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Tri-State Theater

Let's discuss upcoming shows, secrets behind the scenes, things you never knew about the theater and why live theater is so darn entertaining.

Friday, February 29, 2008

Two Shows Tonight - "Pillowman" and "Footloose"

I stand corrected - there are actually two shows out there this weekend. The first is The Pillowman at the Capitol Center Theater in Charleston, which you can read more about right here.

The other is Footloose, which is being staged this weekend at Fairland High School. The show starts tonight at 7:00 p.m. at the school in Proctorville, Ohio.

You can read more about it right here in today's Herald-Dispatch.

The photo is by Howie McCormick and shows Caleb Inboden (Rev. Moore) leaping across the stage during one of the final rehearsals.

Thursday, February 28, 2008

On Stage Tonight - "The Pillowman"

It's your last weekend to catch The Pillowman, which takes the stage again tonight in Charleston - you can read more about it right here.

It's been getting rave reviews - I'm hoping to catch it soon so I can add my raves to them!

"Les Miz" News

A couple of Les Miserables news items:

- The Hollywood Bowl has announced some of the stars of its Les Miserables in Concert series on August 8, 9 and 10. The principal cast will include Huntington's J. Mark McVey as Jean Valjean, a role he performed on Broadway and in London, Brian Stokes Mitchell as Javert, Lea Michele as Eponine, Melora Hardin as Fantine, Aaron Lazar as Enjolras and Rosie O'Donnell as Madame Thenardier. You can read more about the concert right here.

- A new edition of the 10th anniversary concert video of Les Miz is also now available. Taped in 1995 with a dream cast, the performance includes (from the original London company) Colm Wilkinson (Valjean), Michael Ball (Marius) and Alun Armstrong (Thenardier); and (from Broadway) Judy Kuhn (Cosette), Lea Salonga (Eponine) and Michael Maguire (Enjolras); along with Ruthie Henshall (Fantine); and (from Australia) Philip Quast (Javert).

It's a tremendous recording, and well worth watching - I may need to get a new one because I've about worn out the original DVD I bought years ago. It's not quite as good as seeing the actual show, but it's darned close, and you'd have a tough time finding a more talented cast. The two-disc set includes a behind the scenes documentary.

(Of course, my favorite version is still the one First Stage presented a two years ago, but then I'm prejudiced.)

Wednesday, February 27, 2008

Coming Up This Week - "The Pillowman"


After a torrent of shows over the last two weeks, the choices are a bit more slim this weekend. But as Spencer Tracy once said, "What there is, is choice."

Charleston offers us the one and only show this weekend - the excellent drama The Pillowman takes the stage at the Capital Center Theater at 123 Summers Street Thursday through Saturday nights at 8:00 p.m. You can learn more about it right here. Tickets are available at the door, at www.charlestonstagecompany.com or reserve by phone at (304)343-5272.

Highly recommended!

Tuesday, February 26, 2008

"Children of Eden" Rehearsals

I haven't talked much about the Children of Eden rehearsals that are now underway. The First Stage Theatre Company show will be presented in April, so the cast has only been rehearsing for a couple of weeks - but they already sound great!

A disclaimer - I'm the "interim" producer for the show, along with co-producer Clint McElroy (work duties keep me from doing much more than helping out a bit). I stopped by tonight's rehearsal and watched the cast being put through its paces by director Jack Cirillo, music director Mark Smith and choreographer Mary Smirl.

It's always fun to watch the process unfold, as the young cast learns the dance steps, the stage movements and the terrific songs that are part of the show. I'll do my best to keep you updated as the process rolls along!

They're tackling a challenging show, but there's a lot of amazing talent in the cast - it's going to be awesome!

Monday, February 25, 2008

Restoring the Keith Albee Theater

I neglected to mention the excellent story that was in the Herald-Dispatch over the weekend - it talks about the progress in plans to renovate that building. It's going to be a joy to watch this unfold in the years ahead - I hope everyone in the community will support the effort!

You can read the story right here.

