The cast and crew moved in to Hillside Community Church on Monday and rehearsals are going well! Tech week is next week and the show opens on Friday the 13th.
For those unfamiliar with Hillside Community Church, it is located on the second floor at 1100 Greenup Avenue (near Game Stop and Arby's) in Ashland, Ky. Some people call it the Hope's Place Building (ground floor).
Anyway, the meeting place used by the church has a great little "black box" feel and Hillside, its congregation and pastor, Tim Holmes, are wonderful to open their doors to community theatre. The independent production of Albert's Hall was staged there last fall and Company of Dreams produced The Diviners at Hillside in July 2011.
As a member of the production staff, I can say rehearsals are a blast! The cast is putting a wonderful spin on a heart-warming story. There are so many funny moments and some unexpected physical comedy. It's a joy to work with so many talented actors who're embracing the spirit of this story and its intent.
Director Jim Maggard has a great vision for each character and how they intertwine to tell this tale. I hope you can come see a show!
By the way, the playwright, John Patrick, was from Louisville.
Below is the info:
Company of Dreams Theatre presents The Curious Savage by John Patrick.
Friday, April 13 and Saturday April 14 at 8 p.m. nightly. Tickets are $5 at the door.
Join the cast of The Curious Savage in this endearing adventure of high comedy, which will leave you with a feeling that the neglected virtues of kindness and affection have not been entirely lost in a world that seems motivated at times only by greed and honesty.
Mrs. Ethel P. Savage has been left $10 million dollars by her husband and wants to make the best use of it, in spite of the efforts of her grown-up stepchildren to get their hands on it. The stepchildren, knowing that the widow's wealth is now in negotiable securities and seeing they cannot get their hands on it, commit her to a "sanitorium," hoping to bring her to her senses.
But Mrs. Savage is determined to establish a fund to help others realize their hopes and dreams. In the sanitorium, she meets various social misfits, men and women who can not adjust themselves to life, people who need the help that Mrs. Savage can provide.
The Guests:
Florence - Kathy Waugh
Hannibel - Roger Hagley
Fairy May - Alana Mullins
Jeffrey - Brian Cook
Mrs. Paddy - Carol Spence
The Family:
Titus - Tyler Bradley
Samuel - Kenny Riffe
Lily Belle - Joanna Berner
Ethel P. Savage - Mary Baughman
The Staff:
Miss Wilhelmina - Brittany Shaw
Dr. Emmett - Greg Picklesimer
--
Director - Jim Maggard; Production Assistance - Sarah Diamond Burroway, Brian Duty, Tish Maynard, Josh Day and Kenny Riffe.
For more information call 606-922-2903.
Wednesday, April 04, 2012
On Stage This Month: "The Curious Savage"
My pal Sarah Diamond Burroway sends along this note about the upcoming show The Curious Savage:
Monday, April 02, 2012
On Stage in April
There are quite a few outstanding shows on the way in April - here's the list:
- Seussical the Musical - First Stage Theatre Company presents the musical based on the books by Dr. Seuss at the Keith-Albee Performing Arts Center April 20, 21, 22, 26, 27 and 28.
- 1776 - ARTS presents the musical about the founding of American Independence at the Renaissance Theatre (the old Huntington High School) April 27, 28, 29, May 3, 4 and 5.
- Pride and Prejudice - Marshall's Theatre Alliance presents the story by Jane Austen at the Joan C. Edwards Performing Arts Center April 18, 19, 20 and 21.
- Beauty and the Beast - Huntington High School presents the Disney musical April 6, 7 and 8.
- Jesus Christ Superstar - CYAC presents the rock opera starring Ryan Hardiman at the Capitol Center Theatre at 123 Summers Street April 5, 6 and 7.
- Little Women - Kanawha Players presents the play April 26, 27, 28 and 29.
- Willy Wonka, Jr. - Children's Theatre of Charleston presents the Roald Dahl musical April 20, 21 and 22.
- Mountain Stage - Marshall Artist's Series presents a special performance of the show featuring Arlo Guthrie and Michael Cerveris at the Keith-Albee Performing Arts Center April 29.
- The Curious Savage by John Patrick - Company of Dreams Theatre presents the play at the Hillside Community Church at 1100 Greenup Avenue in Ashland, Ky., on April 13 and 14 at 8 p.m. Tickets are $5 at the door.
And that's it! Start marking those calendars!
- Seussical the Musical - First Stage Theatre Company presents the musical based on the books by Dr. Seuss at the Keith-Albee Performing Arts Center April 20, 21, 22, 26, 27 and 28.
- 1776 - ARTS presents the musical about the founding of American Independence at the Renaissance Theatre (the old Huntington High School) April 27, 28, 29, May 3, 4 and 5.
- Pride and Prejudice - Marshall's Theatre Alliance presents the story by Jane Austen at the Joan C. Edwards Performing Arts Center April 18, 19, 20 and 21.
- Beauty and the Beast - Huntington High School presents the Disney musical April 6, 7 and 8.
- Jesus Christ Superstar - CYAC presents the rock opera starring Ryan Hardiman at the Capitol Center Theatre at 123 Summers Street April 5, 6 and 7.
- Little Women - Kanawha Players presents the play April 26, 27, 28 and 29.
- Willy Wonka, Jr. - Children's Theatre of Charleston presents the Roald Dahl musical April 20, 21 and 22.
- Mountain Stage - Marshall Artist's Series presents a special performance of the show featuring Arlo Guthrie and Michael Cerveris at the Keith-Albee Performing Arts Center April 29.
- The Curious Savage by John Patrick - Company of Dreams Theatre presents the play at the Hillside Community Church at 1100 Greenup Avenue in Ashland, Ky., on April 13 and 14 at 8 p.m. Tickets are $5 at the door.
And that's it! Start marking those calendars!
Sunday, April 01, 2012
A Tale of Two Shows
Sorry my posting has been a bit sporadic of late, gentle readers - things have been hectic out there in the real world.
A lot of that is because I've been splitting my time between two different shows.
The first is the upcoming Seussical the Musical, which First Stage Theatre Company will be presenting at the Keith-Albee Performing Arts Center the last two weekends in April.
I've just been helping a little bit around the edges - the show is being directed by the wonderful Mary Smirl, and she's assembled an amazing, talented cast and a terrific directing team to assemble the musical.
It's one of my all-time favorite shows, and I can't wait to see the beloved Dr. Seuss characters come to life on stage.
The other show I've involved with is the one I hinted about recently. ARTS will be staging the musical 1776 at the end of April / beginning of May. As you'd expect, it focuses on the birth of American Independence - and does so in a show that is very funny, entertaining as can be and full of surprises and great songs.
It's a show I adore, but when auditions rolled around I wasn't able to try out, so I resigned myself to watching it from the audience.
But then a couple of weeks ago I got a call from my pal Clint McElroy (who's playing John Adams in the show), asking if I could help them out - a member of the cast had to drop out, and the part was the Rev. John Witherspoon - the same character I played when HOT staged the show in 2001.
It's the perfect part for me - a small role, no solos to sing, not too many lines to memorize - how could I refuse? Heck, I even get to wear the same costume!
So I signed on, and we've been having a great time at rehearsals. It's an amazing cast, including my pals Mike Murdock as Ben Franklin, Jim Lamp as John Dickinson, C.E. Wilson as John Hancock, Mark Near as Col. Thomas McKean, Jerry Morse as James Wilson and Stephen Vance as Thomas Jefferson (among many others).
The show is directed by my pal Bil Neal, and he's made the production a lot of fun to be part of (not an easy task).
You'll be hearing a lot more about both shows in the weeks ahead - fair warning!
A lot of that is because I've been splitting my time between two different shows.
The first is the upcoming Seussical the Musical, which First Stage Theatre Company will be presenting at the Keith-Albee Performing Arts Center the last two weekends in April.
I've just been helping a little bit around the edges - the show is being directed by the wonderful Mary Smirl, and she's assembled an amazing, talented cast and a terrific directing team to assemble the musical.
It's one of my all-time favorite shows, and I can't wait to see the beloved Dr. Seuss characters come to life on stage.
The other show I've involved with is the one I hinted about recently. ARTS will be staging the musical 1776 at the end of April / beginning of May. As you'd expect, it focuses on the birth of American Independence - and does so in a show that is very funny, entertaining as can be and full of surprises and great songs.
It's a show I adore, but when auditions rolled around I wasn't able to try out, so I resigned myself to watching it from the audience.
But then a couple of weeks ago I got a call from my pal Clint McElroy (who's playing John Adams in the show), asking if I could help them out - a member of the cast had to drop out, and the part was the Rev. John Witherspoon - the same character I played when HOT staged the show in 2001.
It's the perfect part for me - a small role, no solos to sing, not too many lines to memorize - how could I refuse? Heck, I even get to wear the same costume!
So I signed on, and we've been having a great time at rehearsals. It's an amazing cast, including my pals Mike Murdock as Ben Franklin, Jim Lamp as John Dickinson, C.E. Wilson as John Hancock, Mark Near as Col. Thomas McKean, Jerry Morse as James Wilson and Stephen Vance as Thomas Jefferson (among many others).
The show is directed by my pal Bil Neal, and he's made the production a lot of fun to be part of (not an easy task).
You'll be hearing a lot more about both shows in the weeks ahead - fair warning!
Thursday, March 29, 2012
On Stage This Weekend - Three Shows
You have three great shows to choose from this weekend:
- Beauty and the Beast - Huntington High School presents the Disney musical March 29, 30, 31, April 5, 6, 7 at 7:30 p.m. and April 1 at 3 p.m. Tickets are $7 for adults and $5 for kids.
- Annie - The Portsmouth Little Theatre presents the musical about everyone's favorite orphan March 30 and 31 at 7:30 p.m. and April 1 at 2 p.m.
- Jesus Christ, Superstar - CYAC presents the beloved musical (starring Ryan Hardiman in the title role) at the Capitol Center Theatre at 123 Summers Street on March 29, 30, 31, April 5, 6, 7 at 8 p.m. and April 1 at 2 p.m. Tickets are $10 for adults and $6 for Students and Seniors Citizens.
So get out there and support your local theatre!
- Beauty and the Beast - Huntington High School presents the Disney musical March 29, 30, 31, April 5, 6, 7 at 7:30 p.m. and April 1 at 3 p.m. Tickets are $7 for adults and $5 for kids.
- Annie - The Portsmouth Little Theatre presents the musical about everyone's favorite orphan March 30 and 31 at 7:30 p.m. and April 1 at 2 p.m.
- Jesus Christ, Superstar - CYAC presents the beloved musical (starring Ryan Hardiman in the title role) at the Capitol Center Theatre at 123 Summers Street on March 29, 30, 31, April 5, 6, 7 at 8 p.m. and April 1 at 2 p.m. Tickets are $10 for adults and $6 for Students and Seniors Citizens.
So get out there and support your local theatre!
Wednesday, March 28, 2012
On Stage This Weekend - "Beauty and the Beast"
Here's one that almost slipped past me (thanks to my pal Stephen Vance for the info):
Huntington High School is presenting the Disney musical Beauty and the Beast over the next two weekends: March 29, 30, 31, April 5, 6, 7 at 7:30 p.m. and April 1 at 3 p.m.
Tickets are $7 for adults and $5 for kids.
The Cast includes:
Belle - Kristin Caviani
Beast - Jacob Jarvis
Lumiere - Barry Westmoreland
Cogsworth - Jacob Eastman
Mrs Potts - Chloe Donahoe
Chip - Lydia Waybright
Babette - Christin Gerwig
Gaston - Ben Aulick
Lefou - Dylan Parker
Maurice - Steve Freeman
as well as a multitude of other talented students!
Tuesday, March 27, 2012
Jim Stone Scholarship Applications Being Accepted
The First Stage Theatre Company is now accepting applications for the Jim Stone Scholarship.
First Stage sponsors the scholarship to honor the memory of Jim Stone, a longtime supporter of the arts and mentor to local children in the performing arts. A $1000 scholarship is available for entering freshmen or current full-time students who are studying dramatic or performing arts at a college, university or certified school of the performing arts.
The deadline for entries is Tuesday, April 24, 2012.
Applicants must have been involved with at least one First Stage Theatre Company show, either on-stage (as a performer) or off-stage (as a member of the tech crew).
Applicants must send: a list of the shows they’ve been in; a list of school-related extra-curricular activities; a list of civic or public service activities; a copy of an official school document showing the individual's most recent grade-point average; identification of the college the individual is attending or will attend; and a brief statement (250 words or less) on why the applicant is interested in studying dramatic or performing arts.
Applications should be mailed to: First Stage Scholarships, P.O. Box 4, Huntington, WV 25706-0004.
Complete application information and forms are available at the First Stage Theatre website at www.firststagetheatre.org. For more information, call 304-736-4366.
First Stage sponsors the scholarship to honor the memory of Jim Stone, a longtime supporter of the arts and mentor to local children in the performing arts. A $1000 scholarship is available for entering freshmen or current full-time students who are studying dramatic or performing arts at a college, university or certified school of the performing arts.
The deadline for entries is Tuesday, April 24, 2012.
Applicants must have been involved with at least one First Stage Theatre Company show, either on-stage (as a performer) or off-stage (as a member of the tech crew).
Applicants must send: a list of the shows they’ve been in; a list of school-related extra-curricular activities; a list of civic or public service activities; a copy of an official school document showing the individual's most recent grade-point average; identification of the college the individual is attending or will attend; and a brief statement (250 words or less) on why the applicant is interested in studying dramatic or performing arts.
Applications should be mailed to: First Stage Scholarships, P.O. Box 4, Huntington, WV 25706-0004.
