on that we'd cast adults in the roles of the two grownups in the cast - the drama teacher, Ms. Darbus, and the basketball coach (and Troy's dad), Coach Bolton.
Debbie Wolfe signed on quickly the play the part of Ms. Darbus, and several guys expressed interest in the part of the coach, but after some deliberation, each one realized that he had a scheduling conflict. One guy was really anxious to disqualify himself - he broke his jaw in a sports accident! (Hope you're feeling better, bro.)
Thankfully, we've finally found our man - so welcome aboard to Bill Bartlett, who's been in a number of local shows - for example, he was the Cowardly Lion when 5th Avenue Theatre presented The Wizard of Oz.
We're thrilled to have him, and that sets our cast - finally! Now, back to rehearsals...
Monday, September 24, 2007
Obituary: Marcel Marceau
Sorry to see that the world's greatest and most beloved mime, Marcel Marceau, passed away over the weekend.
He was always a favorite, whether for his TV appearances, especially on the Red Skelton Show, or for his cameo in Mel Brooks' Silent Movie, where Marceau had the only speaking role.
Sadly, I missed his appearance in Huntington in 2004 as part of the Marshall Artists Series. Those who saw it raved about the show, and those who met him afterwards told me he was delightful.
More than just a great performer and entertainer, he was also a hero of the French Resistance during World War II.
Here's the obituary from the Associated Press:
He was always a favorite, whether for his TV appearances, especially on the Red Skelton Show, or for his cameo in Mel Brooks' Silent Movie, where Marceau had the only speaking role.
Sadly, I missed his appearance in Huntington in 2004 as part of the Marshall Artists Series. Those who saw it raved about the show, and those who met him afterwards told me he was delightful.
More than just a great performer and entertainer, he was also a hero of the French Resistance during World War II.
Here's the obituary from the Associated Press:
PARIS (AP) -- Marcel Marceau, the master of mime who transformed silence into poetry with lithe gestures and pliant facial expressions that spoke to generations of young and old, died Saturday. He was 84.
Marceau's former assistant Emmanuel Vacca said on French radio that the performer died in Paris, but gave no details.
A French Jew, Marceau escaped deportation to a Nazi death camp during World War II, unlike his father who died in Auschwitz. Marceau worked with the French Resistance to protect Jewish children, and later used the memories of his own life to feed his art.
He gave life to a wide spectrum of characters, from a peevish waiter to a lion tamer to an old woman knitting, and to the best-known Bip.
The son of a butcher, the mime was born Marcel Mangel on March 22, 1923, in Strasbourg, France. His father Charles, a baritone with a love of song, introduced his son to the world of music and theater at an early age. The boy was captivated by the silent film stars of the era: Charlie Chaplin, Buster Keaton and the Marx brothers.
With his brother Alain, Marceau became active in the French Resistance, altering children's identity cards by changing birth dates to trick the Nazis into thinking they were too young to be deported. Because he spoke English, he was recruited to be a liaison officer with Gen. George S. Patton's army.
His father was sent to the Auschwitz concentration camp in 1944.
Some of Marceau's later work reflected the somber experiences. Even the character Bip, who chased butterflies in his debut, took on the grand themes of humanity.
Sunday, September 23, 2007
On Your Mark, Get Set...
It was a beautiful day Saturday, which worked out well since it was the day for our first work party to start building the set for High School Musical.
Yesterday I told you about Amy, our wonderful Choreographer / Assistant Director, and today I'm going to brag on the guy in charge of set construction - Jack Welch.
Jack and I sat down a few weeks ago and came up with a rough design for the set. It's a lot of fun kicking around ideas with a guy as creative as Jack - he's a veteran of several shows and knows what will work on stage and what won't work.
Now the real fun begins - he'll spend the next several weeks taking those rough drawings and turning them into the real thing.
Luckily, he doesn't have to do it all by himself - all the cast members are required to help out, and their parents are welcome as well. We had a small but hard-working crew on Saturday - five teens and four adults, and we got quite a bit accomplished.
One of the toughest jobs was disassembling the lockers donated by the Cabell County School System - we got about 15 old lockers from Cammack Elementary School (which is in the process of being partly demolished). Thankfully, the construction workers loaded them out of the school and onto our trailer - those things are really heavy!
For our set, we have to take the doors off the lockers so we can attach them to a mobile platform. It was a tough job, especially with the temperature climbing, but a team of several teens and one parent got the job done.
We also had a team of painters laying down the base coat on a huge backdrop that we'll be using. One way First Stage manages to put on these expensive shows is by reusing and modifying existing set pieces, so the huge flats painted to look like brick walls for Les Miserables: The School Edition will have an entirely different (and more modern look for HSM.
Of course, this is just the beginning - but we're off to a great start!
Yesterday I told you about Amy, our wonderful Choreographer / Assistant Director, and today I'm going to brag on the guy in charge of set construction - Jack Welch.
Jack and I sat down a few weeks ago and came up with a rough design for the set. It's a lot of fun kicking around ideas with a guy as creative as Jack - he's a veteran of several shows and knows what will work on stage and what won't work.
Now the real fun begins - he'll spend the next several weeks taking those rough drawings and turning them into the real thing.
Luckily, he doesn't have to do it all by himself - all the cast members are required to help out, and their parents are welcome as well. We had a small but hard-working crew on Saturday - five teens and four adults, and we got quite a bit accomplished.
One of the toughest jobs was disassembling the lockers donated by the Cabell County School System - we got about 15 old lockers from Cammack Elementary School (which is in the process of being partly demolished). Thankfully, the construction workers loaded them out of the school and onto our trailer - those things are really heavy!
For our set, we have to take the doors off the lockers so we can attach them to a mobile platform. It was a tough job, especially with the temperature climbing, but a team of several teens and one parent got the job done.
We also had a team of painters laying down the base coat on a huge backdrop that we'll be using. One way First Stage manages to put on these expensive shows is by reusing and modifying existing set pieces, so the huge flats painted to look like brick walls for Les Miserables: The School Edition will have an entirely different (and more modern look for HSM.
Of course, this is just the beginning - but we're off to a great start!
Saturday, September 22, 2007
Speak Your Mind
So Friday we had lots of fun at High School Musical rehearsal, working on the big song that ends the first act.