Oscar Winners

I toyed with the idea of live-blogging the Oscar Awards last night, but then I realized that I'd only seen one of the movies nominated for Best Picture (Juno, which I highly recommend), so what do I know? But since I listed the nominees in this post, I should follow up with last night's winners. Here ya go:
Complete list of winners at the 80th annual Academy Awards, presented Sunday night at the Kodak Theatre in Los Angeles:

Best Motion Picture: No Country for Old Men

Lead Actor: Daniel Day-Lewis, There Will Be Blood

Lead Actress:
Marion Cotillard, La Vie en Rose

Supporting Actor: Javier Bardem, No Country for Old Men

Supporting Actress: Tilda Swinton, Michael Clayton

Director:
Joel Coen and Ethan Coen, No Country for Old Men

Foreign Language Film: The Counterfeiters (Austria)

Adapted Screenplay: Joel Coen and Ethan Coen, No Country for Old Men

Original Screenplay: Diablo Cody, Juno

Animated Feature Film: Ratatouille

Art Direction:
Sweeney Todd the Demon Barber of Fleet Street

Cinematography: There Will Be Blood

Sound Mixing:
The Bourne Ultimatum

Sound Editing:
The Bourne Ultimatum

Original Score: Atonement, Dario Marianelli

Original Song:
"Falling Slowly" from Once, Glen Hansard and Marketa Irglova

Costume: Elizabeth: The Golden Age

Documentary Feature: Taxi to the Dark Side

Documentary Short Subject: Freeheld

Film Editing: The Bourne Ultimatum

Makeup: La Vie en Rose

Animated Short Film: Peter & the Wolf

Live Action Short Film: Le Mozart des Pickpockets (`The Mozart of Pickpockets')

Visual Effects: The Golden Compass

—

Academy Award winners previously announced this year:

Honorary and technical Oscars: Robert Boyle; Eastman Kodak Co.; David A. Grafton

Copyright 2008 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Sunday, February 24, 2008

Operator Error - No "Pillowman" tonight!

Whoops! Due to me apparently not being able to read a schedule, a correction is in order - here's my pal Ryan Hardiman with the info:
There was NOT a performance of The Pillowman scheduled for tonight (Sunday, Feb 24). The Pillowman runs Thursday through Saturday... 3 more chances to catch it (next week, Feb. 28, 29 and Mar. 1)

I have the day off for my birthday and an Oscar party tonight!... I need the break... I now have a bump on my head and REAL black eye from this past weekend!!!

Hope to see everyone at the show next weekend!
Thanks for the correction, Ryan, and Happy Birthday!

Sorry for steering you wrong, readers!

On Stage Tonight - "The Pillowman"

Tonight there's only one show running (why don't more groups offer Sunday performances?) - The Pillowman.

The show starts at 8:00 p.m. at The Capitol Center Theatre, 123 Summers Street, Charleston. Tickets are $15.00/adults and $10.00/students and seniors. Tickets are available at the door, at go to www.charlestonstagecompany.com or reserve by phone at (304)343-5272.

Saturday, February 23, 2008

Four Shows Tonight - Three Last Chances!

Once again, there are four great shows to choose from tonight - two in Huntington, and one each in Charleston and Ashland! It's also your last chance to see three of them - only The Pillowman continues past this evening! And don't forget that you'll need reservations to see Bitsy & Boots.

Click on the "More Info" after each show for more information (natch), including interviews with directors and actors involved with each show.

Tonight's shows are:

The Seagull - tonight at 8:00 p.m. at Marshall University (More Info);

Bitsy & Boots - tonight at 6:30 p.m. at First United Methodist Church in Huntington (More Info);

The Pillowman - tonight at 8:00 p.m. at the Capitol Theater in Charleston (More Info); and

The DelVal Divas - tonight at 8:00 p.m. at Paul G. Blazer High School in Ashland (More Info).

So no fair saying "There's nothing to do tonight!"

"The Seagull" - A Review

(Hoo boy - talk about a review I feel completely unqualified to write!)