Complete application information and forms are available at the First Stage Theatre website at www.firststagetheatre.org. For more information, call 304-736-4366.
Monday, March 26, 2012
On Stage This Weekend: "Jesus Christ, Superstar"
It's the classic rock opera taking the stage in Charleston: CYAC presents Jesus Christ Superstar March 29 - April 7
Rice and Webber's iconic concept album turned rock opera Jesus Christ Superstar returns to the WVSU Capitol Center stage with former Symphony Idol winner Ryan Hardiman in the title role of this massive local production. Donnie Smith [Jack the Ripper] reprises his role as Judas Iscariot with Erin Martin as Mary Magdalene, Craig Auge as Pilate and Ted Brightwell as Herod.
Directed by Dan Kehde, with music direction by Mark Scarpelli and choreography by Robert Royce
Performances
Thursday, March 29 - 8 p.m.
Friday, March 30 - 8 p.m.
Saturday, March 31 - 8 p.m.
Sunday, April 1 - at 2 p.m.
and
Thursday, April 5 - 8 p.m.
Friday, April 6 - 8 p.m.
Saturday, April 7 - 8 p.m.
WVSU Capitol Center Theater
123 Summers St, Charleston, WV
Tickets available at the door the evenings of the performances,
$6 Students and Seniors (65 +)
$10 for adults
For advance reservations, call the WVSU Capitol Center box office at
304-342-6522 during regular business hours.
Saturday, March 24, 2012
Auditions for "Avenue Q"
From my pal Danny Ray, here's the announcement about auditions for the next show from CUP:
Curtains Up Players (CUP) is pleased to announce auditions for the upcoming Tony Award winning musical AVENUE Q on Saturday, April 7, 2012 at 2 p.m. at Kuhn Memorial Presbyterian Church, 955 Main Street in Barboursville.
Everyone should prepare 32 bars from any Broadway musical and be prepared to read from the script. All actors must bring his or her own sheet music - accompaniment will be provided.
Parts are available for 4-5 men and 4-5 women. There are no roles available for children under 16.
It is expected that we will cast the show traditionally for Princeton/Rod, Kate Monster/Lucy, Nicky/Trekkie Monster. However, that is not set in stone.
Rehearsals will be 4-5 days per week beginning in June 2012, and performances are scheduled for August 24 – September 2 at the Jeslyn Performing Arts Center.
For more information you may call director Danny Ray at 304-654-0587.
Friday, March 23, 2012
On Stage: "The Sound of Music"
Tomorrow's your last chance to catch the beloved musical called - what else? - The Sound of Music, which is being performed at 7:30 p.m. at the Paramount Arts Center in Ashland.You can also see some photos of the show by Mark Webb (like the one above) at the Herald-Dispatch's Photo Gallery.
Thursday, March 22, 2012
On Stage This Weekend
You have four great shows to choose from this weekend, including:
- Broadway Melody Dinner Theatre - presented Friday at 6:30 p.m. at the Underwood Senior Center, 632 9th Avenue in Huntington. Come enjoy a spaghetti dinner and enjoy a great show with such local talent as Ryan Hardiman, Mary Olson, Stevie Brigode, Jane Modlin, the cast of 1776, the cast of 9 to 5, Curtain Up Players, among others.
- Doubt - The Clay Center presents the drama March 23 at 8 p.m.
- The Sound of Music - The classic musical will be presented at the Paramount Arts Center on March 22, 23 and 24 at 7:30 p.m.
- Annie - The Portsmouth Little Theatre presents the musical about everyone's favorite orphan March 23, 24, 30 and 31 at 7:30 p.m., and March 25 and April 1 at 2 p.m.
- Broadway Melody Dinner Theatre - presented Friday at 6:30 p.m. at the Underwood Senior Center, 632 9th Avenue in Huntington. Come enjoy a spaghetti dinner and enjoy a great show with such local talent as Ryan Hardiman, Mary Olson, Stevie Brigode, Jane Modlin, the cast of 1776, the cast of 9 to 5, Curtain Up Players, among others.
- Doubt - The Clay Center presents the drama March 23 at 8 p.m.
- The Sound of Music - The classic musical will be presented at the Paramount Arts Center on March 22, 23 and 24 at 7:30 p.m.
- Annie - The Portsmouth Little Theatre presents the musical about everyone's favorite orphan March 23, 24, 30 and 31 at 7:30 p.m., and March 25 and April 1 at 2 p.m.
Monday, March 19, 2012
Auditions for "Next to Normal"
Auditions are being held this week for the acclaimed play NEXT TO NORMAL.
They'll be held Thursday, March 22 at 7:30 p.m. and Saturday, March 24 at 11 a.m. at the Charleston Light Opera Guild Theater at 411 Tennessee Avenue, Charleston, WV 25302.
Prepare a musical selection showing your vocal range. An accompanist will be provided, you must bring the sheet music for your selection. Scripts will be provided for reading auditions.
This is a six person ensemble show. All roles require strong singers.
The roles are: Diana - Sharp, sexy, delusional mother; plays 30s-40s (E3-F5).
Dan - Diana's husband; handsome, genuine, constant, tired; plays 30s-40s (B3-B5).
Dr. Madden/Dr. Fine - On the young side of ageless, assured, a rock star; plays 30s-40s (A3-G5).
Gabe - Diana's son, dashing, gentle, bright, playful, everything a mother could want; plays late teens (A3-B5).
Natalie - Diana's daughter, trying to be perfect; plays late teens (G3-F5).
Henry - Natalie's boyfriend, musician, slacker, romantic, philosopher king; plays late teens (A3-B5).
NEXT TO NORMAL is a FestivALL Charleston Featured Event. It will be staged June 15, 16, 22 and 23 at 7:30 p.m. and June 17 and 24 at 5 p.m. at the Charleston Civic Center Little Theate. The production is sponsored by Mrs. Alex Schoenbaum.
For more information, contact Artistic Director Nina Denton Pasinetti at 304-343-6015.
NEXT TO NORMAL is an inventive, emotional and powerful production about one family trying to take care of themselves and each other.
NEXT TO NORMAL is the acclaimed groundbreaking musical that won three 2009 Tony awards for best actress, Alice Ripley, best score and best orchestrations and a 2010 Pulitzer Prize for drama. This original musical has an electrifying score with music by Tom Kitt and book and lyrics by Brian Yorkey. NEXT TO NORMAL is one of the most talked about Broadway shows in recent history and is a deeply affecting and thought-provoking musical experience.
They'll be held Thursday, March 22 at 7:30 p.m. and Saturday, March 24 at 11 a.m. at the Charleston Light Opera Guild Theater at 411 Tennessee Avenue, Charleston, WV 25302.
Prepare a musical selection showing your vocal range. An accompanist will be provided, you must bring the sheet music for your selection. Scripts will be provided for reading auditions.
This is a six person ensemble show. All roles require strong singers.
The roles are: Diana - Sharp, sexy, delusional mother; plays 30s-40s (E3-F5).
Dan - Diana's husband; handsome, genuine, constant, tired; plays 30s-40s (B3-B5).
Dr. Madden/Dr. Fine - On the young side of ageless, assured, a rock star; plays 30s-40s (A3-G5).
Gabe - Diana's son, dashing, gentle, bright, playful, everything a mother could want; plays late teens (A3-B5).
Natalie - Diana's daughter, trying to be perfect; plays late teens (G3-F5).
Henry - Natalie's boyfriend, musician, slacker, romantic, philosopher king; plays late teens (A3-B5).
NEXT TO NORMAL is a FestivALL Charleston Featured Event. It will be staged June 15, 16, 22 and 23 at 7:30 p.m. and June 17 and 24 at 5 p.m. at the Charleston Civic Center Little Theate. The production is sponsored by Mrs. Alex Schoenbaum.
For more information, contact Artistic Director Nina Denton Pasinetti at 304-343-6015.
NEXT TO NORMAL is an inventive, emotional and powerful production about one family trying to take care of themselves and each other.
NEXT TO NORMAL is the acclaimed groundbreaking musical that won three 2009 Tony awards for best actress, Alice Ripley, best score and best orchestrations and a 2010 Pulitzer Prize for drama. This original musical has an electrifying score with music by Tom Kitt and book and lyrics by Brian Yorkey. NEXT TO NORMAL is one of the most talked about Broadway shows in recent history and is a deeply affecting and thought-provoking musical experience.
Saturday, March 17, 2012
A Quiet Weekend
Sorry for the lack of posts, gentle reader - but this is one of those extremely rare weekends where no shows are being staged in our area.
Shocking, I know.
Next week more than makes up for it with not less than three shows (naturally) scattered across the Tri-State, including:
- Doubt at the Clay Center March 23 at 8 p.m.
- The Sound of Music at the Paramount Arts Center March 22, 23 and 24 at 7:30 p.m.
- Annie presented by the Portsmouth Little Theatre March 23, 24, 30 and 31 at 7:30 p.m., and March 25 and April 1 at 2 p.m.
So save up your dough and get ready for the storm of shows on the way - including one in April that will feature a guest appearance by none other than... me!
More on that frightening thought in the days ahead...
Shocking, I know.
Next week more than makes up for it with not less than three shows (naturally) scattered across the Tri-State, including:
- Doubt at the Clay Center March 23 at 8 p.m.
- The Sound of Music at the Paramount Arts Center March 22, 23 and 24 at 7:30 p.m.
- Annie presented by the Portsmouth Little Theatre March 23, 24, 30 and 31 at 7:30 p.m., and March 25 and April 1 at 2 p.m.
So save up your dough and get ready for the storm of shows on the way - including one in April that will feature a guest appearance by none other than... me!
More on that frightening thought in the days ahead...
Wednesday, March 14, 2012
On Stage Thursday: Dog Sees God
A talented performer from Marshall University is presenting a special performance this week - it's called:
Highly recommended!
DOG SEES GOD: Confessions of a Teenage Blockhead!Nathan's a great talent - this should be a terrific theatre experience!
MARCH 15, 2012 at 5 p.m.
FREE ADMISSION
Nathan Mohebbi's Senior Capstone
at the Francis Booth Experimental Theatre in the Joan C. Edwards Performing Arts Center.
When CB's dog dies from rabies, CB begins to question the existence of an afterlife. His best friend is too burnt out to provide any coherent speculation; his sister has gone goth; his ex-girlfriend has recently been institutionalized; and his other friends are too inebriated to give him any sort of solace. But a chance meeting with an artistic kid, the target of this group's bullying, offers CB a peace of mind and sets in motion a friendship that will push teen angst to the very limits. Drug use, suicide, eating disorders, teen violence, rebellion and sexual identity collide and careen toward an ending that's both haunting and hopeful.
Featuring:
CB - Ryan Cardwell
CB'S SIS - Rachel Stefursky
VAN - Patrick Taylor
BEETHOVEN - Josh Meredith
MATT - James P. Smith
TRICIA - Miranda Harrison
MARCY - Whitney Adkins
VAN'S SIS - Jordan Bean
Highly recommended!
Tuesday, March 13, 2012
On Stage Wednesday: Three Scrumptious Plays
This sounds like a lot of fun - three shows by a talented actor / writer at Marshall University:
Three Scrumptious Plays by Erik Hamilton Woods
Satisfy your appetite for beautiful theatre!
A live quartet will provide the soundtrack to the action!
It's free of charge! One night only! Don't miss a once in a lifetime experience of plays Erik wrote!
The show will be presented Wednesday, March 14 from 5 p.m. to 7 p.m. at the Joan C. Edwards Performing Arts Center.
Directed by: Adam Stephens
Music by: Nicolas Blain & Mike Waldeck
Stage Manager: Christopher Crawford
"Charlotte's Web" Auditions
This note arrives courtesy of my pal Sarah:
Calling All Kids! The Backstage Players, a youth theatre group, is seeking actors for the upcoming production of Charlotte’s Web.
Auditions will be held Saturday, March 24 from 11 a.m. to 1 p.m. and Sunday, March 25 from 2 p.m. to 4 p.m. at the KYOVA Mall across from Becca’s Place of Inspiration.
Actors ages 10 to 20 will be cast in this show. No prior performance experience is necessary. Twenty-five youth roles will be cast for the production, which will include school matinees and one evening performance May 3 - 5 at the Cultural Arts Center at Raceland-Worthington (KY) High School.
Charlotte's Web is under the direction of Eliza Lee.
For more information, call 606-922-2903 or 606-219-8567.
Thursday, March 08, 2012
On Stage This Weekend... and Beyond!
My pal Dave Lavender turned in a massive story today recapping all the latest theatre news - which you can read right here:
Curtains Up Players have put up a bunch of cool shows such as musicals like "Putnam County Spelling Bee," "Joseph and the Amazing Technicolor Dreamcoat" and "Bat Boy."
But hold the music this weekend as they take a dramatic turn with their first non-musical "How I Learned to Drive" that will run at 8 p.m. Friday and Saturday, March 8-10, and 2:30 p.m. Sunday, March 11, at the Jeslyn Performing Arts Center.
Directed by Misha Renee, this Pulitizer-Prize-winning play by Paula Vogel explores the complex relationship between Li'l Bit and her Uncle Peck, through a series of driving lessons that progress from innocent to something darker.
Tickets are $10 and can be reserved online at www.curtainsuplayers.org or purchased at the door before the show or call 304-688-7403.
More murder mysteries on the way
George Snider's Murder and Merriment murder mystery troupe is having a killer run with their interactive dinner theater shows now being held around the Tri-State.
The troupe, which has sold out Saturday, March 10, at Greenbo Lake State Resort Park in Greenup, Ky., now has murder mysteries booked around the region at various country clubs, private parties and parks.