Since I have two left feet, I just watched as choreographer Amy Browning patiently worked with the cast (virtually everyone is in the number) and got them started on the process of learning the complicated moves involved.
It made me appreciate yet again how talented the cast is and what a great directing team I get to work with. Amy is not only a terrific choreographer, she's also an excellent director, too - I always count my lucky stars that she's on the team.
So which song were we working on?It's probably my favorite in the show - Stick to the Status Quo. In case you've been living in a cave and haven't seen it, here's the clip from the TV movie:
Since I have two left feet, I just watched as choreographer Amy Browning patiently worked with the cast (virtually everyone is in the number) and got them started on the process of learning the complicated moves involved.
It made me appreciate yet again how talented the cast is and what a great directing team I get to work with. Amy is not only a terrific choreographer, she's also an excellent director, too - I always count my lucky stars that she's on the team.
So which song were we working on?It's probably my favorite in the show - Stick to the Status Quo. In case you've been living in a cave and haven't seen it, here's the clip from the TV movie:
Changing of the Guard
Huntington's 5th Avenue Theatre Company (which is affiliated with the City of Huntington Foundation) is having a change in command.
Sue Ann Torlone stepped down as Chairman and Co-Producer of that organization earlier this week. She had served that position since its inception. The good news is, she will continue to serve on the board. As one board member said, "Her dedication and hard work will be missed."
No word yet on who's taking on the job of Chairman - but we should know soon.
Sue Ann Torlone stepped down as Chairman and Co-Producer of that organization earlier this week. She had served that position since its inception. The good news is, she will continue to serve on the board. As one board member said, "Her dedication and hard work will be missed."
No word yet on who's taking on the job of Chairman - but we should know soon.
Friday, September 21, 2007
You're Getting Warmer...
We're just a couple of weeks from the kickoff to the fall community theatre season (thank goodness). But you don't have to wait that long - the Marshall Artists Series will kick things off in a week with the Fall International Film Festival, which runs Sept. 28 to Oct. 4 at the Keith Albee Theater. It's followed two days later (Oct. 6) by the talented Al Jarreau.
You can learn more about it - and keep tabs on the rest of the upcoming season for the Marshall Artists Series - by visiting the website, which you can find right here.
You can learn more about it - and keep tabs on the rest of the upcoming season for the Marshall Artists Series - by visiting the website, which you can find right here.
Thursday, September 20, 2007
Briefs and Shorts
My pal Mike Murdock sent this information in a recent comment, but I wanted to print it here as well- it's about a show coming up next week you'll want to see:
Next week sees the return of the Kanawha Players' Briefs and Shorts, which brings to you short plays, new and veteran actors alike, new directors and even new, original plays from area playwrights!
The show will be next Thursday, September 27 - one night only - at 8:00 p.m. at the Charleston Ballet building on Virginia Street (across the street from City National Bank - where you can park, I might add) and tickets are just $5.00!
Jon Joy has a new 10-minute play being performed for the very first time called The War On Halloween, starring Mike Murdock and Jen McComas.
For anyone that saw Joy's The Prayer List, Mike is once again playing the character of "Mark", who previously held quite a grudge against Christmas.
Wednesday, September 19, 2007
Ahoy There!
Here at the Tri-State Theatre blog, we're big fans of imaginary holidays. So it is with great delight that we announce our support of Talk Like a Pirate Day, which hits every year on September 19.
So avast ye swabs! Make it a hearty one!
So avast ye swabs! Make it a hearty one!
Tuesday, September 18, 2007
Legally Blonde - from Broadway to MTV
When I was a tyke, you could catch glimpses of Broadway on programs like The Ed Sullivan Show, as performers recreated songs for the national audience. These days, there doesn't seem to be an outlet for that sort of thing (though why Conan O'Brien or David Letterman don't take more advantage of the shows down the street, I have no idea).
That's about to change - at least momentarily - as MTV (as in Music Television - you know, the channel that used to show music videos) has announced plans to film the Broadway musical Legally Blonde and air it in its entirety. The first broadcast is scheduled for Saturday, September 29 at 1:00 p.m.
MTV will film Legally Blonde at the Palace Theatre. This isn't the first time a stage show has been recorded for TV, of course - but no show has ever been broadcast while still running on Broadway. It's an interesting experiment - will the broadcast spark interest in the live show or kill off the audience's interest?
Legally Blonde stars Kentucky native Laura Bell Bundy as Elle Woods. Directed and choreographed by Jerry Mitchell, the show features a score by Nell Benjamin and Laurence O'Keefe and book by Heather Hach.
You know what I always say: set the Tivo!
That's about to change - at least momentarily - as MTV (as in Music Television - you know, the channel that used to show music videos) has announced plans to film the Broadway musical Legally Blonde and air it in its entirety. The first broadcast is scheduled for Saturday, September 29 at 1:00 p.m.
MTV will film Legally Blonde at the Palace Theatre. This isn't the first time a stage show has been recorded for TV, of course - but no show has ever been broadcast while still running on Broadway. It's an interesting experiment - will the broadcast spark interest in the live show or kill off the audience's interest?
Legally Blonde stars Kentucky native Laura Bell Bundy as Elle Woods. Directed and choreographed by Jerry Mitchell, the show features a score by Nell Benjamin and Laurence O'Keefe and book by Heather Hach.
You know what I always say: set the Tivo!
Monday, September 17, 2007
On Stage Tomorrow - "Something in the Water"
It may be a lean time for stage shows, but every now and then an opportunity presents itself. For example, you can catch an original musical tomorrow night in Ashland. It's called "Something in the Water," and it's subtitled "A Tribute to the Heritage of Country Music in Kentucky.”
The production looks at the evolution of country gospel and mountain music that came out of eastern Kentucky. The show will be presented at The Paramount Arts Center Tuesday at 8:00 p.m. Tickets are $15 and $10, and children under 12 are free.
You can learn more about the show in this article in today's Herald-Dispatch.
The production looks at the evolution of country gospel and mountain music that came out of eastern Kentucky. The show will be presented at The Paramount Arts Center Tuesday at 8:00 p.m. Tickets are $15 and $10, and children under 12 are free.