Last night I joined a huge crowd at Marshall's Joan C. Edwards Playhouse for an amazing performance of Anton Chekov's play, The Seagull.

It can best be described as an amazing theatre experience - an intelligent, involving story about the family of a famous actress and how their lives interact - and the loves that are always just out of reach. But don't think it's a depressing show - it's actually quite funny, though entwined with some tragic moments.

The actors are absolutely fantastic - it takes a great touch to manage the balance between portraying real characters, adding comic flourishes and moments of anguish - and the entire cast did a fantastic job. Kudos to: Mary P. Williams (Irina), Adam Terry (Kostya), Mike Murdock (Sorin), Shay Hannon (Nina), Jeremy Plyburn (Shamraev), Caitlin Haught (Polina), Leah Turley (Masha), Cody Southern (Trigorin), Chris Ferris (Medvedenko), Greg Kiser (Smirnov), Adam Paul (Yakov), Robyn Helton (The Cook) and Nick Reynolds (Dorn).

Kudos also to the directing team for a fantastic job, especially my pal Jack Cirillo (who has the best stories about being in Chekov plays). Congratulations also to the tech crew for a fantastic job!

So why do I feel completely unqualified to write a review of this excellent show? Well, my background is strictly that of an amateur - I work with community theatre, which tends to focus on lighter fare. Even though it has some comedic moments, The Seagull is what I would call "serious" theatre - a tremendous undertaking by the cast and crew to stage, tackling big topics in a thoughtful, adult manner. It's wonderful that Marshall tackles these kinds of shows, because no other theatre group in Huntington is doing this kind of work (more's the pity).

So I recommend it without hesitation, but be warned that this is a show that will require your attention. The good news is, in return, it'll make you think. And that's a good thing!

Tonight's your last chance to catch it, so make plans now to see The Seagull!

Friday, February 22, 2008

The Ugly Hand of Censorship

OK, this just seems wrong on so many levels. You'd expect a college campus to be a place to explore new ideas, be creative, that sort of thing - not the kind of place you'd expect to find the heavy hand of censorship. But here's a story about a show that was shut down by the school's administration - it comes to us from the InsideHigherEd.com website:
"A student production of Assassins, the award-winning musical, was to have premiered Thursday night at Arkansas Tech University, but the administration banned it - and permitted a final dress rehearsal Wednesday night (so the cast could experience the play on which students have worked long hours) only on the condition that wooden stage guns were cut in half prior to the event and not used. Assassins is a musical in which the characters are the historic figures who have tried to kill a U.S. president."
I have to admit that I've never seen this Sondheim musical (it premiered on Broadway in the 1990s), so I can't comment on its merits or failings (though several friends have seen it and loved it), and I'd be the first to admit that I don't like the idea of any attempt to glorify an assassin (if the show even does that). But I'd really love for someone to explain to me how cutting prop guns in half accomplishes anything.

Oh, and at the same time on campus they ran the film American Gangster, which offers lots of realistic shootings with "real" guns. Double standards, anyone?

Of course, the school's administration can cancel any show they want, I suppose - but you'd think they could make these decisions before the cast and crew spends weeks of their time rehearsing, making costumes, building sets, printing tickets, etc.

OK, I'll stop venting now.

On Stage Tonight: Four Fine Features

You have four great shows to choose from tonight - two in Huntington, and one each in Charleston and Ashland! Click on the "More Info" after each show for more information (duh), including interviews with directors and actors involved with each show. (Here at Tri-State Theatre, we're your full-service blog.)

Tonight's shows are:

The Seagull - tonight at 8:00 p.m. at Marshall University (More Info);

Bitsy & Boots - tonight at 6:30 p.m. at First United Methodist Church in Huntington (More Info);

The Pillowman - tonight at 8:00 p.m. at the Capitol Theater in Charleston (More Info); and

The DelVal Divas - tonight at 8:00 p.m. at Paul G. Blazer High School in Ashland (More Info).