They return home here in a couple weeks (March 23-24 and March 30-31) to the historic B&O train station as the Heritage Station Shop Owners Association in partnership with the Cabell-Huntington Convention & Visitors Bureau presents "Trial By Murder!" an interactive Murder Mystery Dinner Theatre Party. Susan Hicks and Suzcatering will be serving a catered dinner. Tickets are $35 each and are on sale at 304-523-7526 for this 1930s-era themed show that traces the story of a railroad magnet on trial following a tragic train derailment .
The cast features local actors: Michael Murdock, Ron Anderson, Mary Williams, Stephanie Kay Sands, Brian Cook, Kendra Egnor, Allan Stern, Greg Kiser, Sheila Meade, and George R. Snider III as Detective Phillip Merlot. This is the 7th Murder Mystery that has been presented at Heritage Station.
FestivALL playwriting contest
Charleston Stage Company is announcing its Seventh Annual New Play Project for Charleston's FestivALL. Open to all West Virginia writers, they are hosting a contest for new short works to be written and then performed during the ten days of FestivALL. This year's location is The Library Play, the first line of the play must be "Quiet, please!" and have a performance time of no more than 15 minutes. Winning submissions will be performed at the Kanawha County Public Library, main branch, in the Children's Reading Room. For complete rules go online at www.charlestonstagecompany.com or call 304-766-5721. Deadline for play submission is May 10. All plays must be typewritten and mailed to the Charleston Stage Company at 123 Summers St., Charleston, WV 25301 or emailed in Word or PDF format to charlestonstagecompany@yahoo.com
'Mamma Mia'
The historic Paramount Arts Center has just announced that the smash hit musical "Mamma Mia," based on the songs of ABBA, will be performed at 8 p.m. Wednesday, May 9.
The blockbuster feature film adaptation of "Mamma Mia," is the most successful movie musical of all time grossing $600 million worldwide.
Tickets for "Mamma Mia!" are $60, $65, $70 and $80 and are available at www.paramountartscenter.com or by calling the box office at 606-324-3175. For information. go to www.mammamianorthamerica.com.
Auditions, auditions
There's several auditions happening this weekend.
The Albans Arts and Conference Center, 65 Olde Main St., in St. Albans is hosting auditions at 1 to 3 p.m. Saturday, March 10, and 2 to 4 p.m. Sunday, March 11, for the show "Waiting for Godot."
Charleston Stage Company is holding auditions for Steve Martin's "Picasso at the Lapin Agile," at 7 p.m. Sunday and Monday, March 11-12. Parts available for seven men and four women, ages 20-60. Auditions take place at the WVSU Capital Center Theatre, 123 Summers St. Performance dates are May 10-12, 17-19 . Visit www.charlestonstagecompany.com or call 304-766-5721.
Plays -- it's what's for dinner
At 5 p.m. Wednesday, March 14, the Joan C. Edwards Performing Arts Center or the Playhouse, is hosting the performance of three original short plays in a performance called "Three Scrumptious Plays by Erik Hamilton Woods."
Woods will be getting by with a little help from his friends with a live quartet providing the soundtrack to the action. The music is by Nicolas Blain and Mike Waldeck; the plays are directed by Adam Stephens and the stage manager is Christopher Crawford.
The performances are free and open to the public.
'Tecumseh' named for 40th season
One of the region's most beloved outdoor dramas, "Tecumseh!" has just announced that an eight-year veteran of the production will take over the lead role. Stevyn Carmona, who first performed in the outdoor drama in 2004, has been selected the 19th Tecumseh as the production enters its 40th season.
"I have dreamed about portraying the great Shawnee leader since I joined the cast," Carmona said. "My journey to getting the role has been amazing and I wouldn't trade it for anything. "I love the drama, the men and women who keep it running year after year and the city of Chillicothe ... the summer home I can't wait to get back to. 'Tecumseh!' means the world to me."
"Tecumseh!" opens its 2012 season on June 8 and runs through Sept. 1. Shows are at 8 p.m. Monday through Saturday. For additional information and to make reservations visit www.tecumsehdrama.com or visit their Facebook page at "Tecumseh! Outdoor Drama -- Official Site." Reservations can also be made at calling 1-866-775-0700.
A rockin' Easter celebration
This Easter you can celebrate the life of Christ rock opera style as Huntington stage rocker Ryan Hardiman has been cast as the lead role in The Charleston Light Opera Guild's production of the iconic Tim Rice and Andrew Lloyd Webber musical, "Jesus Christ Superstar." Donnie Smith reprises his role as Judas Iscariot with Erin Martin as Mary Magdalene, Craig Auge as Pilate and Christopher Connard as Herod. The musical is directed by Dan Kehde, with music direction by Mark Scarpelli and choreography by Robert Royce.
Advance tickets are on sale now for the production which will run March 29-31 as well as April 1, and April 5-7.
For advance reservations, call the WVSU Capitol Center box office at 342-6522 during regular business hours.
One More e-Interview for "How I Learned to Drive"
We have one more e-interview for you from the cast of How I Learned to Drive, which starts tonight in Huntington.
This time around, let's hear from Rhett Pennell, who plays "Uncle Peck."
Q: Why did you want to be part of How I Learned to Drive?
Rhett: I auditioned not knowing much about the play. Truth be told, the appeal was that as a drama it would have a shorter rehearsal run than the musical I was in with the Curtains Up Players last year - Joseph and the Amazing Technicolor Dreamcoat. I certainly enjoyed my time with CUP in that show, but I'm STILL getting complaints from my seven-year-old daughter about how many nights I was away for that one. THIS show has been a dream - just about every rehearsal has fallen on a night my little lady has her Tae Kwon Do classes... so no complaints.
Now, if you tweak this question into "Why am I thrilled to be IN How I Learned To Drive?" then the answer is that this is a show with rich meat on its bones (there are many reasons it's a Pulitzer Prize winner). It tackles big, dark issues, but it does it with warmth and humor. I'm not so far from my professional acting days (ran off to New York City in the '90s and spent years on the road in National Tours of Children's Shows) that I can't appreciate what a gift I've got in this role - a damaged soul making bad choices and looking for love in the most inappropriate places. It's going to be an acting roller coaster for me come March 8 - 11.
Q: What's the most challenging thing about being in this play?
Rhett: The answer to that is going to change as we get closer to the performances. Right now, my challenge is trying to get the words of Paula Vogel's southern, damaged, middle-aged, alcoholic pedophile to come out of my mouth. As I get a grip on the role, the challenge will be to convince the audience that this is a man worth caring about.
Q: Tell us a bit about your fellow cast members.
I've known Nancy Jackson (Female Chorus) since "Joseph" and have found her to be a wonderful asset to any show (plus my family loves hanging out with her family offstage). The rest of the cast is made of of the Morris family - Kate Morris (Li'l Bit), Greg Morris (Male Chorus), and Olivia (Teenage Chorus) - who are certainly a talented bunch of individuals and who have been known to host a classy soirée at their lovely home. This is Kate's show, and she's going to be great. (Oh, um, Greg will be great, too... and I'm not just saying that because I'll be kissing his wife onstage). And I'd be remiss not to mention our director, Misha Renee, who's the driving force behind this production and whose heartfelt devotion to this play is palpable and inspirational.
Q: Why would you recommend this show to our readers?
Rhett: Because, if we do our jobs right, they are going to laugh, be disturbed, and be moved by this story of a young woman who has been given the tools to deal with the darkness in her life by the unlikeliest of sources. It's a play with serious themes, but there is also love and life and hope.
Q: When and where will the show be staged?
Rhett: Performances will be at the Jeslyn Performing Arts Center (formerly the Camelot Theatre) 1030 4th Avenue, Huntington, on March 8 - 11, Thursday thru Saturday at 8 p.m., Sunday Matinee at 2:30 p.m. Tickets are $10. Please come! (But don't tell my daughter... she'll never be allowed to see it.)
This time around, let's hear from Rhett Pennell, who plays "Uncle Peck."
Q: Why did you want to be part of How I Learned to Drive?
Rhett: I auditioned not knowing much about the play. Truth be told, the appeal was that as a drama it would have a shorter rehearsal run than the musical I was in with the Curtains Up Players last year - Joseph and the Amazing Technicolor Dreamcoat. I certainly enjoyed my time with CUP in that show, but I'm STILL getting complaints from my seven-year-old daughter about how many nights I was away for that one. THIS show has been a dream - just about every rehearsal has fallen on a night my little lady has her Tae Kwon Do classes... so no complaints.
Now, if you tweak this question into "Why am I thrilled to be IN How I Learned To Drive?" then the answer is that this is a show with rich meat on its bones (there are many reasons it's a Pulitzer Prize winner). It tackles big, dark issues, but it does it with warmth and humor. I'm not so far from my professional acting days (ran off to New York City in the '90s and spent years on the road in National Tours of Children's Shows) that I can't appreciate what a gift I've got in this role - a damaged soul making bad choices and looking for love in the most inappropriate places. It's going to be an acting roller coaster for me come March 8 - 11.
Q: What's the most challenging thing about being in this play?
Rhett: The answer to that is going to change as we get closer to the performances. Right now, my challenge is trying to get the words of Paula Vogel's southern, damaged, middle-aged, alcoholic pedophile to come out of my mouth. As I get a grip on the role, the challenge will be to convince the audience that this is a man worth caring about.
Q: Tell us a bit about your fellow cast members.
I've known Nancy Jackson (Female Chorus) since "Joseph" and have found her to be a wonderful asset to any show (plus my family loves hanging out with her family offstage). The rest of the cast is made of of the Morris family - Kate Morris (Li'l Bit), Greg Morris (Male Chorus), and Olivia (Teenage Chorus) - who are certainly a talented bunch of individuals and who have been known to host a classy soirée at their lovely home. This is Kate's show, and she's going to be great. (Oh, um, Greg will be great, too... and I'm not just saying that because I'll be kissing his wife onstage). And I'd be remiss not to mention our director, Misha Renee, who's the driving force behind this production and whose heartfelt devotion to this play is palpable and inspirational.
Q: Why would you recommend this show to our readers?
Rhett: Because, if we do our jobs right, they are going to laugh, be disturbed, and be moved by this story of a young woman who has been given the tools to deal with the darkness in her life by the unlikeliest of sources. It's a play with serious themes, but there is also love and life and hope.
Q: When and where will the show be staged?
Rhett: Performances will be at the Jeslyn Performing Arts Center (formerly the Camelot Theatre) 1030 4th Avenue, Huntington, on March 8 - 11, Thursday thru Saturday at 8 p.m., Sunday Matinee at 2:30 p.m. Tickets are $10. Please come! (But don't tell my daughter... she'll never be allowed to see it.)
Wednesday, March 07, 2012
e-Interview #3 with the Cast of "How I Learned to Drive"
For our third cast interview, let's hear from Kate Morris, who plays "Lil’ Bit" in How I Learned to Drive:
Q: Why did you want to be part of How I Learned to Drive?
Kate: I seem to be the only person on Earth who had never heard of this play until recently. When I heard that Curtains Up Players (CUP) was producing it, I got the script and read it, and it really affected me. I knew that I wanted to be part of it in some way. For sure, it is about a woman who survives childhood trauma, and some people could see that as off-putting. But at its core, it’s about so much more than that. It is a story of family, love, strength, and survival. And you don’t have to have experienced something as extreme as Lil’ Bit to connect to her story. I think all of us can relate to having a crazy family that may not have supported us in the way we wanted. Most of us have probably been in a less-than-healthy relationship. And I think just about everyone has had some kind of difficult time to go through; when we’ve had to dig deep and decide if we were going to let our life experiences swallow us up or make us stronger. What is inspiring about this story is that it is about person who has had a tough life. She could’ve thrown in the towel, and let life beat her, but instead she learns, moves on, and shares her story in order to inspire others. We don’t always see female characters like Lil Bit on the stage. She is certainly not perfect, but she is definitely strong, and people with that kind of strength are incredibly interesting to me.
Q: What's the most challenging thing about being in this play?
Kate: Everything that is challenging about this play is also what makes working on it a joy. This story is told in a non-linear way, so Lil Bit moves between ages throughout the story. She starts the story as an adult, and jumps in time between different ages from 17 to 13 to 27 to 11 years old. So, the first challenge was to figure out why the author, Paula Vogel, chose to tell it this way. And I’ve realized that, though it may seem strange at first, this is a very natural way to tell the story of our memories. When we tell the story of our lives, we rarely start at the “beginning” and go through to the end. We often get sidetracked and feel like we have to go back and explain things that happen before or after.
The second challenge for me was not to judge these characters from my personal perspective as we were exploring them. By having to play a 13-year-old, a 17-year-old, etc., the author has challenged me to get in touch with that part of myself that is trusting, naive, and easily manipulated, and to put aside the adult part of me that would jump in and judge and interfere with what these characters are doing. I have never worked on a play where I felt like the playwright was more present in the room without actually being there. Her characters often do things that are unexpected, or react in ways that are opposite to what I, personally, would do or expect. So, as we are going through the rehearsal process we are really delving into human emotions and what makes us, as humans, do what we do. There have been times in rehearsals when we would be discussing a scene at length, then there would be a few moments of silence, and one of us would say, “Wow, this is an amazing script.”
Q: Tell us a bit about your fellow cast members.
Kate: Well, three out of the five actors in this show are related to me, which doesn’t happen very often. Having the opportunity to work with my step-daughter, Olivia, for the first time has been a joy. As a family, we have really been able to get into some of the nitty gritty of the script because we have extra time to discuss it while we’re making dinner or over coffee or while walking the dogs. And what we have realized through discussing the play, is that this play is all about family; how sometimes they misguide us, but usually they are doing their best with what they have learned from their lives, and ultimately they are the most important part of our life. It’s a good lesson to be reminded of.
