When I wrote in the last post that Mannheim Steamroller was the only show going on this week, I was somehow overlooking the performance - going on right now as I type these words - of "Joseph and the Amazing Technicolor Dreamcoat" on the stage of the Paramount Arts Center in Ashland. (Like the title says, I blame jet lag.)
Shame on me, because it's a terrific show - heck, I liked it so much that I directed it when First Stage Theatre Company presented it in Spring 2004. By an amazing coincidence, I'm wearing the T-shirt from that show right now (which is what reminded me of the show in Ashland).
Since tonight's show is a touring version of the Broadway show, I'm sure it's going to be great - if you see it, send along a comment and let us know how it went.
Monday, April 09, 2007
On Stage This Week - Breathe that "Fresh Aire"
There's only one show playing locally this week, as Mannehim Steamroller takes to the stage at the Keith Albee Theater Tuesday night. In case you're not familiar with the group, here's some information from their website (which you can check out here):
<< Fresh Aire: the Music of Mannheim Steamroller is the highly anticipated concert tour created, arranged and produced by Chip Davis. Fresh Aire is the Grammy award-winning series of albums from Mannheim Steamroller composer Chip Davis. In Fresh Aire, Davis created groundbreaking music that is an innovative blend of classical themes with pop elements that he calls, “18th Century Rock-n-Roll.”It promises to be a great show - but you'd better order your tickets soon. The Artist's Series had to move the shows from the Joan C. Edwards Performing Arts Center to the Keith because the demand for tickets was so strong. Recommended!
The first album Fresh Aire was released in 1974, and the series’ final component was released recently to great acclaim. Each of the eight Fresh Aire albums explore topics; the first four Fresh Aire albums were inspired by the magnificence and distinctiveness of the four seasons, while Fresh Aire 5 through Fresh Aire 8 deal with man’s curiosities about the world in which we live. This performance will feature the famous Mannheim Steamroller videos, multi-media images, synchronized lighting, special effects and, of course, the world-renowned music of Mannheim Steamroller.
Mannheim Steamroller is a group of the most talented and versatile musicians touring the world. The band is an ever-changing consortium of musicians, technicians and engineers using state-of-the-art equipment to create Mannheim Steamroller’s signature sound. The musical performers will be 15 in number including 10 local, professional musicians as orchestral accompaniment. Final casting for the core Mannheim Steamroller band has not yet been announced.
Fresh Aire has captured the hearts and imaginations of millions of fans around the world. Mannheim Steamroller has sold more than five million Fresh Aire records. Davis won a Grammy for Fresh Aire 7, and the entire series raised the bar for audio and video production standards.
In addition to Fresh Aire, Mannheim Steamroller has gained international acclaim with its seasonal music: from Valentine’s Day to Christmas and the Fourth of July to Halloween, people around the world celebrate holidays with music from Mannheim Steamroller. >>
Sunday, April 08, 2007
Happy Easter!
Happy Easter, everyone!
I'm still recovering from a cross-country trip (I had training all last week in Portland), so posting will be light today.
However, I wanted to point out the story in today's Herald-Dispatch about the upcoming Mannheim Steamroller concert right here.
I'm still recovering from a cross-country trip (I had training all last week in Portland), so posting will be light today.
However, I wanted to point out the story in today's Herald-Dispatch about the upcoming Mannheim Steamroller concert right here.
Saturday, April 07, 2007
So You Want to Put on a Show... (Part 4)
I started a series of entries over a month ago to give you a look behind the scenes at what goes into putting on a community theatre production, and then got bogged down with covering actual productions. Sorry about the extended pause.
In the first three parts we talked about the things you need before you start - namely: money; you need to decide which show you’re going to tackle (duh); and you need to assemble a team of directors. Next, it’s time for what may be the most stressful part of the process, next to the actual performance - auditions.
With few exceptions, the cast for a show is chosen through auditions. It’s stressful for the performers trying out for the show, but also for the directing team, who must decide which of the actors auditioning are right for each part, and which ones will receive the disappointing news that they didn’t get a part in the show. And that's the part that most directors hate - they want to include everyone who auditions, but each play can only use a certain number of performers - so some actors are left out. It's painful but virtually unavoidable.
The process is pretty much the same for any show. The auditions are announced for a certain date and time, and actors arrive and sign up. They're brought back to the audition room either one at a time or in groups.
If it’s a musical, the actor auditioning is expected to arrive ready to sing about 30 seconds of the song of their choice. A piano player is usually provided to accompany the singer (if needed). The directors use that short segment to get a sense of the actor’s vocal range and skills.
If the show includes spoken dialogue (and most shows do), a short selection from the script will be provided for the actor to read. The directors want to see if the actor can put some feeling into the part - in other words, can they “become” the character?
If the show includes choreography (a safe bet if there’s music involved), then the actors usually have to learn a short dance step when they arrive at the audition, or they may be tested to see if they can follow some basic moves.
An audition can take just a few minutes, but in that short time the directors have to evaluate the performers. It’s a common practice to do “callbacks” for the main roles. An actor chosen for a callback will be given a selection of music that’s key to the character he or she is being considered for. They’re given some time to learn the song and then return for a second audition.
As far as I’m concerned, the casting can be the most difficult and the most important part of any show. I’ll explain why... in the next part of this series (which I promise will arrive in a much shorter span of time).
In the first three parts we talked about the things you need before you start - namely: money; you need to decide which show you’re going to tackle (duh); and you need to assemble a team of directors. Next, it’s time for what may be the most stressful part of the process, next to the actual performance - auditions.
With few exceptions, the cast for a show is chosen through auditions. It’s stressful for the performers trying out for the show, but also for the directing team, who must decide which of the actors auditioning are right for each part, and which ones will receive the disappointing news that they didn’t get a part in the show. And that's the part that most directors hate - they want to include everyone who auditions, but each play can only use a certain number of performers - so some actors are left out. It's painful but virtually unavoidable.
The process is pretty much the same for any show. The auditions are announced for a certain date and time, and actors arrive and sign up. They're brought back to the audition room either one at a time or in groups.
If it’s a musical, the actor auditioning is expected to arrive ready to sing about 30 seconds of the song of their choice. A piano player is usually provided to accompany the singer (if needed). The directors use that short segment to get a sense of the actor’s vocal range and skills.
If the show includes spoken dialogue (and most shows do), a short selection from the script will be provided for the actor to read. The directors want to see if the actor can put some feeling into the part - in other words, can they “become” the character?
If the show includes choreography (a safe bet if there’s music involved), then the actors usually have to learn a short dance step when they arrive at the audition, or they may be tested to see if they can follow some basic moves.
An audition can take just a few minutes, but in that short time the directors have to evaluate the performers. It’s a common practice to do “callbacks” for the main roles. An actor chosen for a callback will be given a selection of music that’s key to the character he or she is being considered for. They’re given some time to learn the song and then return for a second audition.
As far as I’m concerned, the casting can be the most difficult and the most important part of any show. I’ll explain why... in the next part of this series (which I promise will arrive in a much shorter span of time).
Friday, April 06, 2007
The Keith-Albee Gets a Boost
A money boost, that is. Count me among those who have a lot of affection for the Keith (especially since I spent two years there working as a Doorman when I was in college), so I'm glad to see the community continuing to support the theatre with donations.
You can read about the latest gift right here in today's Herald-Dispatch.
You can read about the latest gift right here in today's Herald-Dispatch.
Slim and "Nunsense"
Whoops! I missed a show coming up this month. Stephen Vance sent a comment, but I wanted to post it here in case you're one of those people who doésn't read comments (hey, it's a free country). Stephen wrote:
ARTS is also doing "Nunsense" April 20-22.That show will be presented at the Renaissance Center theater (which, as everyone should know by now, is at the old Huntington High School). With a terrific cast and an equally-awesome directing team, this one will be a blast! Mark me down for a ticket (and I may see it more than once - the show is just that funny!) Don't miss it!
Directed by Eddie Harbert, Choreographed by Connie Anthony.
Featuring Mary Olson, Linda Reynolds, Therese Kirby, Leann Haines, and Angela Hunt.
Thursday, April 05, 2007
Clint Gets Clipped
Work's been crazy so I almost missed this story - it seems my pal (and "Cats" director) Clint McElroy went bald the other day - and all for a good cause!
He agreed to get clipped in return for donations to charity. You can read all about it right here.
Of course, Mother Nature gave me the same haircut years ago, but there was no apparent benefit to that (other than making my barber's job a lot easier). I'm proud of ya, Clint!
He agreed to get clipped in return for donations to charity. You can read all about it right here.
Of course, Mother Nature gave me the same haircut years ago, but there was no apparent benefit to that (other than making my barber's job a lot easier). I'm proud of ya, Clint!
Tuesday, April 03, 2007
Preview of April’s shows
April has some great shows to offer, so let’s get right to the list:
April 10 - The Marshall Artist’s Series presents Mannheim Steamroller at the Keith Albee Theater. They’re a great band and, although I’ve never seen them live, friends tell me they put on a fantastic show.
April 20-22 and 27-29 - "The Music Man," as presented by 5th Avenue Theater, takes the stage at the Huntington City Hall auditorium. They have a terrific cast lined up for this one!
April 21 - Marshall University’s Music Department will present a Choral and Orchestra performance - and if you’ve seen one before, you know these are always excellent.
April 25-28 - Marshall University’s Department of Theatre will present “The Diary of Anne Frank.” It’s a powerful show with an amazing cast - and Marshall’s productions are always top notch, so be sure to order your tickets early.
April 30 and May 1-2 - The Marshall Artist’s Series will present “The Guys.”
And after that show the local theatre scene will get very quiet, with just one more Marshall Artist’s Series show before the summer hits - “Forever Tango.” So you’d better catch those shows while you can!
April 10 - The Marshall Artist’s Series presents Mannheim Steamroller at the Keith Albee Theater. They’re a great band and, although I’ve never seen them live, friends tell me they put on a fantastic show.
April 20-22 and 27-29 - "The Music Man," as presented by 5th Avenue Theater, takes the stage at the Huntington City Hall auditorium. They have a terrific cast lined up for this one!
April 21 - Marshall University’s Music Department will present a Choral and Orchestra performance - and if you’ve seen one before, you know these are always excellent.
April 25-28 - Marshall University’s Department of Theatre will present “The Diary of Anne Frank.” It’s a powerful show with an amazing cast - and Marshall’s productions are always top notch, so be sure to order your tickets early.
April 30 and May 1-2 - The Marshall Artist’s Series will present “The Guys.”
And after that show the local theatre scene will get very quiet, with just one more Marshall Artist’s Series show before the summer hits - “Forever Tango.” So you’d better catch those shows while you can!
Monday, April 02, 2007
Local Boy Makes Good
A friend (who wants to remain anonymous, shy devil that he is) sent me a link to this story about Huntington native Michael Cervaris, who really deserves some major recognition from Huntington, since he grew up here and has become one of Broadway's biggest stars. You can read about his latest works (and his incredibly busy schedule) in the New York Times - here's the link: http://tinyurl.com/2l8ser.
Sunday, April 01, 2007
“Cinderella” - The Review
I finally made it to Huntington High School’s presentation of “Cinderella” today, and I have to say - if you missed this show, you missed a great one! Not only was it the best high school play I can remember seeing (and I’ve seen quite a few), it was among the better community theatre shows I’ve seen.
Of course, it helps to have a great cast - and “Cinderella” had an excellent one. Brittany Hazeldine is an incredibly talented singer and actor, with a wonderful voice and amazing stage presence. She was perfect for the title role, although how in the world she was able to prepare for this show and star in “Cats” at the same time is an incredible feat all by itself.
Playing the part of the Prince was Finley Hammond, and he was born to be on stage. A terrific singer and actor, he made the Prince instantly likable and made the perfect leading man. On a personal note, I’ve been lucky enough to have Finley star in two of the shows I’ve directed, and I can tell you that he’s a great guy onstage and off, and provides the kind of leadership you need from your veteran actors. I’ve never seen him be anything less than excellent and thoroughly professional - and he was all that and more in this show.
Playing “oldsters” like the King and Queen can be a challenge for a young actor, but give a lot of credit to Dylan Clark and Caitlin Irr - they did a great job playing the loving parents of the Prince. Dylan gets my favorite line in the show - “The wine of my country... is beer!” It always makes me laugh.
The villains of the show are the nasty stepmother, played with great energy by Sable Blevins, and the stepsisters - Joy, played by Jynnea Shropshire, and Portia, played by Laura Benson. They’re all three terrific - mean and funny (sometimes at the same time), over the top (in a good way) and in general a scream to watch. Excellent work by all three in difficult parts.
Owen Reynolds is another senior who has really grown up on stage and has become an excellent performer. He provides a lot of the comic relief in this show as the Herald, and steals a few scenes along the way. Owen also managed to do this show while doing a star turn in “Cats” - where do they find the time?
Another standout performance belongs to Josefine Landgrave as the Fairy Godmother - she’s sweet and funny and an excellent singer - her “Impossible” duet with Brittany was great!
I don’t want to slight the rest of the cast, who also did a terrific job, including: Ryan Jackson as the Chef; Elliott Imlay as the Steward, Darrell Johnson, Clark Lewis and Tyler Rice as the Footmen; Max Wilson as a Guard; and Robert Kirby as the Minister. As Townspeople and Guests, we have Megan Akers, April Bennett, Rebecca Chappell, Ginny Davis, Stephanie Fischer, Jessica Nelson, Jessica Parsley, Sarah Price, Katie Rife, Hilary Roush, Tessa Wooten, Sydney Fletcher, Zoe Kauffer, Andy Ryder, Jacob Ryder and Madison Sergent.
I also have to give lots of credit to the set designers for an outstanding job creating so many different settings - the backdrops and set pieces were excellent! Heck, they even created Cinderella’s carriage, which came equipped with running lights! The costumes were also outstanding - many of them were provided by a local historic recreation group - the SCA.
So kudos to the cast and crew, and a special tip o’ the hat to the directing team, especially Director Helen Freeman, Choral Director David Chenoweth, Music Director Melissa Ash, Choreographer Melissa McGuffin and Set Designer Gary Dick - outstanding work by one and all!
As always, it takes a team effort to put on a show like this - and the team behind “Cinderella” did a fantastic job.
Of course, it helps to have a great cast - and “Cinderella” had an excellent one. Brittany Hazeldine is an incredibly talented singer and actor, with a wonderful voice and amazing stage presence. She was perfect for the title role, although how in the world she was able to prepare for this show and star in “Cats” at the same time is an incredible feat all by itself.
Playing the part of the Prince was Finley Hammond, and he was born to be on stage. A terrific singer and actor, he made the Prince instantly likable and made the perfect leading man. On a personal note, I’ve been lucky enough to have Finley star in two of the shows I’ve directed, and I can tell you that he’s a great guy onstage and off, and provides the kind of leadership you need from your veteran actors. I’ve never seen him be anything less than excellent and thoroughly professional - and he was all that and more in this show.