Thursday, February 21, 2008

On Stage Tonight - "Seagull," "Pillowman" and "DelVal"

Three great shows to choose from tonight, and all evenly divided between Huntington, Charleston and Ashland! They are:

The Seagull - tonight at 8:00 p.m. at Marshall University;

The Pillowman - tonight at 8:00 p.m. at the Capitol Theater in Charleston; and

The DelVal Divas - tonight at 8:00 p.m. at Paul G. Blazer High School.

So get out there and support your local theatre!

(But be careful, the weather's not exactly cooperating.)

Ryan Hardiman and "The Pillowman"


Taking the stage tonight in Charleston is The Pillowman. This photo by K.C. Bragg shows a scene from the play, as Ariel (Joe Wallace) interrogates Katurian (Ryan Hardiman).

Ryan (who's also featured in this story in today's Herald-Dispatch) joins us for an e-interview to tell us more about it:

Q: For those who aren't familiar with the show, tell us about The Pillowman.

Ryan: Martin McDonagh's
Olivier, Drama Desk and Tony Award winning play The Pillowman has been described as watching "The grimmest of Grimm's Fairy Tales as written by Stephen King and directed by Quentin Tarantino." It involves a writer in a totalitarian police state being interrogated about the gruesome content of his short stories and their similarities to a number of child murders that are happening in his town. The writer's mentally challenged brother is also suspected as having something to do with the murders. The 2003 Broadway production starred Billy Crudup and Jeff Goldblum.

Q: What about the show made you want to be part of this production?

Ryan: The Pillowman is so different from what we usually expect from a play, and it reads more like a movie. It delivers endless twists and turns and even though the playwright Martin McDonagh leaves many bread crumbs along the way, the play constantly surprises you. You’ll find that even though the play deals with some horrible things, it is also very funny. You’re horrified one second and laughing the next, so the black comedy offers temporary relief from the tension that is constantly building.

Q: This is a physically challenging role, isn't it?

Ryan: Although I trust my acting partners completely, there was one night in rehearsal that my head was slammed so hard on a table that I thought I would start bleeding from the ears. I get shoved, smacked around, nearly electrocuted, and much worse. This is not for the faint of heart. Although no violence is actually portrayed onstage against children, I get PLENTY dished out to me. Beyond that, I only get to leave the stage for about 30 seconds during the whole show and even then, I'm screaming offstage. So, yeah.

Q: Who are the other actors in the show?

Ryan: The two detectives, Tupolski and Ariel, are played by K.C. Bragg and Joe Wallace, respectively. Huntington audiences will remember K.C., as he is a 1991 Marshall Theatre Department graduate, performed in several shows there, and directed The Hobbit for First Stage Theatre's early incarnation, MAG-CT. Since then, he has gone on to play the tile role in Hamlet and to direct Dracula for Charleston Stage Company. Joe is a staple of theatre scene in Charleston as well, and is a founding member of the improv group The No Pants Players. Dan Heyman, who recently was in a Charleston production of The Exonerated plays Michal, The mentally impaired brother of my character, Katurian. Ronn Smith, Freida Forsley, Michelle Bowers, Christen Meo, and Adam Vickers round out the cast, portraying multiple characters in Katurian's stories. The Pillowman is directed by Tim Mace.

Q: Why would you recommend this show to our readers?

Ryan: If I weren’t already in this production, this is a play that I would definitely not miss, and to be honest, I would most likely want to see it more than once. It’s easy to see why The Pillowman won so many awards during it’s West End and Broadway runs. The writing works on so many levels and you’ll find yourself making all of these connections. Everything fits. This is a play you’ll find yourself thinking about and talking about for days, and as odd as this seems given the subject matter, it is very funny. This show is definitely not suitable for children, though. If it were a movie, it would be rated R for language and violence.

Q: Tell us when and where the show is being staged.

Ryan: Performances are at 8:00 p.m. Thursday through Saturday, Feb. 21, 22, 23, 28, 29 and March 1, 2008. Tickets are $15.00/adults and $10.00/students and seniors. The performances are at The Capitol Center Theatre, 123 Summers Street, Charleston. Tickets are available at the door, at www.charlestonstagecompany.com or reserve by phone at (304)343-5272.