Q: Why would you recommend this show to our readers?
Kate: This story is about real life. And real life isn’t always neat and pretty. It’s about the human journey from pain and brokenness to healing. It’s about forgiving the past and not letting it control the future. These are not new themes in plays or literature, but it never hurts for us to be reminded of them. In How I Learned to Drive, Paula Vogel asks the actors and the audience to allow themselves to be uncomfortable with the circumstances of the play; because sometimes we have to go to some deep dark places before true growth and healing begins. I am confident that the audience that goes on this journey with us will leave with smiles on their faces and a good feeling about the human will to survive.
Q: When and where will the show be staged?
Kate: It'll be at the Jeslyn Performing Arts Center on 4th Avenue in downtown Huntington, March 8-10 at 8 p.m. and March 11 at 2:30 p.m.
Thanks, Kate!
Q: Why did you want to be part of How I Learned to Drive?
Kate: I seem to be the only person on Earth who had never heard of this play until recently. When I heard that Curtains Up Players (CUP) was producing it, I got the script and read it, and it really affected me. I knew that I wanted to be part of it in some way. For sure, it is about a woman who survives childhood trauma, and some people could see that as off-putting. But at its core, it’s about so much more than that. It is a story of family, love, strength, and survival. And you don’t have to have experienced something as extreme as Lil’ Bit to connect to her story. I think all of us can relate to having a crazy family that may not have supported us in the way we wanted. Most of us have probably been in a less-than-healthy relationship. And I think just about everyone has had some kind of difficult time to go through; when we’ve had to dig deep and decide if we were going to let our life experiences swallow us up or make us stronger. What is inspiring about this story is that it is about person who has had a tough life. She could’ve thrown in the towel, and let life beat her, but instead she learns, moves on, and shares her story in order to inspire others. We don’t always see female characters like Lil Bit on the stage. She is certainly not perfect, but she is definitely strong, and people with that kind of strength are incredibly interesting to me.
Q: What's the most challenging thing about being in this play?
Kate: Everything that is challenging about this play is also what makes working on it a joy. This story is told in a non-linear way, so Lil Bit moves between ages throughout the story. She starts the story as an adult, and jumps in time between different ages from 17 to 13 to 27 to 11 years old. So, the first challenge was to figure out why the author, Paula Vogel, chose to tell it this way. And I’ve realized that, though it may seem strange at first, this is a very natural way to tell the story of our memories. When we tell the story of our lives, we rarely start at the “beginning” and go through to the end. We often get sidetracked and feel like we have to go back and explain things that happen before or after.
The second challenge for me was not to judge these characters from my personal perspective as we were exploring them. By having to play a 13-year-old, a 17-year-old, etc., the author has challenged me to get in touch with that part of myself that is trusting, naive, and easily manipulated, and to put aside the adult part of me that would jump in and judge and interfere with what these characters are doing. I have never worked on a play where I felt like the playwright was more present in the room without actually being there. Her characters often do things that are unexpected, or react in ways that are opposite to what I, personally, would do or expect. So, as we are going through the rehearsal process we are really delving into human emotions and what makes us, as humans, do what we do. There have been times in rehearsals when we would be discussing a scene at length, then there would be a few moments of silence, and one of us would say, “Wow, this is an amazing script.”
Q: Tell us a bit about your fellow cast members.
Kate: Well, three out of the five actors in this show are related to me, which doesn’t happen very often. Having the opportunity to work with my step-daughter, Olivia, for the first time has been a joy. As a family, we have really been able to get into some of the nitty gritty of the script because we have extra time to discuss it while we’re making dinner or over coffee or while walking the dogs. And what we have realized through discussing the play, is that this play is all about family; how sometimes they misguide us, but usually they are doing their best with what they have learned from their lives, and ultimately they are the most important part of our life. It’s a good lesson to be reminded of.
Q: Why would you recommend this show to our readers?
Kate: This story is about real life. And real life isn’t always neat and pretty. It’s about the human journey from pain and brokenness to healing. It’s about forgiving the past and not letting it control the future. These are not new themes in plays or literature, but it never hurts for us to be reminded of them. In How I Learned to Drive, Paula Vogel asks the actors and the audience to allow themselves to be uncomfortable with the circumstances of the play; because sometimes we have to go to some deep dark places before true growth and healing begins. I am confident that the audience that goes on this journey with us will leave with smiles on their faces and a good feeling about the human will to survive.
Q: When and where will the show be staged?
Kate: It'll be at the Jeslyn Performing Arts Center on 4th Avenue in downtown Huntington, March 8-10 at 8 p.m. and March 11 at 2:30 p.m.
Thanks, Kate!
Tuesday, March 06, 2012
Auditions for "Waiting for Godot"
Auditions for Waiting for Godot will be held this weekend at the Albans Arts and Conference Center in St. Albans.
They'll be held Saturday, March 10 from 1 to 3 p.m. and Sunday, March 11 from 2 to 4 p.m.
The play focuses on two dilapidated bums who fill their days as painlessly as they can. They wait for Godot, a personage who will explain their interminable insignificance, or put an end to it. They are resourceful, with quarrels and their dependence on each other, as children are. They pass the time 'which would have passed anyway.' A brutal man of means comes by, leading a weakling slave who does his bidding like a mechanical doll. Later on he comes back, blind, and his slave is mute, but the relationship is unchanged. Every day a child comes from the unknown Godot, and evasively puts the big arrival off until tomorrow. It is a tragic view. Yet, in performance, most of it is brilliant, bitter comedy. It is a portrait of the dogged resilience of a man's spirit in the face of little hope.
The Alban Arts and Conference Center is located at 65 Olde Main Street in St. Albans.
The show runs April 27-28, 8 p.m., April 29 at 2 p.m., May 4-5 at 8 p.m. and May 6 at 2 p.m.
They'll be held Saturday, March 10 from 1 to 3 p.m. and Sunday, March 11 from 2 to 4 p.m.
The play focuses on two dilapidated bums who fill their days as painlessly as they can. They wait for Godot, a personage who will explain their interminable insignificance, or put an end to it. They are resourceful, with quarrels and their dependence on each other, as children are. They pass the time 'which would have passed anyway.' A brutal man of means comes by, leading a weakling slave who does his bidding like a mechanical doll. Later on he comes back, blind, and his slave is mute, but the relationship is unchanged. Every day a child comes from the unknown Godot, and evasively puts the big arrival off until tomorrow. It is a tragic view. Yet, in performance, most of it is brilliant, bitter comedy. It is a portrait of the dogged resilience of a man's spirit in the face of little hope.
The Alban Arts and Conference Center is located at 65 Olde Main Street in St. Albans.
The show runs April 27-28, 8 p.m., April 29 at 2 p.m., May 4-5 at 8 p.m. and May 6 at 2 p.m.
Another e-Interview with the Cast of "How I Learned to Drive"
Here's the second of our e-interviews with cast members of the play coming up this weekend, How I Learned to Drive.
This time around we hear from Greg Morris, who plays the Male Greek Chorus.
Q: Why did you want to be part of How I Learned to Drive?
Greg: Good dramas are a rare find in these here parts, and it’s a very good play, one that I knew I would be proud to be a part of. Plus, I’m always looking to grow as an actor, and to work with folks I’ve never worked with before. And it just seemed right.
Q: What's the most challenging thing about being in this play?
Greg: The Male Greek Chorus is not, by any means, a difficult or challenging role; to the contrary, playwright Paula Vogel has written the part so well that there’s really little that I can do to improve it (but a lot I could do to muck it up!). The challenge comes in understanding the Male Greek Chorus’s part in Li’l Bit’s journey, and then seeing to it that I fulfill that character’s function.
Q: Tell us a bit about your fellow cast members.
Greg: Half the other cast members are related to me. It’s a small town.
Q: Why would you recommend this show to our readers?
Greg: If good theater has the power to transform us - and it should have that power, and we should be open to it – then great theater should transform us greatly... at least, that’s the hope, isn’t it? Sure, we go to the theater to be entertained, but even in the entertainment there’s the promise that, somehow, some way, we’ll “leave the theater different than when we went in,” as a character in a play I was recently in said. There’s a lot to think about in this play, and much to come away with. It’s serious, but not too, too serious, and so I think there’s something for everyone.
Q: When and where will the show be staged?
Greg: I have no idea. (Just kidding.) The Jeslyn Performing Arts Center on 4th Avenue in downtown Huntington, March 8-10 at 8 p.m. and March 11 at 2:30 p.m.
Thanks, Greg!
This time around we hear from Greg Morris, who plays the Male Greek Chorus.
Q: Why did you want to be part of How I Learned to Drive?
Greg: Good dramas are a rare find in these here parts, and it’s a very good play, one that I knew I would be proud to be a part of. Plus, I’m always looking to grow as an actor, and to work with folks I’ve never worked with before. And it just seemed right.
Q: What's the most challenging thing about being in this play?
Greg: The Male Greek Chorus is not, by any means, a difficult or challenging role; to the contrary, playwright Paula Vogel has written the part so well that there’s really little that I can do to improve it (but a lot I could do to muck it up!). The challenge comes in understanding the Male Greek Chorus’s part in Li’l Bit’s journey, and then seeing to it that I fulfill that character’s function.
Q: Tell us a bit about your fellow cast members.
Greg: Half the other cast members are related to me. It’s a small town.
Q: Why would you recommend this show to our readers?
Greg: If good theater has the power to transform us - and it should have that power, and we should be open to it – then great theater should transform us greatly... at least, that’s the hope, isn’t it? Sure, we go to the theater to be entertained, but even in the entertainment there’s the promise that, somehow, some way, we’ll “leave the theater different than when we went in,” as a character in a play I was recently in said. There’s a lot to think about in this play, and much to come away with. It’s serious, but not too, too serious, and so I think there’s something for everyone.
Q: When and where will the show be staged?
Greg: I have no idea. (Just kidding.) The Jeslyn Performing Arts Center on 4th Avenue in downtown Huntington, March 8-10 at 8 p.m. and March 11 at 2:30 p.m.
Thanks, Greg!
Monday, March 05, 2012
An E-interview with the cast of "How I Learned to Drive"
Coming up this weekend is the drama How I Learned to Drive, so we wanted to hear from the cast - so here's the first of several e-interviews we'll be running this week.
Let's begin with my pal Nancy Jackson, who plays the part of the Female Greek Chorus:
Q: Why did you want to be part of How I Learned to Drive?
Nancy: It's a beautifully written piece that deals with a very touchy subject with loving humor and sensitivity.
Q: What's the most challenging thing about being in this play?
Nancy: There are several monologues for the Female Greek Chorus, which I find challenging because you are not interacting with the other actors on the stage, but through the fourth wall to imaginary characters and/or the audience.
Q: Tell us a bit about your fellow cast members.
Nancy: Curtains Up Players is very lucky to have such tremendous talent in this play. The Morris family is working with us for the first time and I have enjoyed immensely getting to know them as people and working with them as actors. I welcome them to our Curtains Up Players family with open arms! And of course Rhett Pennell, who was a vital part of our production of Joseph and the Amazing Technicolor Dreamcoat as Simeon (or the guy who sings the French song). Rhett is one of the very special talents in our Tri-State and we (and the audience!) are so fortunate to have him in this role.
Q: Why would you recommend this show to our readers?
Nancy: Absolutely. It is a clandestine look inside the world of this struggling family that is, unfortunately, too common an experience in our society. Chances are, we all know or know of someone who has been affected by just this kind of experience. To be a part of the audience is to reach a new level of understanding and empathy for anyone who has been in this kind of life situation.
Q: When and where will the show be staged?
Nancy: The Jeslyn Performing Arts Center on 4th Avenue in downtown Huntington, March 8-10 at 8 p.m. and March 11 at 2:30 p.m.
Thanks, Nancy!
Let's begin with my pal Nancy Jackson, who plays the part of the Female Greek Chorus:
Q: Why did you want to be part of How I Learned to Drive?
Nancy: It's a beautifully written piece that deals with a very touchy subject with loving humor and sensitivity.
Q: What's the most challenging thing about being in this play?
Nancy: There are several monologues for the Female Greek Chorus, which I find challenging because you are not interacting with the other actors on the stage, but through the fourth wall to imaginary characters and/or the audience.
Q: Tell us a bit about your fellow cast members.
Nancy: Curtains Up Players is very lucky to have such tremendous talent in this play. The Morris family is working with us for the first time and I have enjoyed immensely getting to know them as people and working with them as actors. I welcome them to our Curtains Up Players family with open arms! And of course Rhett Pennell, who was a vital part of our production of Joseph and the Amazing Technicolor Dreamcoat as Simeon (or the guy who sings the French song). Rhett is one of the very special talents in our Tri-State and we (and the audience!) are so fortunate to have him in this role.
Q: Why would you recommend this show to our readers?
Nancy: Absolutely. It is a clandestine look inside the world of this struggling family that is, unfortunately, too common an experience in our society. Chances are, we all know or know of someone who has been affected by just this kind of experience. To be a part of the audience is to reach a new level of understanding and empathy for anyone who has been in this kind of life situation.
Q: When and where will the show be staged?
Nancy: The Jeslyn Performing Arts Center on 4th Avenue in downtown Huntington, March 8-10 at 8 p.m. and March 11 at 2:30 p.m.
Thanks, Nancy!
Saturday, March 03, 2012
On Stage This Weekend: "Sweeney Todd: School Edition"
Darn it, somehow I missed this one: the very funny musical Sweeney Todd: The School Edition is being presented this weekend only at the Vern Riffe Center for the Arts in Portsmouth.
Tickets are $10 and can be ordered through the Box Office at 740-351-3642.
Shows are Saturday at 7:30 p.m. and Sunday at 2 p.m.