Playing “oldsters” like the King and Queen can be a challenge for a young actor, but give a lot of credit to Dylan Clark and Caitlin Irr - they did a great job playing the loving parents of the Prince. Dylan gets my favorite line in the show - “The wine of my country... is beer!” It always makes me laugh.
The villains of the show are the nasty stepmother, played with great energy by Sable Blevins, and the stepsisters - Joy, played by Jynnea Shropshire, and Portia, played by Laura Benson. They’re all three terrific - mean and funny (sometimes at the same time), over the top (in a good way) and in general a scream to watch. Excellent work by all three in difficult parts.
Owen Reynolds is another senior who has really grown up on stage and has become an excellent performer. He provides a lot of the comic relief in this show as the Herald, and steals a few scenes along the way. Owen also managed to do this show while doing a star turn in “Cats” - where do they find the time?
Another standout performance belongs to Josefine Landgrave as the Fairy Godmother - she’s sweet and funny and an excellent singer - her “Impossible” duet with Brittany was great!
I don’t want to slight the rest of the cast, who also did a terrific job, including: Ryan Jackson as the Chef; Elliott Imlay as the Steward, Darrell Johnson, Clark Lewis and Tyler Rice as the Footmen; Max Wilson as a Guard; and Robert Kirby as the Minister. As Townspeople and Guests, we have Megan Akers, April Bennett, Rebecca Chappell, Ginny Davis, Stephanie Fischer, Jessica Nelson, Jessica Parsley, Sarah Price, Katie Rife, Hilary Roush, Tessa Wooten, Sydney Fletcher, Zoe Kauffer, Andy Ryder, Jacob Ryder and Madison Sergent.
I also have to give lots of credit to the set designers for an outstanding job creating so many different settings - the backdrops and set pieces were excellent! Heck, they even created Cinderella’s carriage, which came equipped with running lights! The costumes were also outstanding - many of them were provided by a local historic recreation group - the SCA.
So kudos to the cast and crew, and a special tip o’ the hat to the directing team, especially Director Helen Freeman, Choral Director David Chenoweth, Music Director Melissa Ash, Choreographer Melissa McGuffin and Set Designer Gary Dick - outstanding work by one and all!
As always, it takes a team effort to put on a show like this - and the team behind “Cinderella” did a fantastic job.
Saturday, March 31, 2007
On Stage This Weekend - "Cinderella"
You have just two more chances to catch "Cinderella" at Huntington High School this weekend - namely, tonight and tomorrow afternoon. Remember, Jack Welch loved it - so you will, too!
Coming up this week I'll have a preview of the shows you can look for in the month ahead. There are quite a few good ones on tap, and it's the last rush of shows before summer, so enjoy 'em while you can. I'll also have some more behind-the-scenes stories for you - so keep checking back with us. We get lonely without you!
Coming up this week I'll have a preview of the shows you can look for in the month ahead. There are quite a few good ones on tap, and it's the last rush of shows before summer, so enjoy 'em while you can. I'll also have some more behind-the-scenes stories for you - so keep checking back with us. We get lonely without you!
Friday, March 30, 2007
More "Cinderella"
My pal Jack Welch got to see "Cinderella" at Huntington High School last night and called me to give his review. He had nothing but nice things to say - he said it's a great show, with lots of talented young performers. He said the sets were great and the costuming really impressive, and that the band did a great job. He gave high marks to Britanny Hazeldine, who plays the title role (that's her picture on the right), and Finley Hammond, who plays the Prince. He said the stepsisters were hilarious and that the whole cast did a great job. So it's a rave review from Jack - and he can be a tough critic, so take it as a strong recommendation to check out "Cinderella." You can catch shows tonight, Saturday night and Sunday afternoon.
You can also see a video clip here on the Herald-Dispatch web site.
"Cats" By The Numbers
I just got an email from my pal Elaine Young, one of the producers (along with Loretta Hayes) of the recently-completed "Cats." In the email she ran down the numbers from the show, and it gives a good indication of the kind of work and dedication it takes to put on a show as massive as "Cats."
I'll resist the urge to add, "And a Partridge in a Pear Tree."
Oh, and it goes without saying - that's just a partial list. For one thing, it leaves off untold hours on the cell phone working out problems, and the thousands of hours donated by parent volunteers! But this gives you an idea of what goes into the job - it's not one for the faint of heart!
"We went through 48 individually hand designed/painted costumes, 26 hand painted wigs, 240 tubes of makeup, 500 bottles of water, 164 leg and arm warmers, 300 bobby pins, 6000 miles of travel time by cast to and from rehearsals and performances, 40 ankle wraps, 40 pairs of false eyelashes, 2000 programs, 350 kids at our school show, 3000 people in our audiences, 20 cans of colored hair spray, 250 mic batteries, 220 feet of dance floor, 20 strands of Christmas lights, and 2 fire department visits!!!"
I'll resist the urge to add, "And a Partridge in a Pear Tree."
Oh, and it goes without saying - that's just a partial list. For one thing, it leaves off untold hours on the cell phone working out problems, and the thousands of hours donated by parent volunteers! But this gives you an idea of what goes into the job - it's not one for the faint of heart!
Thursday, March 29, 2007
On Stage Tonight - "Cinderella"
My pal Stephen Vance sends along a partial cast list for "Cinderella" (Thanks!):
You can also see some photos from the production at the Herald-Dispatch Photo Galleries.
Cinderella - Brittany Hazeldine
Prince - Finley Hammond
King - Dylan Clark
Queen - Caitlin Irr
Fairy Godmother - Josie Landgrave
Wicked Stepmother - Sable Blevins
Stepsisters - Laura Benson & Jynnea Shropshire
Herald - Owen Reynolds
Baker - Ryan Jackson
Minister - Robert Kirby
And a terrific ensemble!
You can also see some photos from the production at the Herald-Dispatch Photo Galleries.
Wednesday, March 28, 2007
On Stage This Weekend - "Cinderella"
Here's one that almost slipped past me - Huntington High School will present "Cinderella" starting tomorrow evening. You can get the details right here.
I don't have a cast list, but I do know that the title role is being played by the wonderfully talented Brittany Hazeldine (fresh off a star turn in "Cats"), and the Prince is being played by Finley Hammond, another outstanding performer who has starred in quite a few First Stage shows, including the lead in "Joseph and the Amazing Technicolor Dreamcoat." I can recommend it just on their talents alone!
I don't have a cast list, but I do know that the title role is being played by the wonderfully talented Brittany Hazeldine (fresh off a star turn in "Cats"), and the Prince is being played by Finley Hammond, another outstanding performer who has starred in quite a few First Stage shows, including the lead in "Joseph and the Amazing Technicolor Dreamcoat." I can recommend it just on their talents alone!
Tuesday, March 27, 2007
"High School Musical" Update
It's been a while since I updated our progress on this front. For those who came in late, First Stage Theatre Company is planning to stage "High School Musical" in the fall, with yours truly directing. We've been assembling the directing team, and we're very close to a deal that will help make this show truly memorable. I hope to be able to share that exciting news very soon.
But first, I'm thrilled to announce that two more team members signed on this evening. Amy Browning has agreed to be on the team, although we never got around to deciding exactly what her title will be. Until we find out otherwise, I'm assuming she'll be the Assistant Director and Choreographer, and I'm thrilled to work with her. We've worked on several shows together, including "Joseph and the Amazing Technicolor Dreamcoat," "Les Miserables: School Edition" and many others. What can I tell you? She's awesome!
Also joining the team is Jeanette Bills, who'll be heading up costuming. She's another veteran of numerous shows, a longtime board member for First Stage, she's incredibly talented and a heck of a hard worker. I'm glad to have her on the team!
I love it when a plan comes together!
But first, I'm thrilled to announce that two more team members signed on this evening. Amy Browning has agreed to be on the team, although we never got around to deciding exactly what her title will be. Until we find out otherwise, I'm assuming she'll be the Assistant Director and Choreographer, and I'm thrilled to work with her. We've worked on several shows together, including "Joseph and the Amazing Technicolor Dreamcoat," "Les Miserables: School Edition" and many others. What can I tell you? She's awesome!
Also joining the team is Jeanette Bills, who'll be heading up costuming. She's another veteran of numerous shows, a longtime board member for First Stage, she's incredibly talented and a heck of a hard worker. I'm glad to have her on the team!
I love it when a plan comes together!
Monday, March 26, 2007
“Cats” - The Finale
A few last comments about “Cats”:
-Kudos to the cast, the directing team and the parents and volunteers who tackled this show - one of the most ambitious community theatre productions in memory. Truly an outstanding job.
Among the performers who shined in the performance (but whose names were left out of my review last week because I didn’t have a cast list - hey, it’s tough to figure out which actor is which, especially when they’re hiding behind makeup, wigs and a cat suit):
- Macy Idzakovich played Bombalurina, and what an amazing talent! An outstanding singer and dancer, she’s a senior and plans to study theatre - I certainly wouldn’t be surprised to see her on Broadway one day.
- Clay McKnight, who played Mr. Mistofolees and Quaxo. I believe someone told me that Clay never studied dancing until starting on this show - which means he must be incredibly talented, because he was doing some amazing leaps in this show.
- Ryan Jackson played Old Deutoronomy, sort of an elder statesman for the cats. He has a fantastic voice and made great use of it.
- Maggie Saunders played Jennyanydots and provided a wonderful turn as “The Old Gumbie Cat” - which is especially impressive since she’s so young!
- Chris Crawford has been in quite a few shows, but turns in what may be his best work yet as Growltiger, with Amanda Harris doing an outstanding turn as Lady Griddlebone.
- Nathan Mohebbi takes a star turn as the bad boy of the stage, McAvity - very impressive!
- Among the other outstanding performers in the dance ensemble were: Scott Burner as Alonzo; Angela Pino as Cassandra; Thomas Rice as Coricopat; Raven Idzakovich as Etcetera; Rachel Spoor as Exotica; Amy Klim as Rumpus Cat; Candace Imperi as Sillabub; Lexi Smith as Tontomile; Alex Bolano as Tumblebrutus; and Caleb Donahoe as Victor.
One of the interesting twists First Stage put on the show was to add a group called The Jellicle Ensemble - a talented bunch that added a lot of skill and energy to several numbers. That group included: Elijah Boyles; Chad Arthur; Bronson Bush; Levi Kelley; Raice and Shane Stevens; Blaine Roberts; Shila Arrowood; Katy, Becky and Betsy Pettit; Madison Perry; Kristin Caviani; Sarah Clark; Nikki Coughenour; Sydney Jacobson, Elizabeth Schmitz, Emily Dennison; and Casey Homonai.
Hope I didn’t miss anyone this time around - the whole cast did a terrific job, and deserves one more bow. Bravo!
-Kudos to the cast, the directing team and the parents and volunteers who tackled this show - one of the most ambitious community theatre productions in memory. Truly an outstanding job.
Among the performers who shined in the performance (but whose names were left out of my review last week because I didn’t have a cast list - hey, it’s tough to figure out which actor is which, especially when they’re hiding behind makeup, wigs and a cat suit):
- Macy Idzakovich played Bombalurina, and what an amazing talent! An outstanding singer and dancer, she’s a senior and plans to study theatre - I certainly wouldn’t be surprised to see her on Broadway one day.
- Clay McKnight, who played Mr. Mistofolees and Quaxo. I believe someone told me that Clay never studied dancing until starting on this show - which means he must be incredibly talented, because he was doing some amazing leaps in this show.
- Ryan Jackson played Old Deutoronomy, sort of an elder statesman for the cats. He has a fantastic voice and made great use of it.
- Maggie Saunders played Jennyanydots and provided a wonderful turn as “The Old Gumbie Cat” - which is especially impressive since she’s so young!
- Chris Crawford has been in quite a few shows, but turns in what may be his best work yet as Growltiger, with Amanda Harris doing an outstanding turn as Lady Griddlebone.
- Nathan Mohebbi takes a star turn as the bad boy of the stage, McAvity - very impressive!
- Among the other outstanding performers in the dance ensemble were: Scott Burner as Alonzo; Angela Pino as Cassandra; Thomas Rice as Coricopat; Raven Idzakovich as Etcetera; Rachel Spoor as Exotica; Amy Klim as Rumpus Cat; Candace Imperi as Sillabub; Lexi Smith as Tontomile; Alex Bolano as Tumblebrutus; and Caleb Donahoe as Victor.
One of the interesting twists First Stage put on the show was to add a group called The Jellicle Ensemble - a talented bunch that added a lot of skill and energy to several numbers. That group included: Elijah Boyles; Chad Arthur; Bronson Bush; Levi Kelley; Raice and Shane Stevens; Blaine Roberts; Shila Arrowood; Katy, Becky and Betsy Pettit; Madison Perry; Kristin Caviani; Sarah Clark; Nikki Coughenour; Sydney Jacobson, Elizabeth Schmitz, Emily Dennison; and Casey Homonai.
Hope I didn’t miss anyone this time around - the whole cast did a terrific job, and deserves one more bow. Bravo!
March Winds Down
OK, so let's see - I still owe you all a final "Cats" commentary (that'll be coming along later this evening); I'll have a post later this week about what shows to look for in the month ahead (some goodies are on the way); and I managed to avoid watching that terrible "Grease" TV finale last night, but my pal Angela suffered through it and offers a recap right here on her "Stay Tuned" blog. Thanks, Angela! Note that Max won the competition - which just proves that Angela and my pal Denise are much better at picking winners than yours truly. This should surprise no one.
Sunday, March 25, 2007
Tuckered Out
The last performance of the First Stage Theatre production of "Cats" was held this afternoon - hope you were part of the sold-out crowd who saw it!
After the show was over, the last order of business (as always) was to strike the set - in other words, tear it down and store away the pieces until the next show. It's a big job, including lots of cleaning and carrying. Somehow I ended up driving the truck to the storage building, but the cast and their parents did most of the heavy lifting - luckily for me and my ever-aging physique.
The show was a terrific success, and I'll have some final thoughts about it - but they'll have to wait 'til tomorrow. I'm too tired to type. (But it's a good tired.)
After the show was over, the last order of business (as always) was to strike the set - in other words, tear it down and store away the pieces until the next show. It's a big job, including lots of cleaning and carrying. Somehow I ended up driving the truck to the storage building, but the cast and their parents did most of the heavy lifting - luckily for me and my ever-aging physique.
The show was a terrific success, and I'll have some final thoughts about it - but they'll have to wait 'til tomorrow. I'm too tired to type. (But it's a good tired.)
A Word to the Wise...
I finally got to see "Cats" again, as my wife and youngest son joined me at Saturday night's show. I had hoped to see it again before now, but a battle with the flu kept me away from the public until now.