Directions: Traveling East on I-64, take the Lee Street exit at Charleston and
turn right. Continue on Lee Street two blocks past the Charleston Town Center Mall and turn right on Summers Street. You will see the lighted marquee of The Capitol Center Theatre two blocks ahead on the right side of Summers Street.

Wednesday, February 20, 2008

On Stage Tonight - "The Seagull"

One outstanding show to check out this evening:

The Seagull will be presented by the Marshall University Dept. of Theatre tonight at 8:00 p.m. at the Joan C. Edwards Performing Arts Center in Huntington.

Don't miss it!

Jane Modlin on "The DelVal Divas"

Paul Blazer High School in Ashland, KY, has a long history of terrific shows, and they're adding to the list tomorrow night with their latest production, The DelVal Divas. Here's director Jane Modlin to tell us more about the show:

Q: Tell us about the show.

Jane: The DelVal Divas is a comedy by Barbara Pease Webber. It's set in a cell block at the Delaware Valley Correctional Facility, a so-called 'pink-collar' prison. Four of the characters (Beth Ziegler, MBA, Rosemary Adams, JD, MBA, Stella Wild, MBA, Linda Robertson, MD, PhD.) are inmates serving time for 'genteel' crimes, such as money laundering, stock market finagling, fleecing an HMO, etc. However, since they have seemingly unlimited funds, they've used their money for two causes - getting DelVal back on track financially, and making sure their lives are pleasant and comfortable, including weekly massages, manicures, pedicures, personal trainers, and catered meals. Their cushy world gets a shake-up when an accused murderess is moved into their 'suite'. Plus, it's announced that DelVal will be closing and they will be transferred to the far-less-swank Black Rock Prison. Using their special talents and with the help of the prison guard Lucille (whom they've put through both undergrad and grad school), they attempt to set things right.

Q: Some might say that a story set in a women's prison is too mature
for high school students.


Jane: And I would be the first to agree, if it were a gritty, deep, emotion-ladened drama. But this is a fun comedy that shouldn't offend *anybody*, unless it's the idea of women in prison! I'm probably too careful about what we do. In addition to cutting questionable language, I try to avoid shows that address themes that are 'too adult', if that makes sense. I'm not talking about teenage angst, or drug abuse or alcohol, etc., or even 'Bang, Bang, You're Dead.' I just don't think that Same Time Next Year works when done by a couple of 15-year olds. I love Equus, but I'm not doing it in a public high school. We do run the gamut, from frothy comedies to classics - in the past few years we've done everything from The Mousetrap and Bell, Book, and Candle to Little Shop or Horrors, while spoofing Tennessee Williams in Murder in the Magnolias. I think the bottom line with high school theatre is what will *sell*, which sounds crass, but it's the reality. It's great to be avant garde and challenge the social norms, but at the end of the day, you work for The Parents, who tend to have a different set of values than some of their children! So you do a couple of 'fun' shows, light comedies or dramas that the audience will enjoy, and then you do something that challenges the cast as well. This characters in this show are grownups, so that stretches the cast, and it's a little more complex than 'where am I going to find a prom date?', so it's fun for them as well.

Q: Tell us about the actors who are in the show.

Jane: I have a great cast - I'm really pleased. It's not easy to play 30-40-something convincingly when you're 17-18, but these girls are tremendous. Here's the cast list:
Lucille - Shannon Hall
Beth - Ali Lewis
Rosemary - Jessie Reed
Stella - Martha Stephens
Linda - Amy Larsen
Sharon - Heather McDowell

Shannon Hall and Ali Lewis are seniors - Shannon had the lead in Bell, Book & Candle last spring and has a wonderful stage presence. Ali came to theatre last year and wowed the audience in Have a Nice Day, a musical send-up of all those 'Up With People' tours. Jessie Reed, Amy Larsen, and Martha Stephens are juniors. This is Jessie's first Blazer show, although she's done theatre in the community. Amy transferred in this year from Spring Valley and brings long list of credits with her. Martha took Blazer by storm her freshman year, landing the lead in The Mousetrap before playing Aunt Queenie in Bell, Book & Candle. Sophomore Heather McDowell also has a long list of Ashland-area credits, although this is her first 'official' Blazer show.