You can learn more about the show in this article in today's Herald-Dispatch.
Saturday, September 15, 2007
High School Musical Rehearsals
I haven't talked about High School Musical rehearsals much for two reasons: 1) I don't want to "wear out my welcome" in this blog by constantly talking about the show; and 2) I've been so busy working on the reheasals that I haven't had much time to talk about them.
We've wrapped up the first week-and-a-half of rehearsals (it takes about 10 weeks to get a show like this ready), and so far it's going very well!
One thing we had to "fix" was the cast. We had to make a few minor adjustments to deal with the loss of a couple of actors. That always happen when you're working with young people in school - in fact, in casting we allow for the fact that we'll probably lose five to 10 actors once the rehearsal schedule goes out. Lots of actors don't realize how much time a show requires and others just have unavoidable schedule conflicts.
We actually hit the ground running at the initial cast meeting. Ordinarily we do a read-through of the script with the cast at that meeting, but since virtually everyone already knows the High School Musical story, instead we starting out learning the "Stick to the Status Quo" song.
Learning the music is really the first step in a show like this, so the next couple of rehearsals focused on the four leads and their songs, and the week after that we focused on the entire cast. And let me just say, they sound great already!
(Not that I'm prejudiced or anything.)
We've also started working on the choreography - specifically, the dance for "Get'cha Head in the Game," which is tricky, since it involves basketballs, dribbling and dancing - the team still has quite a bit of practicing to do, but we're off to a great start.
Last night we started blocking scenes - where the actors work on their lines, their stage movements and interacting with the other actors. As I was watching them run the scene last night where they're in Ms. Darbus' homeroom class, I was impressed at how "in character" they all were, as they took on the part of their character - and that's half the battle right there!
To sum up, we're off and running, but there's still a lot of work - and a lot of fun - ahead of us!
We've wrapped up the first week-and-a-half of rehearsals (it takes about 10 weeks to get a show like this ready), and so far it's going very well!
One thing we had to "fix" was the cast. We had to make a few minor adjustments to deal with the loss of a couple of actors. That always happen when you're working with young people in school - in fact, in casting we allow for the fact that we'll probably lose five to 10 actors once the rehearsal schedule goes out. Lots of actors don't realize how much time a show requires and others just have unavoidable schedule conflicts.
We actually hit the ground running at the initial cast meeting. Ordinarily we do a read-through of the script with the cast at that meeting, but since virtually everyone already knows the High School Musical story, instead we starting out learning the "Stick to the Status Quo" song.
Learning the music is really the first step in a show like this, so the next couple of rehearsals focused on the four leads and their songs, and the week after that we focused on the entire cast. And let me just say, they sound great already!
(Not that I'm prejudiced or anything.)
We've also started working on the choreography - specifically, the dance for "Get'cha Head in the Game," which is tricky, since it involves basketballs, dribbling and dancing - the team still has quite a bit of practicing to do, but we're off to a great start.
Last night we started blocking scenes - where the actors work on their lines, their stage movements and interacting with the other actors. As I was watching them run the scene last night where they're in Ms. Darbus' homeroom class, I was impressed at how "in character" they all were, as they took on the part of their character - and that's half the battle right there!
To sum up, we're off and running, but there's still a lot of work - and a lot of fun - ahead of us!
Friday, September 14, 2007
Tonight: African Children's Choir in Concert
Tonight at 7:00pm you can catch a great concert, as the African Children's Choir performs at the Fifth Avenue Baptist Church.
The choir members arrived in town last night and visited with host families. There are 22 members in all, and they're wrapping up a six-week tour with their visit to Huntington.
You can learn all about it by reading this story in today's Herald-Dispatch.
The choir members arrived in town last night and visited with host families. There are 22 members in all, and they're wrapping up a six-week tour with their visit to Huntington.
You can learn all about it by reading this story in today's Herald-Dispatch.
Thursday, September 13, 2007
Talent Search
I've been talking to my pals at Motion Masters in Charleston (for those who don't know, they're a video production / marketing firm in Charleston - probably the best in the state), and they tell me they're looking for some actors who can serve as potential spokesmen and spokeswomen (age range in the mid-30s) for some upcoming projects.
For more information, you can call the company at (304) 345-8800. The basic application form can be found right here: CastingApplicationMotionMasters.doc
So if you're interested give them a call. They're a good company and they do great work. Tell 'em Chuck sent you!
For more information, you can call the company at (304) 345-8800. The basic application form can be found right here: CastingApplicationMotionMasters.doc
So if you're interested give them a call. They're a good company and they do great work. Tell 'em Chuck sent you!
Tuesday, September 11, 2007
9 / 11
It's a sobering day as always, looking back at the terrible events that unfolded six years ago today.
I was home that morning and got a news bulletin on my computer saying a plane had crashed into one of the Trade Towers. I assumed it was a small plane lost in the morning fog. "Just like when a plane crashed into the Empire State Building years ago," I thought. I turned on the TV to find live shots of smoke pouring out of one tower, and immediately noticed how clear and blue the sky was. "How could any pilot crash like that on a clear morning?" I wondered. I stepped out of the room for a minute, and when I returned, the second plane had crashed, and it was obvious that this wasn't just an accident. Later we learned about the crash at the Pentagon and in a field in Pennsylvania.
I hope we can all take a moment today to remember the innocent victims of that terrible day, and hope that our loved ones never have to face that kind of horror again.
I was home that morning and got a news bulletin on my computer saying a plane had crashed into one of the Trade Towers. I assumed it was a small plane lost in the morning fog. "Just like when a plane crashed into the Empire State Building years ago," I thought. I turned on the TV to find live shots of smoke pouring out of one tower, and immediately noticed how clear and blue the sky was. "How could any pilot crash like that on a clear morning?" I wondered. I stepped out of the room for a minute, and when I returned, the second plane had crashed, and it was obvious that this wasn't just an accident. Later we learned about the crash at the Pentagon and in a field in Pennsylvania.
I hope we can all take a moment today to remember the innocent victims of that terrible day, and hope that our loved ones never have to face that kind of horror again.