I am so glad to have seen it again - if anything, it's even better than when I saw the dress rehearsal last week. The minor technical problems have been cured, and the cast is even sharper than ever - just a tremendous achievement in community theatre!
By the way, my family agrees with my assessment - they loved the show! That's also true for the audience - a sold-out crowd roared their approval through the show, and I wasn't sure they were going to let the cast off the stage - the cheers were loud, long and well deserved.
I'll have a complete recap tomorrow, but a word to the wise - don't miss tomorrow's final performance at 2:30 p.m. at Huntington's City Hall - and go early to get your ticket, because this one might sell out, too.
I am so glad to have seen it again - if anything, it's even better than when I saw the dress rehearsal last week. The minor technical problems have been cured, and the cast is even sharper than ever - just a tremendous achievement in community theatre!
By the way, my family agrees with my assessment - they loved the show! That's also true for the audience - a sold-out crowd roared their approval through the show, and I wasn't sure they were going to let the cast off the stage - the cheers were loud, long and well deserved.
I'll have a complete recap tomorrow, but a word to the wise - don't miss tomorrow's final performance at 2:30 p.m. at Huntington's City Hall - and go early to get your ticket, because this one might sell out, too.
Saturday, March 24, 2007
On Stage Tonight - Guess What?
Yep, it's "Cats" again. The show's been getting rave reviews (which should surprise no one who reads this site), and you have two more chances to see it.
There's a show tonight at 8:00 p.m. at the Huntington City Hall Auditorium, and the last show is Sunday at 2:30 p.m.
Don't miss it!
There's a show tonight at 8:00 p.m. at the Huntington City Hall Auditorium, and the last show is Sunday at 2:30 p.m.
Don't miss it!
Friday, March 23, 2007
"Cats" Heats Up The Stage
In fact, things got a little too hot before last night's performance of "Cats," and the fire department had to check it out. Actually, a fog machine apparently set off a smoke detector before the show. Once the all-clear was given, the show went off without a hitch.
To catch the hottest show in town, pay a visit to the Huntington City Hall auditorium tonight or tomorrow at 8:00 p.m. or Sunday at 2:30 p.m.
Thursday, March 22, 2007
Of "Cats," Video and Seniors
Yes, still more about "Cats," which returns to the stage tonight at 8:00 p.m. at the Huntington City Hall auditorium.
There's a nice story about the seniors in the show in today's edition of the Herald-Dispatch - you can read it right here. The story is written by First Stage veteran Sam Yates, who would no doubt have been in "Cats" if not for a scheduling conflict. Also a senior (and planning to study journalism), Sam does a nice job on this story.
You can also see video from "Cats" right here on the Herald-Dispatch website. The sound isn't the best, but you get the idea. Also, there are some nice comments on the video from McKenzie Young and John Wolfe, two incredibly talented young performers from the show who are also seniors.
You can also catch "Cats" Friday and Saturday at 8:00 p.m. and the final show is Sunday at 2:30 p.m.
Wednesday, March 21, 2007
More Singing Cats
Here's another video from the "Cats" DVD. This one is for all the guys out there who think dancing shows are boring. If this number doesn't get your attention, you might want to check your pulse. It's all about Macavity: The Mystery Cat, and it raises the age-old question: why do some girls just like the bad boys? Oh, and Trish, if the video doesn't link for you, here's the site: http://www.youtube.com/watch?v=XFPKbg_dKyg.
(Service with a smile, that's our motto.)
(Service with a smile, that's our motto.)
Those "Cats" Are Everywhere!
Or at least it seems like it sometimes. I stepped out to "Jim's" for lunch today (always a good idea) and found the place packed with "Cats" performers, catching their breath after this morning's school show.
A school performance is a relatively new addition to First Stage Theatre, where they offer one or two shows during a weekday morning and/or afternoon and sell discounted tickets to area schools. It's a great way for kids who might not otherwise get to see a live stage show to get that theatre experience, and it's great for the performers to get to demonstrate their talents to an audience of their peers.
Tomorrow night, the last group of performances for "Cats" will begin - don't miss it!
Tuesday, March 20, 2007
What Does a Director Do?
Responding to my recent review of "Cats," the director (and my longtime friend) Clint McElroy wrote:
If each member of the team does their part (from the stars to the actor with the smallest part), then you have a great show. But theatre isn't a democracy - someone has to be the captain of the ship - the one who makes the tough decisions (and there are hundreds in each production), the one who makes sure everyone is doing their part, who gives encouragement when it's needed, soothes bruised egos, offers advice and keeps a hand on the rudder, making sure the show arrives safely at its final destination.
Clint's one of the best community theatre directors in the Tri-State (Lord knows I steal ideas from him all the time), so don't believe him when he says he "just got out of the way." Lots of people deserve credit for a successful show, but don't leave the captain out of the picture.
OK, end of rant.
...let me second your accolades to Mary, Lara, Elaine, Loretta, Travis, Skosh...they along with all the volunteer parents and friends gave the kids a platform on which to perform... and man-oh-man, are they PERFORMING! This is remarkable. One more weekend is all people have to see what is going to go down as one of the most amazing theatrical events ever in the Tri-State. No exaggeration. Me? I did what any good director does: I just got out of the way.Now, I just can't let Clint get away with that comment. For any theatre performance to succeed, it requires assembling a great team (including directors, producers, cast, tech crew - basically, everyone), and that job starts with the director. (And there's no doubt that Clint has assembled a terrific team for "Cats.")
If each member of the team does their part (from the stars to the actor with the smallest part), then you have a great show. But theatre isn't a democracy - someone has to be the captain of the ship - the one who makes the tough decisions (and there are hundreds in each production), the one who makes sure everyone is doing their part, who gives encouragement when it's needed, soothes bruised egos, offers advice and keeps a hand on the rudder, making sure the show arrives safely at its final destination.
Clint's one of the best community theatre directors in the Tri-State (Lord knows I steal ideas from him all the time), so don't believe him when he says he "just got out of the way." Lots of people deserve credit for a successful show, but don't leave the captain out of the picture.
OK, end of rant.
Monday, March 19, 2007
Lots of Theatre News
Lots of theatre news to be found online today, which is always good.
At the Herald-Dispatch's site, you can read about the boffo opening weekend "Cats" enjoyed right here.
Lots of photos from "Cats" and there should be some showing up soon of Fairland High School's weekend production of "The Music Man" on the H-D Photo Galleries.
To read more about Derek Keeling's unfortunate elimination from "Grease," go here. Also, my pal Angela has a great overview of the show on her "Stay Tuned" blog.
Lots of local reaction to last night's vote on WSAZ-TV's web site.
To get the professional view of who's going to win, check out Paul Wontorek's comments at Broadway.com.
Sunday, March 18, 2007
Derek's Run Is Over
Somewhat shockingly (at least to me), Derek Keeling received the fewest votes after last week's show and was voted off the "Grease: You're the One That I Want" show tonight.
I loved the reaction shot as one of the judges, with a shocked look on her face, said, "Wow." Perhaps she realizes they just lost the guy who should have won. (Well, that's the way I'm reading it.)
None of this should hurt Derek, though - the show has at least given him lots of exposure and should provide a good launching point for his career - I'm sure we'll be hearing more from him soon.
You can read a good recap of the show on Angela's "Stay Tuned" blog - the link is over there on the right.
The real winner tonight is me, because with Derek gone, I no longer care about this show at all and don't have to sit through it again (the things I do for you, dear readers). Sorry, but as far as I'm concerned, it's just an ultra-cheesy version of "American Idol." (Don't get me wrong - I enjoy "Idol.")
I loved the reaction shot as one of the judges, with a shocked look on her face, said, "Wow." Perhaps she realizes they just lost the guy who should have won. (Well, that's the way I'm reading it.)
None of this should hurt Derek, though - the show has at least given him lots of exposure and should provide a good launching point for his career - I'm sure we'll be hearing more from him soon.
You can read a good recap of the show on Angela's "Stay Tuned" blog - the link is over there on the right.
The real winner tonight is me, because with Derek gone, I no longer care about this show at all and don't have to sit through it again (the things I do for you, dear readers). Sorry, but as far as I'm concerned, it's just an ultra-cheesy version of "American Idol." (Don't get me wrong - I enjoy "Idol.")
"Cats" On Video
In case you've never seen "Cats," here's sample of the opening number from the video of the Broadway performance.
Saturday, March 17, 2007
Never Before
Today the First Stage Theatre Company does something that, as far as I know, it has never done before.
Right in the middle of the run of "Cats," for Saturday only, they’re going "dark" (which in theatre talk, means they’re not doing a show tonight). It’s unusual because Saturday night is traditionally a big audience night. So why are they shutting down tonight's show?
Well, it goes back to the fact that First Stage is a children’s theatre, and it was originally started 17 years ago because there were so few opportunities for local kids to get on stage. These days, that’s not the case - schools have show choirs, band competitions, lots of sports events, all-county competitions, dance classes, acting classes, and on and on.
When a show is scheduled, the directors try to take all that into consideration and try to work around the schedules of their actors as much as possible, though invariably there will be conflicts.
When you put on a show you have to choose your performance dates well in advance, and when “Cats” was put on the schedule at Huntington’s City Hall, the directors didn’t realize that the first Saturday performance conflicted with a big Show Choir competition. Because many of the show’s leads are also in show choirs, something had to give.
With the children’s theatre, the rule is simple: School is more important. After all, if a student skips a school event, it can hurt their grade - and First Stage’s goal is to help the young performers, not hurt them.
So the directors of “Cats” did the only thing they could do - cancel Saturday’s performance.
I ran into a similar problem when I directed “Joseph and the Amazing Technicolor Dreamcoat” several years ago. We didn’t realize that the second night of our tech rehearsal, just a couple of days before the first performance, was at the same time as All-County Chorus rehearsal - and once again, virtually all our leads were in All-County. So we did the rehearsal without them (although they arrived later), and the directors - including me - got on stage and served as “stand-ins” so the rest of the cast could prepare. Just one of the hazards of children’s theatre.
At any rate, don’t worry - “Cats” will be back tomorrow (Sunday) and all through next weekend at the Huntington City Hall auditorium. Sunday’s show is at 2:30 p.m., and there are shows next Thursday (March 22), Friday (March 23) and Saturday (March 24) at 8:00 p.m., and the last show is Sunday (March 25) at 2:30 p.m. So you still have lots of chances to see the show.
But if you were planning to go tonight, be warned - your plans are going to change.
Right in the middle of the run of "Cats," for Saturday only, they’re going "dark" (which in theatre talk, means they’re not doing a show tonight). It’s unusual because Saturday night is traditionally a big audience night. So why are they shutting down tonight's show?
Well, it goes back to the fact that First Stage is a children’s theatre, and it was originally started 17 years ago because there were so few opportunities for local kids to get on stage. These days, that’s not the case - schools have show choirs, band competitions, lots of sports events, all-county competitions, dance classes, acting classes, and on and on.
When a show is scheduled, the directors try to take all that into consideration and try to work around the schedules of their actors as much as possible, though invariably there will be conflicts.
When you put on a show you have to choose your performance dates well in advance, and when “Cats” was put on the schedule at Huntington’s City Hall, the directors didn’t realize that the first Saturday performance conflicted with a big Show Choir competition. Because many of the show’s leads are also in show choirs, something had to give.
With the children’s theatre, the rule is simple: School is more important. After all, if a student skips a school event, it can hurt their grade - and First Stage’s goal is to help the young performers, not hurt them.
So the directors of “Cats” did the only thing they could do - cancel Saturday’s performance.
I ran into a similar problem when I directed “Joseph and the Amazing Technicolor Dreamcoat” several years ago. We didn’t realize that the second night of our tech rehearsal, just a couple of days before the first performance, was at the same time as All-County Chorus rehearsal - and once again, virtually all our leads were in All-County. So we did the rehearsal without them (although they arrived later), and the directors - including me - got on stage and served as “stand-ins” so the rest of the cast could prepare. Just one of the hazards of children’s theatre.
At any rate, don’t worry - “Cats” will be back tomorrow (Sunday) and all through next weekend at the Huntington City Hall auditorium. Sunday’s show is at 2:30 p.m., and there are shows next Thursday (March 22), Friday (March 23) and Saturday (March 24) at 8:00 p.m., and the last show is Sunday (March 25) at 2:30 p.m. So you still have lots of chances to see the show.
But if you were planning to go tonight, be warned - your plans are going to change.
Friday, March 16, 2007
On Stage Tonight - "Cats"
Oh good, Blogger is letting me load photos again.
Anyway, "Cats" continues tonight at 8:00 p.m. at the Huntington City Hall auditorium. Highly recommended!
Thursday, March 15, 2007
Free Publicity for Your Show
This information is from my editor Andrea, who asked me to pass this along to you, dear readers - and let me say, I'm glad to see the Herald-Dispatch reaching out to local theatre groups like this.
ATTENTION THEATER GROUPS
Get extra publicity for your upcoming production on www.herald-dispatch.com by sending in photos of your rehearsals. Yep, it’s that easy.
They’re looking for several photos (at least 10 and as many as 50) that show different aspects to your productions (actors rehearsing, building sets, etc). The photos should be up close and well-lit.
Simply send the photos as high-quality JPG attachments to news@herald-dispatch.com with the subject line “Theater photo gallery” (you can usually fit about 10 photos per e-mail). Be sure to include the production’s basic information (who, what, where, when, how much) and your phone number in case they should have any questions.
Also, thanks to their new calendar database, you don’t have to wait until a couple weeks before your production starts in order to get into the online calendar. As soon as you set the details for your production, send them in to news@herald-dispatch.com! The earlier they get in, the more likely they are to run multiple times.
ATTENTION THEATER GROUPS
Get extra publicity for your upcoming production on www.herald-dispatch.com by sending in photos of your rehearsals. Yep, it’s that easy.
They’re looking for several photos (at least 10 and as many as 50) that show different aspects to your productions (actors rehearsing, building sets, etc). The photos should be up close and well-lit. Simply send the photos as high-quality JPG attachments to news@herald-dispatch.com with the subject line “Theater photo gallery” (you can usually fit about 10 photos per e-mail). Be sure to include the production’s basic information (who, what, where, when, how much) and your phone number in case they should have any questions.
Also, thanks to their new calendar database, you don’t have to wait until a couple weeks before your production starts in order to get into the online calendar. As soon as you set the details for your production, send them in to news@herald-dispatch.com! The earlier they get in, the more likely they are to run multiple times.
“Cats” - The Review
First, a full disclosure - I’m a member of the board of First Stage Theatre Company, the group that is staging “Cats” this weekend and next at the Huntington City Hall auditorium. However, my only involvement was unlocking the doors at Pea Ridge United Methodist Church, where the group rehearsed. I’ll try to apply my objectivity to this review - but it’s such a great show, there’s not much there to criticize. On with the review:
I can only offer raves about this production - in fact, “Cats” is one of - if not THE - best community theatre productions I’ve ever seen.