There's also a Thriller pre-show!
I'm hearing rave reviews, so check it out - but hurry!
Tickets are $10 and can be ordered through the Box Office at 740-351-3642.
Shows are Saturday at 7:30 p.m. and Sunday at 2 p.m.
There's also a Thriller pre-show!
I'm hearing rave reviews, so check it out - but hurry!
Friday, March 02, 2012
On Stage This Weekend
There are two great shows being presented this weekend - but you'll have to drive to Charleston to see them (unless you already live there, that is).
Here's the lineup:
- A Piece of My Heart - Charleston Stage Company presents the drama at the Capitol Center Theatre at 123 Summers Street at 7:30 p.m. on March 2 and 3. Taken from actual interviews of Army nurses, Women’s Army Corp, USO performers and Red Cross volunteers, the play details a subject largely missing from the reams of material written about Vietnam, namely the women who served.
- The Vagina Monologues - Kanawha Players presents the play March 2 and 3 at 7:30 p.m. at the Kanawha Players Theatre at 309 Beauregard Street. The performance is a fundraiser for the Starlena Pratt Foundation to support the work of the Kanawha County Victim Services Center.
So get out there and support your local theatre!
Here's the lineup:
- A Piece of My Heart - Charleston Stage Company presents the drama at the Capitol Center Theatre at 123 Summers Street at 7:30 p.m. on March 2 and 3. Taken from actual interviews of Army nurses, Women’s Army Corp, USO performers and Red Cross volunteers, the play details a subject largely missing from the reams of material written about Vietnam, namely the women who served.
- The Vagina Monologues - Kanawha Players presents the play March 2 and 3 at 7:30 p.m. at the Kanawha Players Theatre at 309 Beauregard Street. The performance is a fundraiser for the Starlena Pratt Foundation to support the work of the Kanawha County Victim Services Center.
So get out there and support your local theatre!
Thursday, March 01, 2012
On Stage in March 2012
There are several shows on the way for March.
Here's the list:
- How I Learned to Drive - Curtain's Up Players presents the drama at the Jeslyn Theatre on March 8 - 11.
- A Piece of My Heart - Charleston Stage Company presents the drama at the Capitol Center Theatre at 123 Summers Street at 7:30 p.m. on March 1, 2 and 3. Taken from actual interviews of Army nurses, Women’s Army Corp, USO performers and Red Cross volunteers, the play details a subject largely missing from the reams of material written about Vietnam, namely the women who served.
- The Vagina Monologues - Kanawha Players presents the play March 1, 2 and 3 at 7:30 p.m.
- Doubt - The Clay Center presents the drama March 23 at 8 p.m.
- The Sound of Music - The classic musical will be presented at the Paramount Arts Center on March 22, 23 and 24 at 7:30 p.m.
- Annie - The Portsmouth Little Theatre presents the musical about everyone's favorite orphan March 23, 24, 30 and 31 at 7:30 p.m., and March 25 and April 1 at 2 p.m.
- Jesus Christ, Superstar - CYAC presents the beloved musical (starring Ryan Hardiman in the title role) at the Capitol Center Theatre at 123 Summers Street on March 29 - 31, April 1, 5, 6 and 7.
A great lineup! As always, if I've missed any, send in a comment or email me at TheMinskers@aol.com and I'll fix it.
Here's the list:
- How I Learned to Drive - Curtain's Up Players presents the drama at the Jeslyn Theatre on March 8 - 11.
- A Piece of My Heart - Charleston Stage Company presents the drama at the Capitol Center Theatre at 123 Summers Street at 7:30 p.m. on March 1, 2 and 3. Taken from actual interviews of Army nurses, Women’s Army Corp, USO performers and Red Cross volunteers, the play details a subject largely missing from the reams of material written about Vietnam, namely the women who served.
- The Vagina Monologues - Kanawha Players presents the play March 1, 2 and 3 at 7:30 p.m.
- Doubt - The Clay Center presents the drama March 23 at 8 p.m.
- The Sound of Music - The classic musical will be presented at the Paramount Arts Center on March 22, 23 and 24 at 7:30 p.m.
- Annie - The Portsmouth Little Theatre presents the musical about everyone's favorite orphan March 23, 24, 30 and 31 at 7:30 p.m., and March 25 and April 1 at 2 p.m.
- Jesus Christ, Superstar - CYAC presents the beloved musical (starring Ryan Hardiman in the title role) at the Capitol Center Theatre at 123 Summers Street on March 29 - 31, April 1, 5, 6 and 7.
A great lineup! As always, if I've missed any, send in a comment or email me at TheMinskers@aol.com and I'll fix it.
Wednesday, February 29, 2012
Cast of "1776"
ARTS recently announced its cast for 1776, and it's an all-star lineup!
They just started rehearsal, and I know they're going to have a blast - it's a terrific show! Here's the lineup:
John Hancock - C.E. Wilson
Dr. Josiah Bartlett - Max Wilson
John Adams - Clint McElroy
Stephen Hopkins - Dave Vickers
Roger Sherman - Jedd Flowers
Lewis Morris - Chris Bouquot
Robert Livingston - Justin Carlson
Rev. Jonathan Witherspoon - Ric Griffith
Benjamin Franklin - T. Michael Murdock
John Dickinson - Jim Lamp
James Wilson - Jerry Morse
Caesar Rodney - Charlie Woolcock
Col. Thomas McKean - Mark Near
George Read - Allan Stern
Samuel Chase - Marc Albert
Richard Henry Lee - Jon Lamp
Thomas Jefferson - Stephen Vance
Edward Rutledge - David Day
Dr. Lyman Hall - Scott Black
Charles Thomson - Ken Bannon
Andrew McNair - Todd Green
The Courier - Greg Kiser
Abigail Adams - Leann Haines
Martha Jefferson - Kathryn Davis
They just started rehearsal, and I know they're going to have a blast - it's a terrific show! Here's the lineup:
John Hancock - C.E. Wilson
Dr. Josiah Bartlett - Max Wilson
John Adams - Clint McElroy
Stephen Hopkins - Dave Vickers
Roger Sherman - Jedd Flowers
Lewis Morris - Chris Bouquot
Robert Livingston - Justin Carlson
Rev. Jonathan Witherspoon - Ric Griffith
Benjamin Franklin - T. Michael Murdock
John Dickinson - Jim Lamp
James Wilson - Jerry Morse
Caesar Rodney - Charlie Woolcock
Col. Thomas McKean - Mark Near
George Read - Allan Stern
Samuel Chase - Marc Albert
Richard Henry Lee - Jon Lamp
Thomas Jefferson - Stephen Vance
Edward Rutledge - David Day
Dr. Lyman Hall - Scott Black
Charles Thomson - Ken Bannon
Andrew McNair - Todd Green
The Courier - Greg Kiser
Abigail Adams - Leann Haines
Martha Jefferson - Kathryn Davis
Tuesday, February 28, 2012
"9 to 5" Auditions This Weekend
Just got this note from my pal Eddie Harbert:
The City of Huntington Foundation and 5th Avenue Theatre Company are pleased to announce auditions for 9 to 5 – The Musical on Sunday, March 4 at 2 p.m. at the Jean Carlo Stephenson Auditorium at City Hall in Huntington, W.Va.
The show will be presented on May 4-6 and May 12-13 at the Jean Carlo Stephenson Auditorium in City Hall.
9 to 5 follows the course of three office workers: Violet, Judy and Dora Lee as they navigate the murky waters of politics and discrimination of women in the workplace in the late '70s. This endearing comedy is based on the 1980 movie of the same name starring Lily Tomlin, Dolly Parton and Jane Fonda.
The show has roles for all ages above the age of 14. Those auditioning will be asked to have a 30-second song prepared. An accompanist will be available for those bringing music and a CD player will be available for those wishing to use CDs. The audition will also involve participants reading selected cuts from the script as well as a movement audition. Participants should come comfortably dressed for the movement audition and are asked not to wear sandals or open-toed shoes.
For more information about auditions or to reserve tickets for the show, please call Eddie Harbert at 304-544-2831 or Maxine Loudermilk at 304-654-1471.
Monday, February 27, 2012
Oscar Winners
So what did I think of the Oscars last night?
Meh.
But then, I've only seen one of the films that was up for Best Picture ("Tree of Life"), so perhaps that's why I couldn't work up much interest. I watched the ceremony at high speed (thanks, DVR!), so perhaps I missed the great bits.
Anyway, here's a list of the winners at the 84th Annual Academy Award ceremony in the order they were presented:
1. Cinematography: "Hugo."
2. Art Direction: "Hugo."
3. Costume Design: "The Artist."
4. Makeup: "The Iron Lady."
5. Foreign Language Film: "A Separation," Iran.
6. Supporting Actress: Octavia Spencer, "The Help."
7. Film Editing: "The Girl With the Dragon Tattoo."
8. Sound Editing: "Hugo."
9. Sound Mixing: "Hugo."
10. Documentary Feature: "Undefeated."
11. Animated Feature Film: "Rango."
12. Visual Effects: "Hugo."
13. Supporting Actor: Christopher Plummer, "Beginners."
14. Original Score: "The Artist."
15. Original Song: "Man or Muppet" from "The Muppets."
16. Adapted Screenplay: Alexander Payne, Nat Faxon and Jim Rash, "The Descendants."
17. Original Screenplay: Woody Allen, "Midnight in Paris."
18. Live Action Short Film: "The Shore."
19. Documentary (short subject): "Saving Face."
20. Animated Short Film: "The Fantastic Flying Books of Mr. Morris Lessmore."
21. Directing: Michel Hazanavicius, "The Artist."
22. Actor: Jean Dujardin, "The Artist."
23. Actress: Meryl Streep, "The Iron Lady."
24. Best Picture: "The Artist."
___
Oscar winners previously presented this season:
Jean Hersholt Humanitarian Award: Oprah Winfrey.
Honorary Award: James Earl Jones.
Honorary Award: Dick Smith.
Gordon E. Sawyer Award: Douglas Trumbull.
Award of Merit: ARRI cameras.
Meh.
But then, I've only seen one of the films that was up for Best Picture ("Tree of Life"), so perhaps that's why I couldn't work up much interest. I watched the ceremony at high speed (thanks, DVR!), so perhaps I missed the great bits.
Anyway, here's a list of the winners at the 84th Annual Academy Award ceremony in the order they were presented:
1. Cinematography: "Hugo."
2. Art Direction: "Hugo."
3. Costume Design: "The Artist."
4. Makeup: "The Iron Lady."
5. Foreign Language Film: "A Separation," Iran.
6. Supporting Actress: Octavia Spencer, "The Help."
7. Film Editing: "The Girl With the Dragon Tattoo."
8. Sound Editing: "Hugo."
9. Sound Mixing: "Hugo."
10. Documentary Feature: "Undefeated."
11. Animated Feature Film: "Rango."
12. Visual Effects: "Hugo."
13. Supporting Actor: Christopher Plummer, "Beginners."
14. Original Score: "The Artist."
15. Original Song: "Man or Muppet" from "The Muppets."
16. Adapted Screenplay: Alexander Payne, Nat Faxon and Jim Rash, "The Descendants."
17. Original Screenplay: Woody Allen, "Midnight in Paris."
18. Live Action Short Film: "The Shore."
19. Documentary (short subject): "Saving Face."
20. Animated Short Film: "The Fantastic Flying Books of Mr. Morris Lessmore."
21. Directing: Michel Hazanavicius, "The Artist."
22. Actor: Jean Dujardin, "The Artist."
23. Actress: Meryl Streep, "The Iron Lady."
24. Best Picture: "The Artist."
___
Oscar winners previously presented this season:
Jean Hersholt Humanitarian Award: Oprah Winfrey.
Honorary Award: James Earl Jones.
Honorary Award: Dick Smith.
Gordon E. Sawyer Award: Douglas Trumbull.
Award of Merit: ARRI cameras.
Sunday, February 26, 2012
Post #2000
Hard to believe that this is the 2000th post I've made to the Tri-State Theatre blog!
So let's see - about 400 words to a post, so I've written... a heck of a lot of words about community theatre! (OK, 800,000 - give or take a few.)
It was in October of 2006 that I had a phone call from my pal Dave Lavender, wondering if I knew someone who'd be interested in writing a blog about community theatre in Huntington. I said, "You mean besides me?"
I had just finished a years-long stint writing video game reviews with my sons for the Herald-Dispatch. We wrapped that effort when my youngest son left for college, so it was a natural step to switch over to writing about one of my other main hobbies - community theatre.
Sons Justin and Evan were the ones who got me involved with community theatre - they tried out for local shows and took part in dozens (and dozens) of productions, and I trailed along, helping out where I could.
I ran the sound board for shows, helped build sets, served on theatre boards, produced and ultimately directed nine community theatre productions (a tenth is on the drawing board).
Even though my kids are no longer directly involved in community theatre, I'm still happy to champion it. Children's theatre is my main focus, of course, because I've seen what a positive influence it can be on the lives of kids who take part - they gain confidence, learn teamwork, make lifelong friendships and have fun all at the same time. They learn skills that will be useful no matter what career they eventually pursue - public speaking, memorization and the ability to work with others, for example.
But community theatre for grownups is the same - it's a wonderful, collaborative effort that combines art, music, dance, performance and tells important stories. And adults get the same benefits out of it as young performers.
It's difficult for theatre groups to promote their efforts - most have only a limited advertising budget (if that), and it's been my hope that this blog would help "get the word out" about upcoming productions, auditions and other theatre-related news.
(As I write this, I realize that I dropped the ball this week - we usually run a fun little "guess the Oscar winners" contest, but between family and work, I didn't get around to it. Or maybe I'm boycotting because they overlooked Albert Brooks for Best Supporting Actor. Yeah, that's it.)