Monday, September 10, 2007
Not Blue about Artists Series
Single tickets sales are now available for the Marshall Artists Series by calling 304-696-6656 (and the phone line works, because I just ordered my tickets for several shows). You can learn more about the amazing season they have coming up by reading this article in today's Herald-Dispatch.
Also, on the online edition of the H-D tells us that the Blue Man Group is putting in an appearance in Charleston soon - you can read about it right here.
Apparently these groups are working together to take away all my spare change! (But I'm not complaining - we should have this problem more often!)
Also, on the online edition of the H-D tells us that the Blue Man Group is putting in an appearance in Charleston soon - you can read about it right here.
Apparently these groups are working together to take away all my spare change! (But I'm not complaining - we should have this problem more often!)
Saturday, September 08, 2007
Go Herd!
I know, it doesn't have anything to do with local theatre (other than the fact that there was a lot of drama involved), but I just wanted to offer my congratulations to both Marshall and WVU on a terrific football game.
For three quarters, MU held its own against WVU's high-powered offense (which includes two Heisman candidates), and the Herd even led at the half!
Of course, WVU put it away in the fourth quarter, but it was an entertaining game with some good sportsmanship on display at the end, as both teams exchanged congratulations on the field. It was great to see, expecially in front of a national audience. MU has a lot to be proud of, to hold its own against the #3-ranked Mountaineers, and WVU demonstrated why it continues to be a national power.
All in all, a fun way to spend the day! (Next time, I'll talk about theatre. Honest!)
For three quarters, MU held its own against WVU's high-powered offense (which includes two Heisman candidates), and the Herd even led at the half!
Of course, WVU put it away in the fourth quarter, but it was an entertaining game with some good sportsmanship on display at the end, as both teams exchanged congratulations on the field. It was great to see, expecially in front of a national audience. MU has a lot to be proud of, to hold its own against the #3-ranked Mountaineers, and WVU demonstrated why it continues to be a national power.
All in all, a fun way to spend the day! (Next time, I'll talk about theatre. Honest!)
Thursday, September 06, 2007
The Cast for "A Christmas Carol"
5th Avenue Theatre has announced its cast for A Christmas Carol. Here 'tis:
A Beadle - D. B. Daugherty
Three Charity Men- Scott Burner, Nathan Mohebbie, Elijah Boyles
Mr. Smythe - Larry Schmitz
Grace Smythe - Elizabeth Schmitz
Scrooge - Clint McElroy
Crachit - Mark Near
Martha Crachit - Rachel Meadows
Mrs. Crachit - Amy Coughenhour
Tiny Tim - Franklin Norton
Poulterer - D. B. Daugherty
Fred Anderson - Brad Goodenough
Sally Anderson - Jessica Maier
Fred's son Charles - William Beverage
Fred's daughter Polly - Olivia Goodenough
Jonathon - Jack Mcghee
Ghost of Christmas Past - Lara Evans
Ghost of Christmas Present - Tommy Smirl
Ghost of Christmas Future - Joy Wilkes
Marley - Paul Neace
Judge - D.B.Daugherty
Scrooge at 9 - Nathaniel Porter
Scrooge's Mother - Mary Olson
Fan at 7 - Lydia Waybright
Scrooge at 15 - Scott Burner
Fan at 13 - Emily Waybright
Fezziwig - Jim Lamp
Mrs. Fezziewig - Joy Martin
Scrooge at 23 - Justin McElroy
Emily - Sydnee McElroy
Young Marley - Nathan Mohebbi
Char Women - Jazzy Dodson and April Morrison
Old Joe - Elijah Boyles
Undertakers/Grave Robbers - Scott Burner, Nathan Mohebbie, Jazzy Dodson
Belinda Crachit - Nikki Coughenhour
Rose Crachit - Rebecca Craig
Molly Crachit - Rileigh Smirl
Granny Pickwit - Debbie Jackson
Granny Chuzzelwut - Carolyn Fornash
Children under Robe of Ghost - Gavin Beverage and Anna Coughenhour
Sr. Dance Line - Ritchie Allen, Brittany Hazeldine, Keisha Runyon, Rachel Maynard, Becki Harless, Scott Burner, Nathan Mohebbi, Tiff McCulagh, Taylor Bellomy, Wendy Goodenough, Jess Maier, Rachel Meadows, Mallory Norton, Kristen Ritter.
Little Dance Line - Willow Maynard, Olivia Robets, Anna Coughenhour, Olivia Goodenough, Rileigh Smirl, Jenna Dorsey, Danielle Reber, Madyson Knipp, Cady Lewis, Zoie Fornash, Lindsay McKelvey, Madalyn Harless, Annie Wolfe, Savannah Shockley, Brooke Vaughn, Jade Stewart, Olivia Jenkins, Abbey Mandt, Madalein Jackson, Kathryn Booth, Becky Petit and Betsy Petit.
Company - Cara Romanowski, Stephanie Dorsey, Autumn Morrison, Chyanne Morrison, Danielle Deering, Sarah Bryan, Nathaniel Fornash, Marshall Harless, Jarrett Maynard, Blair Vaughn, Alissa Stewart, Alexandra Poore, Hanna Stapleton.
A Beadle - D. B. Daugherty
Three Charity Men- Scott Burner, Nathan Mohebbie, Elijah Boyles
Mr. Smythe - Larry Schmitz
Grace Smythe - Elizabeth Schmitz
Scrooge - Clint McElroy
Crachit - Mark Near
Martha Crachit - Rachel Meadows
Mrs. Crachit - Amy Coughenhour
Tiny Tim - Franklin Norton
Poulterer - D. B. Daugherty
Fred Anderson - Brad Goodenough
Sally Anderson - Jessica Maier
Fred's son Charles - William Beverage
Fred's daughter Polly - Olivia Goodenough
Jonathon - Jack Mcghee
Ghost of Christmas Past - Lara Evans
Ghost of Christmas Present - Tommy Smirl
Ghost of Christmas Future - Joy Wilkes
Marley - Paul Neace
Judge - D.B.Daugherty
Scrooge at 9 - Nathaniel Porter
Scrooge's Mother - Mary Olson
Fan at 7 - Lydia Waybright
Scrooge at 15 - Scott Burner
Fan at 13 - Emily Waybright
Fezziwig - Jim Lamp
Mrs. Fezziewig - Joy Martin
Scrooge at 23 - Justin McElroy
Emily - Sydnee McElroy
Young Marley - Nathan Mohebbi
Char Women - Jazzy Dodson and April Morrison
Old Joe - Elijah Boyles
Undertakers/Grave Robbers - Scott Burner, Nathan Mohebbie, Jazzy Dodson
Belinda Crachit - Nikki Coughenhour
Rose Crachit - Rebecca Craig
Molly Crachit - Rileigh Smirl
Granny Pickwit - Debbie Jackson
Granny Chuzzelwut - Carolyn Fornash
Children under Robe of Ghost - Gavin Beverage and Anna Coughenhour
Sr. Dance Line - Ritchie Allen, Brittany Hazeldine, Keisha Runyon, Rachel Maynard, Becki Harless, Scott Burner, Nathan Mohebbi, Tiff McCulagh, Taylor Bellomy, Wendy Goodenough, Jess Maier, Rachel Meadows, Mallory Norton, Kristen Ritter.