The story (such as it is) is based on Old Possum's Book of Practical Cats, a collection of poems by T.S. Eliot. Andrew Lloyd Webber used that as the foundation and built a show that's become a theater legend. The show ran for 18 years on Broadway, holding the record for longest-running show - until “The Phantom of the Opera” set a new record recently.
There’s not really much in the way of plot, other than a group of cats gathering for a special occasion. But what the show does feature is some amazing songs and brilliant choreography.
The show features the best dancers and singers from local high schools and middle schools - some from as far away as Portsmouth. And the beauty of the production is that it’s an ensemble performance, so quite a few performers get their chance in the spotlight.
It’s especially rewarding to see several of the seniors in the production getting to show off their skills. John Wolfe and Shane Gue have both grown up on stage, playing a number of leads, and in this show they get to demonstrate their considerable talents as both actor, singer and dancer. Allie Harrison and McKenzie Young also get the chance to step into the spotlight and shine. Clint Wilson provides a hilarious turn as a cat with a large appetite, and Owen Reynolds has a show-stopping number that includes the creation of a train on stage.
And the seniors aren’t the only ones out there - there’s a lot more amazing talent, including solos by the incredibly talented Brittany Hazeldine, Jordan Sager and Eric Newfeld - oh, and I can’t forget a great song-and-dance number by Mary Kate Young and Josh Meredith.
One performer who’s impossible to overlook is the incredible Sarah Hayes - dressed all in white, she dazzles with her dancing and her presence - truly impressive.
There are many other great performers in there that I’m overlooking because I don’t have a cast list in front of me, and because of the makeup and costuming, I’m not exactly sure who was doing which number. (For example, the actors playing Old Deuteronomy and Mr. Mistoffelees are amazing.) How’s this: as I see the show again (and I will be seeing it more than once), I’ll make notations of the ones I’ve overlooked and mention them in updates.
Do I have any complaints about the show? The closest I can come to one is that, in a couple of places, I had trouble understanding the words - but that can be attributed to the fact that they were still fine-tuning the audio (remember, I was at a dress rehearsal) and the rapid-fire lyrics Webber is known for. And even that didn’t affect my enjoyment of this incredible show.
Special props go to the set design by Travis McElroy (assembled by a small army of parents and actors), and superhuman efforts to arrange for costuming, wigs and makeup (and a thousand other details) by producers Elaine Young and Loretta Hayes.
My hat is off to the directors, who tackled an incredibly difficult show - one that many theatre groups have tried to stage and backed away from because it’s such a huge undertaking - and created a production that is both excellent and unforgettable. From the music direction of Laura Donahue to the incredible choreography by Mary Smirl and under the direction of Clint McElroy, it’s a real accomplishment in community theatre, and a show not to be missed!
I can only offer raves about this production - in fact, “Cats” is one of - if not THE - best community theatre productions I’ve ever seen.
The story (such as it is) is based on Old Possum's Book of Practical Cats, a collection of poems by T.S. Eliot. Andrew Lloyd Webber used that as the foundation and built a show that's become a theater legend. The show ran for 18 years on Broadway, holding the record for longest-running show - until “The Phantom of the Opera” set a new record recently.
There’s not really much in the way of plot, other than a group of cats gathering for a special occasion. But what the show does feature is some amazing songs and brilliant choreography.
The show features the best dancers and singers from local high schools and middle schools - some from as far away as Portsmouth. And the beauty of the production is that it’s an ensemble performance, so quite a few performers get their chance in the spotlight.
It’s especially rewarding to see several of the seniors in the production getting to show off their skills. John Wolfe and Shane Gue have both grown up on stage, playing a number of leads, and in this show they get to demonstrate their considerable talents as both actor, singer and dancer. Allie Harrison and McKenzie Young also get the chance to step into the spotlight and shine. Clint Wilson provides a hilarious turn as a cat with a large appetite, and Owen Reynolds has a show-stopping number that includes the creation of a train on stage.
And the seniors aren’t the only ones out there - there’s a lot more amazing talent, including solos by the incredibly talented Brittany Hazeldine, Jordan Sager and Eric Newfeld - oh, and I can’t forget a great song-and-dance number by Mary Kate Young and Josh Meredith.
One performer who’s impossible to overlook is the incredible Sarah Hayes - dressed all in white, she dazzles with her dancing and her presence - truly impressive.
There are many other great performers in there that I’m overlooking because I don’t have a cast list in front of me, and because of the makeup and costuming, I’m not exactly sure who was doing which number. (For example, the actors playing Old Deuteronomy and Mr. Mistoffelees are amazing.) How’s this: as I see the show again (and I will be seeing it more than once), I’ll make notations of the ones I’ve overlooked and mention them in updates.
Do I have any complaints about the show? The closest I can come to one is that, in a couple of places, I had trouble understanding the words - but that can be attributed to the fact that they were still fine-tuning the audio (remember, I was at a dress rehearsal) and the rapid-fire lyrics Webber is known for. And even that didn’t affect my enjoyment of this incredible show.
Special props go to the set design by Travis McElroy (assembled by a small army of parents and actors), and superhuman efforts to arrange for costuming, wigs and makeup (and a thousand other details) by producers Elaine Young and Loretta Hayes.
My hat is off to the directors, who tackled an incredibly difficult show - one that many theatre groups have tried to stage and backed away from because it’s such a huge undertaking - and created a production that is both excellent and unforgettable. From the music direction of Laura Donahue to the incredible choreography by Mary Smirl and under the direction of Clint McElroy, it’s a real accomplishment in community theatre, and a show not to be missed!
On Stage Tonight: "Cats"
I watched Wednesday night's dress rehearsal of "Cats," and hope to have a complete review posted sometime Thursday, but let me just say: what an amazing show! And what an incredibly talented group of young people in it!
Gotta run, but to sum it up in one word: Wow!
Gotta run, but to sum it up in one word: Wow!
Wednesday, March 14, 2007
"Cats" Countdown - One Day to Go!
The long wait is almost over, as the "Cats" take over the City Hall stage tomorrow night.
My pal Dave Lavender has a nice preview of the show here, and there are lots of pictures in the photo gallery to tide you over until showtime.
As I've been telling you for months now, it's going to be an amazing show. I hope to have a full review posted ASAP. We'll see if I can get through it without writing a single "Cat" pun.
Tuesday, March 13, 2007
More "Cats"
OK, I'm still terribly busy but I wanted to point out that you can see some rehearsal photos from "Cats" here on the Herald-Dispatch web site.
These photos feature the actors in costume, but without the extensive makeup (hey, they have to save a few surprises for the performance).
Continuing the "Cats" Countdown
A hectic day for me, so here's today's post: only two days left until "Cats" hits the stage! (Sorry, I'll try to do better tomorrow.)
Monday, March 12, 2007
"Cats" Countdown at 3 days
Don't be so glum, calico! There are only three days left until "Cats" hits the stage in Huntington.
(By the way, this photo is from a practice session where the cast was learning how to apply the full makeup needed - thie finished product is amazing!)
First Stage Theatre Comapny is the first local theatre group to present the Andrew Lloyd Webber musical. The shows start Thursday at 8:00 p.m. at Huntington's City Hall.
Don't miss it!
Another Vote for Derek
It's always nice to find out you're not the only one - over at the Broadway.com website there's a commentary about last night's showing of "Grease: You're the One That I Want," and the author picks Derek (and Laura) as the ones who should win.
Go here to read the article (you'll have to scroll about halfway down the page).
Sunday, March 11, 2007
Derek's in the Top Two
For this week, at least - so he heads into the semi-finals next week, still vying for the part of Danny in the upcoming Broadway production of "Grease."
Angela offers a great wrap-up of the show on her "Stay Tuned" blog (which you should be reading daily anyway - the link is over there on the right). I enjoyed the comment by one of the judges on tonight's show that the "Grease: You're the One That I Want" show is much more difficult than any Broadway audition. I'm sure that's true, since most auditions only require you to sing and/or dance and/or act a couple of times - not several times every week in front of a live audience.
I predicted last week that it would come down to Derek and Austin for the final spot, but I'm beginning to believe America is actually voting on the basis of talent - in which case, it'll come down to Derek and Max. I stick by my conviction that, all prejudice aside, if I was making the choice, I'd pick Derek. If the selection was on voice alone, maybe Max would win - but you have to cast the person who "is" the character (or at least comes closest to your vision of the character), and that's Derek.
Next week, the one eliminated is chosen strictly by the votes. We'll see if America agrees with me!
Angela offers a great wrap-up of the show on her "Stay Tuned" blog (which you should be reading daily anyway - the link is over there on the right). I enjoyed the comment by one of the judges on tonight's show that the "Grease: You're the One That I Want" show is much more difficult than any Broadway audition. I'm sure that's true, since most auditions only require you to sing and/or dance and/or act a couple of times - not several times every week in front of a live audience.
I predicted last week that it would come down to Derek and Austin for the final spot, but I'm beginning to believe America is actually voting on the basis of talent - in which case, it'll come down to Derek and Max. I stick by my conviction that, all prejudice aside, if I was making the choice, I'd pick Derek. If the selection was on voice alone, maybe Max would win - but you have to cast the person who "is" the character (or at least comes closest to your vision of the character), and that's Derek.
Next week, the one eliminated is chosen strictly by the votes. We'll see if America agrees with me!
Saturday, March 10, 2007
“High School Musical” - The Review
Well, this is a review that does you no good - because the final showing of “High School Musical” this evening is sold out. Still, I managed to see the show last night with my lovely wife, and we enjoyed it. (Tip to theatre fans - buy those tickets early! I ordered mine last week and was seated halfway up in the balcony.)
As presented by the Backstage Players, “HSM” is based on the Disney TV movie, and it tells the story of basketball star Troy and his brainy girlfriend Gabriella. They’re both interested in trying out for the school play, but their friends try to keep them trapped in the “status quo.” It’s a fun, sweet story with lots of great music.
The actors did a great job, playing the familiar characters from the TV movie and throwing in a few new characters for the stage version. There are a couple of new songs, too.
Even the crowd was entertaining! Sitting right behind me were a couple of preschool girls who sang along with the actors on virtually every song - it was sweet, and kept me and my wife smiling throughout. (Ordinarily I don't encourage that kind of thing - but I'll make an exception in this case. It's the Dad in me.)
If I wanted to be picky, I’d point out some audio problems that made some lines hard to hear, and I’d note that the production was done with a minimal set - but those were minor problems.
Thanks to the energetic efforts of the cast and crew, they sent a sold-out audience home happy, singing that “We’re All In This Together” - as for a few hours last night, we were all brought together by “High School Musical.”
As presented by the Backstage Players, “HSM” is based on the Disney TV movie, and it tells the story of basketball star Troy and his brainy girlfriend Gabriella. They’re both interested in trying out for the school play, but their friends try to keep them trapped in the “status quo.” It’s a fun, sweet story with lots of great music.
The actors did a great job, playing the familiar characters from the TV movie and throwing in a few new characters for the stage version. There are a couple of new songs, too.
Even the crowd was entertaining! Sitting right behind me were a couple of preschool girls who sang along with the actors on virtually every song - it was sweet, and kept me and my wife smiling throughout. (Ordinarily I don't encourage that kind of thing - but I'll make an exception in this case. It's the Dad in me.)
If I wanted to be picky, I’d point out some audio problems that made some lines hard to hear, and I’d note that the production was done with a minimal set - but those were minor problems.
Thanks to the energetic efforts of the cast and crew, they sent a sold-out audience home happy, singing that “We’re All In This Together” - as for a few hours last night, we were all brought together by “High School Musical.”
Friday, March 09, 2007
"Cats" - Getting Ready
The musical "Cats" takes to the stage next week, and it's a show that's very makeup intensive. In recent weeks the cast members have been designing and learning how to apply the distinctive makeup which transforms their appearance.
There's a photo gallery here showing the performers working on their look (just click on the link on the Photo Galleries page).
The Andrew Lloyd Webber musical will be presented by First Stage Theater Company.
Shows are set for 8 p.m. Thursday-Friday, March 15-16; 2:30 p.m. Sunday, March 18; 8 p.m. Thursday-Saturday, March 22-24; 2:30 p.m. Sunday, March 25, at the Jean Carlo Stephenson Auditorium at Huntington City Hall.
Reserved tickets are now on sale. For more information, call (304) 416-KIDS or (304) 525-6132.
Thursday, March 08, 2007
On Stage Tonight - "High School Musical"
The Backstage Players present Disney's "High School Musical" tonight, tomorrow and Saturday at the Paramount Arts Center in Ashland, Ky.
You can read about it right here - and you can see some photos from the performance here.
Wednesday, March 07, 2007
On Stage This Week - "High School Musical"
No doubt there are plenty of adults out there who have never heard of "High School Musical" - but ask any kid and they can tell you about it. It's a Disney TV movie about true love and daring to go against the "status quo" and follow your dreams. It's a fun show, and has become a real phenomenon - and as a result, it's now available as a stage show.
As I posted here, First Stage Theatre Company will be presenting it this fall - but if you can't wait that long, you can catch it this weekend at the Paramount Arts Center in Ashland, Ky.
The Backstage Players will present the show March 8, 9 and 10 at 7:00 p.m. Tickets are $15 for adults and $12 for seniors and students, and may be purchased at Ticketmaster outlets.
Tuesday, March 06, 2007
The High Cost of Community Theatre
The big secret about local theatre is that it costs a lot of money to put on shows. A great example is the Backstage Players’ production of “Disney’s High School Musical,” which takes the stage at the Paramount Arts Center later this week.
According to a recent story, the show is the group’s most expensive yet, with a budget of $36,000!
Yep, $36,000!
That’s been a growing trend in local theatre in recent years. I’ve read reports of high schools (in larger cities) spending up to $100,000 on a single production. It’s easy to see how a bill like that could happen – if you hired professional carpenters to build your set, rented all your costumes and had to pay top dollar for a performance hall, along with the other costs involved, like rights fees, props, makeup and so on – it would be easy to get into the 100K range.
To curb costs, most local groups rely on volunteers to get the work done – but even then, some costs are inevitable.
The most expensive show I’ve been involved with was last year’s “Les Miserables: The School Edition,” and it came out to about $20,000 total – not exactly pocket change. Thankfully, ticket sales covered that expense and First Stage actually made a little bit of money – which makes it easier to do the next show in line.
That’s why many groups rely on sponsorships to help deal with those rising costs. Or they can charge more for tickets. Or they can hold fundraisers. Or, in most cases, they can do all of the above.
Hey, the theatre is no place for the faint of heart.
According to a recent story, the show is the group’s most expensive yet, with a budget of $36,000!