Q: Paul Blazer has a great history of staging shows - something not all
high schools manage. What's the secret of your success?


Jane: Wow - the secret? I don't think there is one. Part of it is the amount of shows we do. Due to our small space (we prefer 'intimate') - we only seat 121 - with literally NO backstage area - we can realistically only put 10-12 actors comfortably onstage at a time. So my secret... is to get as many students involved, whether on stage or behind it, as much as possible.
In order to utilize more than 5 - 10 students, we do 3 - 4 mainstage shows a year, plus a children's theatre tour to the area elementary schools, plus the 'just say no to drugs' tour, plus our two major fundraisers, one for a charity and one for a scholarship. For those all-day events, we'll have between 30 and 40 different 'acts', everything from a monologue to interpretive dance to sing-a-long karoake. The mainstage shows are the big draws, though. And I'm very proud that I don't cast the same students over and over and over. For the first two shows this year, not a single student was double-cast. Most of the crew members are different, also. They want to be involved, so I want to give them a chance to shine, whether it's as the lead or the deck crew.

It also helps that I'm a full-time theatre person. I don't 'moonlight' teaching English or history or math - I teach 5 levels of theatre. And Blazer is very lucky to have administrators who recognize the importance of the arts - not just theatre, but also music, orchestra, band, choir, dance, and art. Our orchestra is outstanding, our band wins competitions throughout the area, and our choirs are amazing. There's a tradition of excellence. We have high standards!

Q: Why would you recommend this show to our readers?

Jane: This is a fun comedy. No high drama, no intense fight scenes, no screaming, no door slamming (hard to effectively slam a cell door, believe it or not), in fact, nothing that's not family-friendly. Our audience ranges from elementary age to grandparents, so we try to find shows that appeal across the board. The dialogue is clever and the characters are actually believable, which can be rare - especially given the setting! - and the audience will have a good time, if for no other reason than to play 'name that prison tune' with the pre-show music!

Q: Tell us when and where The DelVal Divas will be presented.

Jane:
Shows are Thursday through Saturday, Feb. 20-23, 2008. at 8:00 p.m. and Sunday, Feb. 24, at 2:30 p.m. Admission is $5.00/adults and $3.00/students and seniors. The shows are at The Millennium Center at Paul G. Blazer High School in Ashland, KY. Call (606) 327-6040 ext. 3207 for more information.

Tuesday, February 19, 2008

On Stage This Week - "The Seagull"


On stage this week, the Marshall University Department of Theatre is presenting the Chekov play The Seagull. Here's the director of that play, Jack Cirillo, to tell us more about the show.

(By the way, you can also read more about the show in this story in today's Herald-Dispatch. And the photo on the left by Mark Webb shows Leah Turley, Mike Murdock and Nick Reynolds in a scene from The Seagull.)

Q: For those who aren't familiar with the show, tell us about The
Seagull
.


Jack: The play centers around a famous and fading Russian actress and her love-sick and artistically impassioned son. Typical of all Chekhov plays, there is a wide array of characters that people the events of the play. Chekhov led a sort of a double life - he was a physician by trade and a writer by choice. He was fond of saying that "If medicine is my wife, writing is my mistress." Chekhov wrote hundreds of short stories, mostly comedic in nature and many short plays, but he is more widely known for his four full length plays: The Seagull, Uncle Vanya, The Three Sisters, and The Cherry Orchard. What is most notable about his work is the emphasis on character and "sub-text" and the De-emphasis of plot. Which isn't to say that the plot doesn't exist - it does, it's just that the characters seem somewhat stunted in their life pursuits. Plays of the 19th century tended to wrap up their characters in tight plot lines with everything being resolved by the end of the play. Chekhov wanted to show that life wasn't like that - real life is random and untidy. People speak in non-sequiturs and don't always follow a cohesive thought pattern. All of this has become a hallmark of Chekhovian style.