Little Dance Line - Willow Maynard, Olivia Robets, Anna Coughenhour, Olivia Goodenough, Rileigh Smirl, Jenna Dorsey, Danielle Reber, Madyson Knipp, Cady Lewis, Zoie Fornash, Lindsay McKelvey, Madalyn Harless, Annie Wolfe, Savannah Shockley, Brooke Vaughn, Jade Stewart, Olivia Jenkins, Abbey Mandt, Madalein Jackson, Kathryn Booth, Becky Petit and Betsy Petit.
Company - Cara Romanowski, Stephanie Dorsey, Autumn Morrison, Chyanne Morrison, Danielle Deering, Sarah Bryan, Nathaniel Fornash, Marshall Harless, Jarrett Maynard, Blair Vaughn, Alissa Stewart, Alexandra Poore, Hanna Stapleton.
Wednesday, September 05, 2007
Rehearsal Time
It's the time of year, unfortunately, when you don't see many community theatre shows. September is traditionally a time when local groups are rehearsing for their next big production. For example, Marshall's Department of Theatre is busy getting ready to stage The Little Shop of Horror in about a month.
At the Renaissance Theater, ARTS is almost halfway through rehearsals for Hello Dolly, which will take the stage in mid-October.
Rehearsals are just beginning for First Stage Theatre's production of High School Musical.
And 5th Avenue Theatre will start working soon on A Christmas Carol: The Musical.
So for fans of theatre, it's a time to be patient - in about a month, you'll have some great shows to choose from!
At the Renaissance Theater, ARTS is almost halfway through rehearsals for Hello Dolly, which will take the stage in mid-October.
Rehearsals are just beginning for First Stage Theatre's production of High School Musical.
And 5th Avenue Theatre will start working soon on A Christmas Carol: The Musical.
So for fans of theatre, it's a time to be patient - in about a month, you'll have some great shows to choose from!
Tuesday, September 04, 2007
Back to Blogging
I'm back! Did you miss me?
Sorry for the lack of blogging for the past few days - the family and I went to Chicago over the holiday weekend to help our youngest son get settled into his new apartment.
At least I got some much-needed exercise! The move included carrying a couch up to a third floor apartment, an effort that required all three of the Minsker men to accomplish. (Though between you and me, I think Old Man Minsker's days of moving heavy furniture up three flights of stairs are about over. That's a young man's game!)
But it wasn't all work - we also got in some sightseeing, visited the Art Institute and had fun hanging in the Windy City with our loved ones!
Still, it's good to be back home and we should be back to blogging as usual tomorrow. Hope you had a great Labor Day, too!
Sorry for the lack of blogging for the past few days - the family and I went to Chicago over the holiday weekend to help our youngest son get settled into his new apartment.
At least I got some much-needed exercise! The move included carrying a couch up to a third floor apartment, an effort that required all three of the Minsker men to accomplish. (Though between you and me, I think Old Man Minsker's days of moving heavy furniture up three flights of stairs are about over. That's a young man's game!)
But it wasn't all work - we also got in some sightseeing, visited the Art Institute and had fun hanging in the Windy City with our loved ones!
Still, it's good to be back home and we should be back to blogging as usual tomorrow. Hope you had a great Labor Day, too!
Friday, August 31, 2007
Light and Scattered Blogging
Labor Day events may keep me away from the computer for a while, so entries may be limited for the next few days. (Hey, even bloggers need a break occasionally!)
Don't forget about auditions for "A Christmas Carol: The Musical" this weekend at City Hall Auditorium, and everyone eat your vegetables and go to the church or synagogue of your choice. (Why am I channeling my idol, Mr. Cartoon?)
Have a great holiday and we'll see you here after, as the theatre season gets ready to kick into high gear!
Don't forget about auditions for "A Christmas Carol: The Musical" this weekend at City Hall Auditorium, and everyone eat your vegetables and go to the church or synagogue of your choice. (Why am I channeling my idol, Mr. Cartoon?)
Have a great holiday and we'll see you here after, as the theatre season gets ready to kick into high gear!
Free Labor Day Concert in Beckley
If you've never had a chance to catch the West Virginia Symphony Orchestra, you're really missing a treat - and Monday you can see them for free! Here's the press release:
The West Virginia Symphony Orchestra and Maestro Grant Cooper will present a Free Labor Day Concert at Woodrow Wilson Auditorium in Beckley on Monday, September 3, 2007 at 7:00 p.m.
Admission to the concert, which is sponsored by the Beckley Area Foundation, is free and open to the public. Additional sponsorship of guest artists is provided by City National Bank.
The orchestra's program will range from the movies to the classics to the Broadway
stage. Classical selections will include the Festival Overture by Shostakovich and Tchaikovsky's Overture: 1812. Music from the movies will include Star Wars and Jurassic Park. Broadway shows will be highlighted with music from The King and I. As a special addition to this concert, the WVSO will feature an excerpt, “I Can Hear Them Now,” from the musical Lincoln by the Charleston based composer and lyricist team of Mark Scarpelli and Dan Kehde. The Lincoln excerpt will feature vocalists Mariel van Dalsum-Boggs, Ryan Hardiman, and Jonathan Cavendish.