Yep, $36,000!
That’s been a growing trend in local theatre in recent years. I’ve read reports of high schools (in larger cities) spending up to $100,000 on a single production. It’s easy to see how a bill like that could happen – if you hired professional carpenters to build your set, rented all your costumes and had to pay top dollar for a performance hall, along with the other costs involved, like rights fees, props, makeup and so on – it would be easy to get into the 100K range.
To curb costs, most local groups rely on volunteers to get the work done – but even then, some costs are inevitable.
The most expensive show I’ve been involved with was last year’s “Les Miserables: The School Edition,” and it came out to about $20,000 total – not exactly pocket change. Thankfully, ticket sales covered that expense and First Stage actually made a little bit of money – which makes it easier to do the next show in line.
That’s why many groups rely on sponsorships to help deal with those rising costs. Or they can charge more for tickets. Or they can hold fundraisers. Or, in most cases, they can do all of the above.
Hey, the theatre is no place for the faint of heart.
Monday, March 05, 2007
"Cats" Poster
If you haven't seen it yet, here's the poster for "Cats." I think that cat is looking at us.
Derek Gets Some Support
Derek had some local support at the live broadcast of "Grease: You're the One That I Want" last night - you can read about it in this story in today's Herald-Dispatch. So is Derek the best? The last post has stirred up some comments - join in and cast your (non-binding) vote!
Sunday, March 04, 2007
Dialing for Derek
You can read a great recap of tonight's edition of "Grease: You're the One That I Want" by my pal Angela Henderson at the "Stay Tuned" blog (the link is over there on the right of this page), and let me just say that I completely agree with her analysis.
Derek Keeling (who, as you should know by now, is from Scott Depot, W.Va.) did a much better job on tonight's broadcast, but he still had one minor warble in his song (and it was a ballad - why don't they have these guys singing songs from Broadway shows?). Still he was easily the second-best singer (out of four), and the guy with the strongest vocal doesn't really "look" the part at all.
Still, it's up to the viewers to vote for their favorite. If I was casting this show - all local prejudice aside - I'd probably choose Derek. He has a strong voice, great stage presence and the right look (let's face it, everyone thinks of John Travolta when they think of Danny - and Derek bears a strong resemblance to the film star).
We'll see what America thinks next week. My guess is that it's going to come down to Austin and Derek for the role - but that's just a guess at this point.
Derek Keeling (who, as you should know by now, is from Scott Depot, W.Va.) did a much better job on tonight's broadcast, but he still had one minor warble in his song (and it was a ballad - why don't they have these guys singing songs from Broadway shows?). Still he was easily the second-best singer (out of four), and the guy with the strongest vocal doesn't really "look" the part at all.
Still, it's up to the viewers to vote for their favorite. If I was casting this show - all local prejudice aside - I'd probably choose Derek. He has a strong voice, great stage presence and the right look (let's face it, everyone thinks of John Travolta when they think of Danny - and Derek bears a strong resemblance to the film star).
We'll see what America thinks next week. My guess is that it's going to come down to Austin and Derek for the role - but that's just a guess at this point.
The Last Word on Menopause
The last show of "Menopause the Musical" starts at 3:00 p.m. today at the Joan C. Edwards Performing Arts Center at Marshall University.
Sadly, I didn't get to catch it. However, a couple of friends did see it, and I asked them to let me know what they thought. Here's what they said:
<< From 2 Women of a CERTAIN age,
We laughed from beginning to end - it's really nice to know we are NORMAL. Totally identified with the characters. I didn't think there would be any men there but the few that were appeared to be with their wives. Highly recommended! >>
So there you go - if you missed it this time, keep an eye out for it. It was popular enough that I'm sure it'll swing around this way again soon.
Sadly, I didn't get to catch it. However, a couple of friends did see it, and I asked them to let me know what they thought. Here's what they said:
<< From 2 Women of a CERTAIN age,
We laughed from beginning to end - it's really nice to know we are NORMAL. Totally identified with the characters. I didn't think there would be any men there but the few that were appeared to be with their wives. Highly recommended! >>
So there you go - if you missed it this time, keep an eye out for it. It was popular enough that I'm sure it'll swing around this way again soon.
Saturday, March 03, 2007
"Cats" Countdown Continues
So this morning I dropped by my church to unlock the doors to allow for a (rare) Saturday rehearsal for a local show - in this case, it was for "Cats," which First Stage Theatre Company will be presenting at Huntington's City Hall in a couple of weeks.
Since I'm not directly involved with the show (other than unlocking the door for rehearsals), I've tried to avoid watching the auditions - it's much more fun to be surprised by the finished product on stage. However, what I have seen looks amazing. These young dancers are amazingly talented and are tackling routines that would be difficult for the most experienced dancers. But I shouldn't be surprised - these young performers are the top talents from several local schools.
I've seen some of the makeup designs and a few of the costumes, and I'm amazed at the high quality - they're truly outstanding.
I've never seen "Cats" before, except for a number or two on video - which doesn't count, since a live performance is so much more entertaining - and it's been a long time since I looked forward to seeing a show as much as I'm looking forward to this one.
Better reserve those tickets now - this is a show you'll want to see more than once!
Since I'm not directly involved with the show (other than unlocking the door for rehearsals), I've tried to avoid watching the auditions - it's much more fun to be surprised by the finished product on stage. However, what I have seen looks amazing. These young dancers are amazingly talented and are tackling routines that would be difficult for the most experienced dancers. But I shouldn't be surprised - these young performers are the top talents from several local schools.
I've seen some of the makeup designs and a few of the costumes, and I'm amazed at the high quality - they're truly outstanding.
I've never seen "Cats" before, except for a number or two on video - which doesn't count, since a live performance is so much more entertaining - and it's been a long time since I looked forward to seeing a show as much as I'm looking forward to this one.
Better reserve those tickets now - this is a show you'll want to see more than once!
Friday, March 02, 2007
That's What We Want - More Menopause!
OK, the title of this entry is a joke (and a bad one, though not as bad as the entry before it), but there's truth in it - tickets sales have reportedly been very strong for "Menopause the Musical," and I hear the show is very funny and well worth watching. Some friends have offered to share their thoughts - I'll post them as soon as they arrive.
If you haven't seen it yet, luckily, there are still several chances - the show goes on at Marshall University's Joan C. Edwards Performing Arts Center Saturday at 2:00 p.m. and 7:30 p.m. and Sunday at 3:00 p.m.
It's rare to get a chance to catch a professional touring show like this - don't miss it!
If you haven't seen it yet, luckily, there are still several chances - the show goes on at Marshall University's Joan C. Edwards Performing Arts Center Saturday at 2:00 p.m. and 7:30 p.m. and Sunday at 3:00 p.m.
It's rare to get a chance to catch a professional touring show like this - don't miss it!
Thursday, March 01, 2007
Man Who Paused
Even though it's not exactly aimed at my demographic, I thought I'd go see "Menopause the Musical" last night - though I admit I was on the fence. I thought, "I'll leave it to fate. If tickets are still available, I'll go. If it's sold out, obviously, I won't."
So I called the number to order a ticket, and sure enough, there were still some tickets available. But then fate stepped in and I was disconnected before I could place an order. Well, you don't have to drop a house on me - obviously a higher power (namely, the phone company) was telling me to stay home. So I spent a relaxing evening enjoying "American Idol" and "Lost" instead.
However, if you want to learn more about the show, check out this story, or take a look at the Herald-Dispatch's Photo Galleries (the source for this photo).
I haven't given up yet - maybe I'll take in a matinee. If the phone company is willing.
Wednesday, February 28, 2007
How About That?
Hey, I achieved a goal this month - I managed at least one post a day every day this month! (Granted, February is a short month.) Let's see if I can duplicate that in March.
And as always, thank you for reading!
And as always, thank you for reading!
"Menopause" Sells Out
According to a story in today's Herald-Dispatch, tickets for "Menopause the Musical" are disappearing like a hot flash (sorry), with some shows already sold out. Thankfully, there are lots of performances this week - but you might want to reserve those tickets now.
You can read more about it here.
You can read more about it here.
Tuesday, February 27, 2007
Theatre News
Lots of theatre news in today's Herald-Dispatch (which is always good).
You can read about tickets going on sale for First Stage Theatre's "Cats" here.
You can see photos from Ironton High School's upcoming production of "Grease" here.
And you can get a preview of the weekend's offerings from the Marshall University Opera Theatre here.
How's that for one stop shopping?
You can read about tickets going on sale for First Stage Theatre's "Cats" here.
You can see photos from Ironton High School's upcoming production of "Grease" here.
And you can get a preview of the weekend's offerings from the Marshall University Opera Theatre here.
How's that for one stop shopping?
On Stage Tonight - "Menopause the Musical"
The (almost) week-long run of "Menopause the Musical" begins tonight at 7:30 p.m. at the Joan C. Edwards Playhouse on the campus of Marshall University. Here's what you can expect, according to press information:
Inspired by a hot flash and a bottle of wine, "Menopause the Musical" is the little revue that has set the world on fire. Since 2001, the hilarious and heartwarming musical has entertained men and women from coast-to-coast and around the world.
In the hit musical, four women with seemingly nothing in common but a black lace bra meet by chance in Bloomingdale's department store and soon find out lingerie isn't the only thing they share.
Audiences will laugh and cheer along with a joyful parody of 25 re-lyricized baby boomer hits including "I Heard It Thru the Grapevine You No Longer See 39" and the disco favorite "Stayin' Awake! Stayin' Awake."
So whether you are on the brink of, in the middle of, or are a survivor of, you will relate to this side-splitting musical that is a salute to women everywhere experiencing The Change.
You'll have plenty of chances to see it - here's the schedule:
Tue, Wed, Thur, Fri, Sat, Feb. 27-March 3, 2007 at 7:30pm
Wednesday, Feb. 28, 2007 at 2:00pm Matinee
Saturday, March 3, 2007 at 2:00pm Matinee
Sunday, March 4, 2007 at 3:00pm Matinee
I hope to get a chance to see it later this week, and I'll post a review - if someone out there sees it, send us a comment (or email me at TheMinskers@aol.com).
Monday, February 26, 2007
Broadway at the Oscars
Congratulations to Jennifer Hudson, who may not have won on American Idol, but she won a bigger prize, taking the Best Supporting Actress Oscar last night. Great, too, that she gave thanks (onstage) and proper credit (backstage) to Jennifer Holiday, who originated the role in "Dreamgirls" on Broadway, and has had a tough time since leaving the show many years ago - though she's doing much better now, according to a recent story on CBS-TV.
Sunday, February 25, 2007
Grease: You're the One (etc.)
In case you were watching the Oscars and missed tonight's episode of "Grease: You're the One That I Want," Derek Keeling from Scott Depot finished in the top three, so he didn't face the dreaded "sing-off." That also means he's safe for another week, because this week's episode was a "ladies only" event, with only the "Sandy" wanna-bes performing - so the four guys left will hang around another week. Next Sunday's show, then, will be a "gents only" elimination round, so save your votes until then!
Saturday, February 24, 2007
Coming Up On Stage In March
In the next month (including the last two days of February) the floodgates open and we get the chance to see several shows on local stages.
First up, it’s a week of “Menopause: The Musical,” which will be presented at Marshall’s Joan C. Edwards Performing Arts Center. Part of the Marshall Artist’s Series, this show takes a funny look at... well, you know. Shows start Tuesday, Feb. 27, and run through Sunday, March 4, including some afternoon performances. Check the local listings.
For more top-notch entertainment, be sure to see Marshall’s Opera Theatre as it presents “Fair Galatea” and “Dido and Aeneas” Friday and Saturday, March 2 and 3 at the Smith Recital Hall. Tickets are $10, $7 for seniors and free to students age 17 and under.
In Ashland, the Backstage Players will present he incredibly popular “High School Musical” March 8 - 10 at the Paramount Arts Center.
Then, the show that’s going to amaze, impress and delight you - “Cats” will be presented by First Stage Theatre at Huntington’s City Hall on March 15, 16, 18, 22, 23, 24 and 25. I've seen some of the show in rehearsal and it looks great already! There's a good reason why "Cats" held the record for most performances on Broadway.
It’s a busy month, so mark those calendars and start saving up!
First up, it’s a week of “Menopause: The Musical,” which will be presented at Marshall’s Joan C. Edwards Performing Arts Center. Part of the Marshall Artist’s Series, this show takes a funny look at... well, you know. Shows start Tuesday, Feb. 27, and run through Sunday, March 4, including some afternoon performances. Check the local listings.
For more top-notch entertainment, be sure to see Marshall’s Opera Theatre as it presents “Fair Galatea” and “Dido and Aeneas” Friday and Saturday, March 2 and 3 at the Smith Recital Hall. Tickets are $10, $7 for seniors and free to students age 17 and under.
In Ashland, the Backstage Players will present he incredibly popular “High School Musical” March 8 - 10 at the Paramount Arts Center.
Then, the show that’s going to amaze, impress and delight you - “Cats” will be presented by First Stage Theatre at Huntington’s City Hall on March 15, 16, 18, 22, 23, 24 and 25. I've seen some of the show in rehearsal and it looks great already! There's a good reason why "Cats" held the record for most performances on Broadway.
It’s a busy month, so mark those calendars and start saving up!
Friday, February 23, 2007
This Weekend On Stage
You have one more chance to catch “I Hate Hamlet” at Marshall’s Joan C. Edwards Performing Arts Center. Showtime Saturday is at 8:00 p.m., and tickets are $12, $10 for seniors and $7 for ages 17 and under.
Check in here tomorrow and I'll have a preview of what shows you can expect in March. Some awesome stuff on the way, theatre fans!
Check in here tomorrow and I'll have a preview of what shows you can expect in March. Some awesome stuff on the way, theatre fans!
Thursday, February 22, 2007
“I Hate Hamlet” - The Review
Comedy comes in all shapes and sizes - lowbrow, slapstick, wry, witty, punnish - you name it. Most comedy in the U.S. can be defined as “broad” - meaning it appeals to most people. Every now and then you run into a comedy that dares to be intelligent - and that’s what you’re in for when you see “I Hate Hamlet,” which is on this stage this week, presented by the Marshall University Department of Theatre.
The show centers around a young TV actor named Andrew who’s been offered a role playing Hamlet in New York’s Shakespeare in the Park. By no small coincidence, he’s also just rented the apartment that once belonged to the great Shakespearean actor, John Barrymore. Of course, as the title tells us, he hates the play. The problem is, his girlfriend, Deidre, his realtor, Felicia, and his agent, Lillian, all want him to take the role.
Since Felicia is psychic, they decide to hold a seance to try to contact Barrymore. (Note that the three women represent the Witches at the beginning of Macbeth - the Crone, the Matron and the Maiden. Just one of many “Shakespearean Easter Eggs” for the observant.)