At any rate, it's been a lot of fun working on this blog over the five-and-a-half years (!) it's been in existence. Thanks to my editor Andrea for all her support and patience, to all my pals at the Herald-Dispatch (especially Dave and Robyn), to my lovely wife and kids, and most of all, to you, the readers who have made this one of the most-read blogs on the Herald-Dispatch site!
It's a great time for community theatre in our area, and we'll try to keep you up-to-date here. Of course, that means we're depending on you to send in news, notes and photos to share with the rest of the community (as always, send such things to TheMinskers@aol.com).
This is your site to get the word out about theatre opportunities in our area - it's time to start on the next thousand posts!
So let's see - about 400 words to a post, so I've written... a heck of a lot of words about community theatre! (OK, 800,000 - give or take a few.)
It was in October of 2006 that I had a phone call from my pal Dave Lavender, wondering if I knew someone who'd be interested in writing a blog about community theatre in Huntington. I said, "You mean besides me?"
I had just finished a years-long stint writing video game reviews with my sons for the Herald-Dispatch. We wrapped that effort when my youngest son left for college, so it was a natural step to switch over to writing about one of my other main hobbies - community theatre.
Sons Justin and Evan were the ones who got me involved with community theatre - they tried out for local shows and took part in dozens (and dozens) of productions, and I trailed along, helping out where I could.
I ran the sound board for shows, helped build sets, served on theatre boards, produced and ultimately directed nine community theatre productions (a tenth is on the drawing board).
Even though my kids are no longer directly involved in community theatre, I'm still happy to champion it. Children's theatre is my main focus, of course, because I've seen what a positive influence it can be on the lives of kids who take part - they gain confidence, learn teamwork, make lifelong friendships and have fun all at the same time. They learn skills that will be useful no matter what career they eventually pursue - public speaking, memorization and the ability to work with others, for example.
But community theatre for grownups is the same - it's a wonderful, collaborative effort that combines art, music, dance, performance and tells important stories. And adults get the same benefits out of it as young performers.
It's difficult for theatre groups to promote their efforts - most have only a limited advertising budget (if that), and it's been my hope that this blog would help "get the word out" about upcoming productions, auditions and other theatre-related news.
(As I write this, I realize that I dropped the ball this week - we usually run a fun little "guess the Oscar winners" contest, but between family and work, I didn't get around to it. Or maybe I'm boycotting because they overlooked Albert Brooks for Best Supporting Actor. Yeah, that's it.)
At any rate, it's been a lot of fun working on this blog over the five-and-a-half years (!) it's been in existence. Thanks to my editor Andrea for all her support and patience, to all my pals at the Herald-Dispatch (especially Dave and Robyn), to my lovely wife and kids, and most of all, to you, the readers who have made this one of the most-read blogs on the Herald-Dispatch site!
It's a great time for community theatre in our area, and we'll try to keep you up-to-date here. Of course, that means we're depending on you to send in news, notes and photos to share with the rest of the community (as always, send such things to TheMinskers@aol.com).
This is your site to get the word out about theatre opportunities in our area - it's time to start on the next thousand posts!
Saturday, February 25, 2012
Last Chance to Catch "Proof"
Saturday is your last chance to catch Proof, the play about a young woman, her difficult relationship with her father (who is a math genius and mentally disturbed), her controlling sister and a young man who changes her life.I can recommend the show wholeheartedly because I was at Friday night's performance and enjoyed it tremendously.
As a self-admitted math geek, I enjoyed the references to the field of mathematics, but it's also a very personal tale of relationships and facing life's challenges.
Most of us dread the thought that we might be just like our parents, and that's the fear that strikes the acerbic and intelligent Catherine (played by Adrienne Goodwin). She has great aptitude at math, just like her father (played by Clint McElroy). But does she also share his madness?
The story is further complicated by her growing relationship with one of her father's former students, Hal (played by Patrick Taylor), and her struggles with her sister Claire (played by Shelby Brewster).
It's a sharp, well-written play by David Auburn. The characters are real, the situations clever and heart-rending (and sometimes very funny).
I should also mention the set designed by James Morris-Smith, which recreates the backyard of a home in Chicago. It's amazingly realistic, down to the shrubs, trash cans, trees and the leaves on the ground (gathered from his backyard). Very impressive!
With so many light and fluffy plays around, it's a real delight to find one that challenges you mentally and emotionally. There are no easy answers in this show - and that's one of the things that makes it a real delight.
Kudos to the outstanding cast, to director Jack Cirillo and to the excellent tech crew - great work all around!
Remember, last chance to catch Proof is Saturday night at 8 p.m. at Marshall's Joan C. Edwards Performing Arts Center.
Highly recommended!
Thursday, February 23, 2012
On Stage This Weekend - "Proof" and "Heart"
There are two great shows to choose from this weekend:
- Proof - Marshall's Theatre Alliance presents this drama about a woman who sacrifices herself for her brilliant father - but is he a genius, or is he mentally ill? The show runs Feb. 23 – 25 at 8 p.m. at the Francis-Booth Experimental Theatre. (I've been hearing rave reviews from friends - don't miss it!)
- A Piece of My Heart - Charleston Stage Company presents the drama at the Capitol Center Theatre at 123 Summers Street at 7:30 p.m. on Feb. 23, 24, 25 and March 1, 2 and 3. Taken from actual interviews of Army nurses, Women’s Army Corp, USO performers and Red Cross volunteers, the play details a subject largely missing from the reams of material written about Vietnam, namely the women who served. Interweaving the stories of six women as they gather at the memorial wall in Washington to tell their stories and experience a heart wrenching atonement.
- Proof - Marshall's Theatre Alliance presents this drama about a woman who sacrifices herself for her brilliant father - but is he a genius, or is he mentally ill? The show runs Feb. 23 – 25 at 8 p.m. at the Francis-Booth Experimental Theatre. (I've been hearing rave reviews from friends - don't miss it!)
- A Piece of My Heart - Charleston Stage Company presents the drama at the Capitol Center Theatre at 123 Summers Street at 7:30 p.m. on Feb. 23, 24, 25 and March 1, 2 and 3. Taken from actual interviews of Army nurses, Women’s Army Corp, USO performers and Red Cross volunteers, the play details a subject largely missing from the reams of material written about Vietnam, namely the women who served. Interweaving the stories of six women as they gather at the memorial wall in Washington to tell their stories and experience a heart wrenching atonement.
Wednesday, February 22, 2012
"Shakespeare" Fundraiser This Weekend
Here's a great way to support a good cause!
Arts Boyd County will be hosting a fundraiser for Shakespeare in the Park this weekend, Feb. 24 and 25 at 8 p.m. and Feb. 26 at 2:30 p.m. they will be hosting Love Letters by A. R. Gurney at Ashland Community and Technical College.
Tickets are $8 and donations will be accepted! They need the support to make Shakespeare in the Park a piece of tourism that supports community and economic development in the Tri-State area.
Arts Boyd County appreciates the hard work of artists in the area, and they need your help to make it happen!
Arts Boyd County will be hosting a fundraiser for Shakespeare in the Park this weekend, Feb. 24 and 25 at 8 p.m. and Feb. 26 at 2:30 p.m. they will be hosting Love Letters by A. R. Gurney at Ashland Community and Technical College.
Tickets are $8 and donations will be accepted! They need the support to make Shakespeare in the Park a piece of tourism that supports community and economic development in the Tri-State area.
Arts Boyd County appreciates the hard work of artists in the area, and they need your help to make it happen!
Tuesday, February 21, 2012
"In the Heights" Photo Gallery
The Herald-Dispatch has a photo gallery of shots from Tuesday night's performance of the Tony-winning musical In the Heights, which you can see right here.
Monday, February 20, 2012
"In the Heights"
In the Heights takes the stage Tuesday night at the Keith Albee Performing Arts Center as part of the Marshall Artists Series.
Here's a clip from the 2008 Tony Awards of the song "96,000" - by the way, 2008 was the year the show won the Best Musical award!
Here's a clip from the 2008 Tony Awards of the song "96,000" - by the way, 2008 was the year the show won the Best Musical award!
Saturday, February 18, 2012
On Stage This Week: "In the Heights"
Broadway comes to Huntington this week with a performance of In the Heights. My pal Dave Lavender files this preview: It's kind of ironic that when British dancer and actress Chloe Campbell moved to New York City, the dance company she was performing with was located in the vibrant Manhattan neighborhood of Washington Heights.
Campbell has, since September, gotten to know that colorful Latino community inside, outside and upside down.
She's one of 38 people in the young, talented cast, crew and band that is crisscrossing the nation with the energy-packed musical, In the Heights, which won the 2008 Tony Award for Best Musical as well as the Grammy that year for Best Musical Show Album, beating out such shows as Young Frankenstein and The Little Mermaid.
Called "a groundbreaking 21st century musical" by New York Times, In the Heights is coming to the Keith-Albee Performing Arts Center at 7:30 p.m. Tuesday, Feb. 21, as the Marshall Artists Series continues to celebrate its 75th anniversary season.
Tickets are on sale now for $58/$50/$45 and may be purchased at the Marshall Artists Series Box Office, in the Joan C. Edwards Performing Arts Center, or by calling 304-696-3326, or at any Ticketmaster location, including online at www.ticketmaster.com. The main show sponsor is Chesapeake Energy.
Called "Pure Broadway" by the Washington Post, In the Heights is a moving, funny and uplifting new show about a community of hard-working immigrants seeking a better life and trying to find their place - their home - in their new country. Filled with such great tunes as "96,000" (about winning the lottery) and the heart-warming ballad "When You're Home," In the Heights fuses Latin rhythms and hip-hop beats to tell a traditional story in a new way.
Campbell said that, as the musical tells the passionate story of the Latino neighborhood of Washington Heights, it makes you reassess what you think of as home and tradition.
"I actually got to see the show in 2008 when it first opened on Broadway and I fell in love with it," Campbell said. "I feel like it resonates no matter where you are from. I'm from London and I knew nothing about Washington Heights, but it is all about family and home and feeling part of a home no matter where your roots are. Every night we are singing about home and finding my place which is home and which was not my home before."
Campbell said part of the magic of this resonance is the true voice of its writer.
Lin-Manuel Miranda, who grew up in a close-knit Puerto Rican family, was a sophomore at Wesleyan University in Connecticut when this postcard to his colorful neighborhood came spilling out.
A co-founding member of Freestyle Love Supreme, Miranda, who has toured comedy festivals with his group's fusion of hip-hop, storytelling, improv and musical theater, began the arduous seven-year-long journey of creating a full-length musical that found a home at off-Broadway's 37 Arts Theatre where he polished the show.
While Miranda was teaching middle school English and composing commercial music for political candidates that included Eliot Spitzer, he drew in director Thomas Kail to rework and restage the campus hit for a larger audience and a team of producers who'd put up such ground-breaking shows as Rent and Avenue Q.
After more than 200 off-Broadway performances, In the Heights spent four years on Broadway before it began touring nationally and internationally.
"I think the thing that stands out for this show in particular is that there is so much passion in it," Campbell said. "Just raw passion and energy. When I first saw the show, it just hit me in the face. I was so taken in by the passion, and I think that is what Lin-Manuel was able to create when he was in college. You are in a different place in college, and you are struggling and finding your way and wanting more, and I think that totally comes through in the lyrics and the music because it is blending so many types of music - salsa, hip hop and traditional musical theater, as well. That is why it is so appealing and that is what makes it raw and different, blending all of these different things."
Campbell, who moved to New York City to work in theater, said it's been a fantastic journey to be able to share this unique, but universal, show about just one of some 300 neighborhoods in NYC's five boroughs.
"A lot of people may have never been to New York, and if they have been to New York they have been to Times Square and haven't really seen the actual communities," Campbell said. "People forget there are communities there. It's such a crazy, rush-about place, but it is so nice that there are communities here and such a sense of home and family and having fun. I guess a lot of people look at it as a place that you just see in the movies all the time, so it is nice to show there is that heart and soul."
If you go
WHAT: Chesapeake Energy and the Marshall Artists Series presents the national tour of In The Heights, the 2008 Tony Award-winning Best Musical
WHERE: Keith-Albee Performing Arts Center, Huntington
WHEN: 7:30 p.m. Tuesday, Feb. 21
HOW MUCH: $58, $50 and $45
GET TIX: Tickets may be purchased at the Marshall Artists Series Box Office, located on the right side of the Joan C. Edwards Performing Arts Center, or by calling 304-696-6656. Patrons can also visit www.marshallartistsseries.org for ticket information. Tickets can also be purchased at any Ticketmaster location, including online at www.ticketmaster.com.
ON THE WEB: www.marshallartistsseries.org.
ABOUT THE SHOW: A moving, funny and uplifting new show about a community of hard-working immigrants seeking a better life and trying to find their place -- their home -- in their new country. The show features a young cast as well as Tony Award-winning dancing and score.
WHAT THEY SAID: The Washington Post said In the Heights is "Pure Broadway. An evening of old-style, innocent pleasure" and Ben Brantley of The New York Times enthused "In The Heights" is "an exuberant, animated shrine to the importance of family ties and being faithful to where you come from."
ON DECK @ THE ARTISTS SERIES: 7:30 p.m. Thursday, March 1 - Larry King: Standing Up. King in his first stage performance since completing his 25-year run on the award-winning CNN program "Larry King Live." Also, at the end of the night, audience members will receive the rare opportunity to have their very own Q&A session with the star. Tickets are $57.50 and $35.