The West Virginia Symphony Orchestra is West Virginia 's premier performing arts organization, presenting over 30 concerts annually to audiences throughout the Mountain State.
The concert on September 3 is presented by the Beckley Area Foundation with sponsorship of guest artists provided by City National Bank, and with additional financial assistance from the West Virginia Commission on the Arts and the National Endowment for the Arts.
The West Virginia Symphony Orchestra and Maestro Grant Cooper will present a Free Labor Day Concert at Woodrow Wilson Auditorium in Beckley on Monday, September 3, 2007 at 7:00 p.m.
Admission to the concert, which is sponsored by the Beckley Area Foundation, is free and open to the public. Additional sponsorship of guest artists is provided by City National Bank.
The orchestra's program will range from the movies to the classics to the Broadway
stage. Classical selections will include the Festival Overture by Shostakovich and Tchaikovsky's Overture: 1812. Music from the movies will include Star Wars and Jurassic Park. Broadway shows will be highlighted with music from The King and I. As a special addition to this concert, the WVSO will feature an excerpt, “I Can Hear Them Now,” from the musical Lincoln by the Charleston based composer and lyricist team of Mark Scarpelli and Dan Kehde. The Lincoln excerpt will feature vocalists Mariel van Dalsum-Boggs, Ryan Hardiman, and Jonathan Cavendish.
The West Virginia Symphony Orchestra is West Virginia 's premier performing arts organization, presenting over 30 concerts annually to audiences throughout the Mountain State.
The concert on September 3 is presented by the Beckley Area Foundation with sponsorship of guest artists provided by City National Bank, and with additional financial assistance from the West Virginia Commission on the Arts and the National Endowment for the Arts.
Thursday, August 30, 2007
The First Meeting
We had the first cast meeting for High School Musical tonight, and it was a lot of fun! We have such a talented cast, I know it’s going to be a great show!
The first meeting is always the toughest, just because there’s so much ground to cover. You have to introduce everyone (cast and directors), lay out the schedule, explain “the rules,” talk to the parents about the show and how they can help - and much more.
It’s always a little chaotic, with a big crowd like that, but it went well. At the first meeting it’s traditional to do a “read-through” of the script, but since the HSM story is so well known to the cast, I thought it’d be more fun to go ahead and start working on one of the songs.
So Music Director Mark Smith worked with the cast on “Stick to the Status Quo” - and in no time at all, they sounded fantastic!
Of course, the first meeting isn’t all fun and games - there are always a few cast members who don’t show up, and then you have to figure out whether or not they’re still in the show or if they’ve quit. A few others realize they have schedule conflicts and have to decide whether to stay with the show. I hate that part of it - I want everyone in the cast to be able to be there and join in the fun - but it’s just not always possible.
We still have a few tweaks to make to the cast, a few people to shuffle around - but we’re off to a great start!
The first meeting is always the toughest, just because there’s so much ground to cover. You have to introduce everyone (cast and directors), lay out the schedule, explain “the rules,” talk to the parents about the show and how they can help - and much more.
It’s always a little chaotic, with a big crowd like that, but it went well. At the first meeting it’s traditional to do a “read-through” of the script, but since the HSM story is so well known to the cast, I thought it’d be more fun to go ahead and start working on one of the songs.
So Music Director Mark Smith worked with the cast on “Stick to the Status Quo” - and in no time at all, they sounded fantastic!
Of course, the first meeting isn’t all fun and games - there are always a few cast members who don’t show up, and then you have to figure out whether or not they’re still in the show or if they’ve quit. A few others realize they have schedule conflicts and have to decide whether to stay with the show. I hate that part of it - I want everyone in the cast to be able to be there and join in the fun - but it’s just not always possible.
We still have a few tweaks to make to the cast, a few people to shuffle around - but we’re off to a great start!
Wednesday, August 29, 2007
It All Starts Tomorrow
At 7:00 p.m., we'll have our first meeting of the cast and their parents for the local production of High School Musical.
It's the first rehearsal of many, as we pass lots of information about what everyone can expect in the weeks ahead. I'll tell you all about it afterwards. Can't wait!
It's the first rehearsal of many, as we pass lots of information about what everyone can expect in the weeks ahead. I'll tell you all about it afterwards. Can't wait!
Recruiting for a Children's Choir in Kentucky
Here's a press release that should be of interest to young singers in eastern Kentucky (and thereabouts):
The newly organized Greenup Arts Children’s Choir (GACC) is seeking children from the greater Greenup County and Tri-State area to audition for this great opportunity to sing in a community children’s choir.
Children in grades 4th – 7th are invited to audition on Tuesday, September 18, 2007 from 4:00 p.m. – 8:00 p.m. at the Raceland – Worthington Cultural Arts Center in Raceland, Ky.
To schedule your audition and for more information please call The Greenup County Extension office at 606-473-9881 or email Cora Hughes at: cora.hughes@uky.edu or Gail Rice at: grice@uky.edu.
The newly organized Greenup Arts Children’s Choir (GACC) is seeking children from the greater Greenup County and Tri-State area to audition for this great opportunity to sing in a community children’s choir.
Children in grades 4th – 7th are invited to audition on Tuesday, September 18, 2007 from 4:00 p.m. – 8:00 p.m. at the Raceland – Worthington Cultural Arts Center in Raceland, Ky.
To schedule your audition and for more information please call The Greenup County Extension office at 606-473-9881 or email Cora Hughes at: cora.hughes@uky.edu or Gail Rice at: grice@uky.edu.
Tuesday, August 28, 2007
A Look at "Young Frankenstein"
I've mentioned the new musical that's headed for Broadway soon - it's Young Frankenstein, based on the Mel Brooks / Gene Wilder film. Now you can see some stills from the show by visiting the Broadway.com website. It looks like they're keeping it as close to the original as they can manage, short of figuring out a way to eliminate the color from the stage (the film was shot in black-and-white, you see).
It looks like a lot of fun, although I imagine tickets will be tough to find for the first year or three.
Monday, August 27, 2007
A Second Chance at Christmas (Carol)
Good news! If you missed out on the auditions for A Christmas Carol: The Musical, you get another chance!