Thankfully, the seance succeeds (sort of) and Barrymore arrives to coach the young actor, passing along some valuable acting tips - and more than a few life lessons, as well.
This is a “small” show, with only six cast members - but they’re all “choice” performers - among the best in MU’s Department of Theatre.
Nick Reynolds plays Andrew, and demonstrates why he’s one of the best comedic actors around. Nick’s done a lot of great work over the years, and this show is just the latest in a long line of excellent performances.
Travis Caffrey plays what may be the toughest role in the show, John Barrymore. To fill the shoes of a larger-than-life actor and do so convincingly - all while wearing tights - is no easy task, and he delivers a great performance.
Karah Merkins plays Andrew’s love interest, Deirdre, and turns in a wonderful performance - she’s funny, adorable, sexy and quirky throughout - a terrific character and a wonderful job by Karah.
Samantha Elkins pays Felicia the real estate agent who sets Andrew up in the apartment, and she’s a delight - she’s very funny, and her New Yawk accent is terrific!
Mary Williams plays the character role of Lillian, Andrew’s "Mother Hen" agent. Her accent is excellent, and she provides one of the most touching scenes in the show, as she reminisces on her own encounter with celebrity.
Last (but certainly not least) is Jeremy Plyburn as Gary, the quintessential Hollywood producer who tries to lure Andrew back to Hollywood. Jeremy is hilarious in this part, representing the ugly underbelly of the industry. (His idea for a TV show is a scream.) This is Jeremy’s stage debut with MU - I expect to see lots more great performances from him.
The other stars of the show are the set and the effects. As always with Marshall’s productions, the set is amazing - a towering apartment that harkens back to the glory days of the theatre. (The fireplace seems a little impractical, but that’s a minor quibble.) The special effects are somewhat understated, but all the more magical for it. Barrymore’s entrance, for example, is perfect.
Oh, and did I mention that there's an awesome sword fight in there? I love a show with action and comedy!
Excellent work by the cast, the production team and the directing staff - with a special “well done, old man” to director John Colclough, who’s racked up an impressive run of outstanding shows in his near-decade with MU. This is another great one to add to the list.
When you attend a show at Marshall, you know you’re in for a special evening, and “I Hate Hamlet” continues the tradition with a show that’s intelligent, clever and quite funny. You’ll enjoy it, even if you’re not a fan of the classics.
The show centers around a young TV actor named Andrew who’s been offered a role playing Hamlet in New York’s Shakespeare in the Park. By no small coincidence, he’s also just rented the apartment that once belonged to the great Shakespearean actor, John Barrymore. Of course, as the title tells us, he hates the play. The problem is, his girlfriend, Deidre, his realtor, Felicia, and his agent, Lillian, all want him to take the role.
Since Felicia is psychic, they decide to hold a seance to try to contact Barrymore. (Note that the three women represent the Witches at the beginning of Macbeth - the Crone, the Matron and the Maiden. Just one of many “Shakespearean Easter Eggs” for the observant.)
Thankfully, the seance succeeds (sort of) and Barrymore arrives to coach the young actor, passing along some valuable acting tips - and more than a few life lessons, as well.
This is a “small” show, with only six cast members - but they’re all “choice” performers - among the best in MU’s Department of Theatre.
Nick Reynolds plays Andrew, and demonstrates why he’s one of the best comedic actors around. Nick’s done a lot of great work over the years, and this show is just the latest in a long line of excellent performances.
Travis Caffrey plays what may be the toughest role in the show, John Barrymore. To fill the shoes of a larger-than-life actor and do so convincingly - all while wearing tights - is no easy task, and he delivers a great performance.
Karah Merkins plays Andrew’s love interest, Deirdre, and turns in a wonderful performance - she’s funny, adorable, sexy and quirky throughout - a terrific character and a wonderful job by Karah.
Samantha Elkins pays Felicia the real estate agent who sets Andrew up in the apartment, and she’s a delight - she’s very funny, and her New Yawk accent is terrific!
Mary Williams plays the character role of Lillian, Andrew’s "Mother Hen" agent. Her accent is excellent, and she provides one of the most touching scenes in the show, as she reminisces on her own encounter with celebrity.
Last (but certainly not least) is Jeremy Plyburn as Gary, the quintessential Hollywood producer who tries to lure Andrew back to Hollywood. Jeremy is hilarious in this part, representing the ugly underbelly of the industry. (His idea for a TV show is a scream.) This is Jeremy’s stage debut with MU - I expect to see lots more great performances from him.
The other stars of the show are the set and the effects. As always with Marshall’s productions, the set is amazing - a towering apartment that harkens back to the glory days of the theatre. (The fireplace seems a little impractical, but that’s a minor quibble.) The special effects are somewhat understated, but all the more magical for it. Barrymore’s entrance, for example, is perfect.
Oh, and did I mention that there's an awesome sword fight in there? I love a show with action and comedy!
Excellent work by the cast, the production team and the directing staff - with a special “well done, old man” to director John Colclough, who’s racked up an impressive run of outstanding shows in his near-decade with MU. This is another great one to add to the list.
When you attend a show at Marshall, you know you’re in for a special evening, and “I Hate Hamlet” continues the tradition with a show that’s intelligent, clever and quite funny. You’ll enjoy it, even if you’re not a fan of the classics.
On Stage Tonight - "I Hate Hamlet"
I got to see "I Hate Hamlet" last night with my pals Mark and Clint and enjoyed it tremendously. I'll have a full review later today, but here's a reminder to see it tonight at 8:00 p.m. at Marshall's Joan C. Edwards Playhouse.
Wednesday, February 21, 2007
On Stage Tonight - "I Hate Hamlet"
"I Hate Hamlet" takes the stage tonight, and has a lot of fun with Shakespeare and a famous star along the way.
If you'd like to know more about the show, which takes the stage tonight at 8:00 p.m. at the Joan C. Edwards Playhouse at Marshall University, my pal Justin McElroy wrote up a story for today's paper - you can read it here.
The H-D also has a photo gallery - you'll find the link here. The photo here is a sample from the gallery, with photos by Mark Webb.
Tuesday, February 20, 2007
On Stage This Week - "I Hate Hamlet"
Starting tomorrow is yet another in a series of excellent productions from Marshall's Department of Theatre. For several years now, MU has presented a Shakespeare play as part of each season (and if you've missed them, you've missed some great shows).
This year they're taking a break - but still keeping the Bard in the mix - by tackling "I Hate Hamlet" by Paul Rudnick. Here's the description: "A young and successful television actor relocates to New York, where he rents a marvelous, gothic apartment. With his television career in limbo, the actor is offered the opportunity to play Hamlet onstage, but there's one problem: He hates "Hamlet." His dilemma deepens with the entrance of John Barrymore's ghost, who arrives intoxicated and in full costume to the apartment that once was his. Critically acclaimed 1991 Tony nominee."
The show runs February 21-24 with shows starting at 8:00 p.m. I'll be there, and I urge you to go forth and do likewise!
This year they're taking a break - but still keeping the Bard in the mix - by tackling "I Hate Hamlet" by Paul Rudnick. Here's the description: "A young and successful television actor relocates to New York, where he rents a marvelous, gothic apartment. With his television career in limbo, the actor is offered the opportunity to play Hamlet onstage, but there's one problem: He hates "Hamlet." His dilemma deepens with the entrance of John Barrymore's ghost, who arrives intoxicated and in full costume to the apartment that once was his. Critically acclaimed 1991 Tony nominee."
The show runs February 21-24 with shows starting at 8:00 p.m. I'll be there, and I urge you to go forth and do likewise!
Reviews by Mark
My pal Mark Hayes (no stranger to the local stage) is an avid fan of the theatre, and he sent along these reviews from shows he saw over the weekend. With his kind permission, I'm sharing his comments here:
<< Saturday night, we saw "The Three Phantoms" in Charleston at the Clay Center with the WV Symphony Orchestra. Absolutely amazing! Ron Bohmer, Cris Groenendaal and Craig Schulman, who have all played the Phantom on Broadway, were incredible. My wife kept telling me that she recognized Craig Schulman and then, when Grant Cooper noted that Schulman had performed more times on Broadway as Jean Valjean in "Les Miserables" than any other performer (over 2000!), she remembered that he was the USA's "Valjean" representative at the end of the 10th Anniversary PBS special. He sang "Bring Him Home," and you could have heard a pin drop in the place (that was relatively full for a nice change). They all sang songs from the shows they've been in over the years - "Guys and Dolls," "Jekyll and Hyde," "Sweeney Todd," "Fiddler," etc., but then joined together to sing "Music of the Night." Just incredible - all three were performers that had made that rare step up from having great voices to having "instruments." Great, great evening. We ended up meeting Schulman and Bohmer and, as a result, remaining in the lobby until all of the performance crowd left.
Sunday we made what's become a once a month trip to Columbus for the Broadway Series. This time, it was "All Shook Up," a show that clearly stole its premise from "Mamma Mia" since its a story woven around the music of an icon - this time, Elvis. It's a lot funnier than "Mamma Mia," and had several 'hysterical, laugh out loud, wipe tears from your eyes' moments. It "starred" Susan Anton, who did an admirable job as the museum curator, but was overshadowed by the 'stars' - Jenny Fellner as 'Natalie' and Joe Mandragona as 'Chad'. Mandragona, especially, was terrific as the James Dean-esque character who comes into a "square little town in the middle of a square state" and proceeds to shake up the boredom of the locals. There were a few adult situation moments, but for the most part, it's good "PG" fun and the music was terrific.
By the way, Columbus' Broadway Series is a terrific way to see quality shows that we'll never get locally. We've seen "12 Angry Men" with Richard Thomas, "Dirty Rotten Scoundrels" (with Tom Hewitt) and "All Shook Up," and will be going up to see "Light in the Piazza," "25th Annual Putnam County Spelling Bee" and (the reason we got the season tickets), "Wicked" in June. It's only 2 1/2 hours from Huntington and it's a lot of fun to spend an afternoon in Columbus to see a show and eat a nice lunch or dinner. Well worth the effort! >>
<< Saturday night, we saw "The Three Phantoms" in Charleston at the Clay Center with the WV Symphony Orchestra. Absolutely amazing! Ron Bohmer, Cris Groenendaal and Craig Schulman, who have all played the Phantom on Broadway, were incredible. My wife kept telling me that she recognized Craig Schulman and then, when Grant Cooper noted that Schulman had performed more times on Broadway as Jean Valjean in "Les Miserables" than any other performer (over 2000!), she remembered that he was the USA's "Valjean" representative at the end of the 10th Anniversary PBS special. He sang "Bring Him Home," and you could have heard a pin drop in the place (that was relatively full for a nice change). They all sang songs from the shows they've been in over the years - "Guys and Dolls," "Jekyll and Hyde," "Sweeney Todd," "Fiddler," etc., but then joined together to sing "Music of the Night." Just incredible - all three were performers that had made that rare step up from having great voices to having "instruments." Great, great evening. We ended up meeting Schulman and Bohmer and, as a result, remaining in the lobby until all of the performance crowd left.
Sunday we made what's become a once a month trip to Columbus for the Broadway Series. This time, it was "All Shook Up," a show that clearly stole its premise from "Mamma Mia" since its a story woven around the music of an icon - this time, Elvis. It's a lot funnier than "Mamma Mia," and had several 'hysterical, laugh out loud, wipe tears from your eyes' moments. It "starred" Susan Anton, who did an admirable job as the museum curator, but was overshadowed by the 'stars' - Jenny Fellner as 'Natalie' and Joe Mandragona as 'Chad'. Mandragona, especially, was terrific as the James Dean-esque character who comes into a "square little town in the middle of a square state" and proceeds to shake up the boredom of the locals. There were a few adult situation moments, but for the most part, it's good "PG" fun and the music was terrific.
By the way, Columbus' Broadway Series is a terrific way to see quality shows that we'll never get locally. We've seen "12 Angry Men" with Richard Thomas, "Dirty Rotten Scoundrels" (with Tom Hewitt) and "All Shook Up," and will be going up to see "Light in the Piazza," "25th Annual Putnam County Spelling Bee" and (the reason we got the season tickets), "Wicked" in June. It's only 2 1/2 hours from Huntington and it's a lot of fun to spend an afternoon in Columbus to see a show and eat a nice lunch or dinner. Well worth the effort! >>
The Times They Are A-Changin'
OK, a terrible title to this entry, but we're just a week away from the avalanche that is "Menopause: The Musical," which will be presented many times, so you have no excuse for missing it.
I'll have more about it in the week ahead, but for now, here's the press release sent out by the Marshall Artists Series:
Menopause the Musical: A Celebration of Women and The Change!
The Marshall Artists Series and Cabell Huntington Hospital’s Women & Children’s Services are delighted to bring eight performances of the hilarious and heartwarming hit, Menopause the Musical, to the Joan C. Edwards Performing Arts Center! Evening performances are February 27-March 3 at 7:30 p.m. There will also be three matinee performances February 28 and March 3 at 2 p.m. and March 4 at 3 p.m.
In the hit musical, four women with seemingly nothing in common but a black lace bra meet in a Bloomingdale’s department store and soon find out lingerie isn’t the only thing they share.
Since 2001, this slide-splitting musical has entertained audiences from coast-to-coast and around the world. Patrons will laugh and cheer along with a joyful parody of 25 re-lyricized baby boomer hits including “I Heard It Thru the Grapevine You No Longer See 39” “Puff, My God I’m Draggin” and the disco favorite “Stayin’ Awake! Stayin’ Awake!”
Huntington native Joanne Cummings Grant is the national director of production for the musical. She will return home for the Huntington debut. Grant is a Marshall University alumna. She served as promotions and acting director at the Huntington Civic Center from 1980-1982. Currently, Grant is responsible for booking and putting together cast and crew for the musical in six countries and fifteen cities.
A dinner theatre option is available before the March 3 evening show and a brunch prior to the March 4 matinee. The meals will begin two hours before show time. Tickets for the pre-show meals are $20 per person. Seating availability is limited. Patrons should call the Marshall Artists Series at (304) 696-3326 for reservations.
Tickets for the shows are available now. Tickets are $39. Groups of 20 or more people will receive a $5 discount off each individual ticket. Tickets may be purchased through the Marshall Artists Series Box Office, located in the Joan C. Edwards Performing Arts Center. The box office is open Monday through Friday from noon to 5 p.m. Phone orders may be taken from the box office for patrons calling (304) 696-6656. All major credit cards are accepted.
Tickets for all shows may also be purchased through Ticketmaster by calling (304) 523-5757 in Huntington or (304) 342-5757 in Charleston. Tickets can also be purchased online at www.ticketmaster.com. Patrons can pick up tickets at any Ticketmaster outlet, including select Kroger stores.