6:30 and 9 p.m. Friday, April 13 - "OH! What A Piano Can Do." Spend an intimate evening under the stars at your table on the Keith-Albee stage starring master pianist, Duke Thompson. Tickets are: $45 each or table of four for $225 (includes beverages and appetizer for four).
7 p.m. Sunday, April 29 - Mountain Stage Salutes 75 Years of the Marshall Artists Series. Join Larry Groce, host and artistic director of the iconic West Virginia radio program "Mountain Stage" as he helps salute the 75-year legacy that is the Marshall Artists Series. Artists so far include Arlo Guthrie and Paul Thorn. Additional artists to be announced. Tickets are $35.
Last Chance for "Love Letters"
Tonight (Saturday night) is your last chance to catch Love Letters at the Renaissance Theatre.
Love Letters is a Pulitzer Prize for Drama nominated play by A. R. Gurney.
The play centers on just two characters, Melissa Gardner and Andrew Makepeace Ladd III. Acted by Amy Knell Carlson and Bil Neal, the characters sit side by side at tables and read notes, letters and cards - in which over nearly 50 years, they discuss their hopes and ambitions, dreams and disappointments, victories and defeats - that have passed between them throughout their separated lives.
The show runs Feb. 18 at the Renaissance Ballroom at 900 8th Street in Huntington.
Reservations are required, so call 304-733-ARTS for more info. You can get the dinner and show for $25 (dinner is served at 6:30 p.m.), or just see the show for $15 (it starts at 8 p.m.).
Highly recommended!
Love Letters is a Pulitzer Prize for Drama nominated play by A. R. Gurney.
The play centers on just two characters, Melissa Gardner and Andrew Makepeace Ladd III. Acted by Amy Knell Carlson and Bil Neal, the characters sit side by side at tables and read notes, letters and cards - in which over nearly 50 years, they discuss their hopes and ambitions, dreams and disappointments, victories and defeats - that have passed between them throughout their separated lives.
The show runs Feb. 18 at the Renaissance Ballroom at 900 8th Street in Huntington.
Reservations are required, so call 304-733-ARTS for more info. You can get the dinner and show for $25 (dinner is served at 6:30 p.m.), or just see the show for $15 (it starts at 8 p.m.).
Highly recommended!
Thursday, February 16, 2012
On Stage This Weekend - Four Shows
You have four great shows to choose from this weekend - here's the rundown:
- Proof - Marshall's Theatre Alliance presents this drama about a woman who sacrifices herself for her brilliant father - but is he a genius, or is he mentally ill? The show runs two weekends: Feb. 16 – 18 and Feb. 23 – 25 at 8 p.m. at the Francis-Booth Experimental Theatre.
- Love Letters - ARTS stages the Valentine's show (also with dinner) Feb. 17 and 18 at the Renaissance Ballroom (the old Huntington High School).
- Lend Me a Tenor - Kanawha Players presents the musical comedy performance Feb. 17 and 18.
- G2K Cinderella - ACTC presents the classic show in a "Get To Know" format Feb. 17 and 18 at 8 p.m. and Feb. 19 at 2:30 p.m.
So lots of great shows to choose from - get out there and support your local theatre!
- Proof - Marshall's Theatre Alliance presents this drama about a woman who sacrifices herself for her brilliant father - but is he a genius, or is he mentally ill? The show runs two weekends: Feb. 16 – 18 and Feb. 23 – 25 at 8 p.m. at the Francis-Booth Experimental Theatre.
- Love Letters - ARTS stages the Valentine's show (also with dinner) Feb. 17 and 18 at the Renaissance Ballroom (the old Huntington High School).
- Lend Me a Tenor - Kanawha Players presents the musical comedy performance Feb. 17 and 18.
- G2K Cinderella - ACTC presents the classic show in a "Get To Know" format Feb. 17 and 18 at 8 p.m. and Feb. 19 at 2:30 p.m.
So lots of great shows to choose from - get out there and support your local theatre!
"1776" Auditions This Weekend
If you're a guy and you've thought about trying out to be part of a stage show - here's the perfect show to be in. It's 1776, and it needs lots of men (and two women) to fill the ranks.
I was part of a production about 10 years ago and had a great time. Auditions are coming up this weekend for the latest take on it - here are the details:
1776 Auditions at ARTS
Auditions will be Feb. 17 from 6 to 8 p.m. and Feb. 18 from 1 to 3 p.m.
Callbacks may be necessary on Feb. 19 starting at 2 p.m.
Auditions will be at at ARTS Resources for the Tri-State at 900 8th Street in Huntington.
Performance dates are April 27, 28, 29, May 1, (school show) 4, 5 and 6.
Roles are available for 21 men and 2 women. Clint McElroy has accepted the role of John Adams.
All actors need to be prepared to show movement skills, have 16 measures of music prepared (accompanist provided), and participate in cold readings from the script.
For more information call Bil Neal at 304-544-3926
I was part of a production about 10 years ago and had a great time. Auditions are coming up this weekend for the latest take on it - here are the details:
1776 Auditions at ARTS
Auditions will be Feb. 17 from 6 to 8 p.m. and Feb. 18 from 1 to 3 p.m.
Callbacks may be necessary on Feb. 19 starting at 2 p.m.
Auditions will be at at ARTS Resources for the Tri-State at 900 8th Street in Huntington.
Performance dates are April 27, 28, 29, May 1, (school show) 4, 5 and 6.
Roles are available for 21 men and 2 women. Clint McElroy has accepted the role of John Adams.
All actors need to be prepared to show movement skills, have 16 measures of music prepared (accompanist provided), and participate in cold readings from the script.
For more information call Bil Neal at 304-544-3926
Wednesday, February 15, 2012
Talking to the Director of "Proof"
Marshall University's latest show (which is on stage the next two weekends) is Proof.
We did an e-interview with the director, my pal Jack Cirillo, and here's what he had to say:
Q: For those who haven't seen it, what is the story behind Proof?
Jack: The discovery of a groundbreaking formula sets off a compelling mystery in this Pulitzer prize-winning drama about the razor-thin line between genius and mental illness. Catherine sacrificed her education in order to care for her aging father, a brilliant but unstable mathematician. Gifted and highly emotional, the arrival of an unexpected visitor forces her to confront the troubling question: How much of her father’s madness – or genius – will she inherit?
Q: What makes Proof a great show?
Jack: Proof deals with a lot of complex human emotions: love, jealousy, despair, doubt, grief and passion. The relationships are also very multi-dmensional: sibling rivalry, parent and child, and a couple spotlighted at the very start of a serious relationship. This is a contemporary drama, set in present day Chicago. The play is very “slice of life” and very cinematic. The plot is central to this piece, so audiences will be carried away right from the start. It has many of the elements that people enjoy in a good drama — conflict, love, mystery and the possibility of a happy ending.
Q: You're obviously a fan of this play.
Jack: Proof is an outstanding play. It is modeled after the “Well Made Plays” of the 19th century, which were created to guarantee audience satisfaction—literally! There are lots of surprises, twists and turns in the plot and it will definitely keep the audience guessing. The set, designed by James Morris-Smith is breathtaking. This is truly a great night in the theatre!
Thanks, Jack! Proof runs at 8 p.m. on Feb. 15 – 18 and Feb. 23 – 25 in the Francis-Booth Experimental Theatre, which is in the Joan C. Edwards Performing Arts Center at Marshall University.
We did an e-interview with the director, my pal Jack Cirillo, and here's what he had to say:
Q: For those who haven't seen it, what is the story behind Proof?
Jack: The discovery of a groundbreaking formula sets off a compelling mystery in this Pulitzer prize-winning drama about the razor-thin line between genius and mental illness. Catherine sacrificed her education in order to care for her aging father, a brilliant but unstable mathematician. Gifted and highly emotional, the arrival of an unexpected visitor forces her to confront the troubling question: How much of her father’s madness – or genius – will she inherit?
Q: What makes Proof a great show?
Jack: Proof deals with a lot of complex human emotions: love, jealousy, despair, doubt, grief and passion. The relationships are also very multi-dmensional: sibling rivalry, parent and child, and a couple spotlighted at the very start of a serious relationship. This is a contemporary drama, set in present day Chicago. The play is very “slice of life” and very cinematic. The plot is central to this piece, so audiences will be carried away right from the start. It has many of the elements that people enjoy in a good drama — conflict, love, mystery and the possibility of a happy ending.
Q: You're obviously a fan of this play.
Jack: Proof is an outstanding play. It is modeled after the “Well Made Plays” of the 19th century, which were created to guarantee audience satisfaction—literally! There are lots of surprises, twists and turns in the plot and it will definitely keep the audience guessing. The set, designed by James Morris-Smith is breathtaking. This is truly a great night in the theatre!
Thanks, Jack! Proof runs at 8 p.m. on Feb. 15 – 18 and Feb. 23 – 25 in the Francis-Booth Experimental Theatre, which is in the Joan C. Edwards Performing Arts Center at Marshall University.
On Stage Tonight: "Proof"
The latest production by Marshall's Theatre Alliance is Proof.Written by David Auburn, it actually runs two weekends (which is unusual for Marshall) - it starts tonight at 8 p.m. and runs Feb. 15 – 18 and Feb. 23 – 25 at 8 p.m. in the Francis-Booth Experimental Theatre.
This play contains adult language.
Here's a recap:
The discovery of a groundbreaking formula sets off a compelling mystery in this Pulitzer prize-winning drama about the razor-thin line between genius and mental illness. Catherine sacrificed her education in order to care for her aging father, a brilliant but unstable mathematician. Gifted and highly emotional, the arrival of an unexpected visitor forces her to confront the troubling question: How much of her father’s madness – or genius – will she inherit?I'll have more about this show in the days ahead, including comments from director Jack Cirillo, but it's an intense drama and highly recommended!
Here's a trailer Marshall has created to promote the show:
Happy Valentine's Day!
I'm running a day late with that wish, but my lovely wife and I had a great time this evening on our Valentine's date, enjoying a fine dinner and a very funny play.
We were at the First United Methodist Church in Huntington to see Bitsy and Boots in the Tropics, another hilarious comedy written by my pal Jonathan Joy.
It's become an annual Valentine's Day event, and one we really enjoy. The dinner was terrific, and the show was a delight. It followed the (mis)adventures of sisters Bitsy and Boots (played wonderfully by Jane Morse and Loretta Hetzer) as they visited new parents Tommy (Adam Stephens) and Kat (Melissa Langham) while they're on vacation on a tropical island.
Also joining in the fun are the devilish Ida (Rebecca Payne), Kat's spiteful Mom, Pearl (Leann Haines) and a police officer (Stacy Morgan).
It was especially fun to watch three stage veterans - Max (T. Michael Murdock), Raul (Michael Naglee) and Franklin (Stephen Vance) taking turns stealing scenes - three very funny guys who know when to play it small and when to go big.
We laughed and laughed - and enjoyed the heck out of the show.
Best of all, it was for a good cause: supporting the church's mission trips. If you missed it, mark your calendar and be there next year.
You can thank me later.
We were at the First United Methodist Church in Huntington to see Bitsy and Boots in the Tropics, another hilarious comedy written by my pal Jonathan Joy.
It's become an annual Valentine's Day event, and one we really enjoy. The dinner was terrific, and the show was a delight. It followed the (mis)adventures of sisters Bitsy and Boots (played wonderfully by Jane Morse and Loretta Hetzer) as they visited new parents Tommy (Adam Stephens) and Kat (Melissa Langham) while they're on vacation on a tropical island.
Also joining in the fun are the devilish Ida (Rebecca Payne), Kat's spiteful Mom, Pearl (Leann Haines) and a police officer (Stacy Morgan).
It was especially fun to watch three stage veterans - Max (T. Michael Murdock), Raul (Michael Naglee) and Franklin (Stephen Vance) taking turns stealing scenes - three very funny guys who know when to play it small and when to go big.
We laughed and laughed - and enjoyed the heck out of the show.
Best of all, it was for a good cause: supporting the church's mission trips. If you missed it, mark your calendar and be there next year.
You can thank me later.
Monday, February 13, 2012
One Last Chance to Catch "Bitsy & Boots"
The weekend is over, but tomorrow is your last chance to see the latest misadventures of Bitsy and Boots, the sisters from Getaway who are starring in another original comedy.
The first two shows were packed, and Tuesday night is your last chance! Here's what you need to know:
The first two shows were packed, and Tuesday night is your last chance! Here's what you need to know:
Bitsy and Boots in the Tropics is another hilarious comedy by Huntington playwright Jonathan Joy.
The show stars a stellar cast of Dinner Theater veterans, including Jane Morse (Bitsy), Loretta Hetzer (Boots), Adam Stephens (Tommy), Melissa Langham (Kat), T. Michael Murdock (Max), Rebecca Payne (Ida), Leann Haines (Pearl), Michael Naglee (Raul), Stephen Vance (Franklin) and Stacy Morgan (Officer).
The Dinner Theater is an integral part of First Church's Mission program, raising more than $38,000 for Mission projects through 19 productions. Last year's proceeds helped West Virginia mission projects, the Campus Christian Center, the City Mission, flood buckets for disaster relief and food and clothing for local families in need.
The show will be staged at the First United Methodist Church at 1124 5th Avenue in Huntington on Tuesday, Feb. 14. Dinner is served at 6:30 p.m., and the show begins at 8:00 p.m.
Choice of entrees: Prime Rib au Jus or Glazed Cornish hen, with Tossed Salad, Baked Potato, Green peas and Pearl Onions, Dilly Rolls and Assorted Valentine Desserts.
Dinner plus Show: Adult - $24, Child under 12 - $8, Show only (as space permits)- $5.
Babysitting available on request for all shows (advance notice required)
RESERVATIONS ARE REQUIRED FOR ALL SHOWS! For Reservations, call 304-522-0357 or (740) 867-8576.