5th Avenue Theatre is holding another round of auditions this Saturday from 10:00 a.m. to 2:00 p.m. at the City Hall Auditorium. Be prepared to sing 30 seconds of the song of your choice.
Good luck!
5th Avenue Theatre is holding another round of auditions this Saturday from 10:00 a.m. to 2:00 p.m. at the City Hall Auditorium. Be prepared to sing 30 seconds of the song of your choice.
Good luck!
Sunday, August 26, 2007
Keeping Me On My Toes
My pal Denise sent in a comment to my last post that was right on the money, so I wanted to post it out here on the front page. Specifically, she took exception to my comment that "Depending on the show, the choreography can be extremely demanding (like Cats) or pretty minimal (like Fiddler on the Roof), but it’s a vital part of the show."
She wrote:
She wrote:
The great choreographer Jerome Robbins would probably disagree with that statement. He won a Tony for choreography for Fiddler On the Roof (and West Side Story). Indeed, when a group agrees to the performance rights for Fiddler, it is in the contract that they are supposed to do Robbins' choreography. While I would agree that Fiddler is not considered to be a dance show, take it from one that has been in the show (I played Chava when I was 19) and part of the directing team for a production. "Fiddler," when done correctly, has some of the most beautiful and awesome dance in any show. The bottle dance alone, when done with respect to ethnic tradition, is extremely challenging.Here's how I responded:
Denise, I wanted to post your comment because I agree with it absolutely. When I wrote this entry I used a different example for the "minimal" dance show, and then I changed it to "Fiddler," because it's probably the most famous musical I could think of that isn't thought of as a "dance" show. (Maybe Camelot would have been a better example.) But even as I wrote it I realized it was a bad example, because the show does include some wonderful choreography - I just neglected to go back and correct it. I appreciate you keeping me honest!
The Role of Rehearsals
So next week we have our first cast meeting for High School Musical, and then the rehearsals start a few days later. So what are rehearsals all about? Well...
The rehearsals are where the cast and crew learn the show. I have to say, in watching a live show, I’m always amazed at how performers can memorize all the dialogue and music, and then perform on stage while dancing or moving or fighting. It takes more than just a good memory to make that happen. As the old gag goes, the three things you have to do to get a show on the stage: practice, practice, practice.
It takes a lot of studying on the part of the actor to learn his or her part, but it also takes lots of repetition at rehearsals to lock the part in place. Of course, even the best actors can make mistakes, skip lines or freeze up - that’s one of the things that makes live theatre so interesting.
By the way, I’m talking in broad generalities here - each show has its own demands and there’s no set formula for how to rehearse a show. It’s up to the directing team to decide how to set up a rehearsal schedule that works for each show.
If you’re working on a musical, the usual first step is to learn the music. The music director sits down with the cast and teaches each song, with the songs broken into parts, such as soprano, alto, tenor and bass (again, I’m simplifying here). It’s not unusual to spend several sessions just learning a single song.
The second step is to learn the dance movements, and that's the job of the choreographer - both to create appropriate dance steps for each song and to teach the dances to the actors. Depending on the show, the choreography can be extremely demanding (like Cats) or pretty minimal (like Fiddler on the Roof), but it’s a vital part of the show. A lot of the character movements are carefully arranged, even if they’re not literally dance steps. Again, it takes many sessions to coordinate and learn the dance movements.
Next up is the spoken dialogue and the stage movements. This is where all the parts of the rehearsal start coming together, as the actors learn the blocking (or stage directions) that will best tell the story of the play. Each show is generally broken into scenes, and the actors learn the show one scene at a time, constantly fine-tuning their performance. It's up to the director to see that all that is combined with the music and choreography - and then the show starts to take its final shape.
While all this is happening, the members of the tech crew are also learning the show, ready to operate the lights, the microphones and the proper movement of the set, props and all the other elements that go into staging the production.
All this occurs over the course of the rehearsal period. For community theatre, it’s usually a number of weeks, depending on how long and complex the job at hand. As a general rule, my personal preference is to allow six weeks of rehearsal for a non-musical, and eight to ten weeks for a musical. By the last couple of weeks of rehearsal, you’ve taken all the pieces and brought them together, and the rehearsal will cover at least one entire act. Hopefully, by that time you’re running through the entire show.
I always like to point out that putting on a show requires just as much teamwork as any sport. Each member of the show and the tech crew must do their job properly and help each other along for the show to work. That goes for everyone, from the star performer to the cast member with almost no on-stage time. When they all pull together, you get a great show. Having a great team, both actors and tech crew, is the most important part of putting on a great show. It also makes the whole process a lot more fun.
And it occurs to me that, in all this talk of the process, I’ve left out how much fun it is to be part of a show - you make new friends, you work together toward a common goal, and when you’re done (hopefully) you’ve created a work of art that you can be proud of. I know my sons have made lifelong friends while taking part in shows - and so have I.
Anyway, back to the process. The last week before the performance is the most hectic, the most demanding, the most stressful part of the job. It’s what’s known as Tech Week - but we'll save that story for later.
The rehearsals are where the cast and crew learn the show. I have to say, in watching a live show, I’m always amazed at how performers can memorize all the dialogue and music, and then perform on stage while dancing or moving or fighting. It takes more than just a good memory to make that happen. As the old gag goes, the three things you have to do to get a show on the stage: practice, practice, practice.
It takes a lot of studying on the part of the actor to learn his or her part, but it also takes lots of repetition at rehearsals to lock the part in place. Of course, even the best actors can make mistakes, skip lines or freeze up - that’s one of the things that makes live theatre so interesting.
By the way, I’m talking in broad generalities here - each show has its own demands and there’s no set formula for how to rehearse a show. It’s up to the directing team to decide how to set up a rehearsal schedule that works for each show.
If you’re working on a musical, the usual first step is to learn the music. The music director sits down with the cast and teaches each song, with the songs broken into parts, such as soprano, alto, tenor and bass (again, I’m simplifying here). It’s not unusual to spend several sessions just learning a single song.
The second step is to learn the dance movements, and that's the job of the choreographer - both to create appropriate dance steps for each song and to teach the dances to the actors. Depending on the show, the choreography can be extremely demanding (like Cats) or pretty minimal (like Fiddler on the Roof), but it’s a vital part of the show. A lot of the character movements are carefully arranged, even if they’re not literally dance steps. Again, it takes many sessions to coordinate and learn the dance movements.