Q: Why did Marshall decide to tackle this show?

Jack: We try to expose our students and audiences to as many theatrical styles and genres as possible. Chekhov's work was revolutionary to the theatre - in many ways both he and the director of his plays, Konstantine Stanislavsky, created much of our modern acting techniques and approaches. "The Method" owes much of its development to the plays of Chekhov and the Moscow Art Theatre that developed the plays.

Q: You've done some Chekov shows before as an actor - why are you drawn to his work?

Jack: Like Shakespeare and Moliere, Chekhov provides a very specific challenge. In this case, the challenge has to do with finding a balance of emotional truth and theatricality. Often in Chekhov's plays what the characters are NOT saying is more important that what is actually stated. The notion of SUBTEXT - what is happening behind the line of text, must be clearly defined and rehearsed otherwise the plays seem superficial and meaningless.

Q: Tell us about the actors in this show.

Jack: Chekhov employs a large number of
characters in his plays and this is no exception. In this piece, The famous actress, Irina, is played by Mary Williams. Her dark and moody son, Konstantine, is played by Adam Terry. Shay Hannon plays the focal point of a love triangle between Konstantine and a famous writer named Trigorin, played by Cody Southern. Perennial favorite Nick Reynolds plays Doctor Dorn, a family doctor with his secret love, Paulina played by Caitlin Haught. The unlikely couple of Masha and Medvenko are played by Leah Turley and Chris Ferris. Jeremy Plyburn plays the estate's steward, Shamraev, and Mike Murdock plays the estate's owner and Irina's brother Sorin. Adam Paul, Robyn Helton and Greg Kiser play the estate's servants.

Q: Why would you recommend The Seagull to our readers?

Jack: The Seagull offers theatre goers a rare opportunity to see one of the great and pivotal plays of the theatre. The play is not done all that often - in fact MU Theatre hasn't presented a Chekhov play in over 20 years. This particular adaptation of the play (remember, Chekhov wrote in Russian) was written by another great playwright of the theatre - Tom Stoppard - who wrote the plays Arcadia, Rosencrantz and Guildenstern Are Dead, current Broadway hit, Rock and Roll, and the screen play for Shakespeare in Love.

Q: Tell us when and where the show will be presented.

Jack: The show will open on Wednesday, Feb. 20 and play through Saturday, Feb. 23. All shows start at 8:00 p.m. The show runs about 2 hours and 15 minutes. The performances will be at the Joan C. Edwards Performing Arts Center at Marshall University's campus. Tickets are $14 for adults, $12 for seniors and MU faculty and staff, $7 for children 17 and under, and are free for full-time Marshall students with an ID. For more information, call the box office at (304) 696-ARTS.

Monday, February 18, 2008

On Stage This Week

Yet another week filled with lots of great shows to see! I'll have more on these as the week rolls on, but here's what to expect:

Marshall University Dept. of Theatre -
The Seagull - Feb. 20 - 23

Blazer Theatre Arts Society
-
The DelVal Divas - Feb. 21 - 24

First Church Dinner Theater -
Bitsy & Boots - Feb. 22 and 23

Charleston Stage Company
-
The Pillowman - Feb. 21, 22, 23, 28, 29 and March 1

So get out there and support your local theatre!

Sunday, February 17, 2008

And the "Symphony Idol" is...

... Ryan Hardiman! That's right, my pal Ryan competed with (or against) some of the area's best voices in Charleston on Friday and Saturday night, as they sang along with the West Virginia Symphony Orchestra. Last night they had the final round, and he was voted the first-ever Symphony Idol!

And it couldn't happen to a nicer guy! But he can't rest on his laurels - he'll be appearing soon in The Pillowman and he's also been cast in the upcoming production of The Crucible!

Congratulations, Ryan!