This show is sponsored by Cabell Huntington’s Women & Children’s Services, WSAZ, the Herald Dispatch, Clear Channel Communications, and the Marshall Artists Series.
I'll have more about it in the week ahead, but for now, here's the press release sent out by the Marshall Artists Series:
Menopause the Musical: A Celebration of Women and The Change!
The Marshall Artists Series and Cabell Huntington Hospital’s Women & Children’s Services are delighted to bring eight performances of the hilarious and heartwarming hit, Menopause the Musical, to the Joan C. Edwards Performing Arts Center! Evening performances are February 27-March 3 at 7:30 p.m. There will also be three matinee performances February 28 and March 3 at 2 p.m. and March 4 at 3 p.m.
In the hit musical, four women with seemingly nothing in common but a black lace bra meet in a Bloomingdale’s department store and soon find out lingerie isn’t the only thing they share.
Since 2001, this slide-splitting musical has entertained audiences from coast-to-coast and around the world. Patrons will laugh and cheer along with a joyful parody of 25 re-lyricized baby boomer hits including “I Heard It Thru the Grapevine You No Longer See 39” “Puff, My God I’m Draggin” and the disco favorite “Stayin’ Awake! Stayin’ Awake!”
Huntington native Joanne Cummings Grant is the national director of production for the musical. She will return home for the Huntington debut. Grant is a Marshall University alumna. She served as promotions and acting director at the Huntington Civic Center from 1980-1982. Currently, Grant is responsible for booking and putting together cast and crew for the musical in six countries and fifteen cities.
A dinner theatre option is available before the March 3 evening show and a brunch prior to the March 4 matinee. The meals will begin two hours before show time. Tickets for the pre-show meals are $20 per person. Seating availability is limited. Patrons should call the Marshall Artists Series at (304) 696-3326 for reservations.
Tickets for the shows are available now. Tickets are $39. Groups of 20 or more people will receive a $5 discount off each individual ticket. Tickets may be purchased through the Marshall Artists Series Box Office, located in the Joan C. Edwards Performing Arts Center. The box office is open Monday through Friday from noon to 5 p.m. Phone orders may be taken from the box office for patrons calling (304) 696-6656. All major credit cards are accepted.
Tickets for all shows may also be purchased through Ticketmaster by calling (304) 523-5757 in Huntington or (304) 342-5757 in Charleston. Tickets can also be purchased online at www.ticketmaster.com. Patrons can pick up tickets at any Ticketmaster outlet, including select Kroger stores.
This show is sponsored by Cabell Huntington’s Women & Children’s Services, WSAZ, the Herald Dispatch, Clear Channel Communications, and the Marshall Artists Series.
Sunday, February 18, 2007
"Grease: YTOTIW"
I agree with Angela's post on the "Stay Tuned" blog (the link is over there on the right of this page) - tonight, on "Grease: You're the One That I Want," Derek Keeling really needs your vote. He missed on a note or two at the beginning of his performance, although the rest of it was excellent. He certainly wasn't the worst performer of the night, but for the first time, he wasn't the best, either. Still, I'd be shocked if he gets voted out - you might want to drop by www.nbc.com and throw a vote his way, just to be sure.
By the way, as we get down to the Final Five on the show, you can see why auditions can be difficult to judge - the top performers change week to week! So from a director's view, sometimes you just have to try to guess which performer will do the best job.
“Godspell”
I got to catch the final show of “Godspell” Saturday night at the First United Methodist Church in Huntington, and it was a lot of fun. If you’ve never seen it, it’s a free-spirited presentation of the book of Matthew (in other words, it’s basically the hippie version) - but the songs and dialogue are very true to the familiar Bible stories.
Through parables and songs, the teachings of Jesus unfold. It’s the ideal show for a community group to perform, because it requires very little in the way of sets, props or costumes - but you do need about a dozen talented performers.
They had that more than covered, as the show featured quite a few experienced actors, including Sam Yates as Jesus. For such a young guy - he’s a senior in High School - Sam has appeared in quite a few shows, and he just keeps getting better with each performance. He did a great job in this show, and his strong voice added a lot to the performance.
As Judas (and John the Baptist), Michael Niday provided the counterpoint to Jesus, and did so with lots of authority. The roles of the disciples were played by actors with a variety of experience: theatre veterans Jane Morse, Loretta Hetzer, Leann Haines and Ashleigh Bills (who also provided the choreography); the relatively-new-to-the-stage-but-quite-talented Stephen Vance, Kathy Morris and Jeanette Bills; and the young and talented performers Zach Davis, Alyssa Morris and Sara Morris. Kudos to all for a great job!
There are lots of reasons to like “Godspell” - I think I enjoy it for its energy, for its great songs and for the way it captures the timeless message of peace and love.
Of course, lots of credit also goes to the Music Director, Eddie Harbert, and fellow accompanist Rachel Noe, and a special tip o’ the hat to veteran director (and all around great guy) Jerry Morse, who made it all happen.
If you missed this one, you not only missed a fun show - you missed a great meal before it! Mark your calendars for next year - you’ll be glad you did!
Through parables and songs, the teachings of Jesus unfold. It’s the ideal show for a community group to perform, because it requires very little in the way of sets, props or costumes - but you do need about a dozen talented performers.
They had that more than covered, as the show featured quite a few experienced actors, including Sam Yates as Jesus. For such a young guy - he’s a senior in High School - Sam has appeared in quite a few shows, and he just keeps getting better with each performance. He did a great job in this show, and his strong voice added a lot to the performance.
As Judas (and John the Baptist), Michael Niday provided the counterpoint to Jesus, and did so with lots of authority. The roles of the disciples were played by actors with a variety of experience: theatre veterans Jane Morse, Loretta Hetzer, Leann Haines and Ashleigh Bills (who also provided the choreography); the relatively-new-to-the-stage-but-quite-talented Stephen Vance, Kathy Morris and Jeanette Bills; and the young and talented performers Zach Davis, Alyssa Morris and Sara Morris. Kudos to all for a great job!
There are lots of reasons to like “Godspell” - I think I enjoy it for its energy, for its great songs and for the way it captures the timeless message of peace and love.
Of course, lots of credit also goes to the Music Director, Eddie Harbert, and fellow accompanist Rachel Noe, and a special tip o’ the hat to veteran director (and all around great guy) Jerry Morse, who made it all happen.
If you missed this one, you not only missed a fun show - you missed a great meal before it! Mark your calendars for next year - you’ll be glad you did!
Saturday, February 17, 2007
Two Dinners - Two Shows
Tonight you have two chances to get a dinner and a show. It's the last performance for "Godspell" (as mentioned in previous posts), and you can also enjoy "A Salute to the USO" tonight at the Renaissance Center (the old Huntington High School).
The music will be provided by The Carl Toler Quartet plus two. Carl is a 20-year veteran of the Air Force where he performed with the world famous "Airmen of Note." Should be a lot of fun!
Unfortunately, I share this news too late for you to sign up for the dinner at the Renaissance, but you can get tickets to the show, which starts at 7:00p.m., for only $15.00 at the door. For those who already signed up for dinner, the meal is served at 5:30p.m.
Now if the weather will just cooperate...
The music will be provided by The Carl Toler Quartet plus two. Carl is a 20-year veteran of the Air Force where he performed with the world famous "Airmen of Note." Should be a lot of fun!
Unfortunately, I share this news too late for you to sign up for the dinner at the Renaissance, but you can get tickets to the show, which starts at 7:00p.m., for only $15.00 at the door. For those who already signed up for dinner, the meal is served at 5:30p.m.
Now if the weather will just cooperate...
Friday, February 16, 2007
The "Godspell" cast
Time is running out to catch "Godspell" - tomorrow's show is the last!
And thanks to my pal Stephen Vance, here's the cast and directors list:
Sam Yates - Jesus
Michael Niday - John the Baptist/Judas Iscariot
Disciples - Jane Morse, Loretta Hetzer, Jeanette Bills, Ashleigh Bills, Kathy Morris, Sara Morris, Alyssa Morris, Leann Haines, Zach Davis, Stephen Vance
Director - Jerry Morse
Musical Director - Eddie Harbert
Pianist - Rachel Noe
Miss it not!
And thanks to my pal Stephen Vance, here's the cast and directors list:
Sam Yates - Jesus
Michael Niday - John the Baptist/Judas Iscariot
Disciples - Jane Morse, Loretta Hetzer, Jeanette Bills, Ashleigh Bills, Kathy Morris, Sara Morris, Alyssa Morris, Leann Haines, Zach Davis, Stephen Vance
Director - Jerry Morse
Musical Director - Eddie Harbert
Pianist - Rachel Noe
Miss it not!
Thursday, February 15, 2007
"Godspell" Photos
Wednesday, February 14, 2007
On Stage Tonight - "Godspell"
As far as I know, possible inclement weather isn't going to stop tonight's performance of the folk rock musical “Godspell” at Huntington's First United Methodist Church. The show is based on Matthew’s gospel, and you get dinner with the show - the meal is served at 6:30 p.m. The shows will continue every evening through Saturday, Feb. 17, at the church at 1124 5th Avenue.
Tickets cost $20 for adults and $8 for children younger than 12. Tickets for the show only are $5. Baby-sitting is available for all shows, if requested in advance. Reservations are required by calling (304) 522-0357 or (740) 867-8576.
"Godspell" has been a favorite of mine for a long time, so I'm looking forward to seeing it - and so should you!
Tickets cost $20 for adults and $8 for children younger than 12. Tickets for the show only are $5. Baby-sitting is available for all shows, if requested in advance. Reservations are required by calling (304) 522-0357 or (740) 867-8576.
"Godspell" has been a favorite of mine for a long time, so I'm looking forward to seeing it - and so should you!
Happy Valentine's Day!
It's the day set aside to sell flowers and cards - uh, I mean, for all of us to tell our loved ones how we feel about them! Yeah, that's it.
So give a card, hand out a posey, or just pick up the phone and call a loved one - you'll be glad you did.
And to you, dear reader, who makes this blog possible just by reading - Happy Valentine's Day!
Tuesday, February 13, 2007
On Stage This Week - "Godspell"
If you're looking for something to do on Valentine's Day, the First United Methodist Church has the perfect solution - a dinner and a show!
The church will present the folk rock musical “Godspell,” which is based on Matthew’s gospel, beginning Wednesday, Feb. 14, at 6:30 p.m.. The shows will continue every evening through Saturday, Feb. 17, at the church at 1124 5th Avenue in Huntington.
And it's for a good cause - the money raised will help build a new playground at Ebenezer Community Outreach.
The menu includes a choice of prime rib au jus or glazed cornish hen, plus baked potato, tossed salad, green peas with pearl onions, dilly rolls, chocolate pie and Valentine delights. (I'm getting hungry just typing the words!)
Tickets cost $20 for adults and $8 for children younger than 12. Tickets for the show only are $5. Baby-sitting is available for all shows, if requested in advance. Reservations are required by calling (304) 522-0357 or (740) 867-8576.
Like I said before - highly recommended!
The church will present the folk rock musical “Godspell,” which is based on Matthew’s gospel, beginning Wednesday, Feb. 14, at 6:30 p.m.. The shows will continue every evening through Saturday, Feb. 17, at the church at 1124 5th Avenue in Huntington.
And it's for a good cause - the money raised will help build a new playground at Ebenezer Community Outreach.
The menu includes a choice of prime rib au jus or glazed cornish hen, plus baked potato, tossed salad, green peas with pearl onions, dilly rolls, chocolate pie and Valentine delights. (I'm getting hungry just typing the words!)
Tickets cost $20 for adults and $8 for children younger than 12. Tickets for the show only are $5. Baby-sitting is available for all shows, if requested in advance. Reservations are required by calling (304) 522-0357 or (740) 867-8576.
Like I said before - highly recommended!
Monday, February 12, 2007
Best Broadway Soundtrack
Hey, the Grammys were on last night - who knew? - and handed out an award for the Best Musical Show Album (in other words, the best Broadway cast recording). The winner was "Jersey Boys." The runner-ups: "The Color Purple," "The Drowsy Chaperone," "The Pajama Game" and "Sweeney Todd - The Demon Barber of Fleet Street."
Sunday, February 11, 2007
"Grease" Recap
Congrats to Derek Keeling for not only doing well in the voting, but turning in a strong performance in a song-and-dance number in tonight's show. He was picked at the end of the show as the favorite of two of the four judges - one of whom was someone who knows a little bit about the theatre - Andrew Lloyd Webber! Impressive!
I can't say I'm crazy about the elimination method the show uses. The bottom four vote-getters (two males and two females) have a "sing-off" where they take turns singing lines from a song - then the judges decide which male and female to send home. Uh, why bother having people vote if you're just going to overturn their choice? One assumes this is to keep the audience from sending home the wrong person - or perhaps it's an attempt to make the show different from "America Idol" - but it seems to defeat the purpose of having a vote.
I can't say I'm crazy about the elimination method the show uses. The bottom four vote-getters (two males and two females) have a "sing-off" where they take turns singing lines from a song - then the judges decide which male and female to send home. Uh, why bother having people vote if you're just going to overturn their choice? One assumes this is to keep the audience from sending home the wrong person - or perhaps it's an attempt to make the show different from "America Idol" - but it seems to defeat the purpose of having a vote.
Live Again Tonight - Grease: YTOTIW
Back again after reruns last week (because of the Super Bowl), we get a chance tonight to see how Scott Depot native Derek Keeling did with the audience votes in the reality TV show, "Grease: You're The One That I Want." You can read about it on the H-D website at www.herald-dispatch.com, and there's a link in the story that takes you to NBC's website, where you can see video from the show.
Isn't the Internet great?
Isn't the Internet great?
Saturday, February 10, 2007
High School Musical - Getting Started
So as recently posted, First Stage has announced plans to stage "High School Musical" in the Fall of 2007, and I've been asked to direct the show.
I've just received the perusal script, and as expected, they've made some minor changes in the show to adapt it for the stage - but the changes take nothing away from the story. It still includes the same songs, with a few added to round things out. It also expands the roles of many of the supporting characters - always a good thing - and adds at least one new character to help hold the story together.
So the first job is to establish a team. So far, I've signed up three of the area's best. Mark Smith, one of the area's most talented musicians, has agreed to be the Music Director and Orchestra Leader (if you've seen a local theatre performance with live music, chances are good that he was playing in it and probably leading the orchestra at the same time). Jack Welch, the master of the circular saw, has agreed to head up the Set Construction team. And for the job of Producer, I've managed to track down the woman who is, in my humble opinion, simply the best Producer ever - my wife, Jeanette. I know, you think I'm prejudiced - but she really is great at managing the zillion-and-one details of putting on a show.
We still need to sign up a Choreographer. I've offered the job to a certain someone who is great at it, but haven't heard back yet. Once that's settled, the planning can begin.