Next up is the spoken dialogue and the stage movements. This is where all the parts of the rehearsal start coming together, as the actors learn the blocking (or stage directions) that will best tell the story of the play. Each show is generally broken into scenes, and the actors learn the show one scene at a time, constantly fine-tuning their performance. It's up to the director to see that all that is combined with the music and choreography - and then the show starts to take its final shape.
While all this is happening, the members of the tech crew are also learning the show, ready to operate the lights, the microphones and the proper movement of the set, props and all the other elements that go into staging the production.
All this occurs over the course of the rehearsal period. For community theatre, it’s usually a number of weeks, depending on how long and complex the job at hand. As a general rule, my personal preference is to allow six weeks of rehearsal for a non-musical, and eight to ten weeks for a musical. By the last couple of weeks of rehearsal, you’ve taken all the pieces and brought them together, and the rehearsal will cover at least one entire act. Hopefully, by that time you’re running through the entire show.
I always like to point out that putting on a show requires just as much teamwork as any sport. Each member of the show and the tech crew must do their job properly and help each other along for the show to work. That goes for everyone, from the star performer to the cast member with almost no on-stage time. When they all pull together, you get a great show. Having a great team, both actors and tech crew, is the most important part of putting on a great show. It also makes the whole process a lot more fun.
And it occurs to me that, in all this talk of the process, I’ve left out how much fun it is to be part of a show - you make new friends, you work together toward a common goal, and when you’re done (hopefully) you’ve created a work of art that you can be proud of. I know my sons have made lifelong friends while taking part in shows - and so have I.
Anyway, back to the process. The last week before the performance is the most hectic, the most demanding, the most stressful part of the job. It’s what’s known as Tech Week - but we'll save that story for later.
Friday, August 24, 2007
Coming up this weekend - Auditions
A reminder that auditions for 5th Avenue Theatre's production of A Christmas Carol: The Musical are coming up this weekend. The auditions run Saturday, Aug. 25 from 10:00 a.m. to 4:00 p.m. and Sunday, Aug 26 from 1:00 p.m. to 4:00 p.m. at the Huntington City Hall Auditorium.
They're looking for actors of all ages, and they're also auditioning for a children's pre-show.
Break a leg! (Uh, that means "good luck" in the theatre.)
They're looking for actors of all ages, and they're also auditioning for a children's pre-show.
Break a leg! (Uh, that means "good luck" in the theatre.)
Where Did The Time Go?
This is one of those days that just flew past.
I did manage to spend a couple of hours this evening going over set construction ideas for High School Musical with my pal Jack Welch. I don't know how we could do a show like this without him - he can take the crudest sketches and turn them into towering sets.
This show is going to be a challenge, with quite a few set pieces to build and some interesting on-set challenges to deal with - but that's all part of the fun!
Jack's also a heck of a nice guy, and I'm so glad to have him on the HSM team. Thanks, Jack!
I did manage to spend a couple of hours this evening going over set construction ideas for High School Musical with my pal Jack Welch. I don't know how we could do a show like this without him - he can take the crudest sketches and turn them into towering sets.
This show is going to be a challenge, with quite a few set pieces to build and some interesting on-set challenges to deal with - but that's all part of the fun!
Jack's also a heck of a nice guy, and I'm so glad to have him on the HSM team. Thanks, Jack!
Wednesday, August 22, 2007
Season Tickets for the Artist Series
Time's about to run out for those of you wanting to buy season tickets to the upcoming season of shows for the 71st Marshall Artists Series. Today's the last day to place your order!
I still say this is one of the best seasons I've seen for the Artist Series - it features a wide range of entertainment at the historic Keith-Albee Performing Arts Center in downtown Huntington.
You can learn more about season tickets by reading this story in today's Herald-Dispatch.
But if you just want to order new season tickets (or to renew your season tickets), call (304) 696-3326.
I still say this is one of the best seasons I've seen for the Artist Series - it features a wide range of entertainment at the historic Keith-Albee Performing Arts Center in downtown Huntington.
You can learn more about season tickets by reading this story in today's Herald-Dispatch.
But if you just want to order new season tickets (or to renew your season tickets), call (304) 696-3326.
Tuesday, August 21, 2007
Auditions for "A Christmas Carol"
My insider on all things theatre (and longtime pal) Mark Near sends me this reminder:
Auditions for A Christmas Carol are coming up this weekend: Saturday, Aug. 25 from 10:00 a.m. to 4:00 p.m. and Sunday, Aug 26 from 1:00 p.m. to 4:00 p.m. at Huntington City Hall Auditorium.That's the musical version of the classic Charles Dickens tale, and the director of the show is my pal Mary Smirl. This is the second year in a row 5th Avenue Theatre has staged the show, and they hope it will become an annual tradition. Recommended!
UPDATE: My pal Paul Neace tells me that they will also be auditioning for a children's pre-show that will run in front of A Christmas Carol. So they're not just looking for grownups here!
365!
Hey, here's another one of those milestones that no one but me cares about. The next post will be number 365, which is pretty good, since we're about six weeks away from this blog's first anniversary!
In other words, I'm way ahead of my goal of posting at least one item every day. It's not always easy, but I'm really enjoying working on the Tri-State Theatre blog - hope you're enjoying it, too!
Hey, it would be a bargain at twice the price!
In other words, I'm way ahead of my goal of posting at least one item every day. It's not always easy, but I'm really enjoying working on the Tri-State Theatre blog - hope you're enjoying it, too!
Hey, it would be a bargain at twice the price!
Monday, August 20, 2007
High School Musical 2 - It's a Hit!
At least that's what the numbers say. The audience was huge - in fact, it's the biggest ratings for a cable network program ever!
Work has already begun on High School Musical 3, which will apparently be released to theaters, and they've already started working on HSM 4! They'd better hurry, before those stars get too old to play high school kids anymore. (And somehow College Musical just doesn't sound right. Or should it be University Musical?)
You can read more about it, and check out Angela's review of HSM 2 (as promised) by paying a visit to the Herald-Dispatch's Stay Tuned blog.
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