All profits benefit the Missions of First United Methodist Church.
Friday, February 10, 2012
On Stage This Weekend
You have four great shows to choose from this weekend - two in Huntington and two in Charleston, and the first two include a dinner option!
Here's the rundown:
- Bitsy and Boots in the Tropics - First United Methodist Church presents Jonathan Joy's latest comedy (with a great dinner) Feb. 10, 11 and 14.
- Love Letters - ARTS stages the Valentine's show (also with dinner) Feb. 10, 11, 17 and 18 at the Renaissance Ballroom>
- The Belle of Amherst - CYAC presents the drama Feb. 10 and 11.
- Lend Me a Tenor - Kanawha Players presents the comedy Feb. 10, 11, 12, 14, 17 and 18.
Here's the rundown:
- Bitsy and Boots in the Tropics - First United Methodist Church presents Jonathan Joy's latest comedy (with a great dinner) Feb. 10, 11 and 14.
- Love Letters - ARTS stages the Valentine's show (also with dinner) Feb. 10, 11, 17 and 18 at the Renaissance Ballroom>
- The Belle of Amherst - CYAC presents the drama Feb. 10 and 11.
- Lend Me a Tenor - Kanawha Players presents the comedy Feb. 10, 11, 12, 14, 17 and 18.
Thursday, February 09, 2012
"Love Letters"
There are two great shows to choose from this weekend: Bitsy & Boots we talked about in the last post - and the other show is Love Letters.
It's a Valentine's show for friends, lovers, or anyone in between.
The show runs Feb. 10, 11, 17 and 18 at the Renaissance Ballroom at 900 8th Street in Huntington.
Reservations are required, so call 304-733-ARTS for more info. You can get the dinner and show for $25 (dinner is served at 6:30 p.m.), or just see the show for $15 (it starts at 8 p.m.).
Love Letters is a Pulitzer Prize for Drama nominated play by A. R. Gurney. The play centers on just two characters, Melissa Gardner and Andrew Makepeace Ladd III. Acted by Amy Knell Carlson and Bil Neal, the characters sit side by side at tables and read notes, letters and cards - in which over nearly 50 years, they discuss their hopes and ambitions, dreams and disappointments, victories and defeats - that have passed between them throughout their separated lives.
It's a Valentine's show for friends, lovers, or anyone in between.
The show runs Feb. 10, 11, 17 and 18 at the Renaissance Ballroom at 900 8th Street in Huntington.
Reservations are required, so call 304-733-ARTS for more info. You can get the dinner and show for $25 (dinner is served at 6:30 p.m.), or just see the show for $15 (it starts at 8 p.m.).
Love Letters is a Pulitzer Prize for Drama nominated play by A. R. Gurney. The play centers on just two characters, Melissa Gardner and Andrew Makepeace Ladd III. Acted by Amy Knell Carlson and Bil Neal, the characters sit side by side at tables and read notes, letters and cards - in which over nearly 50 years, they discuss their hopes and ambitions, dreams and disappointments, victories and defeats - that have passed between them throughout their separated lives.
"Bitsy and Boots in the Tropics"
One of my favorite theatre events of the year is on the way, as Jonathan Joy's characters Bitsy and Boots are back in a new original play!
It's all part of the annual First Church Dinner Theater 2012: 20 Years of Fun for Mission. You get to see a very funny show and enjoy a terrific dinner and support a great cause - who could ask for more?
Here's everything you need to know:
It's all part of the annual First Church Dinner Theater 2012: 20 Years of Fun for Mission. You get to see a very funny show and enjoy a terrific dinner and support a great cause - who could ask for more?
Here's everything you need to know:
They're back! But, where are they? Not Getaway, that's for sure.
How did Bitsy and Boots end up on a tropical island? Will Tommy and Kat get to enjoy their romantic vacation? How many people can one hotel room hold? Will Max survive?
All these questions will be answered when you attend Bitsy and Boots in the Tropics, another hilarious comedy by our resident playwright, Jonathan Joy. To keep the laughs coming, we have assembled a stellar cast of Dinner Theater veterans, including Jane Morse (Bitsy), Loretta Hetzer (Boots), Adam Stephens (Tommy), Melissa Langham (Kat), T. Michael Murdock (Max), Rebecca Payne (Ida), Leann Haines (Pearl), Michael Naglee (Raul), Stephen Vance (Franklin) and Stacy Morgan (Officer).
The Dinner Theater has been a winter highlight in Huntington since 1991. It is an integral part of First Church's Mission program, raising more than $38,000 for Mission projects through 19 productions. For example last year's proceeds helped West Virginia mission projects, the Campus Christian Center, the City Mission, flood buckets for disaster relief and food and clothing for local families in need.
The show will be staged at the First United Methodist Church at 1124 5th Avenue in Huntington on Friday, Feb. 10; Saturday, Feb. 11; and Tuesday, Feb. 14. Dinner is served at 6:30 p.m., and the show begins at 8:00 p.m.
Choice of entrees: Prime Rib au Jus or Glazed Cornish hen, with Tossed Salad, Baked Potato, Green peas and Pearl Onions, Dilly Rolls and Assorted Valentine Desserts.
Dinner plus Show: Adult - $24.00, Child under 12 - $8.00, Show only (as space permits)- $5.00.
Babysitting available on request for all shows (advance notice required)
RESERVATIONS ARE REQUIRED FOR ALL SHOWS! For Reservations, call 304-522-0357 or (740) 867-8576.
All profits benefit the Missions of First United Methodist Church.
Tuesday, February 07, 2012
"Seussical the Musical" In Rehearsal
This is the time of year when lots of shows are in rehearsal, getting ready for their spring performances.
These photos were taken recently at just such a rehearsal - in this case, it's from Seussical the Musical, which First Stage will be presenting in April at the Keith-Albee Performing Arts Center.
In the photo above is Levi, who plays Horton the Elephant. I've listened in on a few rehearsals and I have to say, the cast already sounds amazing, which is impressive this early in the rehearsal process.
I admit I'm prejudiced - I love this musical and I can't wait to see it!
I'll wrap this up with another shot of some of the cast members waiting in the wings for their chance to take the stage. Aren't they adorable?
Monday, February 06, 2012
Cast List of “How I Learned to Drive”
My pal Jessica Jordan sends along this info about the upcoming show How I Learned to Drive:
Curtains Up Players is announcing the cast list of their newest production, How I Learned to Drive. This will mark the first ever non-musical production for Curtains Up Players.
This Pulitzer Prize-winning production is a wildly funny, surprising and devastating tale of survival as seen through the lens of a troubling relationship between a young girl and an older man. It is the story of a woman who learns the rules of the road and life from behind the wheel.
The production will run March 8, 9 and 10 at 8 p.m., with a Sunday matinee performance on March 11 at 2:30 p.m. at the Jeslyn Performing Arts Center.
The cast list is as follows:
Lil Bit - Kate Morris
Uncle Peck - Rhett Pennell
Male Chorus - Greg Morris
Female Chorus - Nancy Jackson
Teenage Chorus - Olivia Morris
How I Learned to Drive will be directed by Misha Renee with a production staff made up of:
Production Director - Misha Renee
Executive Producer - Shayne Gue
Associate Producer - Kaitlin DeSpain
Assistant Director - Mary P Williams
Production Stage Manager - Holly Maynard
Company Artistic Director - Danny Ray
Publicity Director - Jessica Jordan
Graphic Designer - Ryan Hardiman
Production Tech - Bradley Leonard
House Manager - Michael Gore
Any questions or concerns can be directed to: Shayne Gue (Producer) 304-412-0129.
Saturday, February 04, 2012
On Stage This Weekend - "Belle" and "Love"
There are two shows you should check out this weekend:
- The Belle of Amherst - CYAC presents the drama Feb. 2, 3, 4, 9, 10 and 11. Poet Emily Dickinson takes the stage in William Luce’s play at 8 p.m. Feb. 3-4 and 9-11 at the WVSU Capitol Center Theater, 123 Summers Street, Charleston. Produced by The Contemporary Youth Arts Company and directed by Dan Kehde, the one-person show features the talents of Mandy Harper in the title role. The play follows the tragedy and turmoil in the life of the New England poetess whose humor, sensitivity and profound sense of irony permeate the script.
- All You Need Is Love - the Paramount Arts Center presents the Valentine's concert Feb. 4 at 7 p.m. The show will include performances by: Bo Bice, Stephen Salyers, Ryan Hardiman, Rob McNurlin, Chesi Spriggs, Blue Eyes Rising and Angie Fletcher. Tickets: $15, Table by the stage: $250
- The Belle of Amherst - CYAC presents the drama Feb. 2, 3, 4, 9, 10 and 11. Poet Emily Dickinson takes the stage in William Luce’s play at 8 p.m. Feb. 3-4 and 9-11 at the WVSU Capitol Center Theater, 123 Summers Street, Charleston. Produced by The Contemporary Youth Arts Company and directed by Dan Kehde, the one-person show features the talents of Mandy Harper in the title role. The play follows the tragedy and turmoil in the life of the New England poetess whose humor, sensitivity and profound sense of irony permeate the script.
- All You Need Is Love - the Paramount Arts Center presents the Valentine's concert Feb. 4 at 7 p.m. The show will include performances by: Bo Bice, Stephen Salyers, Ryan Hardiman, Rob McNurlin, Chesi Spriggs, Blue Eyes Rising and Angie Fletcher. Tickets: $15, Table by the stage: $250
Thursday, February 02, 2012
Auditions for "The Curious Savage"
My pal Sarah sends along this note about some auditions coming up next month in Kentucky:
Director Jim Maggard and Company of Dreams Theatre will hold auditions for The Curious Savage, written by John Patrick, on Friday, March 2 at 6 p.m. and Saturday, March 3 at 2 p.m.
Five males and six females will be cast. The auditions will be held at Fairview High School.
The Curious Savage is a comedic play about Ethel P. Savage, a woman whose husband recently died and left her approximately 10 million dollars. The play opens with the five residents of a sanatorium awaiting a new resident. The current residents of the sanatorium, called The Cloisters, function normally, excepting one small ailment. Soon, Mrs. Savage and her stepchildren arrive, and the five inmates eavesdrop from the hallway outside.
Ethel's three stepchildren, Titus, Lily Belle and Samuel Savage, had been shocked to find out that their stepmother had set up a memorial fund with her inherited money in order to fund the ridiculous dreams of average people. They had her committed to The Cloisters so that they could take the money from her. When Ethel's three stepchildren leave, the five inmates introduce themselves: Jeff, Florence, Fairy May, Mrs. Paddy, and Hannibal.
Company of Dreams will present The Curious Savage April 13 - 14 on the stage at Hillside Community Church, 1100 Greenup Avenue, Ashland, Ky. For more information, call 606-615-8439.
Wednesday, February 01, 2012
On Stage in February
Things are starting to heat up after a relatively quiet January - here are the shows you can watch for in February (as always, if I've missed any, drop me a line at TheMinskers@aol.com and I'll add them to the list):
- Proof - Marshall's Theatre Alliance presents this drama about a woman who sacrifices herself for her brilliant father - but is he a genius, or is he mentally ill? The show runs two weekends: Feb. 15 – 18 and Feb. 23 – 25 at the Francis-Booth Experimental Theatre.
- Bitsy and Boots in the Tropics - First United Methodist Church presents Jonathan Joy's latest comedy (with a great dinner) Feb. 10, 11 and 14.
- Love Letters - ARTS stages the Valentine's show (also with dinner) Feb. 10, 11, 17 and 18 at the Renaissance Ballroom>
- In the Heights - the Marshall Artists Series presents the touring Broadway show at the Keith-Albee Feb. 21 at 7:30 p.m.
- A Piece of My Heart - Charleston Stage Company presents the drama Feb. 23, 24, 25 and March 1, 2 and 3.
- The Belle of Amherst - CYAC presents the drama Feb. 2, 3, 4, 9, 10 and 11.
- Lend Me a Tenor - Kanawha Players presents the performance Feb. 10, 11, 12, 14, 17 and 18.
- All You Need Is Love - the Paramount Arts Center presents the show Feb. 4 at 7 p.m.
- G2K Cinderella - ACTC presents the classic show in a "Get To Know" format Feb. 17 and 18 at 8 p.m. and Feb. 19 at 2:30 p.m.
So get out there and support your community theatre!
- Proof - Marshall's Theatre Alliance presents this drama about a woman who sacrifices herself for her brilliant father - but is he a genius, or is he mentally ill? The show runs two weekends: Feb. 15 – 18 and Feb. 23 – 25 at the Francis-Booth Experimental Theatre.
- Bitsy and Boots in the Tropics - First United Methodist Church presents Jonathan Joy's latest comedy (with a great dinner) Feb. 10, 11 and 14.
- Love Letters - ARTS stages the Valentine's show (also with dinner) Feb. 10, 11, 17 and 18 at the Renaissance Ballroom>
- In the Heights - the Marshall Artists Series presents the touring Broadway show at the Keith-Albee Feb. 21 at 7:30 p.m.
- A Piece of My Heart - Charleston Stage Company presents the drama Feb. 23, 24, 25 and March 1, 2 and 3.
- The Belle of Amherst - CYAC presents the drama Feb. 2, 3, 4, 9, 10 and 11.
- Lend Me a Tenor - Kanawha Players presents the performance Feb. 10, 11, 12, 14, 17 and 18.
- All You Need Is Love - the Paramount Arts Center presents the show Feb. 4 at 7 p.m.
- G2K Cinderella - ACTC presents the classic show in a "Get To Know" format Feb. 17 and 18 at 8 p.m. and Feb. 19 at 2:30 p.m.
So get out there and support your community theatre!
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