I've just received the perusal script, and as expected, they've made some minor changes in the show to adapt it for the stage - but the changes take nothing away from the story. It still includes the same songs, with a few added to round things out. It also expands the roles of many of the supporting characters - always a good thing - and adds at least one new character to help hold the story together.
So the first job is to establish a team. So far, I've signed up three of the area's best. Mark Smith, one of the area's most talented musicians, has agreed to be the Music Director and Orchestra Leader (if you've seen a local theatre performance with live music, chances are good that he was playing in it and probably leading the orchestra at the same time). Jack Welch, the master of the circular saw, has agreed to head up the Set Construction team. And for the job of Producer, I've managed to track down the woman who is, in my humble opinion, simply the best Producer ever - my wife, Jeanette. I know, you think I'm prejudiced - but she really is great at managing the zillion-and-one details of putting on a show.
We still need to sign up a Choreographer. I've offered the job to a certain someone who is great at it, but haven't heard back yet. Once that's settled, the planning can begin.
Friday, February 09, 2007
Music Man Cast List
Congrats to the cast of the 5th Avenue Theatre Company's upcoming production of "The Music Man," which will be presented at Huntington's City Hall auditorium from April 20 - 29.
The cast includes:
Harold Hill – Bil Neal
Marion Paroo – Nancy Jackson
Charlie Cowell – Dylan Clark
Constable Locke – Allen Stern
Mrs. Paroo – Karen Pruitt
Winthrop Paroo – Franklin Norton
Amaryllis – Lydia Waybright
Mayor Shinn – C.E. Wilson
Eulalie Shinn – Jane Morse
Zaneeta Shinn – Jessica Maier
Gracie Shinn – Amanda Callicoat
Marcellus Washburn – Kenny Harbolt
Quartet – “The Thundertones”
Ethel Toffelmier – Melanie Hughes
“Ladies” - Loretta Hetzer, Debbie Wolfe
Featured Dancers are Micah Collins, Amy C., Wendy Goodenough, Jessica Maier and Tiffany McCullough.
In the Chorus: Amanda Callicoat, Amy C., Todd Childers, Grayson Collins, Micah Collins, Sheridyn Collins, Shelby Easter, Wendy Goodenough, Kenny Harbolt, Loretta Hetzer, Melanie Hughes, Amy Jones, Anastasia Jones, Chrissy Lewis, Jessica Maier, Jack McGee, Tiffany McCullough, Rachel Meadows, Jane Morse, Franklin Norton, Mallory Norton, Sydney Pay, Karen Pruitt, Andrea Steele, Allen Stern, “The Thundertones,” Emily Waybright, Lydia Waybright, Jordan Wehmeier, C.E. Wilson, Annie Wolfe, Debbie Wolfe, Paul Wolfe and Sarah Wolfe.
For more information about the show, contact Terri Tagmeyer at 304-634-3979 or Maxine Loudermilk at 304-696-5522.
The cast includes:
Harold Hill – Bil Neal
Marion Paroo – Nancy Jackson
Charlie Cowell – Dylan Clark
Constable Locke – Allen Stern
Mrs. Paroo – Karen Pruitt
Winthrop Paroo – Franklin Norton
Amaryllis – Lydia Waybright
Mayor Shinn – C.E. Wilson
Eulalie Shinn – Jane Morse
Zaneeta Shinn – Jessica Maier
Gracie Shinn – Amanda Callicoat
Marcellus Washburn – Kenny Harbolt
Quartet – “The Thundertones”
Ethel Toffelmier – Melanie Hughes
“Ladies” - Loretta Hetzer, Debbie Wolfe
Featured Dancers are Micah Collins, Amy C., Wendy Goodenough, Jessica Maier and Tiffany McCullough.
In the Chorus: Amanda Callicoat, Amy C., Todd Childers, Grayson Collins, Micah Collins, Sheridyn Collins, Shelby Easter, Wendy Goodenough, Kenny Harbolt, Loretta Hetzer, Melanie Hughes, Amy Jones, Anastasia Jones, Chrissy Lewis, Jessica Maier, Jack McGee, Tiffany McCullough, Rachel Meadows, Jane Morse, Franklin Norton, Mallory Norton, Sydney Pay, Karen Pruitt, Andrea Steele, Allen Stern, “The Thundertones,” Emily Waybright, Lydia Waybright, Jordan Wehmeier, C.E. Wilson, Annie Wolfe, Debbie Wolfe, Paul Wolfe and Sarah Wolfe.
For more information about the show, contact Terri Tagmeyer at 304-634-3979 or Maxine Loudermilk at 304-696-5522.
Thursday, February 08, 2007
Breaking News!
I've been keeping a secret from you, dear readers - I've been in negotiations to direct a show next fall for the First Stage Theatre Company (Huntington's children's theatre).
Today I received the final approval from that group to direct "High School Musical" for the Fall of 2007 (I'm apparently the only one crazy enough to take the job). For those of you who haven't seen it yet, "HSM" is the popular Disney Channel movie/musical that has become a phenomenon. It became a top-selling CD and DVD, and now it has been adapted for the stage.
I should mention up front that First Stage won't be the first local group to produce the show - it's on the Spring schedule for Ashland's Backstage Players. But why should they have all the fun?
It's a great show, with loads of energy and terrific songs - I know it's going to be a blast, and I'll keep you up to date on our progress right here.
We're not sure where we're going to stage it yet, but we're working on it (along with a few zillion other details). Stay tuned, y'all!
Today I received the final approval from that group to direct "High School Musical" for the Fall of 2007 (I'm apparently the only one crazy enough to take the job). For those of you who haven't seen it yet, "HSM" is the popular Disney Channel movie/musical that has become a phenomenon. It became a top-selling CD and DVD, and now it has been adapted for the stage.
I should mention up front that First Stage won't be the first local group to produce the show - it's on the Spring schedule for Ashland's Backstage Players. But why should they have all the fun?
It's a great show, with loads of energy and terrific songs - I know it's going to be a blast, and I'll keep you up to date on our progress right here.
We're not sure where we're going to stage it yet, but we're working on it (along with a few zillion other details). Stay tuned, y'all!
On Stage Tonight - Bell, Book and Candle
As mentioned here, you can catch "Bell, Book and Candle" beginning tonight. Make plans now!
Coming Soon - "Godspell"
There's a nice story online about the upcoming production of "Godspell" at the First United Methodist Church, as directed by my pal (and local theatre legend) Jerry Morse. You can read about it here, and having attended past productions, let me assure you that you'll not only see a great show, but you'll also get an excellent meal out of the deal.
Highly recommended!
Highly recommended!
Wednesday, February 07, 2007
Bell, Book and Candle
Ah, Blogger has mended its ways and is cooperating. You can find the story on that show right here.
Remember, it starts tomorrow in Ashland!
Remember, it starts tomorrow in Ashland!
Tuesday, February 06, 2007
On Stage This Week - Bell, Book and Candle
Hopefully the snow will let up in time for everyone to get to see the Blazer Theatre presentation of "Bell, Book, and Candle," which will hit the stage Thursday through Saturday, Feb. 8 - 10, at 8:00 p.m., and Sunday, Feb. 11 at 2:30 p.m.
The show will be at the Millennium Center at Paul G. Blazer High School in Ashland, Ky. The admission is $5.00 for adults and $3.00 for students & senior citizens. For More Information, call (606) 327-6040 ext. 3207.
There's a nice write-up about the show in today's paper, but Blogger is making it difficult for me to link to it - so just go to the Herald-Dispatch website at www.herald-dispatch.com and you'll find it.
I haven't seen this show before, but Blazer always does good work, so give it a try and support your local theatre!
The show will be at the Millennium Center at Paul G. Blazer High School in Ashland, Ky. The admission is $5.00 for adults and $3.00 for students & senior citizens. For More Information, call (606) 327-6040 ext. 3207.
There's a nice write-up about the show in today's paper, but Blogger is making it difficult for me to link to it - so just go to the Herald-Dispatch website at www.herald-dispatch.com and you'll find it.
I haven't seen this show before, but Blazer always does good work, so give it a try and support your local theatre!
Monday, February 05, 2007
Oh Well...
Now you see why I rarely gamble. Congrats to the Colts and their fans for the Super Bowl victory, and to Bears fans - there's always next time.
Meanwhile, on the theatre front (you know, the actual topic of this humble blog), things are starting to heat up - some great shows are on the way for February. We'll have a preview soon and we'll try to stick to that topic and avoid sports as much as possible. If just to avoid embarrassing me any more.
Meanwhile, on the theatre front (you know, the actual topic of this humble blog), things are starting to heat up - some great shows are on the way for February. We'll have a preview soon and we'll try to stick to that topic and avoid sports as much as possible. If just to avoid embarrassing me any more.
Sunday, February 04, 2007
Super Sunday
The big drama today is unfolding in Miami, as the teams get ready to duke it out in the Super Bowl.
My prediction? Well, since my youngest son is going to school in Chicago, and all the media seems to have already decided this is the "Peyton Manning Super Bowl' (thereby putting the hex on him), I'll go with Chicago (Da Bears) to win this one, 38 to 28.
Personally, I always look at the Super Bowl as a day of mourning, since it means no more football for many months to come.
My prediction? Well, since my youngest son is going to school in Chicago, and all the media seems to have already decided this is the "Peyton Manning Super Bowl' (thereby putting the hex on him), I'll go with Chicago (Da Bears) to win this one, 38 to 28.
Personally, I always look at the Super Bowl as a day of mourning, since it means no more football for many months to come.
Saturday, February 03, 2007
So You Want to Put on a Show... (Part 3)
So you’ve lined up some money and decided which show you want to do. Here’s the most important advice ever for tackling a community theatre show: get help.
Putting on a show is a monstrous task, and the only way to accomplish it is by getting lots of help. The theatre bone yard is littered with the broken dreams of those who thought they could handle everything on their own. But one of the many dirty little secrets about theatre is that it’s actually a team sport. You gather talented people, and each person is assigned a job. As long as everyone does their part, you’ll end up with a successful performance.
So you need to assemble a team. Jobs tend to vary according to each team, and sometimes more than one person combines efforts to manage a single job, but here’s a rough division of labor. You’ll need: a Director to deal with the actors, set up rehearsals and generally guide the production from beginning to end; and a Producer to handle the behind-the-scenes jobs, including coordinating costume and set construction, organizing volunteers and tech people and a few thousand other details.
Assuming you’re doing a musical, you’ll need a Music Director to teach the music to the cast and guide the musicians who will accompany the performance, and you’ll need a Choreographer to design and teach the dancing involved.
That’s the core of the team you’ll need, although there are lots of other people you’ll need, including a costume designer, someone to manage set construction, a stage manager to organize the tech crew during performances, and many more.
Once you have you team assembled, then it’s time for the fun to start, and every show kicks off the same way: with auditions.
Next: Looking for talent.
Putting on a show is a monstrous task, and the only way to accomplish it is by getting lots of help. The theatre bone yard is littered with the broken dreams of those who thought they could handle everything on their own. But one of the many dirty little secrets about theatre is that it’s actually a team sport. You gather talented people, and each person is assigned a job. As long as everyone does their part, you’ll end up with a successful performance.
So you need to assemble a team. Jobs tend to vary according to each team, and sometimes more than one person combines efforts to manage a single job, but here’s a rough division of labor. You’ll need: a Director to deal with the actors, set up rehearsals and generally guide the production from beginning to end; and a Producer to handle the behind-the-scenes jobs, including coordinating costume and set construction, organizing volunteers and tech people and a few thousand other details.
Assuming you’re doing a musical, you’ll need a Music Director to teach the music to the cast and guide the musicians who will accompany the performance, and you’ll need a Choreographer to design and teach the dancing involved.
That’s the core of the team you’ll need, although there are lots of other people you’ll need, including a costume designer, someone to manage set construction, a stage manager to organize the tech crew during performances, and many more.
Once you have you team assembled, then it’s time for the fun to start, and every show kicks off the same way: with auditions.
Next: Looking for talent.
Friday, February 02, 2007
Coming Attractions
You can catch the play "Great Expectations" Monday at the Paramount in Ashland. There's a lot more details and info here.
Also, don't forget about the auditions for 5th Avenue Theatre's "The Music Man" this weekend at the Huntington City Hall auditorium, which we told you about here.
On a more personal note, I hope to have an announcement soon about a certain show I'm hoping to direct in the fall. First I have to talk some friends into it. More on that as news develops.
Also, don't forget about the auditions for 5th Avenue Theatre's "The Music Man" this weekend at the Huntington City Hall auditorium, which we told you about here.
On a more personal note, I hope to have an announcement soon about a certain show I'm hoping to direct in the fall. First I have to talk some friends into it. More on that as news develops.
Thursday, February 01, 2007
100!
This post is #100 in the series (collect 'em all)!
So let's see, we started this humble blog on October 4, so that means it's been rolling along for just under 120 days - so that averages out to almost a post a day - not bad!
Hope you've enjoyed the ride so far - we have lots more stories to tell, shows to preview and review, and assorted other nonsense to keep you on your toes!
Thanks for reading - let's see if I can score a perfect score (at least one post a day) for the next 100! (But no promises.)
So let's see, we started this humble blog on October 4, so that means it's been rolling along for just under 120 days - so that averages out to almost a post a day - not bad!
Hope you've enjoyed the ride so far - we have lots more stories to tell, shows to preview and review, and assorted other nonsense to keep you on your toes!
Thanks for reading - let's see if I can score a perfect score (at least one post a day) for the next 100! (But no promises.)
Vote Early and Often
My pal Angela Henderson sent along this comment about the "Grease: You're the One That I Want" show, printed out here in case you missed it:
<< Okay, so here's the deal for all of you Derek fans out there. Yes, NBC is giving people a second chance to vote this week based on last week's performances. You can vote on-line at www.nbc.com from 10:55 p.m. to 5 a.m. this Sunday/Monday. HOWEVER, you can only vote 10 times per e-mail address. You can vote 200 times by phone and those lines will be open from 10:55 p.m. to 1 a.m. Sunday/Monday. As you may recall, Derek's number was 1-888-IVOTE-01. >>
Thanks, Angela! She's so good at this blogging thing that she has two sites, which you'll find to the right - one on TV (Stay Tuned) and one on American Idol.
<< Okay, so here's the deal for all of you Derek fans out there. Yes, NBC is giving people a second chance to vote this week based on last week's performances. You can vote on-line at www.nbc.com from 10:55 p.m. to 5 a.m. this Sunday/Monday. HOWEVER, you can only vote 10 times per e-mail address. You can vote 200 times by phone and those lines will be open from 10:55 p.m. to 1 a.m. Sunday/Monday. As you may recall, Derek's number was 1-888-IVOTE-01. >>
Thanks, Angela! She's so good at this blogging thing that she has two sites, which you'll find to the right - one on TV (Stay Tuned) and one on American Idol.
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